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Click Me Happy! (Feliz al primer click!): Una novela corta romántica con tres finales

Click Me Happy! (Feliz al primer click!): Una novela corta romántica con tres finales

Olga Nunez Miret

Createspace Independent Publishing Platform
2013
nidottu
Crees en el amor a primera vista o al primer clic? Crees que tu vida deber a ser una novela rom ntica? Te gustar a poder escoger el final? Si has contestado S a cualquiera de estas preguntas o te han picado la curiosidad, esta novela te ofrece una oportunidad nica. Puedes escoger el tipo de final que quieras: feliz, triste o neutral. Lilith, la protagonista, no cree en todas esas 'tonter as rom nticas'. Cuando su jefa y amiga, Debbie, le pide que organice una secci n de libros digitales en la biblioteca donde trabajan las dos pone en marcha una serie de eventos que sacudir n los valores y creencias de Lilith y la cambiar n para siempre. Su desagrado por las redes de comunicaci n sociales se pone a prueba y a pesar de sus intentos de aferrarse a su vida privada, y su poca habilidad tecnol gica, Lilith consigue hacer varias conexiones virtuales. Sin lugar a duda la m s interesante es Zane, un autor y pintor con talento y adem s muy atractivo. Su amistad se convierte muy pronto en algo m s. Pero exactamente qu ? Lilith no tiene ni la menor idea. Una apuesta con Rowena, su mejor amiga de la infancia, le da la oportunidad de poner a prueba sus sentimientos por Zane y su relaci n, cuando se re nen, esta vez en la vida 'real', en el maravilloso escenario de las Bermudas. En ese momento, t , el lector, puedes escoger. Quieres que la historia acabe con el 'fueron felices y comieron perdices'? Crees que su historia no puede acabar bien de ninguna de las maneras y es un sue o tonto? O quiz s te parece que en la vida debe haber algo m s que historias rom nticas y un final neutro o un nuevo comienzo es m s real? Puedes escoger el final que quieras, o puedes leerlos todos y escoger tu favorito, o incluso crear el tuyo propio y cont rmelo. Me encantar a saber qu te ha parecido (Te dejo enlaces para que te pongas en contacto al final). No te hagas de rogar
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Click Me Happy!: A Romantic Novella with Three Endings

Click Me Happy!: A Romantic Novella with Three Endings

Olga Nunez Miret

Createspace Independent Publishing Platform
2013
nidottu
Do you believe in love at first sight or first click? Do you think your life should be a romantic novel? Would you like to be able to choose the ending? If you've answered YES to any of these questions or feel intrigued by them, this novel offers you a unique opportunity. You can choose what kind of ending you want: unhappy, happy or neutral. Lilith, the protagonist, does not believe in all that 'romantic nonsense'. When her boss and friend, Debbie, asks her to create a digital books section for the library where they both work she triggers a series of events that shake all of Lilith's strongly held beliefs. Her dislike for social networking is put to the test and despite her love for privacy and technological na vet she manages to make a number of virtual connections. The most interesting one, without a question, is Zane, a talented and attractive author and painter. Their friendship quickly develops into something else. But, what exactly? Lilith doesn't have a clue. A bet with Rowena, her childhood best-friend, offers her an opportunity to test her feelings for Zane and their relationship and a meeting, 'real' this time, is organised in the gorgeous setting of Bermuda. At that point, you, the reader, have the choice. Do you want the story to end up happy ever after? Do you think there's no chance for them? Or maybe you believe that there has to be more to life than romantic stories and a neutral ending or new beginning is more true to life? You can pick and choose your ending, or you can read all of them and choose your favourite, or even create your own and let me know. I'd love to hear from you (I leave you links to contact me at the end.) Don't be strangers
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A Grammar of Upper Tanana, Volume 1

