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1000 tulosta hakusanalla Joel Colón-Ríos

From Science Fiction to Science Fact

From Science Fiction to Science Fact

Joel Levy

HEADLINE PUBLISHING GROUP
2019
sidottu
The iconic futurist artist and designer Syd Mead once described science fiction as "reality ahead of schedule". In From Science Fiction to Science Fact, Levy explores the visions of the writers, futurists and far-sighted inventors who made those realities, from the direct influence of H.G.
L'Ode, et l'oubli

L'Ode, et l'oubli

Joël Pagé

Lulu.com
2018
pokkari
Si ce roman est l'occasion de d couvrir un foisonnant univers qui s' paule entre lv nya, la cit aux mouettes, et l' le de N l, il est surtout un pr texte pour d couvrir plus avant la personnalit d'Archibald l'archimage, attachant personnage rencontr passim dans les Quatre contes (2015), de lever des voiles pour cerner sa personnalit et conna tre certains de ses secrets.
It Could Be Verse

It Could Be Verse

Joel Kaye

Lulu.com
2018
pokkari
In this collection of humorous verses diverse subjects include an unsuccessful moon shot, a bore who explodes, an unsuccessful marriage proposal in a romantic setting with a surprising outcome, and various kinds of badly played music. The verses range eccentrically across the globe from Peru to Portugal and Scotland, and feature more than one odd monarch and some eccentric aristocrats. Cartoon illustrations add to the fun, all reverence dismissed, but maybe some of these characters are worth your compassion?
Loriana, le choix de Merkane

Loriana, le choix de Merkane

Joël Pagé

Lulu.com
2018
pokkari
La go lette d riva en douceur, tel un oiseau mort qui allait, avec sa derni re nergie, puis cessa de troubler l'onde o elle s'immobilisa. Elle donnait l' trange impression que le brion, et toute la portion immerg e de sa coque taient compos s de cette m me eau glauque et profonde qui remplissait l'esp ce de petite anse o le jour insinuait une p leur d'autre part. Non que ce f t le soir, l'apr s-midi n'avait pas encore veill les oiseaux des halliers, mais l'assembl e des arbres tait si dense l'entour de la baie qu'elle restait presque toujours dans une lumi re cr pusculaire. De rares clart s clataient ici et l , au pourtour de la berge, oscillations de fils bruns emperl s de lampes bleues, tendus sous les feuillages des marronniers, des trembles et des sc nes d'osiers rouges....
Illustrations aux Chroniques d'Ymérie
Illustrer un texte est un exercice p rilleux. La r p tition par le trait, de prime abord gratifiant et flatteur celui qui s'y rompt, n'apporte en fin de compte qu'une forme dulcor e de nouveaut s quand il faudrait, plut t, se tenir dans l'ombre port e des textes, dans l' cho fertile qui s' paule, entre chaque mot, entre chaque blanc. Les illustrations pr sent es dans cet ouvrage sont une tentative d'illustration des Chroniques d'Ym rie, parues en deux tomes sous les titres L'oiseau de pluie (2009, 978-2-304-03092-1, et L'oiseau de feu, 2014, 978-2954862330).
Oscura confesión

Oscura confesión

Joel Martial

Lulu.com
2018
pokkari
Esta obra es una denuncia de un hombre negro, quien queriendo servir a los hombres a trav's de la vocaci?n en la Iglesia fue discriminado, acosado y linchado, simplemente por el hecho de ser diferente. Le ense?aron acerca de un Dios tolerante, pero una vez que empez? a conocer la realidad del mundo, se distanci? de las maldades que se justifican en el nombre de la religi?n. Frente a las amenazas, chantajes y intentos de cosificaci?n, no se dej? intimidar, y quiere denunciar la violencia social de manera po?tica. En otros t?rminos, es una condena al racismo religioso. ?Se puede predicar en el nombre de un Dios universal-cristiano y cometer el racismo dentro de la Iglesia cat?lica? ?Cu?ndo las viejas estructuras discriminatorias llegar?n a su limite para dignificar al hombre negro y a todos aquellos que son vistos como el ?otro El dolor vivido estoicamente es lo que se confiesa en esta obra. ?Denunciar la maldad es construir una mejor sociedad!
Taxing Ourselves

