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1000 tulosta hakusanalla Moore Stephanie Perry
Reprint of the original, first published in 1856.
Reprint of the original, first published in 1856.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Personal Reminiscences. Moore and Jerdan
Thomas Moore; Richard Henry Stoddard; William Jerdan
Outlook Verlag
2024
pokkari
Personal Reminiscences. Moore and Jerdan
Thomas Moore; Richard Henry Stoddard; William Jerdan
Outlook Verlag
2024
sidottu
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Bramley-Moore, W: Seven Cries from Calvary
Antigonos Verlag
2025
sidottu
Bramley-Moore, W: Seven Cries from Calvary
Antigonos Verlag
2025
nidottu
Studying Brian Moore’s Black Robe (1985), this book examines the dual adaptation process of historical sources into fiction and fiction into film. The fictionalisation process is analysed on the basis of the Jesuit Relations of the 17th century and Moore’s novel. Besides transforming and compiling information from these annual reports, Moore also uses them to justify his choice of obscene language for the indigenous characters. The visualisation process is studied with the help of various versions of the screenplay with respect to the differences of narrative and narration in fiction and film. A final exemplary analysis illustrates in detail how the original historical sources were transformed via the novel and the screenplays into the final visualisation in the motion picture.
This feminist study is an innovative reassessment of Brian Moore’s five novels featuring eponymous heroines. The author reviews previous interpretations, exposing their sexist bias. Highlighting Moore’s empathetic insights, she also discusses the novelist’s limitations. She compares Moore’s heroines to Flaubert’s Emma Bovary, reinterpreted by Mieke Bal, Tolstoy’s Anna Karenina revisioned by Aritha van Herk, and to female characters created by Canadian women writers. Rejecting biocriticism, the study focuses on Moore’s biblical, Victorian and modernist inspirations, and his indebtedness to film. Ideas of female thinkers illuminate the condition of Moore’s female protagonists.