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1000 tulosta hakusanalla Brian Cook

Picturing Asia – Double Take–The Photography of Brian Brake and Steve McCurry
Brian Brake (1927-1988, New Zealand) and Steve McCurry (1950-, U.S.A.) are two eminent photojournalists whose work concurs with the mission of Asia Society--to promote greater understanding of Asia. The catalogue title Picturing Asia references two kinds of picturing: what we do when we make a photograph, and the imaginative act implied by the phrase "picture this." This "double take" carries over into the experience of seeing the different takes of two great photographers who made their reputations as visual storytellers providing eyewitness accounts of "great events." This catalogue invites viewers to participate in a rich visual conversation between the two photographers and their individually distinct picturings of Asia. Brake's international career as a documentary photographer was launched by his photo essays on China in Life in 1957 and 1959. McCurry's breakthrough came with the publication of a photograph in the New York Times, 1979, of the war in Afghanistan. Both men photographed the monsoon--Brake in 1960, McCurry in 1983-1985--and it is here that this exhibition begins.
27: A History of the 27 Club Through the Lives of Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain, and Amy Winehouse
When singer Amy Winehouse was found dead at her London home in 2011, the press inducted her into what Kurt Cobain's mother named the 27 Club. "Now he's gone and joined that stupid club," she said in 1994, after being told that her son, the front man of Nirvana, had committed suicide. "I told him not to..." Kurt's mom was referring to the extraordinary roll call of stars who died at the same young age, including Brian Jones of the Rolling Stones, Jimi Hendrix, Janis Joplin, and Jim Morrison of the Doors. All were talented. All were dissipated. All were 27. In this haunting book, author Howard Sounes conducts the definitive forensic investigation into the lives and deaths of the six most iconic members of the Club, as well as some lesser known members, to discover what, apart from coincidence, this phenomenon signifies. In a grimly fascinating journey through the dark side of the music business, Sounes uncovers a common story of excess, madness, and self-destruction. The fantasies, half-truths, and mythologies that have become associated with the Club are debunked. Instead, a clear and compelling narrative emerges, one based on hard facts, that unites these lost souls in both life and death.
Mr. Moonlight: Brian Epstein and the Making of the Beatles
The definitive, comprehensive biography of Brian Epstein--the man who built the Beatles. There will never be another pop manager like Brian Epstein, the young record-retailer from Liverpool behind the 20th century's greatest romance. Having achieved his much-derided aim of making the Beatles "bigger than Elvis," Brian went on to make them bigger than any earthly instrument could measure. Only a handful of years older, he nonetheless referred them as "the Boys," protecting and pampering them like the children he could never hope to have. Due to his homosexuality--and possibly his Jewishness--Brian received no public honor (or even thanks) for this incalculable contribution to Britain's exports, let alone the national morale. He may not have been the best dealmaker for the Beatles, but in his hands, their guiding principles were always good taste, niceness to their fans, and value for money. Yet his only tangible memorials are a blue plaque marking his former office in London's theatreland and a modest bronze statue near the site of his family's electrical goods store in Liverpool. Mr. Moonlight draws on a cache of never-before-heard audio interviews to tell the story of this hugely complex, self-contradictory, and ultimately tragic character. From his Pre-Beatles years--the eight different expensive private schools at which he failed to shine, his problematic career as an army National Serviceman, his vague ambitions to be a couturier--through his management of the Beatles, where he turned a quartet of unruly young musicians in cracked black leather into a worldwide religion, up to his supposedly "incautious" overdoses in 1967 at aged 32, and the calamity that followed. As John Lennon said upon hearing the news, "Then we're fucked "--and they were.
Mr. Moonlight: Brian Epstein and the Making of the Beatles
The definitive, comprehensive biography of Brian Epstein--the man who built the Beatles. There will never be another pop manager like Brian Epstein, the young record-retailer from Liverpool behind the 20th century's greatest romance. Having achieved his much-derided aim of making the Beatles "bigger than Elvis," Brian went on to make them bigger than any earthly instrument could measure. Only a handful of years older, he nonetheless referred them as "the Boys," protecting and pampering them like the children he could never hope to have. Due to his homosexuality--and possibly his Jewishness--Brian received no public honor (or even thanks) for this incalculable contribution to Britain's exports, let alone the national morale. He may not have been the best dealmaker for the Beatles, but in his hands, their guiding principles were always good taste, niceness to their fans, and value for money. Yet his only tangible memorials are a blue plaque marking his former office in London's theatreland and a modest bronze statue near the site of his family's electrical goods store in Liverpool. Mr. Moonlight draws on a cache of never-before-heard audio interviews to tell the story of this hugely complex, self-contradictory, and ultimately tragic character. From his Pre-Beatles years--the eight different expensive private schools at which he failed to shine, his problematic career as an army National Serviceman, his vague ambitions to be a couturier--through his management of the Beatles, where he turned a quartet of unruly young musicians in cracked black leather into a worldwide religion, up to his supposedly "incautious" overdoses in 1967 at aged 32, and the calamity that followed. As John Lennon said upon hearing the news, "Then we're fucked "--and they were.
Speak, Memory: Introduction by Brian Boyd

Speak, Memory: Introduction by Brian Boyd

Vladimir Nabokov

Everyman's Library
1999
sidottu
From one of the 20th century's great writers comes one of the finest autobiographies of our time. Speak, Memory was first published by Vladimir Nabokov in 1951 as Conclusive Evidence and then assiduously revised and republished in 1966. The Everyman's Library edition includes, for the first time, the previously unpublished "Chapter 16"-the most significant unpublished piece of writing by the master, newly released by the Nabokov estate-which provided an extraordinary insight into Speak, Memory. Nabokov's memoir is a moving account of a loving, civilized family, of adolescent awakenings, flight from Bolshevik terror, education in England, and migr life in Paris and Berlin. The Nabokovs were eccentric, liberal aristocrats, who lived a life immersed in politics and literature on splendid country estates until their world was swept away by the Russian revolution when the author was eighteen years old. Speak, Memory vividly evokes a vanished past in the inimitable prose of Nabokov at his best.
The Frigate Surprise: The Complete Story of the Ship Made Famous in the Novels of Patrick O'Brian
There is no more famous a vessel in naval fiction than HMS Surprise, the principal ship in Patrick O'Brian's much-celebrated Aubrey-Maturin series of novels. Yet, this 28-gun frigate also had an eventful real career serving in both the French and then the Royal Navies. It was captured from the French in 1796 and took part in the famous cutting-out action on the frigate HMS Hermione, which the Spanish had taken after a savage mutiny. In 1802, after the Peace of Amiens, HMS Surprise was decommissioned and delivered into the fictional captaincy of Jack Aubrey. This sumptuous new volume narrates the career of HMS Surprise in both her historical and her fictional roles and presents an all-embracing construction and fitting history. In addition to historical illustrations, maps, artifacts, and photographs, thirty-five paintings, some specially commissioned, have been contributed by Geoff Hunt, whose art graces the covers of Patrick O'Brian's Aubrey-Maturin novels. Fifty line plans have been drawn by the marine draftsman Karl Heinz Marquardt. This limited edition, slipcased hardcover contains a signed print by Geoff Hunt.