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1000 tulosta hakusanalla Maria Mitchell

María, la de Magdala

María, la de Magdala

Alicia Sánchez Montalbán

Createspace Independent Publishing Platform
2017
pokkari
Una soleada ma ana de verano, en Glastonbury, Inglaterra, mientras visitaba la casa de Mar a Magdalena, sent el impulso de sentarme a escribir en la peque a capilla que guarda su imagen. Las palabras comenzaron a brotar de m , como agua que fluye con suavidad incesante. Ya hab a canalizado parte de la vida de Jes s y pude reconocer la sensaci n desde el primer instante. La voz que me dictaba aquello no era la misma, pero sab a que se trataba del principio de otra canalizaci n, que tomar a la forma de libro. El encargo reson en mi coraz n, a pesar de que yo nunca sent demasiada inclinaci n hacia la protagonista. Su voz me envolv a de manera tan c lida que no pude negarme. Cuando acab el libro comprend por qu siempre hab a sentido que la imagen de Mar a Magdalena no ten a nada que ver conmigo. La mujer de la que habla la historia que todos conocemos no tiene nada que ver con la mujer que se describe a s misma en este libro. Mar a, la de Magdala, habla de los hechos que se narran en Yo, Jes s de Nazaret, desde su propia perspectiva y avanza un poco m s en el tiempo, desvelando secretos de la vida oculta de Jes s. La informaci n que contienen estas p ginas es absolutamente canalizada. No ha existido un gui n previo, ni una escaleta, ni un estudio que documente los hechos. En muchas ocasiones, yo misma me he sorprendido al ver el desenlace de algunas escenas. Puedes creer en ella o descartarla. S lo te pido que escuches a tu coraz n mientras lees sus palabras.
Vida de la Virgen María

Vida de la Virgen María

María de Jesús de Agreda

Createspace Independent Publishing Platform
2017
nidottu
A los ocho d as del nacimiento de la gran Reina descendieron de las alturas multitud de ngeles hermos simos y rozagantes, y tra an un escudo en que ven a grabado brillante y resplandeciente el nombre de MARIA; y manifest ndose todos a la dichosa madre Ana, la dijeron: que el nombre de su hija era el que llevaban all de MARIA; que la divina Providenciase le hab a dado, y ordenaba que se le pusiesen luego ella y Joaqu n. Llam le la santa, y confirieron la voluntad de Dios para dar nombre a su hija; y el m s que dichoso padre recibi el nombre con j bilo y devoto afecto. Determinaron convocar a los parientes y a un sacerdote; y con mucha solemnidad y convite suntuoso pusieron Mar a a la reci n nacida; y los ngeles lo celebraron con dulc sima y grandiosa m sica.
Maria Chapdelaine

Maria Chapdelaine

Louis Hemon

Dundurn Group Ltd
2007
pokkari
Maria Chapdelaine, the quintessential novel of the rugged life of early French-Canadian colonists, is based on the author’s experiences as a hired hand in the Saguenay-Lac-Saint-Jean area. A young woman living with her family on the Quebec frontier, Maria endures the hardships of isolation and climate. Maria must eventually choose between three suitors who represent very different ways of life: a trapper, a farmer, and a Parisian immigrant. Powerful in its simplicity, this novel captures the essence of faith and tenacity, the key ingredients of survivance. Translated into many languages, Maria Chapdelaine is enshrined as a classic of Canadian letters. A new introduction by Michael Gnarowski examines its relevance and provides insights into Louis Hemon’s life.
Maria Romanov

Maria Romanov

Westholme Publishing, U.S.
2019
sidottu
This is the third volume in our?series of original English translations?of the Romanov family's?private letters and diaries. As with the other volumes, this?is the first English translation of?her diaries and letters. All of the?materials are held in Russian?archives. The author fortunately?has been given access to the original?documents. Maria Romanov was canonized by the Eastern Orthodox Church for her service as a nurse?tending wounded soldiers during World War I. Her diary reveals she felt she was the ?black sheep? of the family despite being knows as the?most beautiful of the four sisters. (Lord Mountbatten kept her photo with him his entire life?as a remembrance of his youthful crush on her.) Her letters and diaries include intimate details about Rasputin and the royal family as well as?the family's concern over the war with Germany and the subsequent rise of the Bolsheviks. She was eighteen-years-old when she was murdered by the Bolsheviks.
Maria Von Blucher's Corpus Christi

Maria Von Blucher's Corpus Christi

Thoams H. Kreneck

Texas A M University Press
2011
nidottu
In 1849, a young German bride and her husband stepped off a ship in Corpus Christi Bay to establish their home in the new frontier settlement. For the next three decades Maria von Bluecher wrote letters home describing the hardships of droughts and Indian and bandit raids, the chaos of the American Civil War, the discomforts of pioneer living, the joys and heartbreaks of family life, and the development of a town that her descendants would help to build into a thriving city. Her letters record above all the woman's side of pioneer life. Although they offer insight into political events and economic developments in Germany, the United States, and South Texas, their greater value lies in the picture they paint of the deprivations, cruel hardships, sacrifice, and dangers faced in everyday life. Maria's letters stand as a personal account of the pioneer experience and an elegant testimony to the role played by Germans in the settlement of South Texas. They provide an intimate look inside the homes and ranches, the schools and farmyards, the stores and churches of early Corpus Christi. They examine families and friendships, communities, congregations, and social unions. In her life and in her letters, Maria von Bluecher joined all of the courageous pioneer women who helped to lay the foundations of Texas communities. These letters unerringly draw a Texas landscape that is gone forever.
Maria Magdalena Campos-Pons - Behold

Maria Magdalena Campos-Pons - Behold

Carmen Hermo; Mazie M. Harris; Jenee-daria Strand; Selene Wendt; Phillip Townsend; Amalia Mesa-bains

GETTY TRUST PUBLICATIONS
2023
sidottu
Maria Magdalena Campos-Pons (b. 1959) makes powerful work that holds and beholds the stories of historically silenced peoples and urges societal change. Her journey as an artist, teacher, and activist has taken her from Cuba through the United States, and her autobiographical compositions honor her Nigerian and Chinese ancestors while also facing the future. With an artistic practice that crosses boundaries, intertwines media-from photography to sculpture, film to performance-and references traditions and beliefs ranging from feminism to Santeria Campos-Pons's work is deeply layered and complex. This volume, the first critical look at the artist's oeuvre in nearly two decades, surveys the concerns, materials, and places invoked throughout her forty-year career. Thoughtful essays explore her vibrant, arresting artwork, which confronts issues of agency and the construction of race and belonging and challenges us to reckon with these issues in our own lives.