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1000 tulosta hakusanalla Ben Ray Redman

Ben And Holly's Little Kingdom: The Lost Egg - Read it yourself with Ladybird: Level 1
Ben and Holly find a lost bird's egg. What happens when a tiny chick hatches out and they try to find its mummy?Read it yourself with Ladybird is one of Ladybird's best-selling reading series. For over thirty-five years it has helped young children who are learning to read develop and improve their reading skills.Each Read it yourself book is very carefully written to include many key, high-frequency words that are vital for learning to read, as well as a limited number of story words that are introduced and practised throughout. Simple sentences and frequently repeated words help to build the confidence of beginner readers and the four different levels of books support children all the way from very first reading practice through to independent, fluent reading.There are more than ninety titles in the Read it yourself series, ranging from classic fairy tales and traditional world stories to favourite children's brands such as Peppa Pig, Angry Birds and Peter Rabbit. All-new, first reference titles complete the range, with information books about favourite subjects that even the most reluctant readers will enjoy.Each book has been carefully checked by educational consultants and can be read independently at home or used in a guided reading session at school. Further content includes comprehension questions or puzzles, helpful notes for parents, carers and teachers, and book band information for use in schools.The Lost Egg is a Level 1 Read it yourself book, suitable for very early readers who are ready to take their first steps in reading real stories. Each simple story uses a small number of frequently repeated words.
Ben and Holly's Little Kingdom: Honey Bees
King Thistle needs a new jar of honey for his sandwiches, so Ben and Holly visit a buzzing bee hive to get one for him. But they soon discover that Wise Old Elf's method of collecting honey is a bit unusual... Read this sweet story from the Little Kingdom, and find out how Wise Old Elf gets himself out of a rather sticky situation!
Ben Rothery's Deadly and Dangerous Animals

Ben Rothery's Deadly and Dangerous Animals

Ben Rothery

Penguin Random House Children's UK
2022
sidottu
How BIG are the wings of a golden eagle? How STRONG is the bite of a saltwater crocodile?What makes a chameleon or ant so threatening, and which creature is deadliest to humans despite its tiny size?Discover the world's most dangerous and deadly creatures with award-winning illustrator Ben Rothery. Packed with stunning illustrations and fascinating facts, this incredible book is the perfect Christmas gift for nature lovers.Made to be both shared and read independently, this book introduces children to some of the most amazing creatures on our planet and their deadly secrets!Also available: Hidden Planet, Sensational Butterflies, Ben Rothery's Weird and Wonderful Animals, Ben Rothery's Deadly and Dangerous Animals and Water World.
Ben Rothery's Weird and Wonderful Animals

Ben Rothery's Weird and Wonderful Animals

Ben Rothery

Penguin Random House Children's UK
2023
sidottu
From the bearded vulture, which is the only animal on the planet whose diet consists exclusively of bones, to the miscroscopic tardigrade that can survive for up to 30 years without food or water, this book focusses on our planet's most bizarre and extraordinary beasts.
Ben and the Art of Bicycle Maintenance
Getting a puncture is irritating at the best of times. But when you're not sure how to mend it, the last thing you need is a stranger turning up out of the blue and questioning your self-belief. This short play poses some difficult questions concerning the nature of belief in God. It is, in essence, a dialogue between the past and the future, between the unknowable and the knowable, the un-provable and the provable. The shadow cast by faith over truth.
Ben und Benito

Ben und Benito

Annett Ledong

Lulu.com
2020
pokkari
Zwei schwarze Labradore, Ben und Benito, die sich zum Verwechseln hnlich sehen, lernen sich auf der Hundewiese kennen. Gemeinsam haben sie viel Spa . Als dann eines Tages beide Halsband und Geschirr verlieren, kommt es, wie es kommen muss - die beiden werden verwechselt und lernen so das Leben des jeweils anderen kennen. Ben wohnt in einem schicken Haus, hat eigentlich alles, was man sich w nschen kann. Benito wohnt zusammen mit Frauchen und zwei Kindern in einer Mietwohnung. Aber er hat Spa , die Kinder spielen mit ihm und sie unternehmen viel zusammen. Ben ist nur gl cklich, wenn der Hundesitter mit ihm auf die Hundewiese geht. Zuhause hat keiner Zeit, sich mit ihm zu besch ftigen. Als ein Tierarzt die Verwechslung aufdeckt, kommen sie wieder in ihr Leben zur ck. Ben ist so traurig dar ber, dass die Haush lterin eine Idee hat
Ben Shahn's American Scene

