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The Theatre of Joseph Conrad

The Theatre of Joseph Conrad

Richard J. Hand

Palgrave Macmillan
2005
nidottu
Although the dramatic dimension to Joseph Conrad's fiction is frequently acknowledged, his own experiments in drama have traditionally been marginalized. However, in all of Conrad's plays we see a distinct effort to investigate seriously the dramatic form and some of his plays are startlingly ahead of their time. Furthermore, all of the plays are adaptations and comprise One Day More , based on Tomorrow , Laughing Anne , based on Because of the Dollars, Victory: A Drama and The Secret Agent . The creation of these reveals much about the history, theory and practice of this fascinating cultural process.
Rethinking Joseph Conrad’s Concepts of Community

Rethinking Joseph Conrad’s Concepts of Community

Kaoru Yamamoto

Bloomsbury Academic
2018
nidottu
Rethinking Joseph Conrad’s Concepts of Community uses Conrad’s phrase ‘strange fraternity’ from The Rover as a starting point for an exploration of the concept of community in his writing, including his neglected vignettes and later stories. Drawing on the work of continental thinkers including Jacques Derrida, Jean Luc-Nancy and Hannah Arendt, Yamamoto offers original readings of Heart of Darkness, The Nigger of the ‘Narcissus’, The Rover and Suspense and the short stories “The Secret Sharer”, “The Warrior’s Soul” and “The Duel”. Working at the intersection between literature and philosophy, this is a unique and interdisciplinary engagement with Conrad’s work.
The Reception of Joseph Conrad in Europe
Born and brought up in Poland bilingually in French and Polish but living for most of his professional life in England and writing in English, Joseph Conrad was, from the start, as much a European writer as he was a British one and his work – from his earliest fictions through Heart of Darkness, Nostromo and The Secret Agent to his later novels– has repeatedly been the focal point of discussions about key issues of the modern age.With chapters written by leading international scholars, this book provides a wide-ranging survey of the reception, translation and publication history of Conrad’s works across Europe. Covering reviews and critical discussion, and with some attention to adaptations in other media, these chapters situate Conrad's works in their social and political context. The book also includes bibliographies of key translations in each of the European countries covered and a timeline of Conrad’s reception throughout the continent.
The Theatre of Joseph Conrad

The Theatre of Joseph Conrad

Richard J. Hand

Palgrave Macmillan
2005
sidottu
Although the dramatic dimension to Joseph Conrad's fiction is frequently acknowledged, his own experiments in drama have traditionally been marginalized. However, in all of Conrad's plays we see a distinct effort to investigate seriously the dramatic form and some of his plays are startlingly ahead of their time. Furthermore, all of the plays are adaptations and comprise One Day More , based on Tomorrow , Laughing Anne , based on Because of the Dollars, Victory: A Drama and The Secret Agent . The creation of these reveals much about the history, theory and practice of this fascinating cultural process.