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1000 tulosta hakusanalla Deborah Cook
Eighteenth-century English literature, art, science, and popular culture exhibited an unprecedented fascination with small male bodies of various kinds. Henry Fielding's Tom Thumb plays drew packed crowds, while public exhibitions advertised male dwarfs as paragons of English masculinity. Bawdy popular poems featured diminutive men paired with enormous women, and amateur scientists anthropomorphized and gendered the "minute bodies" they observed under their fashionable new pocket microscopes. Little men, both real and imagined, embodied the anxieties of a newly bourgeois English culture and were transformed to suit changing concerns about the status of English masculinity in the modern era.The Little Everyman explores this strange trend by tracing the historical trajectory of the supplanting of the premodern court dwarf by a more metaphorical and quintessentially modern "little man" who came to represent in miniature the historical shift in literary production from aristocratic patronage to the bourgeois fantasy of freelance authorship. Armintor's close readings of Pope, Fielding, Swift, and Sterne highlight little recognized aspects of classic works while demonstrating how the little man became an "everyman."
Eighteenth-century English literature, art, science, and popular culture exhibited an unprecedented fascination with small male bodies of various kinds. Henry Fielding's Tom Thumb plays drew packed crowds, while public exhibitions advertised male dwarfs as paragons of English masculinity. Bawdy popular poems featured diminutive men paired with enormous women, and amateur scientists anthropomorphized and gendered the "minute bodies" they observed under their fashionable new pocket microscopes. Little men, both real and imagined, embodied the anxieties of a newly bourgeois English culture and were transformed to suit changing concerns about the status of English masculinity in the modern era.The Little Everyman explores this strange trend by tracing the historical trajectory of the supplanting of the premodern court dwarf by a more metaphorical and quintessentially modern "little man" who came to represent in miniature the historical shift in literary production from aristocratic patronage to the bourgeois fantasy of freelance authorship. Armintor's close readings of Pope, Fielding, Swift, and Sterne highlight little recognized aspects of classic works while demonstrating how the little man became an "everyman."
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Out [o] Fashion Photography: Embracing Beauty investigates the transformative experience of the photograph. In this book Deborah Willis explores historical perceptions of beauty and desire through artistic and ethnographic imagery and the role individual photographers play in constructing ways of seeing. Through the themes of idealized beauty, the unfashionable body, the gendered image, and photography as memory, Willis challenges and makes problematic the "reading" of photographic images in the twenty-first century.Working from the significant photographic holdings of the University of Washington's Henry Art Gallery, and the University of Washington Libraries, Special Collections, the author examines shifting gender attitudes that emerged in work by women photographers such as Gertrude Käsebier and Diane Arbus. Willis discusses ethnographic ideologies underpinning the work of Edward Sheriff Curtis and Fred E. Miller who worked with Native American subjects, as well as the framing and reframing of images of black people in the work of Samuel Montague Fassett and Carrie Mae Weems. Additionally, the effects of fashion and desire on the imaging of beauty are examined in the work of such artists as Don Wallen, Janieta Eyre, and Jan Saudek. The book includes full-page illustrations of works by more than fifty internationally recognized photographers including Lisette Model, Imogen Cunningham, Lewis Wickes Hine, Bruce Davidson, Cecil Beaton, Nan Goldin, André Kertész, Lee Friedlander, Lorna Simpson, Cindy Sherman, and Andy Warhol.
Black Women in Sequence takes readers on a search for women of African descent in comics subculture. From the 1971 appearance of the Skywald Publications character "the Butterfly" - the first Black female superheroine in a comic book - to contemporary comic books, graphic novels, film, manga, and video gaming, a growing number of Black women are becoming producers, viewers, and subjects of sequential art.As the first detailed investigation of Black women's participation in comic art, Black Women in Sequence examines the representation, production, and transnational circulation of women of African descent in the sequential art world. In this groundbreaking study, which includes interviews with artists and writers, Deborah Whaley suggests that the treatment of the Black female subject in sequential art says much about the place of people of African descent in national ideology in the United States and abroad.
Black Women in Sequence takes readers on a search for women of African descent in comics subculture. From the 1971 appearance of the Skywald Publications character "the Butterfly" - the first Black female superheroine in a comic book - to contemporary comic books, graphic novels, film, manga, and video gaming, a growing number of Black women are becoming producers, viewers, and subjects of sequential art.As the first detailed investigation of Black women's participation in comic art, Black Women in Sequence examines the representation, production, and transnational circulation of women of African descent in the sequential art world. In this groundbreaking study, which includes interviews with artists and writers, Deborah Whaley suggests that the treatment of the Black female subject in sequential art says much about the place of people of African descent in national ideology in the United States and abroad.