Ben Shahn's American Scene

John Raeburn

University of Illinois Press
2010
sidottu
The paintings, murals, and graphics of Ben Shahn (1898-1969) have made him one of the most heralded American artists of the twentieth century, but during the 1930s he was also among the nation's premier photographers. Much of his photographic work was sponsored by the New Deal's Farm Security Administration, where his colleagues included Dorothea Lange and Walker Evans. Ben Shahn's American Scene: Photographs, 1938 presents one hundred superb photographs from his most ambitious FSA project, a survey of small-town life in the Depression. John Raeburn's accompanying text illuminates the thematic and formal significance of individual photographs and reveals how, taken together, they address key cultural and political issues of the years leading up to World War II. Shahn's photographs highlight conflicts between traditional values and the newer ones introduced by modernity as represented by the movies, chain stores, and the tantalizing allure of consumer goods, and they are particularly rich in observation about the changes brought about by Americans' universal reliance on the automobile. They also explore the small town's standing as the nation's symbol of democratic community and expose the discriminatory social and racial practices that subverted this ideal in 1930s America.
Ben Shahn's American Scene

Ben Shahn's American Scene

John Raeburn

University of Illinois Press
2010
nidottu
The paintings, murals, and graphics of Ben Shahn (1898-1969) have made him one of the most heralded American artists of the twentieth century, but during the 1930s he was also among the nation's premier photographers. Much of his photographic work was sponsored by the New Deal's Farm Security Administration, where his colleagues included Dorothea Lange and Walker Evans. Ben Shahn's American Scene: Photographs, 1938 presents one hundred superb photographs from his most ambitious FSA project, a survey of small-town life in the Depression. John Raeburn's accompanying text illuminates the thematic and formal significance of individual photographs and reveals how, taken together, they address key cultural and political issues of the years leading up to World War II. Shahn's photographs highlight conflicts between traditional values and the newer ones introduced by modernity as represented by the movies, chain stores, and the tantalizing allure of consumer goods, and they are particularly rich in observation about the changes brought about by Americans' universal reliance on the automobile. They also explore the small town's standing as the nation's symbol of democratic community and expose the discriminatory social and racial practices that subverted this ideal in 1930s America.
Ben Shahn

Ben Shahn

Frances K. Pohl

University of Texas Press
1989
pokkari
In the first, most intense years of the Cold War (1947–1954), New Deal liberals often found themselves in great disfavor. Ben Shahn's experience presents something of a paradox, however, since his paintings appealed in different ways to both liberals and conservatives. Blacklisted by CBS during the McCarthy era and yet, ironically, incorporated into presidential "campaigns of truth" aimed at improving the U.S. image abroad, Ben Shahn is a pivotal figure, revealing the complexities and contradictions inherent in this highly polarized moment in American history.In this pathbreaking study, Frances Pohl traces the political and artistic struggles Ben Shahn became embroiled in as he tried to remain a socially concerned artist during the early Cold War period. She shows how he rejected the argument, voiced by many Abstract Expressionists, that art and politics should not mix, yet at the same time searched for a way to depict, in universal and allegorical terms, the broad human condition rather than simply specific instances of injustice. Perhaps most important, she makes critical connections between U.S. social and political history and the art it provoked, thus illuminating both the later career of Ben Shahn and the Cold War era in American cultural history.
Ben Jonson: Selected Masques

Ben Jonson: Selected Masques

Ben Jonson

Yale University Press
2005
pokkari
The Renaissance court masque, traditionally an entertainment of music, dancing, pageantry, and spectacular scenic effects was transformed by Ben Jonson into a serious mode of literary expression. Because its flexibility provided a forum for his dramatic imagination, Jonson was able to resolve and transcend the satiric vision that was in many ways the substance of his drama. He instructed as well as applauded his courtly audience and, with the aid of the great theatrical designer Inigo Jones, brought unity to the diverse elements of the masque, infusing them with a moral and poetic life. In early 1969, Yale University Press published The Complete Masques, the first one-volume edition and the most carefully edited and annotated text available. A modernized version, the 576 page Complete Masques includes the faithful reprinting of Jonson’s own glosses and notes, translated and annotated, as well as explanatory notes which offer the most detailed critical commentary ever undertaken. This abridged collection contains the most important of the works included in the large edition, and Mr. Orgel’s introduction which discusses Jonson’s development of the masque in relation to Inigo Jones’s development of the illusionistic stage. Mr. Orgel is associate professor of English at the University of California at Berkeley.
Ben Jonson: Sejanus

