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W. C. Fields from Sound Film and Radio Comedy to Stardom

W. C. Fields from Sound Film and Radio Comedy to Stardom

Arthur Frank Wertheim

Palgrave Macmillan
2019
sidottu
W. C. Fields is known as a virtuoso comedian and legendary iconoclast who gave the gift of laughter to multitudes. As the first author to use the newly-opened Fields Papers at the Academy library, Arthur Frank Wertheim illuminates the comedian’s arduous ascent to stardom during Hollywood's golden age. The book reveals details of Fields’s turbulent private life, from his wife's refusal to divorce, to his estranged son, and to his fleeting relationships with women. Here is a portrait of an aggrieved artist whose emotional anguish found refuge in his poignant comedy about life’s frustrations and the human condition. This third volume in Wertheim's trilogy documents Fields's rise to iconic status during the counterculture 1960s, creating a legacy of his comedy for generations to come.
W.j.t. Mitchell's Image Theory
W.J.T. Mitchell – one of the founders of visual studies – has been at the forefront of many disciplines such as iconology, art history and media studies. His concept of the pictorial turn is known worldwide for having set new philosophical paradigms in dealing with our vernacular visual world. This book will help both students and seasoned scholars to understand key terms in visual studies – pictorial turn, metapictures, literary iconology, image/text, biopictures or living pictures, among many others – while systematically presenting the work of Mitchell as one of the discipline's founders and most prominent figures. As a special feature, the book includes three comprehensive, authoritative and theoretically relevant interviews with Mitchell that focus on different stages of development of visual studies and critical iconology.
W. B. Yeats

W. B. Yeats

Conrad A. Balliet; Christine Mawhinney

Routledge
2016
sidottu
This title, first published in 1990, is a census of the manuscripts of William Butler Yeats. The census includes not only his books, plays and poetry but also the whereabouts of many of Yeats’s letters and speeches, and will be of particular interest to students of literature. For further reading please refer to Conrad A. Balliet’s chapter ‘A Supplement to W. B. Yeats: A Census of the Manuscripts’ in Richard J. Finnerman’s (Editor) Yeats: An Annual of Critical and Textual Studies (Volume XIII, 1995, The University of Chicago Press).
W. B. Yeats

W. B. Yeats

Conrad A. Balliet; Christine Mawhinney

Routledge
2018
nidottu
This title, first published in 1990, is a census of the manuscripts of William Butler Yeats. The census includes not only his books, plays and poetry but also the whereabouts of many of Yeats’s letters and speeches, and will be of particular interest to students of literature. For further reading please refer to Conrad A. Balliet’s chapter ‘A Supplement to W. B. Yeats: A Census of the Manuscripts’ in Richard J. Finnerman’s (Editor) Yeats: An Annual of Critical and Textual Studies (Volume XIII, 1995, The University of Chicago Press).
W.E.B. Du Bois on Crime and Justice

W.E.B. Du Bois on Crime and Justice

Shaun L. Gabbidon

Routledge
2017
nidottu
This is the first book to discern the contribution of Du Bois' work to criminology and criminal justice through a comprehensive review of his papers, articles and books. Beginning with reflections from his childhood, the author traces Du Bois' ideas on crime and justice throughout his life. This includes a unique analysis of Du Bois' experience as an object of the criminal justice system, a review of his FBI file, his 1951 trial and his pioneering social scientific research program at Atlanta University. The book illustrates the depth of Du Bois' interest in the field and reveals how he was a pioneer in key areas of criminology and criminal justice. The book contains five appendices which include four original papers written by Du Bois as well as maps from The Philadelphia Negro.
W.S. Gilbert and the Context of Comedy
To what extent is a great comic writer the product of his time? How far is he (or she) influenced by factors of personal psychology upbringing and environment? To what is the writing actually part of a long continuum in which there is continuity within change and change within continuity? The Progress of Fun considers principally the last of these areas, focussing on the case of W.S. Gilbert and challenging the frequently held view that he is pre-eminently a typical Victorian. This it does by tracing his roots back to Ancient Greek comedy and to the various comedic developments that have dominated Western Europe thereafter. Also included is a careful examination of the constraints and limitations that in various forms have long affected comedy-writing, and an evaluation of Gilbert’s particular skills and legacy within the on-going process. The whole is a suitable prelude to a second volume (Pipes and Tabors) which will consider Genre in W.S. Gilbert, again relating it to comedic precedents and the universally timeless within the particular.
W.B. Yeats, Ezra Pound, and the Poetry of Paradise
Emphasizing the interplay of aesthetic forms and religious modes, Sean Pryor's ambitious study takes up the endlessly reiterated longing for paradise that features throughout the works of W. B. Yeats and Ezra Pound. Yeats and Pound define poetry in terms of paradise and paradise in terms of poetry, Pryor suggests, and these complex interconnections fundamentally shape the development of their art. Even as he maps the shared influences and intellectual interests of Yeats and Pound, and highlights those moments when their poetic theories converge, Pryor's discussion of their poems' profound formal and conceptual differences uncovers the distinctive ways each writer imagines the divine, the good, the beautiful, or the satisfaction of desire. Throughout his study, Pryor argues that Yeats and Pound reconceive the quest for paradise as a quest for a new kind of poetry, a journey that Pryor traces by analysing unpublished manuscript drafts and newly published drafts that have received little attention. For Yeats and Pound, the journey towards a paradisal poetic becomes a never-ending quest, at once self-defeating and self-fulfilling - a formulation that has implications not only for the work of these two poets but for the study of modernist literature.
Three Papers of W.R. Bion