Scholarly investigations of the rich field of verbal and extraverbal Athenian insults have typically been undertaken piecemeal. Deborah Kamen provides an overview of this vast terrain and synthesizes the rules, content, functions, and consequences of insulting fellow Athenians. The result is the first volume to map out the full spectrum of insults, from obscene banter at festivals, to invective in the courtroom, to slander and even hubristic assaults on another's honor.While the classical city celebrated the democratic equality of "autochthonous" citizens, it counted a large population of noncitizens as inhabitants, so that ancient Athenians developed a preoccupation with negotiating, affirming, and restricting citizenship. Kamen raises key questions about what it meant to be a citizen in democratic Athens and demonstrates how insults were deployed to police the boundaries of acceptable behavior. In doing so, she illuminates surprising differences between antiquity and today and sheds light on the ways a democratic society valuing "free speech" can nonetheless curb language considered damaging to the community as a whole.
Scholarly investigations of the rich field of verbal and extraverbal Athenian insults have typically been undertaken piecemeal. Deborah Kamen provides an overview of this vast terrain and synthesizes the rules, content, functions, and consequences of insulting fellow Athenians. The result is the first volume to map out the full spectrum of insults, from obscene banter at festivals, to invective in the courtroom, to slander and even hubristic assaults on another's honor.While the classical city celebrated the democratic equality of "autochthonous" citizens, it counted a large population of noncitizens as inhabitants, so that ancient Athenians developed a preoccupation with negotiating, affirming, and restricting citizenship. Kamen raises key questions about what it meant to be a citizen in democratic Athens and demonstrates how insults were deployed to police the boundaries of acceptable behavior. In doing so, she illuminates surprising differences between antiquity and today and sheds light on the ways a democratic society valuing "free speech" can nonetheless curb language considered damaging to the community as a whole.
During the quarter century between 1780 and 1806, Berlin's courtly and intellectual elites gathered in the homes of a few wealthy, cultivated Jewish women to discuss the events of the day. Princes, nobles, upwardly mobile writers, actors, and beautiful Jewish women flocked to the salons of Rahel Varnhagen, Henriette Herz, and Dorothea von Courland, creating both a new cultural institution and an example of social mixing unprecedented in the German past. In this book, Deborah Hertz offers the first detailed history of these salons, using rich narrative as well as analytic social history to explain why such an institution arose and what it meant to those involved.Hertz reconstructs the cultural and social context that nurtured salon life, describing how the salons emerged out of courtly society, commercial leisure institutions, and the city's new intellectual clubs. Using a collective biography of one hundred participants in sixteen salons, Hertz shows that there were complex social and personal motives for salon participation. Noblemen, for example, needed Jewish financiers for private loans, but they also wanted access to more progressive cultural currents. For Jewish women, salon leadership offered not only an escape from a restricted home life but also social and personal power, power that was frequently consolidated in their upwardly mobile marriages to noblemen.However advantageous and stimulating these salons were for their participants, they were the product of a transitory convergence of social and cultural structures. Hertz concludes by exploring how both underground antisemitic gossip and the new patriotism unleashed by the upheavals in Prussia after 1806 destroyed Jewish salon life in Berlin.
“The little children had little parents in the [twins’] block [in Auschwitz]. For example, I was a little mama for twins, two girls named Evichka and Hanka…My sister was the mother for Hanka and I was the mother for Evichka…Evichka told me that she got a mother and a father, but that they had gone away on transport. The twins were four years old. I said to her, ‘I will be your mother.’ She said, ‘But you are only sixteen years old; it doesn’t matter?’ I said, ‘No, it doesn’t matter because it is more important that we are together and that we are not alone. You have a mother and I have a daughter.’” —Magda Magda Somogyi Many books have been written about the experiences of Jews in Nazi Europe. None, however, has focused on the persecution of the most vulnerable members of the Jewish community—its children. This powerful and moving book by Deborah Dwork relates the history of these children for the first time. The book is based on hundreds of oral histories conducted with survivors who were children in the Holocaust, in Europe and North America, an extraordinary range of primary documentation uncovered by the author (including diaries, letters, photographs and family albums), and archival records. Drawing on these sources, Dwork reveals the feelings, daily activities, and perceptions of Jewish children who lived and died in the shadow of the Holocaust. She reconstructs and analyzes the many different experiences the children faced. In the early years of Nazi domination they lived at home, increasingly opposed by rising anti-Semitism. Later some went into hiding while others attempted to live openly on gentile papers. As time passed, increasing numbers were forced into transit camps, ghettos, and death and slave labor camps. Although nearly ninety percent of the Jewish children in Nazi Europe were murdered, we learn in this history not of their deaths but of the circumstances of their lives. Children with a Star is a major new contribution to the history of Europe during the Nazi era. It explains from a different perspective how European society functioned during the wary years, how the German noose tightened, and how the Jewish victims and their gentile neighbors responded. It expands the definition of resistance by examining the history of the people—primarily women—who helped Jewish children during the war. By focusing on children, it strips away rationalizations that the victims of Nazism somehow “allowed or “deserved” their punishment. And by examining the experience of children and thereby laying bare how society functions at its most fundamental level, it not only provides a unique understanding of the Holocaust but a new theoretical approach to the study of history.