Ben Jonson: Sejanus

Ben Jonson

Yale University Press
2005
pokkari
One of Jonson’s greatest plays, Sejanus, has seldom been edited, and is here published, with full notes and introduction, for the first time since 1911. Mr. Barish shows that Jonsonian tragedy can be understood and appreciated only by clearing the mind of Shakespearean preconceptions. The present edition makes the play available in a modernized text, explanatory notes gloss obscure phrases ignored by previous editors, and critical notes contain extracts in English translation of the portions of Tacitus on which Jonson based his plot. The critical introduction analyzes Jonson’s technique of metamorphosing history into poetry. Yale Ben Jonson, 3.Mr. Barish is associate professor of English at the University of California.
Ben Jonson: The Complete Masques

Ben Jonson: The Complete Masques

Ben Jonson

Yale University Press
1969
pokkari
The Renaissance court masque, traditionally an entertainment of music, dancing, pageantry, and spectacular scenic effects, was transformed by Ben Jonson into a serious mode of literary expression. By using its peculiar viability as a forum for his dramatic imagination, Jonson resolved and transcended the satiric vision that was in many ways the substance of Jonsonian drama. He instructed as well as applauded his courtly audience and, with the aid of the great theatrical designer Inigo Jones, brought unity to the diverse elements of the masque, infusing them with a moral and poetic life. This modernized version of Jonson’s masques is the most carefully edited and annotated text available; it is also the first one-volume edition to be published. It includes the faithful reprinting of Jonson’s own glosses and notes, translated and annotated, as well as explanatory notes which offer the most detailed critical commentary ever undertaken. In the Introduction, itself and important essay about the Renaissance stage, Mr. Orgel discusses Jonson’s development of the masque in relation to Inigo Jones’ development of the illusionistic stage.Mr. Orgel is associate professor of English at the University of California in Berkeley.
Ben-Gurion

Ben-Gurion

Anita Shapira

Yale University Press
2015
sidottu
From the prizewinning Jewish Lives series, an insightful study of the inner life of David Ben-Gurion, the Zionist leader responsible for the creation of the state of Israel"The most intimate yet unflinching portrait to date. . . . Shapira may be the last truly qualified person to unpack some of the mysteries of Israel’s George Washington."—Ilene Prusher, New York Times Book Review"Keenly observed . . . Shed(s) light on the inner life of the man whom fellow Zionist leader Berl Katznelson called 'history’s gift to the Jewish people.'"—Liel Leibovitz, Wall Street Journal David Ben-Gurion cast a great shadow during his lifetime, and his legacy continues to be sharply debated to this day. There have been many books written about the life and accomplishments of the Zionist icon and founder of modern Israel, but this new biography by eminent Israeli historian Anita Shapira strives to get to the core of the complex man who would become the face of the new Jewish nation. Shapira tells the Ben-Gurion story anew, focusing especially on the period after 1948, during the first years of statehood. As a result of her extensive research and singular access to Ben-Gurion’s personal archives, the author provides fascinating and original insights into his personal qualities and those that defined his political leadership. As Shapira writes, “Ben-Gurion liked to argue that history is made by the masses, not individuals. But just as Lenin brought the Bolshevik Revolution into the world and Churchill delivered a fighting Britain, so with Ben-Gurion and the Jewish state. He knew how to create and exploit the circumstances that made its birth possible.” Shapira’s portrait reveals the flesh-and-blood man who more than anyone else realized the Israeli state. About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award. More praise for Jewish Lives: "Excellent" –New York Times "Exemplary" –Wall St. Journal "Distinguished" –New Yorker "Superb" –The Guardian
Ben Hecht

Ben Hecht

Adina Hoffman

Yale University Press
2020
pokkari
A vibrant portrait of one of the most accomplished and prolific American screenwriters, by an award-winning biographer and essayistHe was, according to Pauline Kael, “the greatest American screenwriter.” Jean-Luc Godard called him “a genius” who “invented 80 percent of what is used in Hollywood movies today.” Besides tossing off dozens of now-classic scripts—including Scarface,Twentieth Century, and Notorious—Ben Hecht was known in his day as ace reporter, celebrated playwright, taboo-busting novelist, and the most quick-witted of provocateurs. During World War II, he also emerged as an outspoken crusader for the imperiled Jews of Europe, and later he became a fierce propagandist for pre-1948 Palestine’s Jewish terrorist underground. Whatever the outrage he stirred, this self-declared “child of the century” came to embody much that defined America—especially Jewish America—in his time. Hecht's fame has dimmed with the decades, but Adina Hoffman’s vivid portrait brings this charismatic and contradictory figure back to life on the page. Hecht was a renaissance man of dazzling sorts, and Hoffman—critically acclaimed biographer, former film critic, and eloquent commentator on Middle Eastern culture and politics—is uniquely suited to capture him in all his modes.