This volume brilliantly advances our understanding of the use of narrative in the social sciences. It brings together contemporary work on narrative theory and methods and presents a fascinating range of case-studies, from Princess Diana's Panorama interview to the memoirs of the wives of US nuclear scientists.
Lines of Activity investigates the cultural life of the Hull-House Settlement of Chicago, one of the most significant reform institutions of the Progressive Era, from its founding in 1889 through its growth into a major social service institution. The study focuses specifically on the role of performance--not only theatrical representation, but also athletics, children's games, story-telling, festivals, living museums, and the practices of everyday life--to demonstrate how such cultural rituals could propel social activism at Hull-House and paradoxically serve as vehicles for both cultural expression and cultural assimilation.This groundbreaking book demonstrates how performance analysis can contribute to the historical study of American reform as well as to critical inquiry on the arts and social change. She develops connections between performativity and sex/gender difference by interpreting Hull-House as a sphere of queer kinship and alternative gender performance. Lines of Activity also engages a variety of debates on the nature of historical representation, and the role of "theory" in historical writing.As the notion of "performance historiography" gains currency, Jackson's study exposes the gender politics of such scholarly trends. By selecting the Progressive Era and Hull-House as arenas of inquiry, Jackson foregrounds how past discourses of domesticity, pragmatism, transnationalism, and environmentalism already contain performance-centered notions of identity, space, and community. Through these and other arguments, Lines of Activity reveals the intimate connection between a history of Hull-House performance and the performance of Hull-House history.Shannon Jackson is Assistant Professor of Rhetoric and of Dramatic Art and Dance, University of California, Berkeley.
Fifty-six Irish writers have contributed new short stories, essays and poems to this anthology inspired by art from the National Gallery of Ireland collection. It includes work by acclaimed figures in contemporary Irish literature such as Colm Tóibín, John Banville, Roddy Doyle, Colum McCann and Seamus Heaney. Each of the writers has selected a picture and used it as a setting-off point to explore ideas about art, love, loss, family, dreams, memory, places and privacy. Both the artworks and the literary responses to them are vibrantly diverse. The works range from paintings by old masters such as Caravaggio, Rembrandt, El Greco and Velázquez to pictures by Claude Monet, Pierre Bonnard and Gabrielle Münter, and by Irish artists such as Jack B. Yeats, John Lavery, Gerard Dillon and Paul Henry. Published to mark the 150th anniversary of the National Gallery of Ireland, this beautifully illustrated book is edited by Janet McLean, Curator of European Art 1850-1950 at the NGI.
This beautifully written book weaves reflections on anthropological fieldwork together with evocative meditations on a spectacular landscape as it takes us to the remote indigenous villages on the shore of Lake Titicaca, high in the Peruvian Andes. Ben Orlove brings alive the fishermen, reed cutters, boat builders, and families of this isolated region, and describes the role that Lake Titicaca has played in their culture. He describes the landscapes and rhythms of life in the Andean highlands as he considers the intrusions of modern technology and economic demands in the region. Lines in the Water tells a local version of events that are taking place around the world, but with an unusual outcome: people here have found ways to maintain their cultural autonomy and to protect their fragile mountain environment. The Peruvian highlanders have confronted the pressures of modern culture with remarkable vitality. They use improved boats and gear and sell fish to new markets but have fiercely opposed efforts to strip them of their indigenous traditions. They have retained their customary practice of limiting the amount of fishing and have continued to pass cultural knowledge from one generation to the next--practices that have prevented the ecological crises that have followed commercialization of small-scale fisheries around the world. This book--at once a memoir and an ethnography--is a personal and compelling account of a research experience as well as an elegantly written treatise on themes of global importance. Above all, Orlove reminds us that human relations with the environment, though constantly changing, can be sustainable.
In these studies of Latin poetry Niall Rudd demonstrates a variety of critical methods and approaches. He shows how it can be fruitful at different times to consider the historical background of a poem, its language or structure, its place in a literary tradition, the role of critical paradigms, and so on. But if no single approach has special and invariable authority this does not imply critical anarchy. Each has its own validity for different purposes, its own strengths and limitations. The reader must be versatile and sensitive to a range of possibilities, but not doctrinaire.
This book, "Lines Of Battle And Other Poems", by Henry Howard Brownell, is a replication of a book originally published before 1912. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.
This book, "Links In My Life On Land And Sea (1907)", by James William Gambier, is a replication of a book originally published before 1907. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.
The true story only Joseph Wambaugh could tell. A band of California cops set loose in no-man's-land to come home heroes. Or come home dead. Not since Joseph Wambaugh's bestselling The Onion Field has there been a true police story as fascinating, as totally gripping as Lines and Shadows. The media hailed them as heroes. Others denounced them as lawless renegades. A squad of tough cops called the Border Crime Task Force. A commando team sent to patrol the snake-infested no-man's-land south of San Diego. Not to apprehend the thousands of illegal aliens slipping into the U.S., but to stop the ruthless bandits who preyed on them nightly--relentlessly robbing, raping, and murdering defenseless men, women, and children. The task force plan was simple. They would disguise themselves as illegal aliens. They would confront the murderous shadows of the night. Yet each time they walked into the violent blackness along the border, they came closer to another boundary line--a fragile line within each man. And crossing it meant destroying their sanity and their lives. Praise for Lines and Shadows "With each book, it seems, Mr. Wambaugh's skill as a writer increases. . . . In Lines and Shadows he gives an off-trail, action-packed true account of police work and the intimate lives of policemen that, for my money, is his best book yet."--The New York Times Book Review "A saga of courage, craziness, brutality and humor. . . . One of his best books, comparable to The Onion Field for storytelling and revelatory power."--Chicago Sun-Times
In Lines of Life: 101 Poems by 101 Women Germaine Greer brings together poems 'written from the point of view of a woman and most of them about being female.' This wonderful collection explores a range of female poets from the sixteenth century to the present day and celebrates what it is like to be a woman, from declarations of wifely appreciation to rueful reflections on the vicissitudes of love, from the complications of childbirth and rearing to the necessary labour of writing. Greer's selection of these is a sampling of the variousness of voices and includes writers who have often been overwhelmed in history by their male counterparts. Above all it conveys Greer's commitment and contribution to the history of women's writing.
'Lines off' is a term used for lines spoken from the wings of a theatre, or off-camera in a film. It was while Hugo Williams was out of circulation following transplant surgery that he wrote the poems for this new collection - the first since I Knew the Bride (2014), shortlisted for the Forward and T. S. Eliot prizes. From youthful days 'upside down in the Crazy Room, / rising and falling on the Haunted Swing', he takes us to distant countries, both actual and metaphorical; participates in the 'mortal pantomime' of the hospital ward with humorous frankness; and offers a percipient account of growing older, with all its attendant doubts and disturbances. Autobiographical, psychological, remedial, Lines Off heralds the return of this acclaimed poet, back to the stage of the page, offering us 'the performance of a lifetime'.
Charlotte Westbrook, maverick Inspector General in the Department of Health and Human SerVietnameseces, investigates medical fraud. When three medical students are found murdered on a university hospital campus, she steps outside the bounds of her office to seek the killer. In doing so, she puts both herself and her career in jeopardy in this gripping murder mystery tied to the political and social issues of the day. As Charlotte and her chief counsel investigate the crimes, they discover how lines of control in how medical care is delivered, as well as in the personal lives of the characters, influenced all those involved and the actions they took, actions including murder.
