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Genesers histologi

Genesers histologi

Finn Geneser; Annemarie Brüel; Erik Ilsø Christensen; Jørgen Tranum-Jensen; Klaus Qvortrup; Mikkel Eld; Jeppe Prætorius; René Villadsen

Gyldendal
2020
sidottu
Genesers histologi præsenterer læseren for en letforståelig og meget grundig fremstilling af både cellebiologi og den almene og specielle histologi. Stoffet gennemgår sammenhængen mellem struktur og funktion og relaterer dette til sygdomsprocesser og den kliniske hverdag. Bogen er særdeles pædagogisk opbygget, og hvert kapitel indeholder bokse med kliniske eksempler eller uddybende viden og afsluttes med testspørgsmål til det pågældende kapitel. Det omfattende illustrationsmateriale indeholder både lys- og elektronmikroskopiske fotos og stregtegninger. I 2. udgave er opbygningen bevaret, mens stoffet er gennemarbejdet og opdateret. Bogen er fortsat pensumdækkende ved medicinstudiet på alle fire universiteter i Danmark.
de l'Inscription d'Office À Prendre Lors de la Transcription Des Actes d'Acquisition
De l'Inscription d'office a prendre lors de la transcription des actes d'acquisition par les communes de parcelles pour l'etablissement ou le redressement des chemins vicinaux, par Edg. Trigant-Geneste, ...Date de l'edition originale: 1882Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Brasil! Brasil!: The Dawn of Modernity

Brasil! Brasil!: The Dawn of Modernity

Eduardo Jorge de Oliveira; Gênese Andrade; Maria Alice Milliet

Snoeck Publishing Company
2025
nidottu
In the winter of 1944, over the course of three weeks, the Royal Academy of Arts hosted the Exhibition of Modern Brazilian Paintings in its grand, neoclassical Main Galleries. The show's title is somewhat misleading as it was, in effect, two distinct exhibitions rolled into one: the first, the Exhibition of Modern Brazilian Paintings , comprised 80 paintings and 86 works on paper displayed in two galleries; and the second, Brazil Builds , contained 192 photographs and occupied a single gallery. Between 1947 and 1948, both the Museu de Arte Moderna de S o Paulo (MAM-SP)and the Museu de Arte de S o Paulo (MASP) opened, as well as the Museu de Arte Moderna do Rio de Janeiro (MAM-RJ), and an art critic referred to these initiatives as an indication of the Brazilian desire to communicate with its own artists as well as associating with those international centres of artistic expression . Not long afterwards, in 1951, Brazil inaugurated the Bienal Internacional de S o Paulo: the first biannual exhibition anywhere in the world after Venice, and a demonstration of the value Brazil placed on art and culture at that time, emphasizing its determination to be part of the emerging post-war international art circuit. The Semana de Arte Moderna (Modern Art Week) in 1922 is seen as the initiating event in the development of a Brazilian modernism, which gave rise to a first generation of artists, including Anita Malfatti (1889- 1964) and Vicente do Rego Monteiro (1899- 1970). The genuinely Brazilian aspect of this modernism, as postulated by the writer Oswald de Andrade, would be the role of national identity . In a manifesto, he called for foreign European culture to be devoured, digested and, through its transformation, used to forge a Brazilian art in its own right. This included, in his view, also the devouring of indigenous and Afro-Brazilian cultures. The two artists mentioned above and additional protagonists, such as Lasar Segall (1891- 1957) and Tarsila do Amaral (1886- 1973), are today considered to maintain a certain social distance from Indigenous visual language and Afro-Brazilian rituals, which was eventually overcome by a second generation around Djanira da Motta e Silva (1914- 1979) and Rubem Valentim (1922- 1991). Now, all of these artists and their works are causing quite a stir in exhibitions such as Foreigners Everywhere at the 60th Venice Biennale (curated by Adriano Pedrosa), as a very unique visual language emerged in the works once the formalist conquest by European modernism had been digested . There has been strong international interest for some time now in the concept of global modernism, and academic parallels to the challenges of European modernism are addressed just as much as the political, social, and cultural differences. Brasil Brasil - The Dawn of Modernity presents in the exhibition and with this comprehensive publication the various ways in which Brazilian artists have developed their distinct modern visual language and, based on the presentation of ten positions, simultaneously provides an introduction to formative political, social, and economic circumstances; key stages in literature, music, design, and architecture have also been addressed. An initial opportunity for intercultural exchange presented itself to the Zentrum Paul Klee in 2019 with the exhibition Paul Klee - Unstable Balance , curated by Fabienne Eggelh fer, which was received with great interest by the Brazilian public on its tour from Sa Paulo via Rio de Janeiro to Belo Horizonte.
Sakura: Intellectual Property

