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1000 tulosta hakusanalla Petr Levin

Tchaikovsky. Complete Works, Academic Edition. Vol. 3 Undina. Opera. Score and Piano score
Tom 3 Serii 1 Akademicheskogo polnogo sobranija sochinenij P. I. Chajkovskogo soderzhit ne sokhranivshujusja v polnom vide vtoruju po schetu operu kompozitora "Undina". Napisannaja Chajkovskim za shest mesjatsev, ona ne byla postavlena pri ego zhizni. V 1870 godu sostojalos lish kontsertnoe ispolnenie trekh fragmentov pervogo dejstvija v Bolshom teatre v Moskve.Tom soderzhit partitury i perelozhenija dlja penija s fortepiano pjati fragmentov opery iz pervogo i tretego dejstvij opery: Introduktsija, Pesnja Undiny (1 dejstvie), Final 1 dejstvija, Marsh (3 dejstvie) i Duet Undiny i Gulbranda (3 dejstvie). Izdanie peredali poslu RF v Avstrii Dmitriju Ljubinskomu.Chajkovskij napisal etu operu v trekh dejstvijakh, no unichtozhil, ne dozhdavshis ee postanovki. Poluchilos rekonstruirovat vsego lish pjat fragmentov, kotorye sokhranilis v raznom vide, i vse eti fragmenty kompozitor ispolzoval v svoikh drugikh proizvedenijakh, v tom chisle vo Vtoroj simfonii, muzyke k vesennej skazke A. N. Ostrovskogo "Snegurochka" i balete "Lebedinoe ozero". Rekonstruktsiej zanimalis mnogie uchenye v raznye gody."Undina" vpervye publikuetsja na osnove vsekh vyjavlennykh v nastojaschee vremja istochnikov. Nauchnaja rekonstruktsija opery po sokhranivshimsja fragmentam, opisanie istorii ee sozdanija osnovany na istoricheskikh dokumentakh, pismakh Chajkovskogo, svidetelstvakh ego biografov i sovremennikov.
Kratkij uchebnik garmonii. (Kratkoe izlozhenie pervogo russkogo uchebnika po kursu garmonii)
Nastojaschaja kniga, napisannaja velikim russkim kompozitorom P.I.Chajkovskim, predstavljaet soboj uchebnik garmonii, prednaznachennyj dlja chitatelej, uzhe obladajuschikh svedenijami o teorii muzyki. Vo vvedenii kratko izlagaetsja uchenie ob intervalakh, iz kotorykh strojatsja podlezhaschie izucheniju akkordy. Dalee rassmatrivajutsja zakony, po kotorym razlichnye garmonicheskie sochetanija muzykalnykh zvukov soedinjajutsja mezhdu soboj. Po mneniju avtora, kniga javljaetsja vspomogatelnym sredstvom k soznatelnomu, kriticheskomu izucheniju garmonii v suschestvujuschikh obraztsakh, k chteniju i analizu proizvedenij izvestnykh sochinitelej. Pri etom ona predstavljaet bolshoj interes dlja izuchenija metodicheskikh i muzykalno-teoreticheskikh vzgljadov P.I.Chajkovskogo.Kniga rekomenduetsja kompozitoram, muzykovedam, prepodavateljam i uchaschimsja muzykalnykh shkol, istorikam iskusstva.
