How Grim Was My Valley is a shockingly true account of a life lived in extraordinarily testing times in 1960s and 70s England.A working class village, emptied of its industry, provides the background to a thoughtful, upsetting and laugh-out-loud account of one boy's story.This outrageous journey of success and survival will leave you wanting more and full of faith by the indomitability of the human spirit.
As a casual read through any of the major amateur astronomical magazines will demonstrate, there are filters available for all aspects of optical astronomy. This book provides a ready resource on the use of the following filters, among others, for observational astronomy or for imaging:Light pollution filtersPlanetary filtersSolar filtersNeutral density filters for Moon observationDeep-sky filters, for such objects as galaxies, nebulae and moreDeep-sky objects can be imaged in much greater detail than was possible many years ago. Amateur astronomers can take photographs that rival those of professional observatories! The ability to do this has been brought about by the revolution in CCD cameras and improved filters.The book pinpoints which astronomical objects are best observed with which filters. Post-processing (using Photoshop) is also discussed, since it is helpful in further improving filtered astro images.The last part of the book is an observational guide to 100 deep sky objects that benefit from the use of filters – all personally observed by the author – with notes on the filters used (or potentially of use) in their observation and imaging. There are also notes on their celestial coordinates, magnitudes and other pertinent information.
This completely revised and corrected version of the well-known Florence notes circulated by the authors together with E. Friedlander examines basic topology, emphasizing homotopy theory. Included is a discussion of Postnikov towers and rational homotopy theory. This is then followed by an in-depth look at differential forms and de Tham’s theorem on simplicial complexes. In addition, Sullivan’s results on computing the rational homotopy type from forms is presented. New to the Second Edition: *Fully-revised appendices including an expanded discussion of the Hirsch lemma*Presentation of a natural proof of a Serre spectral sequence result *Updated content throughout the book, reflecting advances in the area of homotopy theoryWith its modern approach and timely revisions, this second edition of Rational Homotopy Theory and Differential Forms will be a valuable resource for graduate students and researchers in algebraic topology, differential forms, and homotopy theory.
Will Kendall survive his clan's massacre and live out his destiny as the last Snake Runner?Kendall can't believe how quickly his dad remarried after his mom died, and he especially can't believe his dad's choice: Juanita is of Spanish descent. That feels like a slap in the face considering Kendall's mom was Native American. This is all more than Kendall can handle, and he needs to get away to the desert where he can think. And especially where he can run. Running is his destiny: he's the last member of the Snake Clan, the clan known for its long runs across the desert floor-until the Spanish arrived in the Southwest and destroyed the tribe.When Kendall slips through a hole in time, he finds himself 400 years in the past, just as the Spanish, with their guns and armor, are starting to lay claim to the Southwest. Can Kendall survive the horrible battles so he can return to his own time? Will he become the last Snake Runner, as the spirits have told him he must? More importantly, what will he learn about himself in the process?
Kendall believes in magic. He can feel it when he runs. Drawn into his great-grandfather's world of secrets and sacred ceremony, Kendall discovers that the magic is linked to an ancient and mysterious life as old as the earth itself. In this dramatic and exciting story, Kendall encounters wild horses, rattlesnakes and runs a dangerous journey across the desert to save his grandfather's life even as visions from the spirit world give him the answers he seeks. Land of Enchantment Master List Pennsylvania Young Readers List Southwest Book Award Winner.Teachers Guides and Author Visits: www.kimberleygriffithslittle.co
D.C.I. Chrissie Charles (Lesbian Detective) and her partner Dr. Janny Stowers endevour to solve the mystery of the serial killer The Stamp Master.A number of women are brutally raped and murdered in a quiet village in Sheffield, the killer is still at large.Following the kidnap of her partner Janny, can Chrissie get to her before the killer strikes again'A must read for detective thriller fans'
Jennifer Griffiths's At Risk: Black Youth and the Creative Imperative in the Post-Civil Rights Era focuses on literary representations of adolescent artists as they develop strategies to intervene against the stereotypes that threaten to limit their horizons. The authors of the analyzed works capture and convey the complex experience of the generation of young people growing up in the era after the civil rights movement. Through creative experiments, they carefully consider what it means to be narrowed within the scope of a sociological "problem," all while trying to expand the perspective of creative liberation. In short, they explore what it means to be deemed an "at risk" youth. This book looks at crucial works beginning in 1968, ranging from Sapphire’s Push and The Kid, Walter Dean Myers’s Monster, and Dael Orlandersmith’s The Gimmick, to Bill Gunn’s Johnnas. Each text offers unique representations of Black gifted children, whose creative processes help them to navigate simultaneous hypervisibility and invisibility as racialized subjects. The book addresses the ways that adolescents experience the perilous "at risk" label, which threatens to narrow adolescent existence at a developmental moment that requires an orientation toward possibility and a freedom to experiment.Ultimately, At Risk considers the distinct possibilities and challenges of the post–civil rights era, and how the period allows for a more honest, multilayered, and forthright depiction of Black youth subjectivity against the adultification that forecloses potential.
