Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Jim Carson
Jim Dine
Steidl Verlag
2005
sidottu
The winter in L.A. that year was kind of a "grey July." Diana and I lived at 234 Entrada Drive in January and February of 2001. These photographs are a memoir of what our eyes saw in our garden and when we walked to the Pacific Ocean. We also climbed into the Santa Monica Mountains on our bicycles, crossing Sunset Boulevard just where it goes into Pacific Palisades. We did this every day, winding our way through more L.A. suburbia till we reached the fire trail into the mountains (where wilder animals than us live). We hardly ever saw a neighbor to make up stories about. Our landlady was called Denise de Graf. She was ever vigilant about our comings and goings. I also think we lived just to the north of the late Christopher Isherwood's house but maybe I dreamt that. That winter all we thought about was our work and getting back to Paris. Jim Dine
Jim Dine
Steidl Verlag
2012
nidottu
XX"I was 74 in June," wrote a reflective Jim Dine in G ttingen, Germany, in August 2009. "These self-portrait drawings are about how many times I've regarded my face minutely and have corrected and erased to get the feeling I want to show most accurately. I now am able, after all this looking, to enlarge my head to become a field of form and chatter and for it to be compared to a vast forest or a limestone quarry, for instance. Finally, lying is not an option, nor is decoration. I am committed to setting the record straight. Don't worry, I will." Embracing the artistic possibilities of this station in his life, Dine here breaks into new terrain with these works.
Jim Dine redefines everything, his life and his (he)art in these 52 books. Trying to realize the depth of his aesthetic and profane reality, the books are also documents of an artistic consciousness, of an intense biography, of personal likes and dislikes, of formal richness and of exploding craftsmanship, of an exceptional imagination.These books invent the context for a new melody for the art of Jim Dine, for all the major byways of this seemingly inexhaustible creativity, which combines dream and reality — it is a composition for all the people who would like to sing a new song, maybe their own song.Dine has reflected authentically on his own identity and through it the identity of reality, nature, art, thoughts, feelings in an extraordinary poetic way: we see a POEM, we read an IMAGE. They are books one may read and regard as a summary of an unusual life.This Hot Dream first appeared as an idea 13 years ago. Steidl embraced and blessed the project so I went ahead. I stewed about it for two years then I stood around waiting to talk to Gerhard about it then finally I got down to putting the books together. My method, as in all my work, is the use of collage, painting and drawing, and correcting; coupled with my writing and my untouched photographs. The fact of making a book a week and the sensual possibilities i.e. the act of making a union with humans through the smell of the ink on the paper, the feel of the images and words. Hot Dream tells a lot about me, Dine, and bookmaking. Jim Dine, Göttingen, June 2018
“I am an object maker.” Jim Dine Night Fields, Day Fields is a survey of Jim Dine’s sculpture from 1959 to 2009. Dine is commonly seen as a prolific painter, printmaker and photographer whose central practice is drawing, but this book shows that sculpture is just as important in his oeuvre. Here we discover Dine’s favourite and reoccurring motifs: hearts, tools, skulls, and Pinocchio, as well as Classical sculpture in the form of Venus de Milo and Winged Victory. Dine’s media are as diverse as his themes and include bronze, wood, glass and found objects. His styles are similarly manifold, testament to an artist who has shrugged off the trappings of Pop Art to develop an eclectic body of styles that is unique and authoritative in contemporary art. Born in 1935 in Cincinnati, Ohio, Jim Dine completed a Bachelor of Fine Arts at the University of Ohio in 1957, and has since become one of the most profound and prolific contemporary artists. Dine’s unparalleled career spans fifty years and his work is held in numerous private and public collections. His books at Steidl include Birds (2001), The Photographs, so far (2003), and Hot Dream (52 Books) (2008).
