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1000 tulosta hakusanalla AUGUST STRINDBERG

August Strindberg Und Das Expressionistische Stationendrama

August Strindberg Und Das Expressionistische Stationendrama

Johannes F. Evelein

Peter Lang Publishing Inc
1996
sidottu
Dieses Buch setzt sich zum Ziel, August Strindbergs formale Erneuerungen, die zur Entstehung des Stationendramas fuehrten, anhand einer Analyse der Dramen Strindbergs Nach Damaskus I und Die grosse Landstrasse zu demonstrieren. Ueberdies erstrebt die Studie eine Definition, die der Vielschichtigkeit dieser Gattung gerecht wird. Im Mittelpunkt der Studie stehen die stationentechnische Struktur, die Komplexitaet der Mittelpunktsfigur, der subjektive Gebrauch der Farben und die leitmotivische Technik. Die Ergebnisse dieser Analyse werden auf ueber dreissig deutsche Stationendramen bezogen, unter anderen auf Werke von Georg Kaiser, Franz Csokor, Ernst Toller und Franz Werfel, woraus die Verknuepfung des deutschen Stationendramas mit Strindbergs dramatischen Errungenschaften hervorgeht.
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Locating August Strindberg's Prose

Locating August Strindberg's Prose

Anna Westerstahl Stenport

University of Toronto Press
2010
sidottu
The setting of a novel is more than just an anonymous, interchangeable backdrop. In Locating August Strindberg's Prose, Anna Westerståhl Stenport argues that spatial setting is a key - though often neglected - tool for exploring the fundamentals of European literary modernism. Stenport examines the importance of location by exploring the prose of Swedish exile August Strindberg (1849-1912), challenging previous studies of the author that have focused on identity and subject formation. Strindberg wrote in both Swedish and French, situating his stories in various places across Europe - from Berlin to the French countryside, the Austrian Alps, and Stockholm - to purposely destabilize concepts of national belonging, language, and literary history. Close readings of Strindberg's prose find that his boundary-challenging narratives redefine and rewrite the meaning of a marginal literary identity. By contextualizing Strindberg against other early modernists, including Kafka, Conrad, Rilke, and Breton, Stenport emphasizes the burgeoning transnationality of literature at the turn of the last century.
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The Novels of August Strindberg

The Novels of August Strindberg

Eric O. Johannesson

University of California Press
2021
pokkari
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
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The Novel of August Strindberg

The Novel of August Strindberg

Eric O. Johannesson

University of California Press
2021
sidottu
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
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The Cambridge Companion to August Strindberg

The Cambridge Companion to August Strindberg

Cambridge University Press
2009
pokkari
August Strindberg is one of the most enduring of nineteenth-century dramatists, and is also an internationally recognised novelist, autobiographer, and painter. This Companion presents contributions by leading international scholars on different aspects of Strindberg's highly colourful life and work. The essays focus primarily on his most celebrated plays; these include the Naturalist Dramas, The Father and Miss Julie; the experimental dramas with which he created a true modernist theatre – To Damascus and A Dream Play; and the Chamber Plays of 1908 which, like so much of his work, exerted a powerful influence on much later twentieth-century drama. His plays are contextualised for what they contribute both to the history of drama and developments in theatre practice, and other essays clarify the enormous importance to these dramas of his other work, most notably the autobiographical novel Inferno, and his lifelong interest in science, the occult, sexual politics, and the visual arts.
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The Cambridge Companion to August Strindberg

The Cambridge Companion to August Strindberg

Cambridge University Press
2009
sidottu
August Strindberg is one of the most enduring of nineteenth-century dramatists, and is also an internationally recognised novelist, autobiographer, and painter. This Companion presents contributions by leading international scholars on different aspects of Strindberg's highly colourful life and work. The essays focus primarily on his most celebrated plays; these include the Naturalist Dramas, The Father and Miss Julie; the experimental dramas with which he created a true modernist theatre – To Damascus and A Dream Play; and the Chamber Plays of 1908 which, like so much of his work, exerted a powerful influence on much later twentieth-century drama. His plays are contextualised for what they contribute both to the history of drama and developments in theatre practice, and other essays clarify the enormous importance to these dramas of his other work, most notably the autobiographical novel Inferno, and his lifelong interest in science, the occult, sexual politics, and the visual arts.
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Worlds of August Strindberg

Worlds of August Strindberg

Bjorn Meidal; Bengt Wanselius

Max Ström
2013
sidottu
Presents a comprehensive photographic biography of Sweden's influential writer and playwright. This title offers more than 500 contemporary photographs from Strindberg's world Stockholm, the archipelago, Berlin, Paris and all the other places that have contributed in shaping the world-renowned playwright and writer.
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Sekelskiftet 1900 : August Strindberg och Sigmund Freud

Sekelskiftet 1900 : August Strindberg och Sigmund Freud

Per Magnus Johansson

Bokförlaget Daidalos
2020
nidottu
Denna bok behandlar förhållandet mellan några centrala texter av August Strindberg och ett antal bärande tankar hos Sigmund Freud. Strindberg och Freud var naturligt nog påverkade av de dominerande idéerna i sin tid – och samtidigt banbrytande på sina respektive områden. Men som Per Magnus Johansson påvisar, så behandlade de båda, utan att känna till varandras texter, somliga fråge­ställningar på ett likartat vis och formulerade ibland snarlika insikter om våra mänskliga drivkrafter. August Strindberg föddes 1849 och var sju år äldre än Sigmund Freud. Den förstnämnde dog 1912, 63 år gammal, och den sistnämnde 27 år senare, 83 år gammal. Deras utgångspunkter var olika men ändå på flera sätt besläktade: Strindberg var en skönlitterär författare som aldrig gav upp sitt intresse för vetenskap. Freud var läkare, forskare och psykoanalytiker med ett passionerat och livslångt förhållande till litteratur och konst. Båda sökte svar med det undersökande och prövande skrivandets hjälp. Bland de teman som Per Magnus Johansson behandlar finns barndomen, skrivandet, kärleken och det solitära vetenskapliga och konstnärliga arbetets villkor. Han fördjupar sig också i den likartade intertextuella dimensionen i Strindbergs och Freuds skrifter. Hans bok följer sina egna vägar genom de bådas epokgörande livsverk. Per Magnus Johansson är psykoanalytiker, utbildad i Paris. Han är ursprungligen legitimerad psykolog med specialistkompetens i klinisk psykologi och legitimerad psykoterapeut. Han är också docent i idéhistoria, redaktör för kulturtidskriften "Arche", grundare av Freudianska föreningen och hedersmedlem i Svenska psykoanalytiska föreningen (IPA), liksom ledamot i Kungl. Vetenskaps- och Vitterhets-Samhället i Göteborg (KVVS).
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