Taxing Ourselves

Joel Slemrod; Jon Bakija

MIT Press
2017
pokkari
The new edition of a popular guide to the key issues in tax reform, presented in a clear, nontechnical, and unbiased way.To follow the debate over tax reform, the interested citizen is often forced to choose between misleading sound bites and academic treatises. Taxing Ourselves bridges the gap between the oversimplified and the arcane, presenting the key issues clearly and without a political agenda. Tax policy experts Joel Slemrod and Jon Bakija lay out in accessible language what is known and not known about how taxes affect the economy and offer guidelines for evaluating tax systems-both the current tax system and proposals to reform it. This fifth edition has been extensively revised to incorporate the latest data, empirical evidence, and tax law. It offers new material on recent tax reform proposals, expanded coverage of international tax issues, and the latest enforcement initiatives. Offering historical perspectives, outlining the basic criteria by which tax policy should be judged (fairness, economic impact, enforceability), examining proposals for both radical change (replacement of the income tax with a flat tax or consumption tax) and incremental changes to the current system, and concluding with a voter's guide, the book provides readers with enough background to make informed judgments about how we should tax ourselves.Praise for earlier editions"An excellent book."-Jeff Medrick, New York Times"A fair-minded exposition of a politically loaded subject."-Kirkus Reviews
Proof and the Art of Mathematics

Proof and the Art of Mathematics

Joel David Hamkins

MIT Press
2020
nidottu
This book offers an introduction to the art and craft of proof-writing. The author, a leading research mathematician, presents a series of engaging and compelling mathematical statements with interesting elementary proofs. These proofs capture a wide range of topics, including number theory, combinatorics, graph theory, the theory of games, geometry, infinity, order theory, and real analysis. The goal is to show students and aspiring mathematicians how to write proofs with elegance and precision.
Proof and the Art of Mathematics

Proof and the Art of Mathematics

Joel David Hamkins

MIT Press
2021
nidottu
How to write mathematical proofs, shown in fully-worked out examples.This is a companion volume Joel Hamkins's Proof and the Art of Mathematics, providing fully worked-out solutions to all of the odd-numbered exercises as well as a few of the even-numbered exercises. In many cases, the solutions go beyond the exercise question itself to the natural extensions of the ideas, helping readers learn how to approach a mathematical investigation. As Hamkins asks, Once you have solved a problem, why not push the ideas harder to see what further you can prove with them? These solutions offer readers examples of how to write a mathematical proofs. The mathematical development of this text follows the main book, with the same chapter topics in the same order, and all theorem and exercise numbers in this text refer to the corresponding statements of the main text.
Lectures on the Philosophy of Mathematics

Lectures on the Philosophy of Mathematics

Joel David Hamkins

MIT Press
2021
nidottu
An introduction to the philosophy of mathematics grounded in mathematics and motivated by mathematical inquiry and practice.In this book, Joel David Hamkins offers an introduction to the philosophy of mathematics that is grounded in mathematics and motivated by mathematical inquiry and practice. He treats philosophical issues as they arise organically in mathematics, discussing such topics as platonism, realism, logicism, structuralism, formalism, infinity, and intuitionism in mathematical contexts. He organizes the book by mathematical themes--numbers, rigor, geometry, proof, computability, incompleteness, and set theory--that give rise again and again to philosophical considerations.
The Subjectivity Effect in Western Literary Tradition
Joel Fineman was considered one of the most brilliant literary critics of his generation, gifted in doing what the Russian formalists called "making strange." His essays are among the strongest demonstrations of how structures-whether linguistic, visual, or architectural-generate large and elaborate systems of meaning. Using examples drawn from literature-Chaucer, Shakespeare, Oscar Wilde-Fineman creates parables of how language has come to constitute the modern subject (ourselves) as a set of its "effects." Combining formidable learning with theoretical sophistication that is at once philosophical, linguistic, and psychoanalytical, Fineman draws from the most familiar work verbal details that lead to startling new interpretations, challenging Freud or making original applications of Lacan. The repercussion of his writings on theory and on nonliterary discourse is considerable, particularly among critics engaged in showing how artistic practice can be understood, structurally, to signify. EssaysThe Structure of Allegorical Desire * The Significance of Literature: The Importance of Being Earnest * "The Pas de Calais": Freud, the Transference, and the Sense of Woman's Humor * The History of the Anecdote: Fiction and Fiction * Shakespeare's "Perjur'd Eye" * The Turn of the Shrew * The Sound of 0 in Othello: The Real of the Tragedy of Desire * Shakespeare's Will: The Temporality of Rape * Shakespeare's Ear
Perversion and Utopia