Jim Dine’s status as a master draughtsman is unquestioned and this book presents the best of his most recent drawings. Hello Yellow Glove opens with one of Dine’s most treasured motifs, Pinocchio. Using dense charcoal and dripping washes, Dine depicts the sinister edge to Carlo Collodi’s story and Pinocchio’s isolation in his quest to become a real boy. With similar dark layers and dissolving forms Dine also depicts botanical motifs such as the thistle and catalpa tree. In addition to these bodies of work, Hello Yellow Glove presents Dine’s portrait of Gerhard Steidl, an ambitious suite of nine drawings made by the artist in his Göttingen studio. Alongside reproductions of the drawings are photographs of Dine taken by Steidl during the sittings, which form both a candid portrait of the artist and offer a rare glimpse into his working processes. Born in 1935 in Cincinnati, Ohio, Jim Dine is a prolific painter, draughtsman, print-maker and photographer. Initially associated with the Pop movement, Dine’s career spans over forty years and his work is held in many private and public collections. His books with Steidl include Birds (2001), The Photographs, so far (2003) and Hot Dream (52 Books) (2008).
“Inspired by a semi-autobiographical book by the mid-20th century German printmaker HAP Grieshaber, I have used his idea to create a story of fifty years as a printmaker. The book includes interviews with my printers and memories of my life around the prints I made at that time. I have made over a thousand prints so far and I am not done yet. There are “key” images illustrated, and the text attempts to marry the technical with my emotional feeling for the mediums, etching, lithography, woodcut and silkscreen. I have included recipes for variations on intaglio and some stories of my friendships with these gifted artisans who have produced this work.” Jim Dine
Jim Dine
Steidl Verlag
2014
sidottu
"Hi, my name is Jimmy," a crow said to the boy, Jim Dine, when his parents took him to the zoo. The two Jimmys got connected by a secret link. "Lots of things scared me when I was a little boy but this scared me and it also...I understood it." The encounter with the bird was perceived by the boy as a mixture of fear, fascination and a deeper understanding of his unconscious world. The artist later transformed his remembrance into a fascinating series of black-and-white photos. Are they symbolic, profound, mystic or just pictures of beloved animals? An everyday unspectacular bird might appear to the beholder as a character of mythology, as a jester at the medieval court, as a strange messenger of a world behind the scenes. Jim Dine speaks to the birds, and the bird answers, because they are on intimate terms.
Jim Knopf und Lukas der Lokomotivführer - CDs / Von China bis ans Ende der Welt
Michael Ende
Karussell
1999
cd
Jim Knopf und die Wilde 13. Folge 1. CD
Karussell
1999
cd
Though it is 50 years since he gained his two Formula 1 World Championship titles, the interest in Jim Clark has not waned. The Scotsman is still regarded as one of the best Grand Prix drivers ever. In the 1960s, Clark and his mentor, Colin Chapman, conquered the very pinnacles of single-seater racing with Clark winning the F1 World Championship twice and the Indy 500 once. All in all, he claimed more than one hundred victories at the wheel of a Lotus. This 400-page book from McKlein does not just tell the story of Clark's extraordinary racing career, it also portrays his personal life from A to Z. Author Graham Gauld followed the career of the Scotsman right from its very beginning. He has fi lled the roles of friend, photographer and reporter, and thus spent innumerable hours with Clark. This lavishly illustrated book contains many rare images from various well-known archives thus helping to complete an intimate portrait of a true sporting champion.
Jewish Fate is an evocative autobiographical poem by Jim Dine (born 1935) accompanied by 18 lithographs of one of his favorite motifs, tools. The poem shows Dine reminiscing about his childhood days spent at his grandfather's hardware store in Cincinnati.
A trade edition of a 2016 limited edition, this book is Jim Dine's (born 1935) confessional address to the people he has collaborated with, to his friends and family. Consisting of a long poem and 18 color linocut portraits of those closest to Dine, the book explores his emotions, thoughts and memories.
Jim Dine
Steidl Verlag
2020
sidottu