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1000 tulosta hakusanalla Anthony Reuben
In his centenary year, a collection of the Pulitzer Prize winner's poems celebrates the indispensable artistry of a writer who faced the history of his era with a "clear-eyed mercy toward human weakness" (NYTBR) and "absolute raw simplicity and directness" (Ted Hughes, Poet Laureate of England, 1984-1998). Anthony Hecht, whose output spanned eight volumes, beginning in 1954 with A Summoning of Stones, served as an infantryman in World War II and participated in the liberation of the death camps in Germany. His aesthetic--bound up with a need to see the best and worst of humankind with unsparing clarity--was shaped by the cadences of the King James Bible, Shakespeare, and the canon of poetry in English. From the seven deadly sins to a Manhattan scene of Third Avenue in sunlight, or his poems reflecting the many faces of Death ("Death the Oxford Don," "Death the Whore," "Death the Film Director"), Hecht's subject matter called him to a formal elegance inextricably woven with the dramatic force, thematic ambition, and powerful emotions in each poem. This volume brings together all the published work and includes the beautiful poems he wrote before he died, never before collected. As the late J. D. McClatchy wrote, the rules of Anthony Hecht's art were "moral principles meant finally to reveal the structure of human dilemmas and sympathies." His profound influence on several successive generations of poets is testament to the enduring power of his life's work, traditional in its cadence but stunningly contemporary in its vision of who we are.
Anthony Giddens is one of the world's most prominent and prolific sociologists, and yet he is also a difficult study for the beginning student of sociology. This is the first introduction to the work of Giddens, including the major part of his sociological and social theoretical project. The author traces Giddens' development from the late sixties to the nineties in a straightforward, readable style, covering all parts of Giddens's sociology in a well-arranged summary. Also featured is a lengthy interview with Giddens by the author, and the most comprehensive Giddens bibliography to date.
THE VENETIAN VESPERS (1979)"In its clear-eyed mercy toward human weakness, Anthony Hecht's poetry goes from strength to strength. The Venetian Vespers is at once an intense corroboration and an ample extension of his subtle, supple talents. Nothing humane is alien to him... There is a handful of short poems that are fostered alike by beauty and fear. But it is the four long poems that confirm Hecht as a poet of the widest apprehensions and comprehension, and this without the gigantism that so haunts American poetic ambition." --Christopher Ricks, The New York Times Book Review MILLIONS OF STRANGE SHADOWS (1977)"The high artistry of Anthony Hecht has been to nurture his own gift, and to work at it with the deliberateness and steadiness that it deserved from him... Emotional intensity and formal power were combined in Hecht from his beginnings... The thirty poems in Millions of Strange Shadows are all fully written, but several truly are the best he has published and are very likely to endure. The very best is 'Green: An Epistle, ' which is a lesson in profound, controlled subjectivity and self-revelation, an exact antithesis to the opaque squalors of 'confessional' poets. Almost equally remarkable is 'Coming Home, ' in which the poet John Clare receives a deeper interpretation than any critic has afforded him..." --Harold Bloom, The New Republic THE HARD HOURS (1968)"Anthony Hecht's first volume of poems, A Summoning of Stones, established him as one of the most accomplished of his extremely accomplished generation. His work was remarkable enough for its classical poise and elegance, but it also had a weight which set it apart. Since then his poetry has come clear in a direction nobody could have predicted...He did the most difficult thing of all: this most fastidious and elegant of poets shed every artifice and began to write with absolute raw simplicity and directness. Only a poet with an immense burden of something to say ever dreams of taking this course, and only an inspired artist can bring it off. The result here has been some of the most powerful and unforgettable poems at present being written in America,"--Ted Hughes
Now in Laurel-Leaf, Virginia Hamilton's powerful true account of the sensational trial of a fugitive slave.The year is 1854, and Anthony Burns, a 20-year-old Virginia slave, has escaped to Boston. But according to the Fugitive Slave Act, a runaway can be captured in any free state, and Anthony is soon imprisoned. The antislavery forces in Massachusetts are outraged, but the federal government backs the Fugitive Slave Act, sparking riots in Boston and fueling the Abolitionist movement.Written with all the novelistic skill that has won her every major award in children's literature, Virginia Hamilton's important work of nonfiction puts young readers into the mind of Burns himself.