A Grammar of Upper Tanana, Volume 1

Olga Lovick

University of Nebraska Press
2020
sidottu
A Grammar of Upper Tanana, Volume 1 provides a linguistically accurate written record of the endangered Upper Tanana language. Serving as a descriptive grammar of Upper Tanana, the book meticulously details a language that is currently fluently spoken by approximately fifty people in limited parts of Alaska’s eastern interior and Canada’s Yukon Territory. As part of the Dene (Athabascan) language group, Upper Tanana embodies elements of both the Alaskan and Canadian subgroups of Northern Dene. This is the first comprehensive grammatical description of any of the Alaskan Dene languages. With the goal of preserving a language no longer consistently taught to younger generations, Olga Lovick’s foundational study is framed within the traditional form of linguistic theory that allows linguists and nonspecialists alike to study a vulnerable language that exists outside the dominant Indo-European mainstream. This text provides a substantive bulwark to protect a language acutely threatened by near-term extinction. In its expansive detailing of the Upper Tanana language, this volume is methodologically oriented toward structural linguistics through approaches focusing on phonology, lexical classes, and morphology. With attention to both detail and thoroughness, Lovick’s comparative approach provides solid grounding for the future survival of the Upper Tanana language.
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A Grammar of Upper Tanana, Volume 1

A Grammar of Upper Tanana, Volume 1

Olga Lovick

University of Nebraska Press
2021
pokkari
A Grammar of Upper Tanana, Volume 1 provides a linguistically accurate written record of the endangered Upper Tanana language. Serving as a descriptive grammar of Upper Tanana, the book meticulously details a language that is currently fluently spoken by approximately fifty people in limited parts of Alaska’s eastern interior and Canada’s Yukon Territory. As part of the Dene (Athabascan) language group, Upper Tanana embodies elements of both the Alaskan and Canadian subgroups of Northern Dene. This is the first comprehensive grammatical description of any of the Alaskan Dene languages. With the goal of preserving a language no longer consistently taught to younger generations, Olga Lovick’s foundational study is framed within the traditional form of linguistic theory that allows linguists and nonspecialists alike to study a vulnerable language that exists outside the dominant Indo-European mainstream. This text provides a substantive bulwark to protect a language acutely threatened by near-term extinction. In its expansive detailing of the Upper Tanana language, this volume is methodologically oriented toward structural linguistics through approaches focusing on phonology, lexical classes, and morphology. With attention to both detail and thoroughness, Lovick’s comparative approach provides solid grounding for the future survival of the Upper Tanana language.
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A Grammar of Upper Tanana, Volume 2

A Grammar of Upper Tanana, Volume 2

Olga Lovick

University of Nebraska Press
2023
sidottu
A Grammar of Upper Tanana, Volume 2 is part of a comprehensive two-volume text that linguistically renders a written record of the endangered Upper Tanana language. Serving as a descriptive grammar of the Upper Tanana language, volume 2 meticulously details a language that is currently spoken, with fluency, by approximately fifty people in limited parts of Alaska’s eastern interior and Canada’s Yukon Territory. As part of the Dene (Athabascan) language group, Upper Tanana embodies elements of both the Alaskan and Canadian subgroups of Northern Dene. This is the first comprehensive grammatical description of any of the Alaskan Dene languages. The grammar is written in the framework of basic linguistic theory in order to make it accessible to a wide variety of readers, including specialists in Dene languages, linguists interested in the structure of non-Indo-European languages, and teachers and learners of Upper Tanana and related languages.
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The European Union's Influence in Central Asia

The European Union's Influence in Central Asia

Olga Alinda Spaiser

Lexington Books
2018
sidottu
Unknown yet highly strategic, Central Asia attracts the interest of major global powers due to its vast energy resources and crucial geographic position. Russia, China, and the European Union view this region as an indispensable springboard to enhance their political and economic influence on the Eurasian landmass. Thus, facing strong competition and working on low budget, the EU is attempting to establish itself as a relevant and influential actor in an environment in which its leadership role is far from certain. Unlike in other post-communist regions, the EU is not able to rely on the attractiveness of its political models, and risks being marginalized by other global powers. The crucial question then is: How does the EU exert influence in such a challenging geopolitical context? Which strategies does the EU apply to be an actor who counts? Through an analysis of the EU’s discourse, instruments, and the reception of its policies in Central Asia, this study argues that the EU consciously takes the position of a second-tier actor who acts as a “consultant” and projects a picture of itself as an honest broker with no geopolitical agenda. The EU’s influence is confined to niche domains in the security sphere that are nevertheless important for the regional security. The EU is not a great power in the region nor is it willing to become one. It does, however, have comparative advantages in being perceived as inoffensive and for occupying areas that are neglected by the other actors, such as governance and water security.
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Miscommunicating Social Change