This book is the indispensable guide to the history of architecture in Venice, encompassing the city’s fascinating variety of buildings from ancient times to the present day. Completely updated and filled with splendid new illustrations, this edition invites all visitors to Venice, armchair travelers, and students of Renaissance art and architecture to a fuller appreciation of the buildings of this uniquely beautiful city.“The best concise introduction to Venetian architecture in English.”—Times Literary Supplement“Compact and manageable . . . an excellent introduction to the novice preparing for a first Venetian experience.”—Society of Architectural Historians“A hugely rewarding and accessible book.”—Richard Cork, Modern PaintersPublished with the assistance of the Getty Grant Program
When Dieting Becomes Dangerous
Deborah M. Michel; Susan G. Willard
Yale University Press
2003
pokkari
This primer on anorexia and bulimia is aimed directly at patients and the people who care about them. Written in simple, straightforward language by two experts in the field, it describes the symptoms and warning signs of eating disorders, explains their presumed causes and complexities, and suggests effective treatments. The book includes:• guidance about what to expect and look for in the assessment and treatment process; • emphasis on the critical role of psychotherapy and family therapy in recovery;• explanation of how anorexia and bulimia differ in their origins and manifestations; • information on males with eating disorders and how they are similar to and different from female patients;• a separate chapter for health care professionals who are not specialists in the diagnosis and treatment of individuals with eating disorders;• up-to-date readings, Internet sites, and professional organizations in the United States and in Europe.
During the early decades of the twentieth century, agricultural practice in America was transformed from a pre-industrial to an industrial activity. In this book Deborah Fitzgerald argues that farms became modernized in the 1920s because they adopted not only new machinery but also the financial, cultural, and ideological apparatus of industrialism.Fitzgerald examines how bankers and emerging professionals in engineering and economics pushed for systematic, businesslike farming. She discusses how factory practices served as a template for the creation across the country of industrial or corporate farms. She looks at how farming was affected by this revolution and concludes by following several agricultural enthusiasts to the Soviet Union, where the lessons of industrial farming were studied.
A uniquely detailed study of child development theory and practice in the post–World War II era Sixty years ago, a group of prominent psychoanalysts, developmentalists, pediatricians, and educators at the Yale Child Study Center joined together with the purpose of formulating a general psychoanalytic theory of children’s early development. The group’s members composed detailed narratives about their work with the study’s children, interviewed families regularly and visited them in their homes, and over the course of a decade met monthly for discussion. The contributors to this volume consider the significance of the Child Study Center’s landmark study from various perspectives, focusing particularly on one child’s unfolding sense of herself, her gender, and her relationships.
A fascinating account of the British preoccupation with homes, interior decoration, and personal possessions since 1830 At what point did the British develop their mania for interiors, wallpaper, furniture, and decoration? Why have the middle classes developed so passionate an attachment to the contents of their homes? This absorbing book offers surprising answers to these questions, uncovering the roots of today’s consumer society and investigating the forces that shape consumer desires. Richly illustrated, Household Gods chronicles a hundred years of British interiors, focusing on class, choice, shopping, and possessions. Exploring a wealth of unusual records and archives, Deborah Cohen locates the source of modern consumerism and materialism in early nineteenth-century religious fervor. Over the course of the Victorian era, consumerism shed the taint of sin to become the preeminent means of expressing individuality. The book ranges from musty antique shops to luxurious emporia, from suburban semi-detached houses to elegant city villas, from husbands fretting about mantelpieces to women appropriating home decoration as a feminist cause. It uncovers a society of consumers whose identities have become entwined with the things they put in their houses.
