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1000 tulosta hakusanalla Susan Reuben

Wise Words: How Susan Isaacs Changed Parenting
"Harassed" writes: "Your answers to correspondents are exceedingly clear, and when I read them I say, ‘That is just the answer I should think of’, though I believe I should have great difficulty when it came actually to putting it into words! However, I cannot answer my own problems, so will you please help me?" (20 August 1930)This much-needed collection brings together the columns of parenting adviser Ursula Wise, "agony aunt" for The Nursery World between 1929 and 1936, and pseudonym for the eminent educationalist and pioneering psychoanalyst Susan Isaacs.Wise’s replies, informed by theories in education, psychology and psychoanalysis, provide an insight into the development of modern, child-centred attitudes to parenting, with remarkably fresh and relevant advice. The letters are passionate, urgent, occasionally provocative, sometimes funny and always thoughtful. Topics from behaviour and temperament, anxieties and phobias, to play and education are explored and each theme is introduced and contextualised in contemporary parenting approaches.Bringing pivotal theories from the fields of education, child psychology and psychoanalysis into dialogue, this is an essential read for early years practitioners, teachers, course leaders and those studying in the field of early years education and child psychoanalysis. The continued relevance of Isaacs’ advice for modern parenting also makes this an enjoyable and informative read for parents. It is also an excellent resource for those interested in social history and the little known contributions made by women pioneers.
Elizabeth Cady Stanton and Susan B. Anthony
In the spring of 1851 two women met on a street corner in Seneca Falls, New York - Elizabeth Cady Stanton, a thirty-five year old mother of four boys, and Susan B. Anthony, a thirty-one year old, unmarried, former school teacher. Immediately drawn to each other, they formed an everlasting and legendary friendship. Together, they challenged entrenched beliefs, customs, and laws that oppressed women and spearheaded the fight to gain legal rights, including the right to vote despite fierce opposition, daunting conditions, scandalous entanglements and betrayal by their friends and allies. Weaving events, quotations, personalities, and commentary into a page-turning narrative, Penny Colman tells this compelling story and vividly portrays a friendship that changed the world.
The Poetry of Susan Howe

The Poetry of Susan Howe

W. Montgomery

Palgrave Macmillan
2010
nidottu
The Poetry of Susan Howe provides a comprehensive survey of the major works of one of America's foremost contemporary poets. The book describes the relationship between poetic form and the various configurations of history, religious thought, and authority in Howe's writing. Will Montgomery argues that her highly opaque texts reflect the resistance that the past offers to contemporary investigation. Addressing lyric, literary history, collage and visual poetics, The Poetry of Susan Howe is a lucid and persuasive investigation of the volatile movements of this extraordinary body of work.
The Haunting of Susan A

The Haunting of Susan A

Mark Ravenhill

BLOOMSBURY PUBLISHING PLC
2022
nidottu
‘...the history of this pub, the possibilities of what once could have happened in this room in which we’re now gathered …Well.The possibilities’.Written as a response to the 50th anniversary celebration of the King’s Head Theatre, Mark Ravenhill premieres his first new play as Artistic Director.Drawing on the traditions of a classic ghost story, The Haunting of Susan A explores the power of the mind to make the unseen visible and for the cruelty of the past to haunt a room. Described as “a ghost story”, the play is Inspired by Ravenhill’s love of the work of M.R. James and is set in the King’s Head Theatre itself.Published alongside an introduction from Timberlake Wertenbaker, this text also includes Ravenhill’s ‘101 notes on Playwriting’, which caused a sensation on Twitter and appears in print for the first time.
Refocus: the Films of Susan Seidelman

Refocus: the Films of Susan Seidelman

EDINBURGH UNIVERSITY PRESS
2023
sidottu
The first scholarly work to focus on the work of American director and producer, Susan Seidelman Contains an exclusive chapter-length interview in which Seidelman examines her career and discusses many of her lesser-known films, some for the first time Suggests a reframing of authorship theory to be more inclusive of especially women directors who work in both film and television Examines Seidelman's shifts from independents to Hollywood studio movies to television and made-for-TV movies in relationship to changes in the industry Provides cultural context for Seidelman's films, including representations of gender, race and disability Includes genre analysis to illustrate how Seidelman twists genres for feminist stories and readings Assesses Seidelman's critical reputation, including instances of mismatch between critical and audience reception This first collection devoted to Susan Seidelman director, producer and visionary of feminist American cinema and television includes never-before-published archival material and an interview with insights into her process and thoughts on #timesup and the future of the industry. Her debut feature, Smithereens, was the first American independent film to compete for the Palme d'Or at Cannes. Her knack for casting saw her insist on Madonna for Desperately Seeking Susan before Madonna was famous. Seidelman directed Meryl Streep and John Malkovich in their first comedy features, Roseanne Barr in her first feature film and Laverne Cox in one of her earliest features. Seidelman also directed the Sex and the City pilot, kickstarting a global phenomenon. Seidelman's career is one of firsts, yet little is written about her. This collection begins filling that gap while opening the door for additional scholarship, making this a valuable text for years to come.
ReFocus: The Films of Susan Seidelman

ReFocus: The Films of Susan Seidelman

EDINBURGH UNIVERSITY PRESS
2025
nidottu
This first collection devoted to Susan Seidelman - director, producer and visionary of feminist American cinema and television includes never-before-published archival material and an interview with insights into her process and thoughts on #timesup and the future of the industry. Her debut feature, Smithereens, was the first American independent film to compete for the Palme d'Or at Cannes. Her knack for casting saw her insist on Madonna for Desperately Seeking Susan before Madonna was famous. Seidelman directed Meryl Streep and John Malkovich in their first comedy features, Roseanne Barr in her first feature film and Laverne Cox in one of her earliest features. Seidelman also directed the Sex and the City pilot, kickstarting a global phenomenon. Seidelman's career is one of firsts, yet little is written about her. This collection begins filling that gap while opening the door for additional scholarship, making this a valuable text for years to come.