Miscommunicating Social Change

Olga Baysha

Lexington Books
2018
sidottu
Miscommunicating Social Change analyzes the discourses of three social movements and the alternative media associated with them, revealing that the Enlightenment narrative, though widely critiqued in academia, remains the dominant way of conceptualizing social change in the name of democratization in the post-Soviet terrain. The main argument of this book is that the “progressive” imaginary, which envisages progress in the unidirectional terms of catching up with the “more advanced” Western condition, is inherently anti-democratic and deeply antagonistic. Instead of fostering an inclusive democratic process in which all strata of populations holding different views are involved, it draws solid dividing frontiers between “progressive” and “retrograde” forces, deepening existing antagonisms and provoking new ones; it also naturalizes the hierarchies of the global neocolonial/neoliberal power of the West. Using case studies of the “White Ribbons” social movement for fair elections in Russia (2012), the Ukrainian Euromaidan (2013–2014), and anti-corruption protests in Russia organized by Alexei Navalny (2017) and drawing on the theories of Ernesto Laclau, Chantal Mouffe, and Nico Carpentier, this book shows how “progressive” articulations by the social movements under consideration ended up undermining the basis of the democratic public sphere through the closure of democratic space.
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Aluminum-Lithium Alloys

Aluminum-Lithium Alloys

Olga Grushko; Boris Ovsyannikov; Viktor Ovchinnokov

Productivity Press
2016
sidottu
Aluminum–Lithium Alloys: Process Metallurgy, Physical Metallurgy, and Welding provides theoretical foundations of the technological processes for melting, casting, forming, heat treatment, and welding of Al–Li alloys. It contains a critical survey of the research in the field and presents data on commercial Al–Li alloys, their phase composition, microstructure, and heat treatment of the ingots, sheets, forgings, and welds of Al–Li alloys. It details oxidation kinetics, protective alloying, hydrogen in Al–Li alloys, and crack susceptibility. It also discusses grain structure and solidification, as well as structural and mechanical properties. The book is illustrated with examples of Al–Li alloy applications in aircraft structures. Based on the vast experience of the coauthors, the book presents recommendations on solving practical problems involved with melting and casting ingots, welding of Al–Li alloys, and producing massive stampings for welded products.Provides comprehensive coverage of Al–Li alloys, not available in any single source.Presents research that is at the basis of the production technology for of ingots and products made of Al–Li alloys.Combines basic science with applied research, including upscaling and industrial implementation.Covers welding of Al–Li alloys in detail.Discusses gas and alkali-earth impurities in Al–Li alloys. Describes technological recommendations on casting and deformation of Al–Li alloys.
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Mis días en silencio: Vivencias en prosa y verso

Mis días en silencio: Vivencias en prosa y verso

Olga M. Munoz

Createspace Independent Publishing Platform
2014
nidottu
Olga M. Mu oz, escritora de sue os y fantas as, de realidades y despertares, de vivencias pasadas y presentes vislumbrando siempre la esperanza. ...vendo un coraz n de luna Si alguien lo quiere comprar no es de rocas ni de arenas Es s lo para so ar Su poes a es musical, fuera de Academias, no se ajusta a ninguna Escuela. Su verso independiente, responde a los caprichos de la inspiraci n. Su prosa es sobria con cadencia po tica e incursiona en el poemario oriental con estilos de Haiku y Cin Cuain. ...puede una flor seca y marchita, conservar un mensaje secreto de amor, Puede a n (a pesar de estar muerta) despertar sentimientos que yacen dormidos en cualquier rinc n. Mis d as en silencio, una nueva entrega, poes a narrativa y prosa po tica.
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Inventor's Manual