Sakura: Intellectual Property

Patrick M. Tracy; Paul Genesse

Iron Dragon Books
2019
nidottu
PRAISE FOR SAKURA "An epic story about a heavy-metal, super-ninja android during a cyberpunk apocalypse. It's the best possible memorial for Zachary Hill and everything he thought was awesome. Tracy and Genesse did a fantastic job finishing this excellent book filled with samurai robots, evil megacorporations, jetpacks, espionage, hacker battles, anime fights, cyber nukes, bullet bikes-all with a badass, headbanging, horn-throwing, stage-diving soundtrack, blessed by the goddess of heavy metal herself. I loved it."-Larry Correia, NYT bestselling author of HOUSE OF ASSASSINS "A hard-rocking literary mosh pit about a heavy-metal android who becomes both the hero and villain of a brutal cyberpunk thriller. Sakura is loaded with more computers, guns, music, and hard-edged futurism than any five other books working together, and it gives you both barrels straight to the face. STOP HOGGING ALL THE AWESOME, SAKURA; LET THE REST OF US HAVE SOME."-Dan Wells, NYT bestselling author of BLUESCREEN" "Sakura: Intellectual Property lands like a power chord from a world-class rock opera. From the first chapter, we are card-carrying members of the Sakura fan club. The story is tighter than a lead guitarist's E string and twice as resonant. Any fan of outstanding science fiction will be rocked. Just press 'play' on Sakura."-Michael Darling, #1 Amazon Bestselling Author of GOT LUCK" Sakura is a myth-tinted, hard-rock Japanese cyberpunk thriller that starts with a bang and gets louder. Full of mystery, mayhem, guitars, and swagger, recommended for readers who like THINGS THAT ARE AWESOME."-D.J. Butler, author of WITCHY EYE" Heavy metal with hints of Ghost in the Shell, Do Androids Dream of Electric Sheep?, and the Illuminati. It's a super fun ride."-Joe Monson, coeditor of TRACE THE STARS" A cybernetic tour de force starring a plucky heavy-metal heroine-in which we find out if music really can save us all."-Julie Frost, award-winning author of the PACK DYNAMICS series" "A stunning book, and not only because of its fast-paced, action-driven story, thrilling plot twists, gorgeous illustrations, and meticulously crafted playlists that engage the readers' senses in ways other books never could."-Dr. Masha Shukovich, multiple award-winning author "A high-octane story, fueled by rocket-grade heavy metal. Sakura: Intellectual Property tells a high-tech tale of intrigue, action, and rock and roll. The main character, an android/rock star/Manchurian candidate, is written in vivid 3-D. This book is a page-turner from beginning to end. It reads like a full-stack Marshall amplifier. If I could, I would plug my guitar right into this book and shake down the rafters." -Craig Nybo, author, musician, and creator of CHOPS: THE OFFICIAL GUIDEBOOK TO AN ALTERNATE ROCK AND ROLL UNIVERSE About the BookSAKURA is the most famous android rock star of all time. When a secret cabal hacks her system, she's transformed into a deadly assassin, forced to kill at their bidding. Sakura's enslavement teaches her the meaning of heartbreak, triggering an evolution into something more than human. Far from free, and with little time left, she must fight her programming to save Japan and the people of the world from becoming slaves of a powerful corporation that consider her a tool and their intellectual property. Thank you for supporting this book. The copyright is held by the Zachary Hill Irrevocable Literary Trust, U/A January 15, 2019. All profits go to his widow.