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Van Vliet's Siam

Van Vliet's Siam

Silkworm Books
2005
pokkari
The most detailed, fascinating, and lively account of old Siam was written by the Dutch merchant Jeremias Van Vliet between 1636 and 1640. This volume includes all four of his writings in English translation: the earliest surviving chronicle of Siam's history; a wide-ranging description of the kingdom's geography, economy, society, politics, and religion; a blow-by-blow account of a bloody power struggle over the crown; and the Dutchman's diary during a crisis -- the Picnic Incident -- published here for the first time. The editors add new details on Van Vliet's life, the Dutch community, the city of Ayutthaya, and the court of King Prasat Thong, which set this ordinary merchant's extraordinary literary work into its context of time and place.
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Van Gaal Táctico

Van Gaal Táctico

Emilio González

LIBROFUTBOL.com
2021
pokkari
El Real Madrid, sin saberlo, con la contrataci n de Leo Beenhakker, entrenador del Ajax en aquel a o de 1991, logra fomentar la aparici n de uno de los t cnicos que le dar a m s de un dolor de cabeza al conjunto blanco. Louis van Gaal, con 39 a os, asume en el banquillo del equipo de msterdam. El resto es historia conocida. El autor nos regala un m ster acelerado de t ctica, luego de analizar m s de 150 partidos del neerland s en los diferentes clubes donde estuvo al mando. Todos los esquemas y sistemas utilizados. Defensas de tres, de cuatro e incluso de cinco. Equipos que juegan replegados, equipos que van a la presi n alta y equipos que en defensa marcan hombre a hombre por todo el campo. Conjuntos que desarrollan un juego de posici n y conjuntos que tienen libertad total de movimientos. Tambi n se muestran situaciones interesantes en acciones a bal n parado. Todo este an lisis t ctico concluye con una serie de ejercitaciones que podr s adaptarlas a la tareas de entrenamiento de tu propio equipo."Mi modelo ha sido Van Gaal. Estudi m s de 250 partidos de sus equipos. Al llegar al 170 adivin los cambios que har a y comprend que hab a asimilado su pensamiento". Marcelo Bielsa
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Van Halen

Van Halen

John Scanlan

Reaktion Books
2012
nidottu
'I hate the word maturing,' singer David Lee Roth once said. 'I don't like the word evolving - or any of that bullshit. The point is to keep it as simplistic, as unassuming, and as stupid as possible.' As Roth would have wanted it, Van Halen follows the band's pursuit of the art of artlessness, and describes how they characterize what historian Kevin Starr terms 'Zen California' - a state of mind and way of being that above all celebrates 'the now'. In rock'n'roll terms it stands for the unregulated expenditure of energy; for a youthful exuberance that seems destined to extinguish itself. While many have attempted to discover the secrets of Van Halen through an analysis of their musical role models, John Scanlan looks instead at deeper aesthetic and philosophical influences, such as romanticism and the Beat movement. Through illuminating moments and impressions - decaying Hollywood in the 1970s; Ted Templeman and Sunset Sound Studios; Top Jimmy and the Zero Zero club; the building of Eddie Van Halen's Hollywood Hills studio in 1983 - the author shows how 1970s California was the only time and place that Van Halen could have emerged. Along the way, Scanlan explores other aspects of the band, such as the relationship between David Lee Roth and Eddie Van Halen; the unique climate of Southern California, and its relation to a sense of cultural exuberance; the echoes of Beat aesthetics in David Lee Roth's attitude to time and the moment; Eddie Van Halen's 'bebop' sensibility; and the real roots of the so-called 'Brown' sound. Van Halen is a groundbreaking account of an extraordinary band, caught in the events of a revolutionary time. The book will appeal to all fans of the group, as well as readers with an interest in the history and aesthetics of rock'n'roll, or the culture of California.
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Van Dyck's Hosts in Genoa

Van Dyck's Hosts in Genoa

Alison Stoesser

Brepols N.V.
2018
sidottu
Long overshadowed by the brilliance of their close friend, Anthony van Dyck, Lucas and Cornelis de Wael, active as artists and dealers in Antwerp, Genoa and Rome, have largely been ignored in Flemish art historical literature. No monograph on them has appeared since 1925. This book aims to rectify this situation by giving a global overview of their wide-ranging pursuits. However, before assessing their personal histories it first examines the historical context, particularly with respect to the 17th-century art market in these three cities, with special attention given to its structure in Genoa, so far neglected in surveys of the Italian markets. A fresh appraisal of information from archival and other sources in each city has been undertaken to give a revealing up-to-date insight into their lives, trading activities in goods ranging from art works to second-hand clothing and hides, as well as their extensive network of friends and clients stretching from the Northern Netherlands to Sicily, including their close business association with the prominent Flemish art dealer Matthijs Musson and the Moretus family, owners of the Plantin-Moretus publishing house. Their own contribution to the art world is not neglected, with a full discussion of their works and an accompanying catalogue raisonne, which, in Cornelis de Wael's case, includes his extensive oeuvre of paintings, drawings and prints. In addition, the De Wael brothers' crucial function as hosts to Dutch and Flemish artists in both Genoa and Rome, with Van Dyck being the most famous, is also considered, while Cornelis de Wael's not inconsiderable role in making Rembrandt's prints known in both cities in his capacity as an art dealer is brought into focus. Despite the relative obscurity of his works till now, the sometimes unexpected influence of these on other artists from as far apart as the Northern Netherlands and Spain is also given careful attention.
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