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1000 tulosta hakusanalla Helene Cooper

Encounters

Encounters

Hélène Cixous

Polity Press
2012
nidottu
"Isn't it … particularly difficult to 'speak' of your work?" Frédéric-Yves Jeannet asks Hélène Cixous in this fascinating book of interviews. "[I]t's only in writing, on paper, … that I reach the most unknown, the strangest, the most advanced part of me for me. I feel closer to my own mystery in the aura of writing it," Cixous responds. These conversations, which took place over three years and cover the creative process behind Cixous’s fictional writing, illuminate the genesis and particular genius of one of France’s most original writers. Cixous muses on her "coming to writing," from her first publications to her recent acclaim for a series of fictional texts that spring, as, she insists all true writing does, from her life: the loss of her father when she was a child, and her relationship with her mother, now in her tenth decade, as well as with such friends as Jacques Derrida and Jacques Lacan. The conversations delve into Cixous’s career as an academic in Paris and abroad, her summer retreats to the Bordeaux region to write uninterrupted for two months, her work with Ariane Mnouchkine’s Théàtre du Soleil, her political engagements and her dreams. Readers and writers who have followed Cixous’s path-blazing career as a fiction writer who crosses boundaries of genre and gender while posing essential questions about the nature of narrative and life will find this a book that cannot be put down.
Double Oblivion of the Ourang-Outang

Double Oblivion of the Ourang-Outang

Hélène Cixous

Polity Press
2013
sidottu
In 2009, the writer-narrator finds a Box. Within it lie the pages of her very first manuscript, pages she thought she had long since thrown away. Le Prénom de Dieu was the text that marked the start of her prodigious career, and yet for the narrator it is also the Nameless Book, the-Book-that-could-never-be-read, the book written by someone other than her. Now, once again, it heralds a beginning, as its discovery is the start of a journey into the past. The title, with its reference to the murderous Ourang-Outang of Edgar Allan Poe’s The Murders in the Rue Morgue, sets the scene: this is a detective story haunted by literary ghosts. At the very heart of literature lies the fascination with the enigma, the search for something that has been lost. Cixous illustrates this as she leads her reader on a hunt for the ultimate hidden treasure, in the company of an array of venerable predecessors from Saint-Simon, Proust and Stendhal to Shackleton, Poe and Jacques Derrida. Double Oblivion of the Ourang-Outang is a text about literature. It speaks of the books you read and the books you write, those you remember and those you forget, those you fear and those you revere. It is also a powerful, evocative tale of beginnings and endings, of remembering and forgetting, of things and their doubles. In a densely woven narrative, Cixous’s latest text focuses on the extraordinary voyage that is literary creation, and in doing so also explores the themes of memory, loss and subjectivity.
Double Oblivion of the Ourang-Outang

Double Oblivion of the Ourang-Outang

Hélène Cixous

Polity Press
2013
nidottu
In 2009, the writer-narrator finds a Box. Within it lie the pages of her very first manuscript, pages she thought she had long since thrown away. Le Prénom de Dieu was the text that marked the start of her prodigious career, and yet for the narrator it is also the Nameless Book, the-Book-that-could-never-be-read, the book written by someone other than her. Now, once again, it heralds a beginning, as its discovery is the start of a journey into the past. The title, with its reference to the murderous Ourang-Outang of Edgar Allan Poe’s The Murders in the Rue Morgue, sets the scene: this is a detective story haunted by literary ghosts. At the very heart of literature lies the fascination with the enigma, the search for something that has been lost. Cixous illustrates this as she leads her reader on a hunt for the ultimate hidden treasure, in the company of an array of venerable predecessors from Saint-Simon, Proust and Stendhal to Shackleton, Poe and Jacques Derrida. Double Oblivion of the Ourang-Outang is a text about literature. It speaks of the books you read and the books you write, those you remember and those you forget, those you fear and those you revere. It is also a powerful, evocative tale of beginnings and endings, of remembering and forgetting, of things and their doubles. In a densely woven narrative, Cixous’s latest text focuses on the extraordinary voyage that is literary creation, and in doing so also explores the themes of memory, loss and subjectivity.
Twists and Turns in the Heart's Antarctic