Three Papers of W.R. Bion

W.R. Bion

Routledge
2018
sidottu
Three Papers of W.R. Bion features two previously unpublished papers and one which has only previously appeared in The Complete Works of W. R. Bion (2014). Characterised by Bion’s directness, clarity and intensity, together they illustrate important aspects of his later thinking. They also show Bion using his key ideas in fresh contexts which will allow readers already familiar with his theoretical and clinical concepts to appreciate them from a new angle.The first paper, Memory and Desire, clarifies one of Bion’s most important and clinically-relevant ideas: the value of suspending elements of our memory and desire in the service of allowing openness to psychoanalytic intuition. The second, Negative Capability, was reformulated to become the final chapter of his 1970 Attention and Interpretation. The publication here of the original paper allows an interesting and rewarding three-way comparison to be made with the 1970 chapter, and Memory and Desire. The third paper, Break Up, Break Down, Break Through, was presented without notes in 1976 in Los Angeles and the transcript from the recorded talk is published here for the first time. It displays the complex interweaving of the personal and the theoretical and offers a fascinating contribution to the study of what Bion called "the turbulence that obeys no man-made ‘laws of nature’".Wilfred R. Bion’s writing continues to be read and re-read by an increasing and widening readership; the three papers presented here possess contemporary clinical relevance and each have a bearing on the underlying philosophical basis of psychoanalytical work and thinking.
Three Papers of W.R. Bion

Three Papers of W.R. Bion

W.R. Bion

Routledge
2018
nidottu
Three Papers of W.R. Bion features two previously unpublished papers and one which has only previously appeared in The Complete Works of W. R. Bion (2014). Characterised by Bion’s directness, clarity and intensity, together they illustrate important aspects of his later thinking. They also show Bion using his key ideas in fresh contexts which will allow readers already familiar with his theoretical and clinical concepts to appreciate them from a new angle.The first paper, Memory and Desire, clarifies one of Bion’s most important and clinically-relevant ideas: the value of suspending elements of our memory and desire in the service of allowing openness to psychoanalytic intuition. The second, Negative Capability, was reformulated to become the final chapter of his 1970 Attention and Interpretation. The publication here of the original paper allows an interesting and rewarding three-way comparison to be made with the 1970 chapter, and Memory and Desire. The third paper, Break Up, Break Down, Break Through, was presented without notes in 1976 in Los Angeles and the transcript from the recorded talk is published here for the first time. It displays the complex interweaving of the personal and the theoretical and offers a fascinating contribution to the study of what Bion called "the turbulence that obeys no man-made ‘laws of nature’".Wilfred R. Bion’s writing continues to be read and re-read by an increasing and widening readership; the three papers presented here possess contemporary clinical relevance and each have a bearing on the underlying philosophical basis of psychoanalytical work and thinking.
W. B. Yeats: The Tragic Phase

W. B. Yeats: The Tragic Phase

Vivienne Koch

Routledge
2016
sidottu
In this study, first published in 1951, the author examines the poetry of Yeats’s last years, that poetry which reached and held to the ‘intensity’ which he had striven for all his life. Vivienne Koch explores the ways in which the great but troubled poems derive their energy from suffering, and examines thirteen of his last poems in detail, each with a slightly different focus. This title will be of interest to students of literature.
W. B. Yeats: The Tragic Phase