Perversion and Utopia

Joel Whitebook

MIT Press
1996
pokkari
In this sweeping challenge to the postmodern critiques of psychoanalysis, Joel Whitebook argues for a reintegration of Freud's uncompromising investigation of the unconscious with the political and philosophical insights of critical theory. Perversion and Utopia follows in the tradition of Herbert Marcuse's Eros and Civilization and Paul Ricoeur's Freud and Philosophy. It expands on these books, however, because of the author's remarkable grasp not only of psychoanalytic studies but also of the contemporary critical climate; Whitebook, a philosopher and a psychoanalyst, writes with equal facility on both Habermas and Freud. A central thesis of Perversion and Utopia is that there is an essential affinity between the utopian impulse and the perverse impulse, in that both reflect a desire to bypass the reality principle that Freud claimed to define the human condition. The book explores the positive and negative aspects of the relationship between these impulses, which are ubiquitous features of human life, and the requirements of civilized social existence. Whitebook steers a course between orthodox psychoanalytic conservatism, which seeks simply to repress the perverse-utopian impulse in the name of social continuity and cohesion, and those forms of Freudo-Marxism, postmodernism, and psychoanalytic feminism that advocate its direct and full expression in the name of emancipation. While he demonstrates the limitations of the current textual approaches to Freud, especially those influenced by Lacan, Whitebook also enlists the lessons of psychoanalysis to counteract the excessive rationalism of the Habermasian brand of critical theory, thus making a substantial contribution to current discussions within critical theory itself. His analysis and interpretation of perversion, narcissism, sublimation, and ego bring new insight to these central and thorny issues in Freud, and his discussions of Adorno, Marcuse, Castoriadis, Habermas, Ricoeur, Lacan, and others are equally penetrating.
The Call of Abraham

The Call of Abraham

Joel Kaminsky

University of Notre Dame Press
2013
sidottu
The topic of the election of Israel is one of the most controversial and difficult subjects in the entire Bible. Modern readers wonder why God would favor one specific people and why Israel in particular was chosen. One of the most important and theologically incisive voices on this topic has been that of Jon D. Levenson. His careful, wide-ranging scholarship on the Hebrew Bible and its theological reuse in later Judaic and Christian sources has influenced a generation of Jewish and Christian thinkers. This focused volume seeks to bring to a wide audience the ongoing rich theological dialogue on the election of Israel. Writing from a variety of disciplines and perspectives, the authors—Jews, Catholics, and Protestants—contribute thought-provoking essays spanning fields including the Hebrew Bible, apocryphal and pseudepigraphic literature, New Testament, rabbinics, the history of Christian exegesis, and modern theology. The resulting book not only engages the lifelong work of Jon D. Levenson but also sheds new light on a topic of great import to Judaism and Christianity and to the ongoing dialogue between these faith traditions.
The Prisoner's Philosophy

