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Anonymous in Their Own Names

Anonymous in Their Own Names

Susan Henry

Vanderbilt University Press
2012
sidottu
Anonymous in Their Own Namesrecounts the lives of three women who, while working as their husbands' uncredited professional partners, had a profound and enduring impact on the media in the first half of the twentieth century. With her husband, Edward L. Bernays, Doris E. Fleischman helped found and form the field of public relations. Ruth Hale helped her husband, Heywood Broun, become one of the most popular and influential newspaper columnists of the 1920s and 1930s. In 1925 Jane Grant and her husband, Harold Ross, started the'New Yorker'; magazine. Yet these women's achievements have been invisible to countless authors who have written about their husbands. This invisibility is especially ironic given that all three were feminists who kept their birth names when they married as a sign of their equality with their husbands, then battled the government and societal norms to retain their names. Hale and Grant so believed in this cause that in 1921 they founded the Lucy Stone League to help other women keep their names, and Grant and Fleischman revived the league in 1950. This was the same year Grant and her second husband, William Harris, founded White Flower Farm, pioneering at that time and today one of the country's most celebrated commercial nurseries.Despite strikingly different personalities, the three women were friends and lived in overlapping, immensely stimulating New York City circles. Susan Henry explores their pivotal roles in their husbands' extraordinary success and much more, including their problematic marriages and their strategies for overcoming barriers that thwarted many of their contemporaries.
Anonymous Is a Woman

Anonymous Is a Woman

Nina Ansary

Revela Press, LLC
2020
sidottu
Award-winning author and women's rights advocate Dr. Nina Ansary takes readers on a 4,000-year global and historic journey exposing the repercussions of centuries of gender inequality. Beginning with 2300 BCE, the books biographical sketches of fifty forgotten innovatorsbrought to life by international fashion illustrator Petra Dufkovashatter deeply rooted gender myths to tell remarkable stories rescued from obscurity about groundbreaking contributions to humankind. In 1929, British novelist Virginia Woolf ran her fingers along the spines of the books in her library wondering why no woman in Shakespeares era had written a word of that extraordinary literature when every other man, it seemed, was capable of song or sonnet. She concluded, Indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman. Nearly a century after Woolf penned those incisive wordsfrequently modified as For most of history, Anonymous was a womanthe phenomenon of female anonymity persists as women worldwide continue to be restricted by societys formal and unspoken barriers. Why does Virginia Woolfs statement still echo in the twenty-first century? Why have women been consistently denied opportunities that are automatically given to men? And why has the historical record failed to adequately recognize notable women? Anonymous Is a Woman. . .exposes the roots and manifestations of institutionalized gender discrimination; dismantles centuries of historical bias through biographical profiles of fifty remarkable, yet forgotten women innovators; and challenges ingrained stereotypical assumptions to advance an unconventional argument for equality and inclusivity. 100% of the proceeds from the sale of this book will be donated. The primary recipients will be The Center for Human Rights in Iran, a New York-based 501(c)(3) registered nonprofit, nonpartisan organization dedicated to the protection and promotion of human rights in Iran, and The London School of Economics Centre for Women, Peace, and Security, an academic space for scholars, practitioners, activists, policymakers, and students to develop strategies that promote justice, human rights, and participation of women in conflict-affected situations around the world.
Anonymous Is a Woman

Anonymous Is a Woman

Nina Ansary

Revela Press, LLC
2020
pokkari
Next Generation Indie Book Award “Grand Prize/First Place Winner Nonfiction” Next Generation Indie Book Award “First Place Winner Women’s Issues Nonfiction” Next Generation Indie Book Award “First Place Winner Education/Academic" IndieReader Discovery Awards “First Place Winner Nonfiction History” Benjamin Franklin Award “Silver for History” Benjamin Franklin Award “Gold for Interior Design” “Books of the Week” — Smithsonian Magazine “17 Brilliant Books That You Won’t Struggle to Finish” — Buzzfeed “With a global economic crisis looming, Ansary’s book is a reminder that our responses must be alive to inequalities already at play.” — The Times Literary Supplement Award-winning author, women's rights advocate, and historian Dr. Nina Ansary takes readers on a 4,000-year historical journey to expose the roots and manifestations of systemic gender discrimination. The book’s biographical profiles of fifty forgotten female innovators—brought to life by international illustrator Petra Dufkova—shatter deeply rooted gender myths to tell remarkable stories about groundbreaking contributions to the global community. In 1929, British novelist Virginia Woolf ran her fingers along the spines of the books in her library wondering why no woman in Shakespeare’s era had written “a word of that extraordinary literature when every other man, it seemed, was capable of song or sonnet.” She concluded, “Indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.” Nearly a century after Woolf penned those incisive words—frequently modified as “For most of history, Anonymous was a woman”—the phenomenon of female anonymity persists as women worldwide continue to be restricted by society’s formal and unspoken barriers. Why does Virginia Woolf’s statement still echo in the twenty-first century?Why have women been consistently denied opportunities that are automatically given to men?And why has the historical record failed to adequately recognize notable women? Anonymous Is a Woman. . .exposes the roots and manifestations of institutionalized gender and racial discrimination; dismantles centuries of historical bias through biographical profiles of fifty remarkable, yet forgotten women innovators; and challenges ingrained stereotypical assumptions to advance an unconventional argument for equality and inclusivity. 100% of the proceeds from the sale of this book will be donated. The primary recipients will be The Center for Human Rights in Iran, a New York-based 501(c)(3) registered nonprofit, nonpartisan organization dedicated to the protection and promotion of human rights in Iran, and The London School of Economics Centre for Women, Peace, and Security, an academic space for scholars, practitioners, activists, policymakers, and students to develop strategies that promote justice, human rights, and participation of women in conflict-affected situations around the world.
‘Anonymus Iamblichi’

‘Anonymus Iamblichi’

Cambridge University Press
2025
sidottu
This is a new edition of the fragments of 'Anonymus Iamblichi', the mysterious Greek author excerpted by Iamblichus in chapter 20 of Protrepticus. The fragments are an important but overlooked source for early Greek ethical and political thought. Among other things, they criticize traditional forms of social benefaction, and they offer a strikingly modern approach to the analysis of society and economy revolving around the concept of pistis ('trust'). The text and translation are supplemented by a lengthy introduction, which analyses the language and style of the fragments and explores them in the literary and philosophical context of early Socratic literature. The detailed commentary discusses issues pertaining to text and interpretation.
Anonymous IV [concerning the Measurement of Polyphonic Song]
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Anonymous IV [concerning the Measurement of Polyphonic Song]
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.