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1000 tulosta hakusanalla Benjamin Walters

Walter Benjamin and the Antinomies of Tradition

Walter Benjamin and the Antinomies of Tradition

John McCole

Cornell University Press
1993
pokkari
Few modern thinkers have been as convinced of the necessity of recovering the past in order to redeem the present as Walter Benjamin (1892-1940). Benjamin at once mourned and celebrated what he took to be an inevitable liquidation of traditional culture, and his determination to think both of these attitudes through to their conclusions lends his work its peculiar honesty, along with its paradoxical, antinomial coherence. In a landmark interpretation of the whole of Benjamin's career, John McCole demonstrates a way of understanding Benjamin that both contextualizes and addresses the complexities and ambiguities of his texts. Working with Pierre Bourdieu's concept of the "intellectual field," McCole traces Benjamin's deep ambivalence about cultural tradition through the longterm project-an immanent critique of German idealist and romantic aesthetics-which unites his writings. McCole builds a sustained reading of Benjamin's intellectual development which sheds new light on the formative role of early influences—particularly his participation in the pre-World War I German youth movement and the orthodox discourse of German intellectual culture—and shows how Benjamin later extended the strategies he learned within these contexts during key encounters with Weimar modernism, surrealism, and the fiction of Proust. The fullest account of Benjamin available in English, this lucid and penetrating book will be welcomed by intellectual historians, literary theorists and critics, historians of German literature, and Continental philosophers.
Walter Benjamin and the Aesthetics of Power

Walter Benjamin and the Aesthetics of Power

Lutz Koepnick

University of Nebraska Press
1999
sidottu
Walter Benjamin and the Aesthetics of Power explores Walter Benjamin's seminal writings on the relationship between mass culture and fascism. The book offers a nuanced reading of Benjamin's widely influential critique of aesthetic politics, while it contributes to current debates about the cultural projects of Nazi Germany, the changing role of popular culture in the twentieth century, and the way in which Nazi aesthetics have persisted into the present. Lutz Koepnick first explores the development of the aestheticization thesis in Benjamin's work from the early 1920s to his death in 1940. Pushing Benjamin's fragmentary remarks to a logical conclusion, Koepnick sheds light on the ways in which the Nazis employed industrial mass culture to redress the political as a self-referential space of authenticity and self-assertion. Koepnick then examines to what extent Benjamin's analysis of fascism holds up to recent historical analyses of the National Socialist period and whether Benjamin's aestheticization thesis can help conceptualize cultural politics today. Although Koepnick insists on crucial differences between the stage-managing of political action in modern and postmodern societies, he argues throughout that it is in Benjamin's emphatic insistence on experience that we may find the relevance of his reflections today. Walter Benjamin and the Aesthetics of Power is both an important contribution to Benjamin studies and a revealing addition to our understanding of the Third Reich and of contemporary culture's uneasy relationship to Nazi culture.
Walter Benjamin

Walter Benjamin

Stanford University Press
1996
sidottu
This collection of nine essays focuses on those writings of Walter Benjamin (1892-1940) on literature and language that have a direct relevance to contemporary literary theory, notably his analyses of myth, violence, history, criticism, literature, and mass media. In an introductory essay, David S. Ferris discusses the problem of history, aura, and resistance in Benjamin's later work and in its reception. Samuel Weber, in a reading of Benjamin's most influential essay, "The Work of Art in the Age of Mechanical Reproduction," analyzes the status of the image and technology in Benjamin's own terms and in the shadow of Heidegger. Rodolphe Gasché devotes himself to an analysis of Benjamin's dissertation on the German Romantics, providing a valuable guide to a major text that has yet to appear in English translation.
Walter Benjamin

Walter Benjamin

Stanford University Press
1996
pokkari
This collection of nine essays focuses on those writings of Walter Benjamin (1892-1940) on literature and language that have a direct relevance to contemporary literary theory, notably his analyses of myth, violence, history, criticism, literature, and mass media. In an introductory essay, David S. Ferris discusses the problem of history, aura, and resistance in Benjamin’s later work and in its reception. Samuel Weber, in a reading of Benjamin’s most influential essay, “The Work of Art in the Age of Mechanical Reproduction,” analyzes the status of the image and technology in Benjamin’s own terms and in the shadow of Heidegger. Rodolphe Gasché devotes himself to an analysis of Benjamin’s dissertation on the German Romantics, providing a valuable guide to a major text that has yet to appear in English translation.
Walter Benjamin

