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1000 tulosta hakusanalla HENRY CHRISTINA

Studies in Early Christian and Medieval Irish Art, Volume I

Studies in Early Christian and Medieval Irish Art, Volume I

Francoise Henry

Pindar Press
1983
sidottu
Over the past fifty years, Françoise Henry has been the leading authority on the history of early Irish art. A pupil of Henri Focillon, she united two traditions of scholarship, one French and one Irish, and her understanding of the European context within which the art of early Christian Ireland developed has had a profound influence on subsequent research. These three volumes bring together the articles that Dr. Henry published on Irish art and its European links. The first volume is concerned with enamel and metalwork, a field in which the author specialized from the beginning. Émailleurs d'Occident looks at Western enamels, among which the Irish examples figure prominently, and the development of Irish enamelling is treated separately in the following study. Metalwork is also featured, in the form of a number of Dr. Henry's important studies on hanging-bowls, croziers, and chalices. Volume I contents include: Preface by C. Curle; Enamels; Émailleurs d'Occident; Irish Enamels of the Dark Ages and their Relation to the Cloisonné Techniques; Hanging Bowls, with Supplement; A Bronze Escutcheon Found in the River Bann; On Some Early Christian Objects in the Ulster Museum; Deux objets de bronze irlandais au Musée des Antiquités Nationales; Le calice trouvé a Derrynaflan; Les crosses pre-romanes; The Effects of the Viking Invasion on Irish Art; Additional Notes; Index.
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Studies in Early Christian and Medieval Irish Art, Volume II

Studies in Early Christian and Medieval Irish Art, Volume II

Francoise Henry

Pindar Press
1984
sidottu
Over the past fifty years, Françoise Henry has been the leading authority on the history of early Irish art. A pupil of Henri Focillon, she united two traditions of scholarship, one French and one Irish, and her understanding of the European context within which the art of early Christian Ireland developed has had a profound influence on subsequent research. These three volumes bring together the articles that Dr. Henry published on Irish art and its European links. The first volume is concerned with enamel and metalwork, a field in which the author specialized from the beginning. Émailleurs d'Occident looks at Western enamels, among which the Irish examples figure prominently, and the development of Irish enamelling is treated separately in the following study. Metalwork is also featured, in the form of a number of Dr. Henry's important studies on hanging-bowls, croziers, and chalices. The second volume deals with Irish manuscript illumination. Since a number of the articles reprinted here were published in collaboration with Geneviève Marsh-Micheli, this volume, as Françoise Henry wished, is published as a joint work, and includes an independent article by Mrs. Marsh-Micheli on the Irish manuscripts of St. Gall and Reichenau. The manuscripts dealt with here cover the entire span of Christian Celtic art in Ireland, from the earliest works of the seventh and eighth centuries to the later manuscripts of the period between the Norman Conquest and the final collapse of Gaelic civilisation in Ireland in the late sixteenth century. There are joint studies of Irish manuscripts in Continental and English collections, and a valuable review by Françoise Henry of the facsimile edition of the Book of Lindisfarne. The third volume of Françoise Henry's Studies features her papers on early Christian architecture and sculpture in Ireland. They include one of the author's earliest contributions, Les origines de l'iconographie irlandaise, and the subject of Irish sculpture, particularly the high crosses and cross-slabs, remained one of Françoise Henry's main interests. Her list of dated inscriptions on early Irish graveslabs helps to provide a chronology for this type of monument that is of unique value. The author's studies of the monastic sites represent a particularly valuable contribution to the archaeology of early Christian Ireland. This comprises the results of nearly fifty years of field-work in some of the more inaccessible areas of Ireland. Two of the papers reprinted here carry the study of Irish sculpture into the post-Norman period, with notes on the carved decoration of the Irish Cistercian monasteries, and a figure in Lismore Cathedral.
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Studies in Early Christian and Medieval Irish Art, Volume III

Studies in Early Christian and Medieval Irish Art, Volume III

Francoise Henry

Pindar Press
1985
sidottu
Over the past fifty years, Françoise Henry has been the leading authority on the history of early Irish art. A pupil of Henri Focillon, she united two traditions of scholarship, one French and one Irish, and her understanding of the European context within which the art of early Christian Ireland developed has had a profound influence on subsequent research. These three volumes bring together the articles that Dr. Henry published on Irish art and its European links. The first volume is concerned with enamel and metalwork, a field in which the author specialized from the beginning. Émailleurs d'Occident looks at Western enamels, among which the Irish examples figure prominently, and the development of Irish enamelling is treated separately in the following study. Metalwork is also featured, in the form of a number of Dr. Henry's important studies on hanging-bowls, croziers, and chalices. The second volume deals with Irish manuscript illumination. Since a number of the articles reprinted here were published in collaboration with Geneviève Marsh-Micheli, this volume, as Françoise Henry wished, is published as a joint work, and includes an independent article by Mrs. Marsh-Micheli on the Irish manuscripts of St. Gall and Reichenau. The manuscripts dealt with here cover the entire span of Christian Celtic art in Ireland, from the earliest works of the seventh and eighth centuries to the later manuscripts of the period between the Norman Conquest and the final collapse of Gaelic civilisation in Ireland in the late sixteenth century. There are joint studies of Irish manuscripts in Continental and English collections, and a valuable review by Françoise Henry of the facsimile edition of the Book of Lindisfarne. The third volume of Françoise Henry's Studies features her papers on early Christian architecture and sculpture in Ireland. They include one of the author's earliest contributions, Les origines de l'iconographie irlandaise, and the subject of Irish sculpture, particularly the high crosses and cross-slabs, remained one of Françoise Henry's main interests. Her list of dated inscriptions on early Irish graveslabs helps to provide a chronology for this type of monument that is of unique value. The author's studies of the monastic sites represent a particularly valuable contribution to the archaeology of early Christian Ireland. This comprises the results of nearly fifty years of field-work in some of the more inaccessible areas of Ireland. Two of the papers reprinted here carry the study of Irish sculpture into the post-Norman period, with notes on the carved decoration of the Irish Cistercian monasteries, and a figure in Lismore Cathedral.
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The Frontier Lands of the Christian and the Turk; Comprising Travels in the Regions of the Lower Danube in 1850 and 1851. by a British Resident of Twenty Years in the East [I.E. J. H. Skene].

The Frontier Lands of the Christian and the Turk; Comprising Travels in the Regions of the Lower Danube in 1850 and 1851. by a British Resident of Twenty Years in the East [I.E. J. H. Skene].

James Henry Skene

British Library, Historical Print Editions
2011
pokkari
Title: The Frontier Lands of the Christian and the Turk; comprising travels in the regions of the Lower Danube in 1850 and 1851. By a British Resident of twenty years in the East i.e. J. H. Skene].Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Anonymous; Skene, James Henry; 1853. 2 vol.; 8 . 10106.g.18.
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The Blood of Christ in Christian Latin Literature Before the Year 1000: A Dissertation

The Blood of Christ in Christian Latin Literature Before the Year 1000: A Dissertation

Joseph Henry Rohling

Literary Licensing, LLC
2012
sidottu
""The Blood of Christ in Christian Latin Literature Before the Year 1000"" is a dissertation written by Joseph Henry Rohling. The book explores the use of the concept of the blood of Christ in Christian Latin literature before the year 1000. The author examines how this concept was used in various literary works, including hymns, sermons, and theological treatises. Rohling analyzes the different meanings and interpretations of the blood of Christ in these texts and how they relate to the broader theological and cultural contexts of the time. The book provides a comprehensive overview of the use of this important theological concept in early Christian Latin literature and offers insights into the development of Christian theology during this period.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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