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1000 tulosta hakusanalla Stuart Nicholson

Maria Stuart. Interpretionen

Maria Stuart. Interpretionen

Reinhard Leipert

Oldenbourg Schulbuchverl.
2000
pokkari
Die erfolgreiche Reihe der Oldenbourg Interpretationen umfasst alle Epochen und Gattungen. Ein besonderer Schwerpunkt liegt auf aktuellen Titeln der Gegenwartsliteratur, die für den Deutschunterricht entdeckt werden. Lehrern und Schülern bietet die Reihe über 100 sorgfältig aufbereitete Werke.
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Untitled Keith Stuart

Untitled Keith Stuart

Keith Stuart

Little, Brown Book Group
2026
sidottu
Some love stories last a lifetime. Theirs is about to begin again. Jack and Sara's love story begins in 1995. They fall in love as teenagers - recklessly, completely, believing they have forever. One dreamy dance, one perfect kiss, the start of everything. Decades later, their marriage is failing, their daughter is leaving, and a car crash changes everything. But then, they wake up in 1995 - sixteen again, in childhood bedrooms, with parents they've lost, and friendships they've outgrown. Their life together hasn't happened yet. It feels like a second chance, until the pull between past and future becomes impossible to ignore. And as they relive the days that shaped them, they must ask: will they choose each other again, despite knowing all that lies ahead...?
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Arbella Stuart

Arbella Stuart

Jill Armitage

Amberley Publishing
2017
sidottu
In 1562, Elizabeth I, the last of Henry VIII’s children, lay dying of smallpox, and the curse of the Tudor succession again reared its head. The queen was to recover, but the issue remained: if the queen did not produce an heir, who was next in line to succeed? Lady Arbella Stuart was cousin to both the English queen and James VI of Scotland, a woman whose parents’ marriage had been orchestrated to provide an heir to the English throne. Raised by her formidable grandmother, Bess of Hardwick, Arbella lived her life in Elizabeth’s shadow and, unfortunately, at her mercy. In this book, Jill Armitage revitalises Arbella’s tale, focusing on her lineage, her life and her legacy. Through her story we discover a well-born, well-educated woman desperate to control her own fate, but who is ultimately powerless against those in the scheming Tudor court; and the author explores the harsh consequence that comes from being on the wrong side of the revenge of a jealous, calculating queen.
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Arabella Stuart A Romance From English History

Arabella Stuart A Romance From English History

G. P. R James

Double 9 Books
2024
nidottu
"Arabella Stuart: A Romance from English History" by G. P. R. James is a captivating historical romance set in 16th-century England, centered around the real-life figure Arabella Stuart. The novel intricately weaves royal intrigue and political drama, offering a rich portrayal of Tudor period court life. Through the lens of Arabella Stuart's story, James explores themes of love and ambition against a backdrop of social conflict and family loyalty. The narrative delves into the complexities of courtly relationships and the challenges faced by individuals caught in the web of historical events. James's depiction of the historical setting and the romantic adventure provides a compelling look at the personal and political stakes of the time. By blending historical figures with imaginative storytelling, "Arabella Stuart" captures the essence of English history while delivering an engaging and dramatic romance. The book stands out for its detailed portrayal of the era and its nuanced exploration of personal and political dynamics.
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From Tudor to Stuart

From Tudor to Stuart

Susan Doran

Oxford University Press
2024
sidottu
From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the troubled accession of England's first Scottish king and the transition from the age of the Tudors to the age of the Stuarts at the dawn of the seventeenth century. From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the dramatic accession and first decade of the reign of James I and the transition from the Elizabethan to the Jacobean era, using a huge range of sources, from state papers and letters to drama, masques, poetry, and a host of material objects. The Virgin Queen was a hard act to follow for a Scottish newcomer who faced a host of problems in his first years as king: not only the ghost of his predecessor and her legacy but also unrest in Ireland, serious questions about his legitimacy on the English throne, and even plots to remove him (most famously the Gunpowder Plot of 1605). Contrary to traditional assumptions, James's accession was by no means a smooth one. The really important question about James's reign, of course, is the extent of change that occurred in national political life and royal policies. Sue Doran also examines how far the establishment of a new Stuart dynasty resulted in fresh personnel at the centre of power, and the alterations in monarchical institutions and shifts in political culture and governmental policies that occurred. Here the book offers a fresh look at James and his wife Anna, suggesting a new interpretation of their characters and qualities. But the Jacobean era was not just about James and his wife, and Regime Change includes a host of historical figures, many of whom will be familiar to readers: whether Walter Raleigh, Robert Cecil, or the Scots who filled James's inner court. The inside story of the Jacobean court also brings to life the wider politics and national events of the early seventeenth century, including the Gunpowder Plot, the establishment of Jamestown in Virginia, the Plantations in Ulster, the growing royal struggle with parliament, and the doomed attempt to bring about union with Scotland.
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Book Ownership in Stuart England