Walter Benjamin

Sigrid Weigel

Stanford University Press
2013
sidottu
Arguing that the importance of painting and other visual art for Benjamin's epistemology has yet to be appreciated, Weigel undertakes the first systematic analysis of their significance to his thought. She does so by exploring Benjamin's dialectics of secularization, an approach that allows Benjamin to explore the simultaneous distance from and orientation towards revelation and to deal with the difference and tensions between religious and profane ideas. In the process, Weigel identifies the double reference of 'life' to both nature and to a 'supernatural' sphere as a guiding concept of Benjamin's writings. Sensitive to the notorious difficulty of translating his language, she underscores just how much is lost in translation, particularly with regard to religious connotations. The book thus positions Benjamin with respect to the other European thinkers at the heart of current discussions of sovereignty and martyrdom, of holy and creaturely life. It corrects misreadings, including Agamben's staging of an affinity between Benjamin and Schmitt, and argues for the closeness of Benjamin's work to that of Aby Warburg, with whom Benjamin unsuccessfully attempted an intellectual exchange.
Walter Benjamin

Walter Benjamin

Sigrid Weigel

Stanford University Press
2013
pokkari
Arguing that the importance of painting and other visual art for Benjamin's epistemology has yet to be appreciated, Weigel undertakes the first systematic analysis of their significance to his thought. She does so by exploring Benjamin's dialectics of secularization, an approach that allows Benjamin to explore the simultaneous distance from and orientation towards revelation and to deal with the difference and tensions between religious and profane ideas. In the process, Weigel identifies the double reference of 'life' to both nature and to a 'supernatural' sphere as a guiding concept of Benjamin's writings. Sensitive to the notorious difficulty of translating his language, she underscores just how much is lost in translation, particularly with regard to religious connotations. The book thus positions Benjamin with respect to the other European thinkers at the heart of current discussions of sovereignty and martyrdom, of holy and creaturely life. It corrects misreadings, including Agamben's staging of an affinity between Benjamin and Schmitt, and argues for the closeness of Benjamin's work to that of Aby Warburg, with whom Benjamin unsuccessfully attempted an intellectual exchange.
Walter Benjamin and the Corpus of Autobiography

Walter Benjamin and the Corpus of Autobiography

Gerhard Richter

Wayne State University Press
2002
nidottu
Walter Benjamin is considered one of the most significant writers and theorists in 20th-century Western culture. The author of this work shows that Benjamin's engagement with the political cannot be understood in terms of unified concepts, but rather should be understood from his language.
Walter Benjamin and Theology

Walter Benjamin and Theology

Fordham University Press
2016
sidottu
In the Arcades Project, Walter Benjamin writes that his work is "related to theology as blotting pad is related to ink. It is saturated with it." For a thinker so decisive to critical literary, cultural, political, and aesthetic writings over the past half-century, Benjamin's relationship to theological matters has been less observed than it should, even despite a variety of attempts over the last four decades to illuminate the theological elements latent within his eclectic and occasional writings. Such attempts, though undeniably crucial to comprehending his thought, remain in need of deepened systematic analysis. In bringing together some of the most renowned experts from both sides of the Atlantic, Walter Benjamin and Theology seeks to establish a new site from which to address both the issue of Benjamin's relationship with theology and all the crucial aspects that Benjamin himself grappled with when addressing the field and operations of theological inquiry.
Walter Benjamin and Theology

Walter Benjamin and Theology

Fordham University Press
2016
pokkari
In the Arcades Project, Walter Benjamin writes that his work is "related to theology as blotting pad is related to ink. It is saturated with it." For a thinker so decisive to critical literary, cultural, political, and aesthetic writings over the past half-century, Benjamin's relationship to theological matters has been less observed than it should, even despite a variety of attempts over the last four decades to illuminate the theological elements latent within his eclectic and occasional writings. Such attempts, though undeniably crucial to comprehending his thought, remain in need of deepened systematic analysis. In bringing together some of the most renowned experts from both sides of the Atlantic, Walter Benjamin and Theology seeks to establish a new site from which to address both the issue of Benjamin's relationship with theology and all the crucial aspects that Benjamin himself grappled with when addressing the field and operations of theological inquiry.
Walter Benjamin and Romanticism

