"A colorful, beautiful book which teaches us about ourselves as much as about one of North America's native peoples."-Vancouver SunRarely accessible to the general public, Ojibway mythology is as rich in meaning, as broad, as deep, and as innately appealing as the mythologies of Greece, Rome, and other Western civilizations. In Ojibway Heritage Basil Johnston introduces his people's ceremonies, rituals, songs, dances, prayers, arid legends. Conveying the sense of wonder and mystery at the heart of the Ojibway experience, Johnston describes the creation of the universe, followed by that of plants and animals and human beings, and the paths taken by the latter. These stories are to be read, enjoyed, and freely interpreted. Their authorship is perhaps most properly attributed to the tribal storytellers who have carried on the oral tradition that Johnston records and preserves in this book.
The Ojibway Indians were first encountered by the French early in the seventeenth century along the northern shores of Lakes Huron and Superior. By the time Henry Wadsworth Longfellow immortalized them in The Song of Hiawatha, they had dispersed over large areas of Canada and the United States, becoming known as the Chippewas in the latter. A rare and fascinating glimpse of Ojibway culture before its disruption by the Europeans is provided in Ojibway Ceremonies by Basil Johnston, himself an Ojibway who was born on the Parry Island Indian Reserve.Johnston focuses on a young member of the tribe and his development through participation in the many rituals so important to the Ojibway way of life, from the Naming Ceremony and the Vision Quest to the War Path, and from the Marriage Ceremony to the Ritual of the Dead. In the style of a tribal storyteller, Johnston preserves the attitudes and beliefs of forest dwellers and hunters whose lives were vitalized by a sense of the supernatural and of mystery.
Honour Earth Mother is an inspiring reminder of the affection and reverence that the Native peoples of North America have had for the land. For Native peoples the earth was special, the dwelling place of manitous and spirits and the repository of the bones of generations of ancestors. And the earth remains today a deep wellspring of revelations and unveiled mysteries for those who take time to watch, listen, and reflect.Celebrated Ojibwa writer Basil Johnston invites us to go into the woods and meadows, mountains, valleys, and seashores to watch miracles still unfolding, to listen to nature's symphonies, to feel the pulse of the earth, to take in the fragrances, and to sense the awesome. His stories of the creatures, seasons, and landscape of the earth reveal a land that has never stopped brimming with beauty, song, and dance.
This book is the humorous, bitter-sweet autobiography of a Canadian Ojibwa who was taken from his family at age ten and placed in Jesuit boarding school in northern Ontario. It was 1939 when the feared Indian agent visited Basil Johnston's family and removed him and his four-year-old sister to St. Peter Claver's school, run by the priests in a community known as Spanish, 75 miles from Sudbury.""Spanish! It was a word synonymous with residential school, penitentiary, reformatory, exile, dungeon, whippings, kicks, slaps, all rolled into one,"" Johnston recalls. But despite the aching loneliness, the deprivation, the culture shock and the numbing routine, his story is engaging and compassionate. Johnston creates marvelous portraits of the young Indian boys who struggled to adapt to strange ways and unthinking, unfeeling discipline. Even the Jesuit teachers, whose flashes of humor occasionally broke through their stern demeanor, are portrayed with an understanding born of hindsight.
A master of song poems which celebrate--and incarnate--the music of nature and history, love and mythology, religion and language, Basil Bunting (1900-1985) was a major figure in Modernist poetry, recognized by Pound and Zukofsky as early as the 1930s, and crowned, with the 1966 publication of his masterpiece Briggflatts, Britain's greatest poet. The poet himself called his great epic poem old wives' chatter, cottage wisdom, but for many writers Briggflatts is one of the dozen great poems of the 20th century: as Cyril Connolly put it, the finest long poem to have been published in England since T. S. Eliot's Four Quartets. As well as Briggflatts (long out of print in the US, and now only available in this edition), this new Complete Poems includes Bunting's other great sonatas, most notably Villon (1925) and The Spoils (1951), along with his two books of Odes, his vividly realized Overdrafts (as he called his free translations of Horace, Rudaki, and others), and his brilliantly condensed Japanese adaptation, Chomei at Toyama (1932). It also includes his posthumous Uncollected Poems. This centenary edition has an introduction by Richard Caddel, Director of the Basil Bunting Poetry Center at Durham University.
