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1000 tulosta hakusanalla Jonathan Edwards
The complete edition of a timeless classic, includes the recently rediscovered Part Four and â??Last Wordsâ?? by Richard Bach.Jonathan Livingston Seagull, the most celebrated inspirational fable of our time, tells the story of a bird determined to be more than ordinary.
‘Trippy, incisive, riotously funny’ ALEXANDRA KLEEMAN ‘[An] insightfully nightmarish parable ' HALLE BUTLER 'A stunner’ NANA KWAME ADJEI-BRENYAH ‘Luminous … as if George Saunders infiltrated the Severance writers’ room’ WASHINGTON POST A work place novel. A love story. A dream you can’t wake from… Jonathan Abernathy is a loser. Unemployed and behind on his student loan repayments, the only thing Abernathy has in abundance is debt. When a secretive government loan forgiveness programme offers him a job he can literally do in his sleep, Abernathy thinks he’s found his big break. Hired as a dream auditor, he finds himself entering the dreams of white-collar workers to flag their anxieties for removal at night so they'll be more productive in the day. If Abernathy can at least appear competent, might he have a chance at a new life? As Abernathy tries to find his footing in this new gig, reality and morality begin to warp around him. Soon, the lines between life and work, right and wrong, and even sleep and consciousness, have blurred and Abernathy begins to wonder just what he might have signed away… Wildly imaginative, laced with black humour and full of close-to-the-bone truths, Jonathan Abernathy You Are Kind is the cult workplace novel that’s like nothing else you've read before. ‘Surrealist … A scathing critique of capitalism’ TIME ‘A rare and fine achievement.’ THE TELEGRAPH 'Imagine the movie Inception, but populated by the middle-management workers in David Graeber’s book Bullshit Jobs' NEW YORK TIMES 'An excitingly original writer, inventing much needed and killingly funny satires for contemporary work and dreams of success' HOLLY PESTER ‘A revelation’ HILARY LEICHTER ‘An original mind brimming over with invention’ BEN MARCUS ‘An exuberant, poignant, freewheeling debut … very funny’ JEFF VANDERMEER ‘The spiritual sibling of Severance, but creepier’ LITERARY HUB
'Trippy, incisive, riotously funny' ALEXANDRA KLEEMAN'[An] insightfully nightmarish parable ' HALLE BUTLER'A stunner' NANA KWAME ADJEI-BRENYAH'Luminous ... as if George Saunders infiltrated the Severance writers' room' WASHINGTON POST
‘Trippy, incisive, riotously funny’ ALEXANDRA KLEEMAN ‘[An] insightfully nightmarish parable ' HALLE BUTLER 'A stunner’ NANA KWAME ADJEI-BRENYAH ‘Luminous … as if George Saunders infiltrated the Severance writers’ room’ WASHINGTON POST A work place novel. A love story. A dream you can’t wake from… Jonathan Abernathy is a loser. Unemployed and behind on his student loan repayments, the only thing Abernathy has in abundance is debt. When a secretive government loan forgiveness programme offers him a job he can literally do in his sleep, Abernathy thinks he’s found his big break. He finds himself entering the dreams of white-collar workers to audit them – flagging their anxieties for removal at night so they'll be more productive in the day. But as the lines between life and work, right and wrong, and even sleep and consciousness blur, Abernathy begins to wonder just how much he might have signed away … Wildly imaginative, laced with black humour and full of close-to-the-bone truths, Jonathan Abernathy You Are Kind is the cult workplace novel that’s like nothing else you've read before. ‘Surrealist … A scathing critique of capitalism’ TIME 'Imagine the movie Inception, but populated by the middle-management workers in David Graeber’s book Bullshit Jobs' NEW YORK TIMES 'An excitingly original writer, inventing much needed and killingly funny satires for contemporary work and dreams of success' HOLLY PESTER ‘A revelation’ HILARY LEICHTER ‘An original mind brimming over with invention’ BEN MARCUS ‘An exuberant, poignant, freewheeling debut … very funny’ JEFF VANDERMEER ‘The spiritual sibling of Severance, but creepier’ LITERARY HUB
Building upon recent research on the history of women, Jonathan Swift in the Company of Women examines Swift, both as man and writer, in terms of women: women as intimates, acquaintances, subjects of satire, and those who have written about Swift. It considers women as mothers and nurses in Swift's personal life and his fictions, and it explores the issue that has persisted from the eighteenth century into our own time: the subject of misogyny in Swift's writings.