Walter Benjamin and Romanticism

Continuum International Publishing Group Ltd.
2002
pokkari
This text explores the relationship between Walter Benjamin's literary and philosophical work and the tradition of German Romanticism, as well as Holderlin and Goethe. Through a detailed and scholarly analysis of the major texts, the book explores the endurance of Benjamin's relationship to Romanticism, the residual presence of Romantic Goethean and Holderlinian motifs in Benjamin's subsequent writings and how Benjamin's understanding of the relationship between criticism and Romanticism can still play a vital role in contemporary philosophical and literary practice. Contributors include Andrew Benjamin, Josh Cohen, David Ferris, Beatrice Hanssen, Philippe Lacoue-Labarthe, Charlie Louth, Bettine Menke, Winfried Menninghaus, Anthony Phelan and Sigrid Weigel.
Walter Benjamin and the Arcades Project

Walter Benjamin and the Arcades Project

Continuum International Publishing Group Ltd.
2006
sidottu
One of the most significant cultural documents of the Weimar Republic and Nazi era, Walter Benjamin's unfinished Arcades Project has had a remarkable impact on present-day cultural theory, urban studies, cultural studies and literary interpretation. Originally designed as a panoramic study chronicling the rise and decline of the Parisian shopping arcades, Benjamin's work combines imaginative peregrinations through the changing city-scape of nineteenth-century Paris with passages that read like a blueprint for a new cultural theory of modernity. Walter Benjamin and the Arcades Project provides the first comprehensive introduction to this extraordinary work accessible to English-language readers. The diverse range of issues explored include the nature of collecting, the anatomy of melancholy, the flaneur, the physiognomy of ruins, the dialectical image, Benjamin's relation to Baudelaire, the practice of history-writing, and modernity and architecture. Contributors include Susan Buck-Morss, Stanley Cavell, Jonathan Culler, Brigid Doherty, Barbara Johnson, Esther Leslie, Gerhard Richter, Andrew Benjamin, Howard Caygill, Beatrice Hanssen, Detlef Mertins, Elissa Marder, Tyrus Miller, and Irving Wohlfarth
Walter Benjamin and the Arcades Project

Walter Benjamin and the Arcades Project

Continuum International Publishing Group Ltd.
2006
nidottu
This is the first comprehensive introduction to Benjamin's unfinished "Arcades Project" - one of the most significant cultural documents of the Weimar Republic and Nazi era. Walter Benjamin's unfinished "Arcades Project" has had a remarkable impact on present-day cultural theory, urban studies, cultural studies and literary interpretation. Originally designed as a panoramic study chronicling the rise and decline of the Parisian shopping arcades, Benjamin's work combines imaginative peregrinations through the changing city-scape of nineteenth-century Paris with passages that read like a blueprint for a new cultural theory of modernity. "Walter Benjamin and the Arcades Project" provides the first comprehensive introduction to this extraordinary work accessible to English-language readers. The diverse range of issues explored include the fl and No. 226; neur, the physiognomy of ruins, the dialectical image, and modernity and architecture. The contributors include: Susan Buck-Morss, Stanley Cavell, Brigid Doherty, Stathis Gourgouris, Barbara Johnson, Esther Leslie, Gerhard Richter, Beatrice Hanssen, Detlef Mertins, Elissa Marder, Tyrus Miller, Max Pensky, and Irving Wohlfarth.
Walter Benjamin and Art

Walter Benjamin and Art

Andrew Benjamin

Continuum International Publishing Group Ltd.
2005
nidottu
Walter Benjamin's most famous and influential essay remains The Work of Art in the Age of Mechanical Reproduction. Walter Benjamin and the Work of Art is the first book to provide a broad and dedicated analysis of this canonical work and its effect upon core contemporary concerns in the visual arts, aesthetics and the history of philosophy. The book is structured around three distinct areas: the extension of Benjamin's work; the question of historical connection; the importance of the essay in the development of criticism of both the visual arts and literature. Contributors to the volume include major Benjamin commentators, whose work has very much defined the reception of the essay, and leading philosophers, historians and aesthetician, whose approaches open up new areas of interest and relevance.
Walter Benjamin and History

