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1000 tulosta hakusanalla Brian T Wilson

How To Make Money In Your Local Real Estate Market

How To Make Money In Your Local Real Estate Market

Brian T Evans

Advantage Media Group
2010
pokkari
The foolproof guide to buying, selling and growing wealth without money, credit or experience. Do you feel like you are constantly taking one step forward and two steps back with your finances? Are you working around the clock with nothing to show for it? Brian Evans, creator of Ultimate Real Estate Investors (www.UltimateRealEstateInvestors.com), presents you with proven strategies for wealth and income. He admits that the road to real estate gold is not necessarily EASY, but if you approach your business with honesty and integrity, if you have CLEAR expectations, and if you are prepared for a sometimes harsh reality… through real life examples, insider information and advice about what NOT to do, Brian Evans will set you on the track to NEW money making opportunities. Stop being a victim, and become an ultimate real estate investor. Take hold of the tools to turn an ordinary business into an extraordinary business TODAY.
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I'll Be Here in the Morning

I'll Be Here in the Morning

Brian T. Atkinson; ""Cowboy"" Jack Clements; Harold F. Eggers

Texas A M University Press
2011
sidottu
The writer of such influential songs as Pancho and Lefty, To Live’s to Fly, If I Needed You, and For the Sake of the Song, Townes Van Zandt exerted an influence on at least two generations of Texas musicians that belies his relatively brief, deeply troubled life. Indeed, Van Zandt has influenced millions worldwide in the years since his death, and his impact is growing rapidly. Respected singer/songwriter John Gorka speaks for many when he says, ""Pancho and Lefty changed—it unchained—my idea of what a song could be.” In this tightly woven, intelligently written book, Brian T. Atkinson interviews both well-known musicians and up-and-coming artists to reveal, in the performers’ own words, how their creative careers have been shaped by the life and work of Townes Van Zandt. Kris Kristofferson, Guy Clark, Billy Joe Shaver, Rodney Crowell, Lucinda Williams, and Lyle Lovett are just a few of the established musicians who share their impressions of the breathtakingly beautiful tunes and lyrics he created, along with their humorous, poignant, painful, and indelible memories of witnessing Van Zandt’s rise and fall. Atkinson balances the reminiscences of seasoned veterans with the observations of relative newcomers to the international music scene, such as Jim James (My Morning Jacket), Josh Ritter, and Scott Avett (the Avett Brothers), presenting a nuanced view of Van Zandt’s singular body of work, his reckless lifestyle, and his long-lasting influence. Forewords by “Cowboy” Jack Clement and longtime Van Zandt manager and friend Harold F. Eggers Jr. open the book, and each chapter begins with an introduction in which Atkinson provides context and background, linking each interviewee to Van Zandt’s legacy. Historians, students, and fans of all music from country and folk to rock and grunge will find new insights and recall familiar pleasures as they read I’ll Be Here in the Morning: The Songwriting Legacy of Townes Van Zandt.
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Extravagant Postcolonialism

Extravagant Postcolonialism

Brian T. May

University of South Carolina Press
2014
sidottu
Brian T. May argues that, contrary to widely held assumptions of postcolonial literary criticism, a distinctive subset of postcolonial novels significantly values and scrupulously explores a healthy individuality. These "extravagant" postcolonial works focus less on collective social reality than on the intimate subjectivity of their characters. Their authors, most of whom received some portion of a canonical western education, do not subordinate the ambitions of their fiction to explicit political causes so much as create a cosmopolitan rhetorical focus suitable to their western-educated, western-trained, audiences.May pursues this argument by scrutinizing novels composed during the thirty-year postindependence, postcolonial era of Anglophone fiction, a period that began with the Nigerian Chinua Achebe's Things Fall Apart and that ended, many would say, with the Ayatollah Khomeini's 1989 publication of the Rushdie Fatwa. May contends that the postcolonial authors under consideration - Naipaul, Rushdie, Achebe, Rhys, Gordimer, and Coetzee - inherited modernism and refashioned it. His account of their work demonstrates how it reflects and transfigures modernists such as Conrad, Eliot, Yeats, Proust, Joyce, and Beckett. Tracing the influence of humanistic values and charting the ethical and aesthetic significance of individualism, May demonstrates that these works of "extravagant postcolonialism" represent less a departure from than a continuation and evolution of modernism.
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The Messenger

The Messenger

Brian T. Atkinson; Jerry Jeff Walker; Hayes Carll

Texas A M University Press
2019
sidottu
Texas singer-songwriter Hayes Carll declared, "Ray would be at the top of the list if I were gonna read about somebody's life." In The Messenger: The Songwriting Legacy of Ray Wylie Hubbard, author, journalist, and music producer Brian T. Atkinson demonstrates why Carll and so many others hold Ray Wylie Hubbard in such high regard. Atkinson takes readers into and beyond the seedy bar in Red River, New Mexico, where the incident occurred that inspired Hubbard's most famous song, "Redneck Mother." Hubbard tells the stories, and Atkinson enlists other musicians to expound on the nature of his abiding influence as songwriter, musician, and unflinching teller of uncomfortable truths. Featuring interviews with well-known artists such as Eric Church, Steve Earle, Kinky Friedman, Chris Robinson, and Jerry Jeff Walker, and also mining the insights of up-and-comers such as Elizabeth Cook, Jaren Johnston, Ben Kweller, Aaron Lee Tasjan, and Paul Thorn, The Messenger makes clear why so many musicians across a wide spectrum admire Ray Wylie Hubbard. Readers will also learn why "Redneck Mother," the song that put Hubbard on the map for most listeners, is also a curse, of sorts, in its diminution of both his spiritual depth as a lyricist and his multidimensional musical reach. As Hubbard himself says, "The song probably should have never been written, let alone recorded, let alone recorded again.. . . the most important part of songwriting is right after you write a song, ask yourself, "Can I sing this for twenty-five years?'" Atkinson's work makes a convincing case that Ray Wylie Hubbard's truest and most lasting contributions will long outlive him. And, with a couple of good breaks, they may even outlive "Redneck Mother.
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Looks Like Rain

