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I Have Loved Jacob

I Have Loved Jacob

Joseph Hoffman 1886-1953 Cohn

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Competing Economic Paradigms in China

Competing Economic Paradigms in China

Steven Mark Cohn

Routledge
2017
sidottu
When the Chinese economic reforms began in 1978, Marxist economics infused all the institutions of economic theory in China, from academic departments and economics journals to government departments and economic think tanks. By the year 2000, neoclassical economics dominated these institutions and organized most economic discussion. This book explains how and why neoclassical economic theory replaced Marxist economic theory as the dominant economics paradigm in China. It rejects the idea that the rise of neoclassical theory was a triumph of reason over ideology, and instead, using a sociology of knowledge approach, links the rise of neoclassical economics to broad ideological currents and to the political-economic projects that key social groups inside and outside China wanted to enable. The book concludes with a discussion of the nature of economic theory and economics education in China today.
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Milieu

Milieu

Elisha Jane Cohn

STANFORD UNIVERSITY PRESS
2025
sidottu
In this creaturely theory of the novel, Elisha Cohn rethinks the status of animals in recent global fiction, arguing that literary representation of animals should matter to any reader invested in the novel as a form, and showing how literary style makes knowable our imperiled multispecies worlds. Cohn argues that the animal lives of contemporary fiction move beyond allegories of globalization's fracture of subjectivity by emphasizing the creaturely dimensions of narrative. This shift in focus registers through recent fiction's fascination with milieus: environments made perceptible through sentience that humans share with other creatures. Showing how theories of milieu—from Jacob von Uexküll, George Canguilhem, and Sylvia Wynter to recent studies in comparative cognition—converge with and are conceptually indebted to Indigenous and Black ontologies, Cohn argues that the milieu not only explains the centrality of animals to contemporary fiction, but also promotes dialogue across disciplines invested in anti-hierarchic accounts of embodied life. Each chapter foregrounds formal resonances in texts from the mid-1990s through the present, including work by Téa Obreht, Yoko Tawada, NoViolet Bulawayo, Sigrid Nunez, Jesmyn Ward, Linda Hogan, Lucy Ellmann, Amitav Ghosh, and Aminatta Forna. Throughout, Cohn compellingly argues for the centrality of narrative voice in avoiding, deferring, or complicating modes of figuration and critical interpretation that confirm human privilege.
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Milieu

Milieu

Elisha Jane Cohn

STANFORD UNIVERSITY PRESS
2025
pokkari
In this creaturely theory of the novel, Elisha Cohn rethinks the status of animals in recent global fiction, arguing that literary representation of animals should matter to any reader invested in the novel as a form, and showing how literary style makes knowable our imperiled multispecies worlds. Cohn argues that the animal lives of contemporary fiction move beyond allegories of globalization's fracture of subjectivity by emphasizing the creaturely dimensions of narrative. This shift in focus registers through recent fiction's fascination with milieus: environments made perceptible through sentience that humans share with other creatures. Showing how theories of milieu—from Jacob von Uexküll, George Canguilhem, and Sylvia Wynter to recent studies in comparative cognition—converge with and are conceptually indebted to Indigenous and Black ontologies, Cohn argues that the milieu not only explains the centrality of animals to contemporary fiction, but also promotes dialogue across disciplines invested in anti-hierarchic accounts of embodied life. Each chapter foregrounds formal resonances in texts from the mid-1990s through the present, including work by Téa Obreht, Yoko Tawada, NoViolet Bulawayo, Sigrid Nunez, Jesmyn Ward, Linda Hogan, Lucy Ellmann, Amitav Ghosh, and Aminatta Forna. Throughout, Cohn compellingly argues for the centrality of narrative voice in avoiding, deferring, or complicating modes of figuration and critical interpretation that confirm human privilege.
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The Poetry of Rimbaud

The Poetry of Rimbaud

Robert Greer Cohn

University of South Carolina Press
1999
nidottu
This guide to the understanding and appreciation of Rimbaud's whole poetic oeuvre begins with an outline of the poet's life, focusing particularly on a childhood and adolescence that produced astoundingly original and frequently exquisite works.
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