Inventor's Manual

Olga a. Bogatyreva; Nikolay R. Bogatyrev

Createspace Independent Publishing Platform
2014
nidottu
"Well presented, practical book, that everybody should have in his pocket" Michel Lecoq (Engineer with 50 years of experience in product, process and business development). Unlike other books that talk about innovation, Inventor's Manual tells you what to do and how to do it in order to achieve the best result faster. Unlike other books on innovation it is ... thin and manageable. It is a lesson with visual appeal, making use of pictures, diagrams and striking examples. This manual can also be helpful for professional trouble-shooters due to its "tick-box" and procedure-like style. The algorithms of the Inventor's Manual are based on a Theory of Inventive Problem Solving (known by its Russian acronym TRIZ), which is a highly adaptable and overarching methodology. But you do not need to know TRIZ to be able to use the Inventor's Manual. The following features make the Inventor's Manual unique: - Step-by-step problem diagnostics and templates for defining the Ideal Final Result which you will not find in any book on TRIZ - Templates for thorough reflection on the context of a product design that are not explicitly presented in TRIZ at all, but which are a very important system thinking aid especially if you are dealing with complex engineering or social system. - "Shortcuts" in the systematic process that allow you to resolve your challenges instantly using simple templates - Inventive Principles have detailed descriptions in connection to the model of the inventive challenges they resolve. You will not find this in any book published on TRIZ - You will find the influence of natural rules for dealing with resources, complexities and ways to avoid problems that are not present in ordinary TRIZ methods. Enjoy your own natural problem-solving talent following the Inventor's Manual
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Victim Advocate's Guide to Wellness: Six Dimensions of Vicarious Trauma-Free Life

Victim Advocate's Guide to Wellness: Six Dimensions of Vicarious Trauma-Free Life

Olga Phoenix

Createspace Independent Publishing Platform
2014
nidottu
Inside "Victim Advocate's Guide to Wellness: Six Dimensions of Vicarious Trauma-Free Life", you'll find a profoundly simple yet life changing, #1 Rated Vicarious Trauma Prevention and Self-Care Tool by Trauma Professionals Over 90 simple practical powerful exercises to make immediate, lasting changes in overall quality of your life.Vicarious Trauma Assessment Tool to let you know if you are at risk Candid account of my personal journey of recovery from the depths of vicarious trauma. I tell you exactly what I did to change my reality in sustainable ways so that you can do the same thing.Profound validating stories that you can actually relate to that will keep you turning the pages and know that you are not alone. If they can do it, so can you A step-by-step guide to implement, empower, and sustain an organizational culture of vicarious trauma prevention and sustainability at your workplace A compassionate, loving approach: you've beaten yourself up for not being good enough long enough. It's time to fire your Inner Critic and find your Inner Friend Eye opening connections between physical, emotional, psychological, spiritual, personal, and professional dimensions of your life and your overall health.An exciting, simple, transformational journey to joyful, full, and cherished life free of vicarious trauma
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Russian Irrationalism from Pushkin to Brodsky

Russian Irrationalism from Pushkin to Brodsky

Olga Tabachnikova

Bloomsbury Academic USA
2016
nidottu
Russia, once compared to a giant sphinx, is often considered in the Anglophone world an alien culture, often threatening and always enigmatic. Although recognizably European, Russian culture also has mystical features, including the idiosyncratic phenomenon of Russian irrationalism. Historically, Russian irrationalism has been viewed with caution in the West, where it is often seen as antagonistic to, and subversive of, the rational foundations of Western speculative philosophy. Some of the remarkable achievements of the Russian irrationalist approach, however, especially in the artistic sphere, have been recognized and even admired, though not sufficiently investigated. Bridging the gap between intellectual cultures, Olga Tabachnikova discusses such fundamental irrationalist themes as language and the linguistic underpinning of culture; the power of illusion in national consciousness; the changing relationship between love and morality; the cultural roots of humour, as well as the relevance of various individual writers and philosophers from Pushkin to Brodsky to the construction of Russian irrationalism.
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