Rukovodstvo k prakticheskomu izucheniju garmonii. S prilozheniem kriticheskikh zamechanij avtora na poljakh "Uchebnika garmonii" N.A.Rimskogo-Korsakova
Vnimaniju chitatelja predlagaetsja klassicheskaja rabota velikogo kompozitora P.I.Chajkovskogo, stavshaja odnim iz pervykh nauchno-metodicheskikh trudov v oblasti muzykalnoj teorii, napisannykh russkim kompozitorom-klassikom. Fakticheski dannaja kniga stala pervym russkim uchebnikom po kursu garmonii, srazu zhe voshedshim v praktiku prepodavanija garmonii v Rossii. Avtor primenil nekotorye novye dlja svoego vremeni momenty v metodike prepodavanija etoj distsipliny, v tom chisle razvitie tvorcheskoj initsiativy uchenika pri ego sistematicheskoj rabote nad zadachami po garmonizatsii melodij; etot printsip raboty po izucheniju garmonii primenjaetsja v pedagogicheskoj praktike i v nashi dni. Kniga rekomenduetsja kompozitoram, muzykovedam, prepodavateljam i uchaschimsja muzykalnykh shkol, istorikam iskusstva.
Muzykalnye feletony i zametki: 1868-1876. S avtobiograficheskim opisaniem puteshestvija za granitsu v 1888 godu
Vnimaniju chitatelej predlagaetsja kniga velikogo russkogo kompozitora, pedagoga i muzykalnogo zhurnalista P.I.Chajkovskogo (1840-1893), v kotoroj sobrany ego muzykalno-kriticheskie raboty, napisannye v period s 1868 po 1876 gg. Predstavlennye v knige stati soderzhat kritiku nekotorykh muzykalnykh proizvedenij, postanovok, a takzhe vazhnejshikh muzykalnykh sobytij 60-70-kh godov XIX veka; analizirujutsja simfonicheskie sobranija i kvartetnye seansy Russkogo muzykalnogo obschestva, moskovskie kontsertnye sezony raznykh let. Privedeny zametki o debjutakh molodykh muzykantov i benefisakh priznannykh ispolnitelej. V knigu takzhe vkljucheno avtobiograficheskoe opisanie puteshestvija Chajkovskogo za granitsu v 1888 godu.Kniga budet interesna iskusstvovedam, kulturologam, muzykalnym kritikam, a takzhe vsem pochitateljam tvorchestva P.I.Chajkovskogo.
P. Tchaikovsky. Works. Easy arrangements  for Piano four hands.
SODERZHANIE CONTENTSSladkaja greza iz "Detskogo alboma"Sweet Dream from 'Children's Album'Grustnaja pesenkaSad SongAndante iz Sjuity No. 3Andante from Suite No. 3Ekosez iz opery "Evgenij Onegin"Ecossaise from the opera 'Eugene Onegin'Kolybelnaja pesn v burju.Lullaby in a StormNet, tolko tot, kto znal. RomansNo, Only He, who has known. RomanceVals iz "Detskogo alboma"Waltz from 'Children's Album'Barkarola iz tsikla "Vremena goda"Barcarolle from the cycle 'The Seasons'Polka iz "Detskogo alboma"Polka from 'Children's Album'Rasskaz njani iz opery "Evgenij Onegin"Nurse's Story from the opera 'Eugene Onegin'Vals iz Sjuity No. 3 Waltz from Suite No. 3Final iz Serenady dlja strunnogo orkestraFinale from Serenade for String OrchestraMazurka iz "Detskogo alboma"Mazurka from 'Children's Album'Ariozo Lizy iz opery "Pikovaja dama"Arioso of Liza from the opera 'The Queen of Spades'Stsena pisma Tatjany iz opery "Evgenij Onegin"Tatyana's Letter Scene from the opera 'Eugene Onegin'Ariozo Germana iz opery "Pikovaja dama"Arioso of Hermann from the opera 'The Queen of Spades'Marsh iz opery "Mazepa"March from the opera 'Mazepa'Ariozo iz opery "Mazepa"Arioso from the opera 'Mazepa'
Tchaikovsky. Six Romances. Op. 6 (CW 211-216). For Voice and Piano. With transliterated text