The Prisoner's Philosophy

Joel C. Relihan

University of Notre Dame Press
2006
sidottu
The Roman philosopher Boethius (c. 480-524) is best known for the Consolation of Philosophy, one of the most frequently cited texts in medieval literature. In the Consolation, an unnamed Boethius sits in prison awaiting execution when his muse Philosophy appears to him. Her offer to teach him who he truly is and to lead him to his heavenly home becomes a debate about how to come to terms with evil, freedom, and providence. The conventional reading of the Consolation is that it is a defense of pagan philosophy; nevertheless, many readers who accept this basic argument find that the ending is ambiguous and that Philosophy has not, finally, given the prisoner the comfort she had promised. In The Prisoner's Philosophy, Joel C. Relihan delivers a genuinely new reading of the Consolation. He argues that it is a Christian work dramatizing not the truths of philosophy as a whole, but the limits of pagan philosophy in particular. He views it as one of a number of literary experiments of late antiquity, taking its place alongside Augustine's Confessions and Soliloquies as a spiritual meditation, as an attempt by Boethius to speak objectively about the life of the mind and its relation to God. Relihan discerns three fundamental stories intertwined in the Consolation: an ironic retelling of Plato's Crito, an adaptation of Lucian's Jupiter Confutatus, and a sober reduction of Job to a quiet dialogue in which the wounded innocent ultimately learns wisdom in silence. Relihan's claim that Boethius's text was written as a Menippean satire does not rest merely on identifying a mixture of disparate literary influences on the text, or on the combination of verse and prose or of fantasy and morality. More important, Relihan argues, Boethius deliberately dramatizes the act of writing about systematic knowledge in a way that calls into question the value of that knowledge. Philosophy's attempt to lead an exile to God's heaven is rejected; the exile comes to accept the value of the phenomenal world, and theology replaces philosophy to explain the place of human beings in the order of the world. Boethius Christianizes the genre of Menippean satire, and his Consolation is a work about humility and prayer.
The Prisoner's Philosophy

The Prisoner's Philosophy

Joel C. Relihan

University of Notre Dame Press
2006
nidottu
The Roman philosopher Boethius (c. 480-524) is best known for the Consolation of Philosophy, one of the most frequently cited texts in medieval literature. In the Consolation, an unnamed Boethius sits in prison awaiting execution when his muse Philosophy appears to him. Her offer to teach him who he truly is and to lead him to his heavenly home becomes a debate about how to come to terms with evil, freedom, and providence. The conventional reading of the Consolation is that it is a defense of pagan philosophy; nevertheless, many readers who accept this basic argument find that the ending is ambiguous and that Philosophy has not, finally, given the prisoner the comfort she had promised. In The Prisoner's Philosophy, Joel C. Relihan delivers a genuinely new reading of the Consolation. He argues that it is a Christian work dramatizing not the truths of philosophy as a whole, but the limits of pagan philosophy in particular. He views it as one of a number of literary experiments of late antiquity, taking its place alongside Augustine's Confessions and Soliloquies as a spiritual meditation, as an attempt by Boethius to speak objectively about the life of the mind and its relation to God. Relihan discerns three fundamental stories intertwined in the Consolation: an ironic retelling of Plato's Crito, an adaptation of Lucian's Jupiter Confutatus, and a sober reduction of Job to a quiet dialogue in which the wounded innocent ultimately learns wisdom in silence. Relihan's claim that Boethius's text was written as a Menippean satire does not rest merely on identifying a mixture of disparate literary influences on the text, or on the combination of verse and prose or of fantasy and morality. More important, Relihan argues, Boethius deliberately dramatizes the act of writing about systematic knowledge in a way that calls into question the value of that knowledge. Philosophy's attempt to lead an exile to God's heaven is rejected; the exile comes to accept the value of the phenomenal world, and theology replaces philosophy to explain the place of human beings in the order of the world. Boethius Christianizes the genre of Menippean satire, and his Consolation is a work about humility and prayer.
Telling Tales