Jonathan Swift and Thomas Sheridan: The Intelligencer
Clarendon Press
1992
sidottu
In 1728-9, Jonathan Swift and his friend Thomas Sheridan anonymously published the Intelligencer. This Dublin periodical offered trenchant and often witty commentary on the Irish social and political scene in the year before A Modest Proposal. The frequently anthologized review of The Beggar's Opera (no. 3) is not only the best contemporary criticism of it but also Swift's central pronouncement on satire. Several essays lash important enemies, anger being always a great creative stimulus to both Swift and Sheridan. This is the first collected edition of the Intelligencer since 1730. It is based on the rare original Dublin pamphlets, each known copy of which has been collated. Full commentary and appendices draw upon contemporary pamphlets, broadsides, newspapers, and manuscripts to site the Intelligencer papers in the personal, social, and political controversies in which they are engaged. There is also a fresh bibliographical analysis of the Intelligencer's textual transmission.
'he carried Good-nature to that wonderful and uncommon Height, that he never did a single Injury to Man or Woman, by which he himself did not expect to reap some Advantage' The real-life Jonathan Wild, gangland godfather and self-styled 'Thieftaker General', controlled much of the London underworld until he was executed for his crimes in 1725. Even during his lifetime his achievements attracted attention; after his death balladeers sang of his exploits, and satirists made connections between his success and the triumph of corruption in high places. Henry Fielding built on these narratives to produce one of the greatest sustained satires in the English language. Published in 1743, at a time when the modern novel had yet to establish itself as a fixed literary form, Jonathan Wild is at the same time a brilliant black comedy, an incisive political satire, and a profoundly serious exploration of human 'greatness' and 'goodness'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Ann Kelly's provocative book breaks the mold of Swift studies. Twentieth century Swift scholars have tended to assess Jonathan Swift as a pillar of the eighteenth-century 'republic of letter', a conservative, even reactionary voice upholding classical values against the welling tide of popularization in literature. Kelly looks at Swift instead as a practical exponent of the popular and impressario of the literary image. She argues that Swift turned his back on the elite to write for a popular audience, and that he annexed scandals to his fictionalized print alter ego, creating a continual demand for works by or about this self-mythologized figure. A fascinating look at print culture, the commodification of the author, and the history of popular culture, this book should provoke lots of discussion.
Giggle all the way to bedtime with Jonathan's bonkers, back-firing magic show!Fans of Supertato and Grumpycorn will love this super silly story about a one-trick pony whose one trick goes WRONG!Each wave of Jonathan's magic wand just makes things worse. It's Abraca-CHAOS! Is there anyone who can save the day?Join Jonathan, his long-suffering best friend Sarah, a very unwilling frog assistant and a cast of other crazy animals in this light-hearted picture book from Guardian columnist Stuart Heritage, illustrated by the brilliant Nicola Slater. A very funny book to encourage reading for pleasure.
Jonathan Swift was a man of contradictions: a man who satirized the powerful but aspired to political greatness, who mocked men's vanity but held himself in high esteem, a religious moralizer famed for his malice - a man sharply aware of humanity's flaws, but no less susceptible to them.As with his acclaimed biography of John Donne, John Stubbs paints a vivid portrait of an extraordinary man and a turbulent period of English and Irish history.