Twists and Turns in the Heart's Antarctic

Hélène Cixous

Polity Press
2013
sidottu
Twists and Turns in the Heart's Antarctic is a compelling new volume in Hélène Cixous's search for lost time. Readers of earlier volumes - Hemlock and Hyperdream, among others - will reconnect with familiar characters: Eve, the elderly mother now in her hundredth year, Hélène, the daughter, who never expected to become a mother at 70, and the brother, childhood companion and rival. She has almost no time to write. "You hate me! You hate me!" someone shouts. "You want me dead!" Is that a revolver on the table? Bang! Shot or door slammed? The brother storms out. The Family is destroying itself. Twists and Turns, like all Cixous's books, is a many-faceted text, whose narrative spins its webs in corners familiar to Cixous readers: corners with books and writers - Montaigne, Proust, Kafka, Derrida; a theater and plays; friendship, and love. It is a tale on the scale of Greek myth, about the inescapable entanglements of family relationships, that can lead one, in hyperbolic mode, to envision murder and suicide, for, as Cixous writes, "with love's force one hates." And yet, "everything twists and turns": this is a tale with profoundly touching reversals.
Twists and Turns in the Heart's Antarctic

Twists and Turns in the Heart's Antarctic

Hélène Cixous

Polity Press
2013
nidottu
Twists and Turns in the Heart's Antarctic is a compelling new volume in Hélène Cixous's search for lost time. Readers of earlier volumes - Hemlock and Hyperdream, among others - will reconnect with familiar characters: Eve, the elderly mother now in her hundredth year, Hélène, the daughter, who never expected to become a mother at 70, and the brother, childhood companion and rival. She has almost no time to write. "You hate me! You hate me!" someone shouts. "You want me dead!" Is that a revolver on the table? Bang! Shot or door slammed? The brother storms out. The Family is destroying itself. Twists and Turns, like all Cixous's books, is a many-faceted text, whose narrative spins its webs in corners familiar to Cixous readers: corners with books and writers - Montaigne, Proust, Kafka, Derrida; a theater and plays; friendship, and love. It is a tale on the scale of Greek myth, about the inescapable entanglements of family relationships, that can lead one, in hyperbolic mode, to envision murder and suicide, for, as Cixous writes, "with love's force one hates." And yet, "everything twists and turns": this is a tale with profoundly touching reversals.
Five Finger Discount

Five Finger Discount

Helene Stapinski

Bloomsbury Publishing PLC
2002
nidottu
______________ ‘Hugely entertaining and poignant' - Sunday Times ‘A welcome antidote to knee-jerk nostalgia ... Stapinski's prose hits like bullets ... visceral and memorable' - Image ______________ ‘The night my grandfather tried to kill us, I was five years old, the age I stopped believing in Santa Claus ...' Helene Stapinski had been playing in the family's apartment above the Majestic Tavern in Jersey City when, in the bar downstairs, Grandpa - an ex-con and armed robber - pointed his loaded gun and bragged he had a bullet for each of them. But news travelled fast and within minutes Helene was watching a handcuffed Grandpa go to jail for the last time. The Stapinskis have a knack for breaking the law. Helene's daily bread was stolen by her father from the cold storage company where he worked and the books on her shelves were swiped from the local bookbinding company. In her own generation, her first cousin embezzled a quarter of a million dollars, tearing the clan apart. All these stories are part of Helene's unbelievable heritage and of Five Finger Discount, a raucous and heartbreaking tale.
Dream I Tell You

Dream I Tell You

Helene Cixous

Edinburgh University Press
2006
sidottu
This book is an account of, and commentary on, a collection of dreams by the novelist, playwright and theorist Helene Cixous. As such the book presents a rich poetic experience and is a key document in understanding Cixous' writing practice. Jacques Derrida's commentary on Dream I Tell You is published in 'The Frontiers of Theory' series as Geneses, Genealogies, Genres and Genius. Key Features * Importance of Helene Cixous to contemporary literary and French feminist theory. * The poetic, autobiographical quality of the writing. * Significance of the book to the Cixous oeuvre.
Insister of Jacques Derrida

Insister of Jacques Derrida

Helene Cixous

Edinburgh University Press
2007
sidottu
'I have often declared my admiration for Helene Cixous, for the person and for the work: immense, powerful, so multiple but unique in this century.' - Jacques Derrida 'Insister of Jacques Derrida, so expertly translated by Derrida's principal and most faithful translator, Peggy Kamuf, is an indispensable, daring, heartfelt and moving book...It presents a flawless, committed reading that is in the spirit of Derrida in its serious playfulness, its poetic sinuousness, its elegant reasoning and rhetoric while also being wholly in Cixous' own singular voice. This is not merely a study of Derrida, it is a haunting dialogue with his memory and with his phantom.' - Julian Wolfreys, Professor of Modern Literature and Culture, Loughborough University Helene Cixous is arguably the most insightful and unbridled reader of Jacques Derrida today. In Insister she brings a unique mixture of theoretical speculation, breath-taking textual explication and scholarly erudition to an extremely close reading of Derrida's work, always attentive to the details of his thinking. At the same time, Insister is an extraordinarily poetic meditation, a work of literature and of mourning for Jacques Derrida the person, who was a close friend and accomplice of Cixous's from the beginning of their careers. Insister of Jacques Derrida joins Dream I Tell You by Helene Cixous and Geneses, Genealogies, Genres and Genius by Jacques Derrida, also published in The Frontiers of Theory series.
Volleys of Humanity

