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1000 tulosta hakusanalla Ruth Vitrano Merkel

Ruth: Bridges and Boundaries

Ruth: Bridges and Boundaries

Jonathan Grossman

Peter Lang AG, Internationaler Verlag der Wissenschaften
2015
nidottu
Ruth: Bridges and Boundaries is a literary close reading of the text as a bridge between the anarchic period of the Judges and the monarchic age that begins with the birth of David, as reflected through Ruth’s absorption process within Bethlehemite society. This bridge is constructed from three main axes: the theological perception that human actions have the power to shape and advance reality; the moral-legal perception that the spirit of the law must be privileged over the letter of the law and social conventions; and the principle that the institute of monarchy must be based upon human compassion. The commentary traces the narrative sequence through the paradigm of this three-fold cord, showing how these threads are woven throughout the book. This innovative reading is illustrated with an unprecedented psychological analysis of Ruth as a narrative of transition, using modern psychological theories. This contemporary yet textually faithful literary commentary offers new insight into the inner workings of the text of Ruth as literary masterpiece. Academic yet accessible, this work provides tools for readers of Ruth and the field of biblical narrative in general.
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ruth weiss

ruth weiss

De Gruyter
2021
sidottu
ruth weiss, born in Berlin in 1928 to Austrian-Jewish parents, arrived in San Francisco in 1952 after hitchhiking through the United States. Crowned years later as the “Goddess of the Beat Generation” by San Francisco Chronicle critic Herb Caen, weiss has worked for almost seven decades with a plurality of artistic forms. Despite her extensive poetry career and very active participation in the West Coast buzzing artistic community since the early 1950s, weiss has remained an essentially overlooked figure in poetry history. This neglect might be representative of the overshadowing of female artists within the Beat Generation as “a marginalized group within an always already marginalized bohemia” (Johnson). The volume taps directly into this lacuna by proving the first close study on one of the most prolific members of the so-called Beat Generation. Offering diverse and comprehensive points of entrance into weiss’s oeuvre, the essays in this volume adopt a multidisciplinary approach that attests to the cross-pollination between art forms in postwar counterculture. In addition, the volume also includes shorter, non-academic contributions and previously unpublished archival material. Bringing together scholars, academics and artists from around the world, this volume represents a timely and much-needed response to the increasing interest in weiss’s work in the last decades.
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Ruth Schnell – WORKBOOK

Ruth Schnell – WORKBOOK

De Gruyter
2023
isokokoinen pokkari
Hybrid spatial installations Ruth Schnell’s work interrogates historical concepts of reality that are now being called into question by apparative perception. In the field of media art, Schnell has made a significant contribution to the understanding of this radical transformation: she has gone beyond the moving image, involved viewers in a participatory manner, and expanded object-like or sculptural art into immersive environments. Deeply inscribed in her artistic approach is the reference to sociopolitical questions and the latest developments in technology. The monograph offers a documentary reappraisal and contextualization of Ruth Schnell’s work since 1983 and provides stimulus for enhancing competence in the field of media. 40 years of media art production open up new paths and dimensions in a singular way Extensive section on the body of work; with prefaces by Peter Weibel and Katharina Gsöllpointner, as well as contributions by Claudia Giannetti, Chris Salter, and Jill Scott Digital link to the artist’s video archive via QR codes
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ruth weiss

ruth weiss

De Gruyter
2023
isokokoinen pokkari
ruth weiss, born in Berlin in 1928 to Austrian-Jewish parents, arrived in San Francisco in 1952 after hitchhiking through the United States. Crowned years later as the “Goddess of the Beat Generation” by San Francisco Chronicle critic Herb Caen, weiss has worked for almost seven decades with a plurality of artistic forms. Despite her extensive poetry career and very active participation in the West Coast buzzing artistic community since the early 1950s, weiss has remained an essentially overlooked figure in poetry history. This neglect might be representative of the overshadowing of female artists within the Beat Generation as “a marginalized group within an always already marginalized bohemia” (Johnson). The volume taps directly into this lacuna by proving the first close study on one of the most prolific members of the so-called Beat Generation. Offering diverse and comprehensive points of entrance into weiss’s oeuvre, the essays in this volume adopt a multidisciplinary approach that attests to the cross-pollination between art forms in postwar counterculture. In addition, the volume also includes shorter, non-academic contributions and previously unpublished archival material. Bringing together scholars, academics and artists from around the world, this volume represents a timely and much-needed response to the increasing interest in weiss’s work in the last decades.
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Ruth Allerton, the Missionary's Daughter

Ruth Allerton, the Missionary's Daughter

Anatiposi Verlag
2023
pokkari
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
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Ruth Allerton, the Missionary's Daughter

Ruth Allerton, the Missionary's Daughter

Anatiposi Verlag
2023
sidottu
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
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Ruth Landshoff-Yorck - Schreibende Persephone zwischen Berliner Boheme und New Yorker Underground

Ruth Landshoff-Yorck - Schreibende Persephone zwischen Berliner Boheme und New Yorker Underground

Diana Mantel

Peter Lang AG
2014
sidottu
Das Gesamtwerk der fast vergessenen Schriftstellerin Ruth Landshoff-Yorck (1904-1966) steht im Mittelpunkt dieser Studie. Landshoffs Zitat "I am rediscovered every year, but like Persephone I always return underground" ist dabei wegweisend fur die hier vorgestellten und analysierten Texte. Diese formieren sich, parallel zu Schaffens- und Lebensphasen der Autorin, in der Bewegung zwischen den Welten, zwischen Oberflache und Underground, stets neu. Dabei zeigt das Buch, wie sich Landshoffs Schreiben von eher spielerischen Texten der 1920er Jahre zu dezidiert antifaschistischen Werken nach ihrer Emigration in die USA entwickelt. Dort wurde die "schreibende Persephone" nach 1945 im Off-Off-Broadway aktiv und verknupfte diesen als wichtige Mentorin mit der europaischen Kunstszene.
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Ruth Elias

Ruth Elias

Paola Bertolino

Grin Publishing
2008
pokkari
Studienarbeit aus dem Jahr 2002 im Fachbereich Germanistik - Literaturgeschichte, Epochen, Note: 2, Universitat Leipzig (FB Germanistik), Veranstaltung: Spurensuche judischer Identitat, Sprache: Deutsch, Abstract: Diese Arbeit wird sich mit dem Buch Die Hoffnung erhielt mich am Leben von Ruth Elias beschaftigen, da es versucht, das Unverstehbare verstehbar zu machen. Es ist namlich nicht nur eine Vermittlung von Tatsachen, sondern ermoglicht es durch das personliche Erzahlen, den Leser zu sensibilisieren. Da er sich in Ruthes Erfahrung einfuhlen kann, wird es ihm moglich, ihre Gefuhle besser zu verstehen. Nach einer generellen Einfuhrung in die Holocaustliteratur, soll es erklart werden, warum Ruth Elias nach langer Zeit des Schweigens entschieden hat, alles zu erzahlen. Der Text liefert Hinweise, die auch viele geschichtliche Aspekte besser verstehen lassen. Es wird also klarer, wie ausserordentlich die Juden ausgegrenzt waren und wie sie von den anderen Leuten betrachtet wurden. Auch das Thema des Widerstands gegen den Hitler-Nazismus wird angesprochen. Durch Ruthes Worte konnen ebenso die Schwierigkeiten der Nachkriegszeit verstanden werden, die die Erfahrung verursacht hat
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