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The History of Live Music in Britain, Volume II, 1968-1984

The History of Live Music in Britain, Volume II, 1968-1984

Simon Frith; Matt Brennan; Martin Cloonan; Emma Webster

Routledge
2020
nidottu
To date, there has been a significant gap in work on the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism—that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas, including the relationship between commercial and public funding of music, changing musical fashions and tastes, the impact of changing technologies, the changing balance of power within the music industries, the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy, and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non-academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The second volume covers the period from Hyde Park to the Hacienda (1968–84).
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The History of Live Music in Britain, Volume III, 1985-2015

The History of Live Music in Britain, Volume III, 1985-2015

Simon Frith; Matt Brennan; Martin Cloonan; Emma Webster

TAYLOR FRANCIS LTD
2023
nidottu
To date there has been a significant gap in existing knowledge about the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism—that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas including the relationship between commercial and public funding of music; changing musical fashions and tastes; the impact of changing technologies; the changing balance of power within the music industries; the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy; and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non- academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The third volume covers the period from Live Aid to Live Nation (1985– 2015).
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The History of Live Music in Britain, Volume I: 1950-1967

The History of Live Music in Britain, Volume I: 1950-1967

Simon Frith; Matt Brennan; Martin Cloonan; Emma Webster

Routledge
2016
nidottu
The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history.
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The History of Live Music in Britain, Volume I: 1950-1967

The History of Live Music in Britain, Volume I: 1950-1967

Simon Frith; Matt Brennan; Martin Cloonan; Emma Webster

Ashgate Publishing Limited
2013
sidottu
The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history.
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The History of Live Music in Britain, Volume II, 1968-1984

The History of Live Music in Britain, Volume II, 1968-1984

Simon Frith; Matt Brennan; Martin Cloonan; Emma Webster

Ashgate Publishing Limited
2019
sidottu
To date, there has been a significant gap in work on the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism—that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas, including the relationship between commercial and public funding of music, changing musical fashions and tastes, the impact of changing technologies, the changing balance of power within the music industries, the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy, and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non-academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The second volume covers the period from Hyde Park to the Hacienda (1968–84).
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The History of Live Music in Britain, Volume III, 1985-2015

The History of Live Music in Britain, Volume III, 1985-2015

Simon Frith; Matt Brennan; Martin Cloonan; Emma Webster

Ashgate Publishing Limited
2021
sidottu
To date there has been a significant gap in existing knowledge about the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism—that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas including the relationship between commercial and public funding of music; changing musical fashions and tastes; the impact of changing technologies; the changing balance of power within the music industries; the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy; and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non- academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The third volume covers the period from Live Aid to Live Nation (1985– 2015).
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Real Life Diaries

Real Life Diaries

Lynda Cheldelin Fell; Brenda L Kleinsasser; Layne Y Martin

Alyblue Media
2017
pokkari
Rheumatoid arthritis. Lupus. Polymyalgia rheumatica. Psoriatic arthritis. These are but a few of the over 100 rheumatic diseases that cause the immune system to attack a person's joints, muscles, bones and organs. The pain and inflammation make simple tasks such as walking, getting dressed, and even brushing hair and teeth sometimes impossible. What triggers a flare and how are they managed? What treatments work best? What caused it, and will a cure ever be found? In Living with Rheumatic Diseases, eleven men and women invite readers inside their rheumatic lives to give honest answers to common questions. Confessing emotions, fears, and hopes, the heartfelt stories offer refreshing insight from nonclinical perspectives, and highlight the unexpected ways we find courage and hope while living with an autoimmune disorder.
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Managing tourism in South Africa

Managing tourism in South Africa

Tanya Barben; Richard Chivaka; Martin Jansen van Vuuren; Brendon Knott; Sabine Lehmann; Mandy Mulder; Jennifer Nel; Cecile Nieuwenhuizen; Chris Saunders; Kamilla Swart; Heidi van der Watt; Cine van Zyl; Gustav Visser; Anton Brits; Jacqui Kew; Christiaan Vorster; Nicole Wannke

Oxford University Press Southern Africa
2015
nidottu
How has tourism evolved over the years in South Africa? What role does the government play in the tourism industry? How can you manage tourism responsibly to minimise its environmental and social impact? Managing Tourism in South Africa 2e equips students as well as practitioners with a combination of industry-specific knowledge and general managerial skills needed to succeed. It explores the fundamental business management aspects of tourism relating to large organisations and entrepreneurs. These aspects include financial planning, environmental and social impact, staging events, the opportunities of sport and niche tourism, as well as the importance of understanding future trends in the industry. This book is suitable for students taking Introduction to Tourism or Tourism Management courses as part of a B.Com, B.Com(Tourism), a National Diploma, or Certificate programme as well as industry practitioners.
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