Volleys of Humanity

Helene Cixous

Edinburgh University Press
2011
sidottu
This major new collection of texts by Helene Cixous brings together a range of important untranslated as well as four previously unpublished essays. These essays deal with literature, politics, history, Algeria, and the university and include works from Cixous' most significant contributions to literary criticism (Joyce, Kleist, Stendhal, Kafka, Shakespeare) as well as her contemporary writing on human rights and geo-politics. They are all informed by Cixous' unique gift for combining a writer's love of idiom and life with a scholar's acute deconstructive reading. These texts present an extended account of what Cixous calls here 'autobibliography' in which writing, theory, politics and life combine to open up the world through critical reading and self-reflection. 'I am on the side of life', says Cixous. These essays affirm Cixous' reputation as one of our greatest readers and sources of critical light in the world today. Key Features *Author is a leading French theorist and writer *Essays cover a wide range of topics and contemporary issues
Poetry in Painting

Poetry in Painting

Helene Cixous

Edinburgh University Press
2012
sidottu
The first book by Helene Cixous on painting and the contemporary arts. This collection gathers most of Helene Cixous' short texts devoted to contemporary artists, such as the painter Nancy Spero, the photographer Andres Serrano, the visual artists Roni Horn and Ernest Pignon-Ernest, the fashion designer Sonia Rykiel and the choreographer Karine Saporta, among others. The artworks belong to different genres and media: photography, painting, installations, film, choreography and fashion design. Nevertheless, Helene Cixous' texts all deal with some of her privileged themes: exile, war, violence (against women) and exclusion, as well as love, memory, beauty and tenderness. Neither art criticism nor critical essays, Helene Cixous responds to these artworks as a poet, reading them as if they were poems. Written between 1985 and 2010, most of these essays are unpublished in English, or published only in rare catalogues or art books. Key Features *Combines poetic, theoretical and critical writing and Cixous' unique methodology *Addresses an important collection of contemporary artists, including Americans Nancy Spero and Roni Horn, the London artist Maria Chevska, the Cherokee artist Jeffrey Gibson, the filmmaker Ruth Bekermann, the French choreographer Karine Saporta and the French fashion designer Sonia Rykiel. *Treats a range of media and genre: photography, painting, installations, film, choreography, fashion design
Boy Soldiers

Boy Soldiers

Helene Munson

The History Press Ltd
2021
sidottu
At the end of the Second World War, hundreds of thousands of German children were sent to the front lines in the largest mobilisation of underage combatants by any country before or since. Hans Dunker was just one of these children. Identified as gifted aged 9, he left his home in South America in 1937 in pursuit of a ‘proper’ education in Nazi Germany. Instead, he and his schoolfriends, lacking adequate training, ammunition and rations, were sent to the Eastern Front when the war was already lost in the spring of 1945. Using her father’s diary and other documents, Helene Munson traces Hans’ journey from a student at Feldafing School to a soldier fighting in Zawada, a village in present-day Czech Republic. What is revealed is an education system so inhumane that until recently, post-war Germany worked hard to keep it a secret. This is Hans’ story, but also the story of a whole generation of German children who silently carried the shame of what they suffered into old age.
84 Charing Cross Road

84 Charing Cross Road

Helene Hanff

Little, Brown Book Group
2010
pokkari
The true story of the 20-year correspondence between Helene Hanff, an American writer living in New York, and Frank Doel, the Manager of Messrs Marks and Co., a bookshop in London's Charing Cross Road. The story is told in the couple's letters.
An: To Eat