Jennifer Griffiths's At Risk: Black Youth and the Creative Imperative in the Post-Civil Rights Era focuses on literary representations of adolescent artists as they develop strategies to intervene against the stereotypes that threaten to limit their horizons. The authors of the analyzed works capture and convey the complex experience of the generation of young people growing up in the era after the civil rights movement. Through creative experiments, they carefully consider what it means to be narrowed within the scope of a sociological "problem," all while trying to expand the perspective of creative liberation. In short, they explore what it means to be deemed an "at risk" youth. This book looks at crucial works beginning in 1968, ranging from Sapphire’s Push and The Kid, Walter Dean Myers’s Monster, and Dael Orlandersmith’s The Gimmick, to Bill Gunn’s Johnnas. Each text offers unique representations of Black gifted children, whose creative processes help them to navigate simultaneous hypervisibility and invisibility as racialized subjects. The book addresses the ways that adolescents experience the perilous "at risk" label, which threatens to narrow adolescent existence at a developmental moment that requires an orientation toward possibility and a freedom to experiment.Ultimately, At Risk considers the distinct possibilities and challenges of the post–civil rights era, and how the period allows for a more honest, multilayered, and forthright depiction of Black youth subjectivity against the adultification that forecloses potential.
There is a great deal of interest in population genetics in the applied probability and mathematical biology communities. This book provides an overview of applied probability methods in mathematical population genetics. It presents various techniques in a unified mathematical framework, covering evolutionary models, diffusion processes, coalescent theory, gene trees, ancestral inference and more. The methods are illustrated through real examples, and there are some exercises to enable the book to be used for teaching at graduate and postgraduate levels.
French novels, plays, poems and short stories, however temporally or culturally distant from us, continue to be incarnated and reincarnated on cinema screens across the world. From the silent films of Georges Méliès to the Hollywood production of Gustave Flaubert’s Madame Bovary directed by Sophie Barthes, The History of French Literature on Film explores the key films, directors, and movements that have shaped the adaptation of works by French authors since the end of the 19th century. Across six chapters, Griffiths and Watts examine the factors that have driven this vibrant adaptive industry, as filmmakers have turned to literature in search of commercial profits, cultural legitimacy, and stories rich in dramatic potential. The volume also explains how the work of theorists from a variety of disciplines (literary theory, translation theory, adaptation theory), can help to deepen both our understanding and our appreciation of literary adaptation as a creative practice. Finally, this volume seeks to make clear that adaptation is never a simple transcription of an earlier literary work. It is always simultaneously an adaptation of the society and era for which it is created. Adaptations of French literature are thus not only valuable artistic artefacts in their own right, so too are they important historical documents which testify to the values and tastes of their own time.
French novels, plays, poems and short stories, however temporally or culturally distant from us, continue to be incarnated and reincarnated on cinema screens across the world. From the silent films of Georges Méliès to the Hollywood production of Gustave Flaubert’s Madame Bovary directed by Sophie Barthes, The History of French Literature on Film explores the key films, directors, and movements that have shaped the adaptation of works by French authors since the end of the 19th century. Across six chapters, Griffiths and Watts examine the factors that have driven this vibrant adaptive industry, as filmmakers have turned to literature in search of commercial profits, cultural legitimacy, and stories rich in dramatic potential. The volume also explains how the work of theorists from a variety of disciplines (literary theory, translation theory, adaptation theory), can help to deepen both our understanding and our appreciation of literary adaptation as a creative practice. Finally, this volume seeks to make clear that adaptation is never a simple transcription of an earlier literary work. It is always simultaneously an adaptation of the society and era for which it is created. Adaptations of French literature are thus not only valuable artistic artefacts in their own right, so too are they important historical documents which testify to the values and tastes of their own time.