The popular romances op. 6 ('Do Not Believe, My Friend'; 'No, Only He Who Has Known', etc.), composed in 1869, are published here in their original keys.CONTENTSSix Romances. Op. 6 (CW 211-216)1. Do Not Believe, My Friend. Words by A. K. Tolstoy2. Not a Word, O My Friend. Words by A. Pleshcheyev (from M. Hartmann)3. It Is Both Painful and Sweet. Words by E. Rostopchina4. A Tear Trembles. Words by A. K. Tolstoy5. Why? Words by L. Mey (from H. Heine)6. No, Only Ne Who Has Known. Words by L. Mey (from J. W. Goethe)
Tchaikovsky. Six Romances. Op. 16 (CW 218-223). For Voice and Piano. With transliterated text
The romances op. 16 ('Cradle Song'; 'Wait!', etc.), composed in 1872, are published here in their original keys.CONTENTSSix Romances. Op. 16 (CW 218-223)1. Cradle Song. Words by A. Maikov2. Wait! Words by N. Grekov3. Accept Just Once. Words by A. Fet4. O, Sing That Song. Words by A. Pleshcheyev (from F. Hemans)5. So What, Then? Words by N.N. (P. Tchaikovsky)6. Modern Greek Song. Words by A. Maikov
Six Romances. Op. 25 (CW 226-231). For Voice and Piano. With transliterated text
Tchaikovsky's romances Op. 25 ('Reconciliation'; 'Mignon's Song'; 'The Canary'), composed in 1873, are published here in their original keys.CONTENTSSix Romances. Op. 25 (CW 226-231)1. Reconciliation. Words byN. Shcherbina2. As Over Burning Embers. Words by F. Tyutchev3. Mignon's Song. Words by F. Tyutchev (from J. W. Goethe)4. The Canary. Words by L. Mey5. I Never Spoke to Her. Words by L. Mey6. As They Kept Saying: Fool. Words by L. Mey
Six Romances. Op. 27 (CW 232-237b). For Voice and Piano. With transliterated text
The romances op. 27 ('Look, the Cloud There'; 'My Little Favourite', etc.), composed in 1875, are published here in their original keys.CONTENTSSix Romances. Op. 27 (CW 232-237b)1. At Bedtime. Words by N. Ogaryov2. Look, the Cloud There. Words by N. Grekov3. Do Not Leave Me. Words by A. Fet4. Evening. Words by L. Mey (from T. Shevchenko)5. Did My Mother Bear Me? Words by L. Mey (from A. Mickiewicz)6. My Little Favourite (First version). Words by L. Mey (from A. Mickiewicz)7. My Little Favourite (Second version). Words by L. Mey (from A. Mickiewicz).
Six Romances. Op. 28 (CW 238-243). For Voice and Piano. With transliterated text
The romances op. 28 ('Neither Response, nor Word, nor Greeting'; 'The Fearful Moment', etc.), composed in 1875, are published here in their original keys.CONTENTSSix Romances. Op. 28 (CW 238-243)1. No, I Shall Never Tell. Words by N. Grekov (from A. Musset)2. The Little Corals. Words by L. Mey (from W. Syrokomla)3. What For? Words by L. Mey4. Ne Loved Me So Much. Words by A. Apukhtin (from D. Girardin)5. Neither Response, nor Word, nor Greeting. Words by A. Apukhtin6. The Fearful Moment. Words by N.N. [P. Tchaikovsky]
Six Romances. Op. 38 (CW 246-251). For Voice and Piano. With transliterated text
The popular romances op. 38 ('Amid the Din of the Ball'; 'It Was in the Early Spring', etc.), composed in 1878, are published here in their original keys.CONTENTSSix Romances. Op. 38 (CW 246-251)1. Don Juan's Serenade. Words by A. K. Tolstoy2. It Was in the Early Spring. Words by A. K. Tolstoy3. Amid the Din of the Ball. Words by A. K. Tolstoy4. O, if Only You Could. Words by A. K. Tolstoy5. The Love of the Dead Man. Words by M. Lermontov6. Pimpinella. Florentine Song. Translation by N.N. [P. Tchaikovsky]
Tchaikovsky. Seven Romances. Op. 47 (CW 252-258). For Voice and Piano. With transliterated text