Not just a few elite scientists, but Londoners from all walks of life--lawyers, prisoners, midwives, merchants--participated in the scientific community of Elizabethan times Bestselling author Deborah Harkness (A Discovery of Witches, Shadow of Night) explores the streets, shops, back alleys, and gardens of Elizabethan London, where a boisterous and diverse group of men and women shared a keen interest in the study of nature. These assorted merchants, gardeners, barber-surgeons, midwives, instrument makers, mathematics teachers, engineers, alchemists, and other experimenters, she contends, formed a patchwork scientific community whose practices set the stage for the Scientific Revolution. While Francis Bacon has been widely regarded as the father of modern science, scores of his London contemporaries also deserve a share in this distinction. It was their collaborative, yet often contentious, ethos that helped to develop the ideals of modern scientific research.The book examines six particularly fascinating episodes of scientific inquiry and dispute in sixteenth-century London, bringing to life the individuals involved and the challenges they faced. These men and women experimented and invented, argued and competed, waged wars in the press, and struggled to understand the complexities of the natural world. Together their stories illuminate the blind alleys and surprising twists and turns taken as medieval philosophy gave way to the empirical, experimental culture that became a hallmark of the Scientific Revolution.
When the Nazis came to power and created a racial state in the 1930s, an urgent priority was to identify Jews who had converted to Christianity over the preceding centuries. With the help of church officials, a vast system of conversion and intermarriage records was created in Berlin, the country’s premier Jewish city. Deborah Hertz’s discovery of these records, the Judenkartei, was the first step on a long research journey that has led to this compelling book. Hertz begins the book in 1645, when the records begin, and traces generations of German Jewish families for the next two centuries. The book analyzes the statistics and explores letters, diaries, and other materials to understand in a far more nuanced way than ever before why Jews did or did not convert to Protestantism. Focusing on the stories of individual Jews in Berlin, particularly the charismatic salon woman Rahel Levin Varnhagen and her husband, Karl, a writer and diplomat, Hertz humanizes the stories, sets them in the context of Berlin’s evolving society, and connects them to the broad sweep of European history.
Dutch New York, between East and West
Deborah L. Krohn; Marybeth De Filippis; Peter N. Miller
Yale University Press
2009
sidottu
Commemorating the 400th anniversary of Henry Hudson’s voyage and the lasting legacy of Dutch culture in New York, this book explores the life and times of a fascinating woman, her family, and her things. Margrieta was born in the Netherlands but lived at the extremes of the Dutch colonial world, in Malacca on the Malay Peninsula and in Flatbush, Brooklyn. When she came to New York in 1686 with her husband and set up a shop, she brought an astonishing array of Eastern goods, many of which were documented in an inventory made after her death in 1695. Extensive archival research has enabled a collaborative team to reconstruct her story and establish the depth of her connection to Dutch trading establishments in Asia. This is a groundbreaking contribution to the histories of New York City, the Dutch overseas empire, women, and material culture. Exhibition Schedule:Bard Graduate Center, New York, 9/17/09 – 1/3/10)
A historian reveals the illuminating history of milk, from ancient myth to modern grocery store How did an animal product that spoils easily, carries disease, and causes digestive trouble for many of its consumers become a near-universal symbol of modern nutrition? In the first cultural history of milk, historian Deborah Valenze traces the rituals and beliefs that have governed milk production and consumption since its use in the earliest societies.Covering the long span of human history, Milk reveals how developments in technology, public health, and nutritional science made this once-rare elixir a modern-day staple. The book looks at the religious meanings of milk, along with its association with pastoral life, which made it an object of mystery and suspicion during medieval times and the Renaissance. As early modern societies refined agricultural techniques, cow's milk became crucial to improving diets and economies, launching milk production and consumption into a more modern phase. Yet as business and science transformed the product in the nineteenth and twentieth centuries, commercial milk became not only a common and widely available commodity but also a source of uncertainty when used in place of human breast milk for infant feeding. Valenze also examines the dairy culture of the developing world, looking at the example of India, currently the world's largest milk producer.Ultimately, milk's surprising history teaches us how to think about our relationship to food in the present, as well as in the past. It reveals that although milk is a product of nature, it has always been an artifact of culture.
An engaging, accessible survey of the ethical issues faced by engineers, designed for students The first engineering ethics textbook to use debates as the framework for presenting engineering ethics topics, this engaging, accessible survey explores the most difficult and controversial issues that engineers face in daily practice. Written by a leading scholar in the field of engineering and computer ethics, Deborah Johnson approaches engineering ethics with three premises: that engineering is both a technical and a social endeavor; that engineers don’t just build things, they build society; and that engineering is an inherently ethical enterprise.