Telling Tales

Joel T. Rosenthal

Pennsylvania State University Press
2003
sidottu
One of the great challenges facing historians of any era is to make the strangeness of the past comprehensible in the present. This task is especially difficult for scholars of the Middle Ages, a period that can seem particularly alien to modern sensibilities. In Telling Tales, Joel Rosenthal takes us on a journey through some familiar sources from fourteenth- and fifteenth-century England to show how memories and recollections can be used to build a compelling portrait of daily life in the late Middle Ages. Rosenthal is a senior medievalist whose work over the years has spanned several related areas, including family history, women’s history, the life cycle, and memory and testimony. In Telling Tales, he brings all of these interests to bear on three seemingly disparate bodies of sources: the letters of Margaret Paston, depositions from a dispute between the Scropes and Grosvenors over a contested coat of arms, and Proof of Age proceedings, whereby the legal majority of an heir was established.In Rosenthal’s hands these familiar sources all speak to questions of testimony, memory, and narrative at a time when written records were just becoming widespread. In Margaret Paston, we see a woman who helped hold family and family business together as she mastered the arduous and complex task of letter writing. In the knights whose tales were elicited for the Scrope and Grosvenor case, we witness the bonding of men-at-arms in the Hundred Years War. From the Proofs of Age, we have brief tales that are rich in the give-and-take of daily life in the village—memories of baptisms, burials, a trip to market, a fall from a roof, or marriage to another juror’s sister. From a historian at the top of his craft, Telling Tales shows how medievalists can turn scraps of recollection into a synthetic story, one that enables us to recapture the strange and lost country of the European Middle Ages.
Argentina's Radical Party and Popular Mobilization, 1916–1930

Argentina's Radical Party and Popular Mobilization, 1916–1930

Joel Horowitz

Pennsylvania State University Press
2008
sidottu
Democracy has always been an especially volatile form of government, and efforts to create it in places like Iraq need to take into account the historical conditions for its success and sustainability. In this book, Joel Horowitz examines its first appearance in a country that appeared to satisfy all the criteria that political development theorists of the 1950s and 1960s identified as crucial. This experiment lasted in Argentina from 1916 to 1930, when it ended in a military coup that left a troubled political legacy for decades to come. What explains the initial success but ultimate failure of democracy during this period? Horowitz challenges previous interpretations that emphasize the role of clientelism and patronage. He argues that they fail to account fully for the Radical Party government’s ability to mobilize widespread popular support. Instead, by comparing the administrations of Hipólito Yrigoyen and Marcelo T. de Alvear, he shows how much depended on the image that Yrigoyen managed to create for himself: a secular savior who cared deeply about the less fortunate, and the embodiment of the nation. But the story is even more complex because, while failing to instill personalistic loyalty, Alvear did succeed in constructing strong ties with unions, which played a key role in undergirding the strength of both leaders’ regimes. Later successes and failures of Argentine democracy, from Juan Perón through the present, cannot be fully understood without knowing the story of the Radical Party in this earlier period.
Argentina's Radical Party and Popular Mobilization, 1916–1930

Argentina's Radical Party and Popular Mobilization, 1916–1930

Joel Horowitz

Pennsylvania State University Press
2011
pokkari
Democracy has always been an especially volatile form of government, and efforts to create it in places like Iraq need to take into account the historical conditions for its success and sustainability. In this book, Joel Horowitz examines its first appearance in a country that appeared to satisfy all the criteria that political development theorists of the 1950s and 1960s identified as crucial. This experiment lasted in Argentina from 1916 to 1930, when it ended in a military coup that left a troubled political legacy for decades to come. What explains the initial success but ultimate failure of democracy during this period? Horowitz challenges previous interpretations that emphasize the role of clientelism and patronage. He argues that they fail to account fully for the Radical Party government’s ability to mobilize widespread popular support. Instead, by comparing the administrations of Hipólito Yrigoyen and Marcelo T. de Alvear, he shows how much depended on the image that Yrigoyen managed to create for himself: a secular savior who cared deeply about the less fortunate, and the embodiment of the nation. But the story is even more complex because, while failing to instill personalistic loyalty, Alvear did succeed in constructing strong ties with unions, which played a key role in undergirding the strength of both leaders’ regimes. Later successes and failures of Argentine democracy, from Juan Perón through the present, cannot be fully understood without knowing the story of the Radical Party in this earlier period.