Walter Benjamin and History

Andrew Benjamin

Mansell Publishing
2005
nidottu
The first book to examine in detail Benjamin's Theses on the Philosophy of History Benjamin's collection of fragments, Theses on the Philosophy of History, play a determining role in how Benjamin's thought is understood, as well as in the debate about the interplay between politics, history and time. Walter Benjamin and History is the first volume to give access to the themes and problems raised by the Theses, providing valuable exegetical and historical work on the text. The essays collected here are all the work of noted Benjamin scholars, and pursue the themes central to the Theses.
Walter Benjamin: An Arcade of Reflections
Walter Benjamin (1892-1940) was a German philosopher, essayist and critic whose work has grown in relevance and importance in the 75 years since his death by suicide on the French-Spanish border as Nazi invaders drew near. In his possession: a mysterious suitcase, now lost. The University of Chester's Alan Wall examines many of the recent contexts for discussions of Benjamin and offers detailed explanations for the overdue resurgence of interest in this important writer. Alan Wall studied at Oxford and teaches at the University of Chester. For the past several years, he has been writing about Benjamin for The Fortnightly Review. The aim of this collection of essays is to use some of the key concepts of Walter Benjamin in order to describe aspects of contemporary culture and politics. The chapters in this volume: - Part One: Uneven and Combined Development - Part Two: Texting: Ancient and Modern - Part Three: Bad Reading Habits -Part Four: Spadefuls of Meaning -Part Five: Walter Benjamin and Aby Warburg -- Photographs of Heaven, Photographs of Hell - Part Six: The 'Canonicity' of Kafka - Part Seven: Baudelaire, Allegory and the Aura - Part Eight: Benjamin's Angel and His 'Theses' - Part Nine: Benjamin and Surrealism - Part Ten: Benjamin and the City fortnightlyreview.co.uk/odd-volumes/
Walter Benjamin and Antonio Gramsci
This book marks a missed encounter between two of the most influential Marxist thinkers of our age, Walter Benjamin and Antonio Gramsci, studied here for the first time side by side.Benjamin and Gramsci were contemporaries, whose births and deaths took place within a few years of each other in Western Europe in the first half of the twentieth century. Two Marxists sui generis, they radically changed Marxism’s themes and vocabulary, profoundly influencing the most significant analyses and debates. At a time in which Marxism was considered to be outdated and in crisis, both Gramsci’s and Benjamin’s thoughts provided resources for its renewal: particularly in postcolonial studies for Gramsci and in new media studies for Benjamin. Both were victims of fascism, on the threshold of the catastrophe of the Second World War. These two philosophers’ posthumous fortune depended on the transmission of their thought, which was first entrusted to friends and comrades, and then to entire generations of scholars from a wide range of disciplines.Editors, Dario Gentili, Elettra Stimilli, and Gabriele Guerra explore with leading voices on Benjamin and Gramsci the most relevant and topical issues today. The book gives an indispensable new perspective in Marxism for students and researchers alike.
Walter Benjamin and Antonio Gramsci
This book marks a missed encounter between two of the most influential Marxist thinkers of our age, Walter Benjamin and Antonio Gramsci, studied here for the first time side by side.Benjamin and Gramsci were contemporaries, whose births and deaths took place within a few years of each other in Western Europe in the first half of the twentieth century. Two Marxists sui generis, they radically changed Marxism’s themes and vocabulary, profoundly influencing the most significant analyses and debates. At a time in which Marxism was considered to be outdated and in crisis, both Gramsci’s and Benjamin’s thoughts provided resources for its renewal: particularly in postcolonial studies for Gramsci and in new media studies for Benjamin. Both were victims of fascism, on the threshold of the catastrophe of the Second World War. These two philosophers’ posthumous fortune depended on the transmission of their thought, which was first entrusted to friends and comrades, and then to entire generations of scholars from a wide range of disciplines.Editors, Dario Gentili, Elettra Stimilli, and Gabriele Guerra explore with leading voices on Benjamin and Gramsci the most relevant and topical issues today. The book gives an indispensable new perspective in Marxism for students and researchers alike.
Walter Benjamin and the Aesthetics of Film

Walter Benjamin and the Aesthetics of Film

Daniel Mourenza

TAYLOR FRANCIS LTD
2025
nidottu
Walter Benjamin is today regarded as one of the leading thinkers of the twentieth century. Often captured in pensive pose, his image is now that of a serious intellectual. But Benjamin was also a fan of the comedies of Adolphe Menjou, Mickey Mouse, and Charlie Chaplin. As an antidote to repressive civilization, he developed, through these figures, a theory of laughter. Walter Benjamin and the Aesthetics of Film is the first monograph to thoroughly analyse Benjamin’s film writings, contextualizing them within his oeuvre whilst also paying attention to the various films, actors, and directors that sparked his interest. The book situates all these writings within Benjamin’s ‘anthropological materialism’, a concept that analyses the transformations of the human sensorium through technology. Through the term ‘innervation’, Benjamin thought of film spectatorship as an empowering reception that, through a rush of energy, would form a collective body within the audience, interpenetrating a liberated technology into the distracted spectators. Benjamin’s writings on Soviet film and German cinema, Charlie Chaplin, and Mickey Mouse are analysed in relation to this posthuman constellation that Benjamin had started to dream of in the early twenties, long before he began to theorize about films.