W. B. Yeats: The Tragic Phase

Vivienne Koch

Routledge
2018
nidottu
In this study, first published in 1951, the author examines the poetry of Yeats’s last years, that poetry which reached and held to the ‘intensity’ which he had striven for all his life. Vivienne Koch explores the ways in which the great but troubled poems derive their energy from suffering, and examines thirteen of his last poems in detail, each with a slightly different focus. This title will be of interest to students of literature.
W. B. Yeats

W. B. Yeats

Balachandra Rajan

Routledge
2016
sidottu
This chief aim of this title, first published in 1965, is to present a comprehensive picture of Yeats’s achievement and some of the means for an evaluation of that achievement. To this end both the poems and plays have been examined and some of Yeats’s critical ideas have been briefly discussed. Professor Rajan’s study provides a compact introduction to Yeats’s work, and will be of interest to the general reader as well as to students of literature.
W. B. Yeats

W. B. Yeats

Balachandra Rajan

Routledge
2018
nidottu
This chief aim of this title, first published in 1965, is to present a comprehensive picture of Yeats’s achievement and some of the means for an evaluation of that achievement. To this end both the poems and plays have been examined and some of Yeats’s critical ideas have been briefly discussed. Professor Rajan’s study provides a compact introduction to Yeats’s work, and will be of interest to the general reader as well as to students of literature.
W. B. Yeats and T. Sturge Moore
The letters in this book, first published in 1953, throw light on the literary scene at a time in which William Butler Yeats and Thomas Sturge Moore regularly corresponded. In the early days of their friendship Yeats and Sturge Moore often saw each other in London where they both played an active part in the literary and artistic scene. When Yeats later lived chiefly in Ireland and Sturge Moore spent much of his time in the country and abroad they met less often but kept in touch by letter. Many of these letters, and therefore a record of their friendship, has been preserved and presented in this book. This title will be of interest to students of literature and literary history.
W. B. Yeats and T. Sturge Moore
The letters in this book, first published in 1953, throw light on the literary scene at a time in which William Butler Yeats and Thomas Sturge Moore regularly corresponded. In the early days of their friendship Yeats and Sturge Moore often saw each other in London where they both played an active part in the literary and artistic scene. When Yeats later lived chiefly in Ireland and Sturge Moore spent much of his time in the country and abroad they met less often but kept in touch by letter. Many of these letters, and therefore a record of their friendship, has been preserved and presented in this book. This title will be of interest to students of literature and literary history.
W.M.Thackery and the Mediated Text

W.M.Thackery and the Mediated Text

Richard Pearson

Routledge
2019
nidottu
This title was first published in 2000: Thackeray's "minor writings" remain caught in a debate about what constitutes "literature" and whether magazine writing and journalism might be construed as such. This debate was present during the inception of the mass periodical press in the 1830s when Thackeray began his career and forms part of the context of, reasoning within, and techniques of Thackeray's work. Throughout his career, Thackeray was enmeshed in critical arguments about periodicals, novels, "realism" and commercialism. He was himself both (and neither) journalist and literary artist and was at once a product of and critical of emerging writing practices. This book argues that an understanding of Thackeray's writings for periodicals and the literary and commercial context of these is central to an understanding of his literary achievement.
W.M.Thackery and the Mediated Text

W.M.Thackery and the Mediated Text

Richard Pearson

Routledge
2017
sidottu
This title was first published in 2000: Thackeray's "minor writings" remain caught in a debate about what constitutes "literature" and whether magazine writing and journalism might be construed as such. This debate was present during the inception of the mass periodical press in the 1830s when Thackeray began his career and forms part of the context of, reasoning within, and techniques of Thackeray's work. Throughout his career, Thackeray was enmeshed in critical arguments about periodicals, novels, "realism" and commercialism. He was himself both (and neither) journalist and literary artist and was at once a product of and critical of emerging writing practices. This book argues that an understanding of Thackeray's writings for periodicals and the literary and commercial context of these is central to an understanding of his literary achievement. Focusing principally on the foundational part of his career, from 1833-1847, but relating this to the novels, particularly "Pendennis" and "The Adventures of Philip" and the "Cornhill Magazine" of the 1860s, the book explores Thackeray's ambiguous response to the burgeoning periodical press, and considers his negotation and critique of the market-place through a variety of publishing media.