A comprehensive monograph on the pioneering artist Anthony Caro. Regarded as the greatest British artist of his generation and represented in museum collections all over the world, Anthony Caro revolutionized sculpture in the 1960s, by taking the radical step of removing the plinth and placing his work directly on the ground not only changed our relationship with the artwork, but the direction of sculpture itself. This beautifully designed book includes a comprehensive survey of Caro's work over a period of more than half a century – ranging from his time as Henry Moore's assistant in the early 1950s right up until his death in 2013. More than fifty of his masterworks are each examined in detail through never before published archival installation images and comments by the artist from the time of production or exhibition. Furthermore, a collection of specially commissioned new documentary photographs by Toby Glanville capture the processes behind the sculptor's work, from conception to production to installation and exhibition in major exhibitions and installations. A collection of short texts by leading contemporary artists, including Antony Gormley, Liz Larner, Joel Shapiro, Simon Starling, Frank Stella, Rebecca Warren and Richard Wentworth demonstrate the influence of Caro's work, and a series of key essays by renowned critics and art historians, such as Clement Greenberg and Michael Fried, provide an unparalleled overview of his career and complete this intimate celebration of the artist.
One of the most important architects practising in Britain during the years 1820-1880, Anthony Salvin had a long and successful career as a builder of country houses and churches and as a restorer of some of the most important castles in England, including Windsor Castle and the Tower of London. In the first book-length study of this important architect, Dr Allibone has incorporated previously unpublished material concerning Salvin's life and buildings, including contemporary letters, building accounts, diaries, and reproductions of Salvin's architectural drawings, in order to shed new light on artistic, political, economic and religious developments in nineteenth-century England. Concerned through his career with finding authentic medieval examples for new buildings in the Gothic style, Salvin led the way to return to the 'real' Gothic architecture that cumulated later in the nineteenth century with the works of men like Alfred Waterhouse, William Burges and George Edmund Street. Knowledge of his career will further an appreciation of the works of these later, more widely studied architects. Including 181 illustrations as well as a comprehensive catalogue listing all the known data for 366 of Salvin's projected and executed works, this study should find a large audience among those interested in the history of architecture and in Victorian England in general.
Anthony Munday and civic culture is a full-scale study of a fascinating but hitherto neglected author set in the context of the city where he was born, lived and worked. Munday was a contemporary of Shakespeare, Jonson, Middleton and Dekker, amongst others. As a playwright, prose writer, translator, poet, pageant-maker and pamphleteer he was active in all the major literary genres of his day. Now in paperback this study of his diverse works throws fresh light on our understanding of this significant period. A wide range of Munday's texts are explored in depth, including plays, original prose works, translations, Lord Mayor's Shows, and his editions of John Stow's 'Survey of London'. Hill employs an interdisciplinary methodology drawing on history, biography, literary criticism and topography. She explores historical sources as well as literary texts and the book will appeal to students and scholars of both early modern literature and history as well as to cultural geographers.
Anthony Munday and civic culture is a full-scale study of a fascinating but hitherto neglected author set in the context of the city where he was born, lived and worked. Munday was a contemporary of Shakespeare, Jonson, Middleton and Dekker, amongst others. As a playwright, prose writer, translator, poet, pageant-maker and pamphleteer he was active in all the major literary genres of his day. Now in paperback this study of his diverse works throws fresh light on our understanding of this significant period. A wide range of Munday's texts are explored in depth, including plays, original prose works, translations, Lord Mayor's Shows, and his editions of John Stow's 'Survey of London'. Hill employs an interdisciplinary methodology drawing on history, biography, literary criticism and topography. She explores historical sources as well as literary texts and the book will appeal to students and scholars of both early modern literature and history as well as to cultural geographers.
This is the first comprehensive critical study of Anthony Asquith. Ryall sets the director's work in the context of British cinema from the silent period to the 1960s, examining the artistic and cultural influences which shaped his films.Asquith's silent films were compared favourably to those of his eminent contemporary Alfred Hitchcock, but his career faltered during the 1930s. However, the success of Pygmalion (1938) and French Without Tears (1939), based on plays by George Bernard Shaw and Terence Rattigan, together with his significant contributions to wartime British cinema, re-established him as a leading British film maker. Asquith's post-war career includes several pictures in collaboration with Terence Rattigan, and the definitive adaptation of Oscar Wilde's The Importance of Being Earnest (1951), but his versatility is demonstrated in a number of modest genre films including The Woman in Question (1950), The Young Lovers (1954) and Orders to Kill (1958).
Anthony Burgess and Modernity
Manchester University Press
2008
sidottu
Anthony Burgess and modernity provides a variety of new perspectives and contexts for exploring Burgess’s literature and music. A range of international scholars and critics explore the writer’s novels, music and linguistic productions to explore and define how Burgess contributed to modernist and postmodernist art.The scholars who contributed to the book provide original explorations of Burgess’s work and the theological, psychological, linguistic, literary and musical contexts in which Burgess’s achievements can best be understood. It will appeal to scholars and students, but it also offers an appreciation of Burgess’s artistic achievements that will provide general readers of Burgess’s work with an insight into some of the exciting contexts in which Burgess novels can be read.