The popular romances op. 47 ('I Bless You, Forests'; 'When the Day Reigns', etc.), composed in 1880, are published here in their original keys.CONTENTS:Seven Romances. Op. 47 (CW 252-258). Words by D. Ratgauz1. If Only I Had Known. Words by A. K. Tolstoy2. Calmly the Soul Flew up to Heaven. Words by A. K. Tolstoy3. Dusk Fell on the Earth. Words by N. Berg (from A. Mickiewicz)4. Sleep, Poor Friend. Words by A. K. Tolstoy5. I Bless You, Forests. Words by A. K. Tolstoy6. When the Day Reigns. Words by A. Apukhtin7. Was I Not a Little Blade of Grass. Words by I. Surikov
Tchaikovsky. Six Pieces. Op. 19 (CW 112-117). For Piano. Ed. by Ya. Milstein and K. Sorokin
This collection of relatively simple piano pieces, composed in 1873, includes the popular Nocturne in S sharp minor.For students of music colleges and conservatoires, as well as for music lovers.CONTENTSSix Pieces. Op. 19 (CW 112-117)1. Evening Reverie2. Humorous Scherzo3. Feuillet d'album4. Nocturne5. Capriccioso6. Theme and Variations
Six pieces on a single theme opus 21 for piano
Edited by Ya. MILSTEIN and K. SOROKINPublished after: P. I. Tchaikovsky. Selected Works for Piano. Book 2. - Moscow, Muzgiz, 1949.Editors' PrefaceThe present edition of Tchaikovsky's selected piano pieces is based on his Collected Works (Vols. 51a, 51b, 52 and 53). Since the composer often modified the music while preparing it for further publications, we have used also some other editions of Tchaikovsky's works, including those revised by Tchaikovsky for Jurgenson.The author's marks related to tempo, dynamics, phrasing, fingering and pedal - in short, all the marks found in the original text - are printed in large characters. All the supplementary marks, both those from Jurgenson's new edition (most probably approved by Tchaikovsky himself) and those added by the present editors, are printed in small characters.(from the preface to the first edition)One of Tchaikovsky's not numerous variation cycles for piano, with a rather complex texture. Dedicated to Tchaikovsky's teacher, the famous pianist Anton Rubinstein.For students of music colleges and conservatoires, as well as for professional performers.CONTENTSSix Pieces. Op. 21 (CW 118-123)1. Prelude2. Four-Part Fugue3. Impromptu4. Funeral March5. Mazurka6. Scherzo
Tchaikovsky. The Seasons. Op. 37-bis (CW 124-135). For Piano . Ed. by Ya. Milstein and K. Sorokin
Edited by Ya. MILSTEIN and K. SOROKINPublished after: P. I. Tchaikovsky. Selected Works for Piano. Book 3. - Moscow, Muzgiz, 1948.Editors' PrefaceThe present edition of Tchaikovsky's selected piano pieces is based on his Collected Works (Vols. 51a, 51b, 52 and 53). Since the composer often modified the music while preparing it for further publications, we have used also some other editions of Tchaikovsky's works, including those revised by Tchaikovsky for Jurgenson.The author's marks related to tempo, dynamics, phrasing, fingering and pedal - in short, all the marks found in the original text - are printed in large characters. All the supplementary marks, both those from Jurgenson's new edition (most probably approved by Tchaikovsky himself) and those added by the present editors, are printed in small characters.(from the preface to the first edition)CONTENTSThe Seasons. Op. 37-bis (CW 124-135)1. January. By the Hearth 2. February. Shrovetide 3. March. Lark's Song 4. April. Snowdrop 5. May. White Nights 6. June. Barcarole 7. July. Reaper's Song 8. August. Harvest 9. September. Hunt 10. October. Autumn Song 11. November. In the Troika 12. December. Christmas-Tide