Jonathan Swift was internationally acclaimed in his own time for Gulliver's Travels and other brilliant satires in verse and prose. In his native Ireland, however, he was most fervently admired as a patriot. Advocating economic self-sufficiency for Ireland and resistance to the high-handedness of the British government, Swift represented an articulate challenge to British rule. Although his reputation as an Irish patriot declined after his death, the twentieth century has come to recognize him as a founding father of Irish nationalism.This book traces Swift's fluctuating reception in Ireland through the centuries, examining his nationalist ambivalence for a homeland he could defend but not love, and comparing his feelings with the ambiguities that have marked the development of Irish identity more widely. Robert Mahony considers Swift's posthumous reputation in both literary and popular culture and examines his unusual place in Irish political rhetoric. He shows how Swift's reputation suffered in the later eighteenth century through its seeming irrelevance to shifting political circumstances. In the early nineteenth century, Irish Protestants made him a symbol of their own patriotism within the British union, but he was ignored, or dismissed as a bigot, by most Catholic writers. In the 1840s the tide turned as the Young Ireland movement emphasized Swift's anti-British rhetoric while establishing his Protestant pedigree for contemporary Protestants. Although charges of hypocrisy and of an English cultural orientation survived as late as the 1930s, the construction of Swift as a patriot—with human flaws—was ultimately sustained.
Winner of the 2013 National Book Critics Circle Award in Biography: The life of satirist Jonathan Swift, written by a master biographer and leading scholar of eighteenth-century literature Selected by New York Times Book Review as a Best Book Since 2000 “Superb. . . . Damrosch’s outstanding book has raised Swift’s provocative genius to life.”—Jeffrey Collins, Wall Street Journal Jonathan Swift is best remembered today as the author of Gulliver’s Travels, the satiric fantasy that quickly became a classic and has remained in print for nearly three centuries. Yet Swift also wrote many other influential works, was a major political and religious figure in his time, and became a national hero, beloved for his fierce protest against English exploitation of his native Ireland. What is really known today about the enigmatic man behind these accomplishments? Can the facts of his life be separated from the fictions? In this deeply researched biography, Leo Damrosch draws on discoveries made over the past thirty years to tell the story of Swift’s life anew. Probing holes in the existing evidence, he takes seriously some daring speculations about Swift’s parentage, love life, and various personal relationships and shows how Swift’s public version of his life—the one accepted until recently—was deliberately misleading. Swift concealed aspects of himself and his relationships, and other people in his life helped to keep his secrets. Assembling suggestive clues, Damrosch re-narrates the events of Swift’s life while making vivid the sights, sounds, and smells of his English and Irish surroundings.Through his own words and those of a wide circle of friends, a complex Swift emerges: a restless, combative, empathetic figure, a man of biting wit and powerful mind, and a major figure in the history of world letters.
Ann Kelly's provocative book breaks the mold of Swift studies. Twentieth century Swift scholars have tended to assess Jonathan Swift as a pillar of the eighteenth-century 'republic of letter', a conservative, even reactionary voice upholding classical values against the welling tide of popularization in literature. Kelly looks at Swift instead as a practical exponent of the popular and impressario of the literary image. She argues that Swift turned his back on the elite to write for a popular audience, and that he annexed scandals to his fictionalized print alter ego, creating a continual demand for works by or about this self-mythologized figure. A fascinating look at print culture, the commodification of the author, and the history of popular culture, this book should provoke lots of discussion.
A gentle celebration of the bond between mother and son, and a beautifully illustrated portrait of a lively urban neighborhood. As a mother and son explore their area, they try various ways of walking--from giant steps and reggae steps to crisscross steps and backward steps. Whether they're racing down the street or moving as slow as molasses, Jonathan and Mommy go at their own pace and move to the beat of their love for each other.
This biography emphasises the extraordinary versatility and resourcefulness of a lifetime spent serving the public interest with the pen. At the same time, it shows Swift's distinctive love of writing for personal entertainment and diversion, with little or no interest in publication. While remaining a fiercely committed writer, he always tried to preserve, especially in his poetry and letters, a literature dedicated to friendship. Swift's literary career comprises much more than the well-known satires.
This biography emphasises the extraordinary versatility and resourcefulness of a lifetime spent serving the public interest with the pen. At the same time, it shows Swift's distinctive love of writing for personal entertainment and diversion, with little or no interest in publication. While remaining a fiercely committed writer, he always tried to preserve, especially in his poetry and letters, a literature dedicated to friendship. Swift's literary career comprises much more than the well-known satires.