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1000 tulosta hakusanalla Conrad Mbewe

Culture and Commerce in Conrad's Asian Fiction

Culture and Commerce in Conrad's Asian Fiction

Andrew Francis

Cambridge University Press
2015
sidottu
Andrew Francis' Culture and Commerce in Conrad's Asian Fiction is the first book-length critical study of commerce in Conrad's work. It reveals not only the complex connections between culture and commerce in Conrad's Asian fiction, but also how he employed commerce in characterization, moral contexts, and his depiction of relations at a point of advanced European imperialism. Conrad's treatment of commerce - Arab, Chinese and Malay, as well as European - is explored within a historically specific context as intricate and resistant to traditional readings of commerce as simple and homogeneous. Through the analysis of both literary and non-literary sources, this book examines capitalism, colonialism and globalization within the commercial, political and social contexts of colonial Southeast Asia.
Selections from Conrad Celtis

Selections from Conrad Celtis

Cambridge University Press
2011
pokkari
This volume was originally published in 1948. Students of sixteenth-century Germany and its literature, in need of a text and translation of the works of Conrad Celtis, the Humanist, who wrote in Latin, will find it in Mr Forster's selection. Latin literature was in some respects a generation ahead of the vernaculars. It is in Latin that the big changes first become apparent. But in present-day education the tendency away from Latin makes it difficult for students to study this as it ought to be studied. Mr Forster, judging by his lecture-room experience, believes that there is a need and a way to remedy this difficulty. He has selected texts from Celtis to illustrate tendencies in humanist thought, writing a commentary upon each, and adding a literal translation.
The Theatre of Joseph Conrad

The Theatre of Joseph Conrad

Richard J. Hand

Palgrave Macmillan
2005
nidottu
Although the dramatic dimension to Joseph Conrad's fiction is frequently acknowledged, his own experiments in drama have traditionally been marginalized. However, in all of Conrad's plays we see a distinct effort to investigate seriously the dramatic form and some of his plays are startlingly ahead of their time. Furthermore, all of the plays are adaptations and comprise One Day More , based on Tomorrow , Laughing Anne , based on Because of the Dollars, Victory: A Drama and The Secret Agent . The creation of these reveals much about the history, theory and practice of this fascinating cultural process.
Rethinking Joseph Conrad’s Concepts of Community

Rethinking Joseph Conrad’s Concepts of Community

Kaoru Yamamoto

Bloomsbury Academic
2018
nidottu
Rethinking Joseph Conrad’s Concepts of Community uses Conrad’s phrase ‘strange fraternity’ from The Rover as a starting point for an exploration of the concept of community in his writing, including his neglected vignettes and later stories. Drawing on the work of continental thinkers including Jacques Derrida, Jean Luc-Nancy and Hannah Arendt, Yamamoto offers original readings of Heart of Darkness, The Nigger of the ‘Narcissus’, The Rover and Suspense and the short stories “The Secret Sharer”, “The Warrior’s Soul” and “The Duel”. Working at the intersection between literature and philosophy, this is a unique and interdisciplinary engagement with Conrad’s work.
The Reception of Joseph Conrad in Europe
Born and brought up in Poland bilingually in French and Polish but living for most of his professional life in England and writing in English, Joseph Conrad was, from the start, as much a European writer as he was a British one and his work – from his earliest fictions through Heart of Darkness, Nostromo and The Secret Agent to his later novels– has repeatedly been the focal point of discussions about key issues of the modern age.With chapters written by leading international scholars, this book provides a wide-ranging survey of the reception, translation and publication history of Conrad’s works across Europe. Covering reviews and critical discussion, and with some attention to adaptations in other media, these chapters situate Conrad's works in their social and political context. The book also includes bibliographies of key translations in each of the European countries covered and a timeline of Conrad’s reception throughout the continent.
The Theatre of Joseph Conrad

The Theatre of Joseph Conrad

Richard J. Hand

Palgrave Macmillan
2005
sidottu
Although the dramatic dimension to Joseph Conrad's fiction is frequently acknowledged, his own experiments in drama have traditionally been marginalized. However, in all of Conrad's plays we see a distinct effort to investigate seriously the dramatic form and some of his plays are startlingly ahead of their time. Furthermore, all of the plays are adaptations and comprise One Day More , based on Tomorrow , Laughing Anne , based on Because of the Dollars, Victory: A Drama and The Secret Agent . The creation of these reveals much about the history, theory and practice of this fascinating cultural process.