Book Ownership in Stuart England

David Pearson

Oxford University Press
2021
sidottu
This volume provides a wide-ranging account of the development and importance of private libraries and book ownership through the seventeenth century, based upon many kinds of evidence, including examination of thousands of books, and a list of over 1,300 known owners from diverse backgrounds. It considers questions of evolution, contents and size, and motives for book ownership, during a century when growing markets for both new and second-hand books meant that books would be found, in varying numbers, in the homes of all kinds of people from the humble to the wealthy. Book ownership by women, and by non-professional households, is explicitly explored. Other topics include the balance of motivation between books for use, or for display; the relationship between libraries and museums; and cultures of collecting. While presenting a wealth of information in this field, conveniently brought together, this volume also advances methodologies for book history, and makes extensive use of material evidence such as bookbindings. It challenges received wisdom around priorities for studying private libraries, and the terminology which is appropriate to use. In addition, the list of owners, detailed in the Appendix, make this book a work of permanent reference, alongside its value in advancing book history.
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The Early Stuart Masque

The Early Stuart Masque

Ravelhofer Barbara

Oxford University Press
2006
sidottu
The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman Empire, the book elucidates professional ballet, theatre management, and dramatic performance at the early Stuart court. Individual studies take a fresh look at works by Ben Jonson, Samuel Daniel, Thomas Carew, John Milton, William Davenant, and others, showing how court poets collaborated with tailors, designers, technicians, choreographers, and aristocratic as well as professional performers to create a dazzling event. Based on extensive archival research on the households of Queen Anne and Queen Henrietta Maria, special chapters highlight the artistic and financial control of Stuart queens over their masques and pastorals. Many plates and figures from German, Austrian, French, and English archives illustrate accessibly-written introductions to costume conventions, early dance styles, male and female performers, the dramatic symbolism of colours, and stage design in performance. With splendid costumes and choreographies, masques once appealed to the five senses. A tribute to their colourful brilliance, this book seeks to recover a lost dimension of performance culture in early modern England.
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Don Carlos and Mary Stuart

Don Carlos and Mary Stuart

Friedrich Schiller

Oxford University Press
2008
nidottu
Don Carlos and Mary Stuart, two of German literature's greatest dramas, deal with the timeless issues of power, freedom, and justice. Dating from 1787 and 1800 respectively, one play was written before the French Revolution, the other in its aftermath. Both dramatize periods of crisis in sixteenth-century Europe, and in doing so reflect Schiller's passionate engagement with the great themes of his own age - justice, power, freedom of conscience, legitimacy of government. A youthful work, Don Carlos shows the victory of the forces of reaction over the representatives of a new age. Mary Stuart shows the struggle of the Scottish queen in her last days of her life, not only for her freedom, but also for peace with her conscience, and that of her English rival, Elizabeth I, with the challenge of ruling justly. A vivid imaginative experience when read, these plays, with their starkly contrasting characters and thrilling confrontations, also demonstrate Schiller's brilliant stagecraft. These new translations into blank verse are accurate, elegant, and playable. The introduction, notes, and chronology set the plays in their cultural and intellectual background, while a family tree explains the historical relationship bewteen Don Carlos and Mary Stuart. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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The Correspondence of Elizabeth Stuart, Queen of Bohemia, Volume I