His zealous and intrepid defense of the orthodox faith and his contribution to handling the external affairs of the Eastern Church were by no means the whole service to which St. Basil the Great devoted his considerable talents. His life both exemplified and shaped the ascetical movement of his time. After renouncing a brilliant career as rhetorician, he traveled widely, studying the various forms of asceticism practiced in Eastern Christendom. On his return, he retired in the year 358 to a place near Neocaesarea to put into practice the best of what he had seen, and there disciples soon joined him. When his friend Gregory of Nazianzus visited him there in 358, he began to write his Rules and other works that have had great importance in promoting and regulating the common life of monasticism. This life, regulated and freed from excess, as an expression of the law of charity was to be the monk's path to union with God. Basil's concept of the monastic ideal, socially directed and moderate without being lax, became the fundamental concept of Greek and Slavonic monasticism, and it influenced St. Benedict in legislating for Western monasticism.The ascetical writings of St. Basil contained in this volume, addressed to both monks and laymen, are of prime importance for understanding the role their author played in the Church of the fourth century and, through his influence, still plays today.
This is an account of the classical scholar, Basil Lanneau Gildersleeve, who was a soldier and who taught at the University of Virginia during the winter. This book is a collection of his writings: autobiographical essays; 63 editorials; and reflections upon the causes and effects of the Civil War.
The ancient Romans quite literally surrounded themselves with the dead: masks of the dead were in the atria of their houses, funerals paraded through their main marketplace, and tombs lined the roads leading into and out of the city. In Roman literature as well, the dead occupy a prominent place, indicating a close and complex relationship between literature and society. The evocation of the dead in the Latin authors of the first century BCE both responds and contributes to changing socio-political conditions during the transition from the Republic to the Empire. To understand the literary life of the Roman dead, The Ghosts of the Past develops a new perspective on Latin literature's interaction with Roman culture. Drawing on the insights of sociology, anthropology, and performance theory, Basil Dufallo argues that authors of the late Republic and early Principate engage strategically with Roman behaviors centered on the dead and their world in order to address urgent political and social concerns. Republican literature exploits this context for the ends of political competition among the clan-based Roman elite, while early imperial literature seeks to restage the republican practices for a reformed Augustan society. Calling into question boundaries of genre and literary form, Dufallo's study will revise current understandings of Latin literature as a cultural and performance practice. Works as diverse as Cicero's speeches, Propertian elegy, Horace's epodes and satires, and Vergil's Aeneid appear in a new light as performed texts interacting with other kinds of cultural performance from which they might otherwise seem isolated.
This book seeks to debunk eleven popular and prevalent myths about Caribbean history. Using archaeological evidence, it corrects many previous misconceptions promulgated by history books and oral tradition as they specifically relate to the pre-Colonial and European-contact periods. It informs popular audiences, as well as scholars, about the current state of archaeological/historical research in the Caribbean Basin and asserts the value of that research in fostering a better understanding of the region's past.Contrary to popular belief, the history of the Caribbean did not begin with the arrival of Europeans in 1492. It actually started 7,000 years ago with the infusion of Archaic groups from South America and the successive migrations of other peoples from Central America for about 2,000 years thereafter. In addition to discussing this rich cultural diversity of the Antillean past, ""Myths and Realities of Caribbean History"" debates the misuse of terms such as 'Arawak' and 'Ciboneys', and the validity of Carib cannibalism allegations.
Examines the objectives set by the World Bank for its operations in Turkey in the period 1993-2004 and the extent to which those objectives were achieved.
The African Genius presents the ideas, social systems, religions, moral values, arts, and metaphysics of a range of African peoples. Basil Davidson points toward the Africa that might emerge from an ancient civilization that was overlaid and battered by colonialism, then torn apart by the upheaval of colonialism's dismantlement. Davidson disputes the notion that Africa gained under colonialism by entering the modern world. He sees, instead, an ancient order replaced by modern dysfunction. Davidson's depiction of the sophisticated "native genius" that has carried Africans through centuries of change is vital to an understanding of modern Africa as well.
This book, the fifth in the series developing BernsteinOs code theory, presents a lucid account of the most recent developments of this code theory and, importantly, shows the close relation between this development and the empirical research to which the theory has given rise. Pedagogy, Symbolic Control and Identity addresses the central issue of BernsteinOs research project: are there any general principles underlying the transformation of knowledge into pedagogic communication? In BernsteinOs view, we have studied only pedagogic messages and their institutional and ideological base. We have not studied the nature of the relay which makes messages possible. The discussion of this research forms part II of this book, where Bernstein makes explicit the methodology of the research and, in particular, the crucial significance of languages of description. This new edition of Bernstein's classic book is updated with three new chapters: on discourse, on official knowledge and identities, and a wide ranging interview with Joseph Solomon. The new edition, published as Volume Five in his Class, Codes, and Control Series, builds on the continuing tradition of Bernstein's highly influential work on class, education, language, and society.