An: To Eat

Helene An; Jacqueline An

Running Press Adult
2016
sidottu
In Vietnamese, AN" means TO EAT," a happy coincidence, since the An family has built an award-winning restaurant empire, including the renowned celebrity favourite Crustacean Beverly Hills,that has been toasted by leading food press, including Bon Appétit, Gourmet, InStyle and the Food Network. Helene An, executive chef and matriarch of the House of An, is hailed as the mother of fusion" and was inducted into the Smithsonian Institute for her signature style that brings together Vietnamese, French, and California- fresh influences. Now her daughter Jacqueline tells the family story and shares her mother's delicious and previously secret" recipes, including Mama's" Beef Pho, Drunken Crab, and Oven-Roasted Lemongrass Chicken. Helene's transformation from pampered princess" in French Colonial Vietnam, to refugee then restaurateur, and her journey from Indochina's lush fields to family kitchen gardens in California are beautifully chronicled throughout the book. The result is a fascinating peek at a lost world, and the evolution of an extraordinary cuisine. The 100 recipes in An: To Eat feature clean flavors, simple techniques, and unique twists that could only have come from Helene's personal story.
Arsho Baghsarian

Arsho Baghsarian

Helene Verin

Schiffer Publishing Ltd
2019
sidottu
One of the most important shoe designers of the mid- to late twentieth century, Arsho Baghsarian spent more than four decades working behind the scenes for prestigious companies with men's names on the label, including Christian Dior, Andrew Geller, I. Miller, and Stuart Weitzman, as well as Shoe Biz. Her creative genius is illustrated in this photographic collection of full-page sketches, prototypes, and production pairs that she donated to the Fashion Institute of Technology. Known for her sculptural heels and the use of exotic materials such as snakeskin, crystal, and Lucite, Baghsarian's extraordinary journey spans from a childhood in Turkey to prolific partnerships with major American shoe labels and the international factories that produced her designs. Connoisseurs of high-fashion footwear will be fascinated by the story of Baghsarian's pioneering career and inspirations, which ranged from Mexican art and the Philippine jungle to the passing of time.
Understand and Control Your Asthma

Understand and Control Your Asthma

Hélène Boutin; Louis-Philippe Boulet

McGill-Queen's University Press
1995
nidottu
Asthma is one of the most common respiratory diseases, affecting between twelve and fifteen million people in North America. Although asthma can often be treated successfully, many misconceptions about it persist. In response to requests from patients and health care professionals, Helene Boutin and Louis-Philippe Boulet have written this practical guide to understanding and controlling asthma. Understand and Control Your Asthma is designed to help asthmatics take control of their health through better understanding of the disease and its treatment and by applying self-management skills to avoid attacks. Topics discussed include the factors that trigger asthma, the different treatments available, effects and side-effects of medications, and what to do if the disease becomes worse. Questionnaires enable asthma sufferers to evaluate their understanding of the concepts presented in the book and develop a personal case history, which will help them to communicate more effectively with physicians about their symptoms. Boutin and Boulet also provide advice on measures that may help asthmatics lead normal and productive lives. Understand and Control Your Asthma is a valuable reference and workbook for asthma sufferers and their families, friends, and colleagues. It will also be of interest to asthma specialists and general practitioners.
Life in a Fishing Community

Life in a Fishing Community

Helene Boudreau

Crabtree Publishing Co,US
2009
nidottu
This title looks at offshore fishing. Around the coast of much of North America, fishing stocks have greatly declined as a result of overfishing, pollution, and global warming. Nova Scotia, in the northeast of Canada, once had a huge fishing industry. In 1753, people from Germany, Switzerland, and France came from Europe to set up colony at Lunenburg on the coast. They soon set up a fishing and shipbuilding industry. The community grew until about 1980, when the fishing industry largely stopped. Since then, the community has had to reinvent itself. It is still largely based on the old industries, but tourism is as important. Lunenburg has a population of about 3500 people.
Femicidal Fears

Femicidal Fears

Helene Meyers

State University of New York Press
2001
pokkari
Argues that contemporary female Gothic novels of death can, in fact, breathe new life into feminist debates about victimization, essentialism, agency, and the body.In Femicidal Fears, Helene Meyers examines contemporary femicidal plots-plots in which women are killed or fear for their lives-to argue that these female Gothic novels of death actually bring the nuances of feminist thought to life. Through her examination of works by Angela Carter, Muriel Spark, Edna O'Brien, Beryl Bainbridge, Joyce Carol Oates, and Margaret Atwood, as well as such infamous cases as the Montreal Massacre and the Yorkshire Ripper, Meyers contends that these femicidal plots restage and embody feminist debates flattened by such glib and automatic phrases as "essentialism" and "victim feminism." Bringing the Gothic and the quotidian together in discussions of heterosexual romance, the sadomasochistic couple, female paranoia, postfeminism, and images of the female body, the book affirms that refusing victimization may not be a simple story, but it is nevertheless one worth telling.