The Correspondence of Elizabeth Stuart, Queen of Bohemia, Volume I

Oxford University Press
2015
sidottu
The Correspondence of Elizabeth Stuart is the first complete edition of the letters of Elizabeth Stuart (1596-1662), Electress Palatine of the Rhine and Queen of Bohemia, daughter of King James I of England and Anna of Denmark. Volume I covers Elizabeth's life as princess and consort in the years between 1603 and 1631. It includes letters exchanged with her brother, Henry Frederick, the courtship letters of Frederick V, Elector Palatine, and Elizabeth's experiences of both marital and court life in Heidelberg, especially her struggle with Germanic culture and her arguments with both her husband and mother-in-law over rights of precedence. From 1619 her letters become increasingly political as she begs her father, the Duke of Buckingham, and others for assistance in the desperate struggle for the Crown of Bohemia. Deposed in 1620, Elizabeth spends her time in exile devising ploys to gain further financial, moral, and military support from statesmen and military leaders such as Sir Dudley Carleton, the 'Mad Halberstadter' Christian of Brunswick, Count Ernest of Mansfeld, King Christian IV of Denmark, and Bethlen Gabor, Prince of Transylvania, behaviour increasingly in defiance of her father's wishes and demands. Elizabeth's letters evidence her slow transformation from political ingenue to independent stateswoman, a position cemented as her husband fell victim to the war they had precipitated. The diplomatic writing skills she developed in this period were to become her only weapon for securing both the inheritance of her many children and her own position as a key religious, political, and cultural figure in early-modern Europe.
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The Correspondence of Elizabeth Stuart, Queen of Bohemia, Volume II

The Correspondence of Elizabeth Stuart, Queen of Bohemia, Volume II

Nadine Akkerman

Oxford University Press
2011
sidottu
The Correspondence of Elizabeth Stuart, Queen of Bohemia is the first edition, in three volumes, of Elizabeth Stuart's complete letters ever published. Elizabeth Stuart (1596-1662), also known as Electress Palatine of the Rhine or Queen of Bohemia, was the daughter of King James VI & I and Anna of Denmark, and a key religious, political, and cultural figure in early modern Europe. Volume II, tracing the years between 1632 and 1642, covers Elizabeth's life as a widow controlling the regency during her eldest son's minority and imprisonment. It opens with her husband Frederick V's departure from their court-in-exile in The Hague to the battlefield in Germany, and his unexpected death from the plague in Mainz a few days before Elizabeth and he would have regained the Palatinate. Elizabeth is forced to take Palatine affairs firmly into her own hands as the restitution slips away from her. Her brother King Charles I tries to lure her back to the British Isles, apparently in order to pacify her, but Elizabeth chooses a life of voluntary exile to expedite the restitution. In this most political period of her life, Elizabeth devises, often unsuccessfully, ploys to gain financial, moral, and military support for the Palatine cause, frequently in direct opposition to her brother's wishes and demands. Her letters were the principal means by which she could exert her power on statesmen and military leaders, such as Archbishop Laud, Charles I, Christian IV of Denmark, the Swedish chancellor Axel Oxenstierna, Cardinal Richelieu of France, and Wladislaw IV of Poland. Elizabeth's eldest son Charles Louis, set free by the French in April 1641, ultimately took over the regency of the Palatine government in November 1642. Elizabeth at this point jadedly relinquished her role as stateswoman.
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The Early Stuart Masque

The Early Stuart Masque

Ravelhofer Barbara

Oxford University Press
2009
nidottu
The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman Empire, the book elucidates professional ballet, theatre management, and dramatic performance at the early Stuart court. Individual studies take a fresh look at works by Ben Jonson, Samuel Daniel, Thomas Carew, John Milton, William Davenant, and others, showing how court poets collaborated with tailors, designers, technicians, choreographers, and aristocratic as well as professional performers to create a dazzling event. Based on extensive archival research on the households of Queen Anne and Queen Henrietta Maria, special chapters highlight the artistic and financial control of Stuart queens over their masques and pastorals. Many plates and figures from German, Austrian, French, and English archives illustrate accessibly-written introductions to costume conventions, early dance styles, male and female performers, the dramatic symbolism of colours, and stage design in performance. With splendid costumes and choreographies, masques once appealed to the five senses. A tribute to their colourful brilliance, this book seeks to recover a lost dimension of performance culture in early modern England.
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