Looks Like Rain

Brian T. Atkinson; Larry Gatlin; Don McLean

Texas A M University Press
2021
sidottu
Mickey Newbury (1940-2002) grew up in Houston and moved to Nashville in the early 1960s, following his muse. He wrote top hits for many well-known artists, including Don Gibson, Andy Williams, Kenny Rogers, Tom Jones, and others. He is probably best known, however, for being name-checked in the song 'Luckenbach, Texas (Back to the Basics of Love)' by Waylon Jennings. Newbury has been cited by Jennings, Kris Kristofferson, Townes Van Zandt, and many other eminent singer-songwriters as a primary influence.In his own independent fashion, Newbury helped to loosen the grip maintained for decades by the Nashville studio system, thus paving the way for later innovators like Willie Nelson, David Allan Coe, and others. He is still the only songwriter to produce hits on four different charts in the same year in 1968: 'Just Dropped In (to See What Condition My Condition was In)' on the pop/rock charts, 'Sweet Memories' on easy listening, 'Time Is a Thief' on the R & B charts, and 'Here Comes the Rain, Baby' in country.Following the successful pattern established in his previous works on Townes Van Zandt and Ray Wylie Hubbard, veteran music journalist Brian T. Atkinson has interviewed artists such as Kris Kristofferson, Bobby Bare, Ramblin' Jack Elliott, Steve Earle, Rodney Crowell, and many others to learn how Newbury's influence continues to shape the musical and artistic approach of both seasoned and newer performers. Forewords by Larry Gatlin and Don McLean set the stage for a fascinating look back at one of the most revered songwriters and musicians of recent decades.
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Communist China's War Inside America

Communist China's War Inside America

Brian T. Kennedy

Encounter Books,USA
2020
pokkari
The People’s Republic of China and the United States are today at war. It is being fought with the use of information, politics and finance. The Chinese believe that, as in all war, it would be better to win without engaging the enemy on the battlefield or having to resort to the likes of nuclear weapons if it can be avoided. To achieve this, China has engaged in a decades-long campaign to manipulate and corrupt America’s ruling elite. This Broadside describes the degree to which Chinese influence has penetrated American society and what will be required to prevent Communist China from winning the struggle in which we find ourselves today.
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True Love Cast Out All Evil

True Love Cast Out All Evil

Brian T. Atkinson; Billy Gibbons; Henry Rollins

Texas AM University Press
2021
sidottu
“Transcendence came with a price,” Brian T. Atkinson writes in his introduction to this collection of reflections by and about pioneer psychedelic rocker Roky Erickson (1947–2019). The singer and songwriter who fronted the 13th Floor Elevators burst onto the Texas music scene in 1966 with the release of “You’re Gonna Miss Me,” the band’s only charting single, which featured Erickson’s primal vocal stylings. The band attracted considerable regional attention, including interest from a young Janis Joplin, who considered joining the group before opting to go to San Francisco instead.Through his interviews with those who were there and presentation of Erickson’s own words, Atkinson chronicles how Erickson was haunted for most of his life by mental illness, likely compounded by his liberal usage of hallucinogenic and other drugs. Despite that, however, his influence on Texas musicians of various genres is vast. As Billy Gibbons of ZZ Top attests in his foreword, “He stands alone to this day and is revered as an artist because he had the gift of a wonderful voice.”As with his previous books on Townes Van Zandt, Ray Wylie Hubbard, and Mickey Newbury, Atkinson has recorded hours of interviews with veteran and upcoming musicians who were impacted by Roky Erickson. Along with the insights of long-time music journalists like Joe Nick Patoski and the bittersweet recollections of friends and family members like Mikel Erickson, brother of the singer, this work includes poetry and lyrics written by Erickson during his confinement at Rusk State Hospital in the late 1960s and early 1970s. The picture that emerges is that of a brilliant, troubled mind and an artist whose influence extended far beyond the period of his greatest notoriety, continuing even beyond his death.
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Love at the Five and Dime

Love at the Five and Dime

Brian T. Atkinson

TEXAS A M UNIVERSITY PRESS
2024
sidottu
Nanci Griffith (1953–2021) remains, despite her untimely death, a “living, breathing, ever-present entity and inspiration.” According to author Brian T. Atkinson, reflections on Griffith’s omnipresent influence often cause people to shift “from past tense to present tense in mid-sentence.” She remains one of the most well-loved of Texas’ singer-songwriters with hits still popular today, such as “Gulf Coast Highway,” “Trouble in the Fields,” and “Love at the Five and Dime.” Atkinson has interviewed a host of songwriters and other artists from across the spectrum: from Lyle Lovett, Steve Earle, and Robert Earl Keen to Counting Crows’ Adam Duritz, “American Pie” songwriter Don McLean, and the London Symphony Orchestra’s Tom Norris. Gathering the recollections of those who performed with, listened to, and were impacted by the artistry of Nanci Griffith, Atkinson balances these with his own comments and reflections on Griffith’s legacy—including the demons she wrestled with that ultimately overcame her. Love at the Five and Dime: The Songwriting Legacy of Nanci Griffith promises to be, as one reviewer has described it, “an indispensable source for anyone wanting to learn more about all things Nanci.” This book adds deep value to our understanding of the life and work of a vital Texas artist.
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East Nashville Skyline

East Nashville Skyline

Brian T. Atkinson; Jack Elliott; Loretta Lynn; Richard Lewis

TEXAS A M UNIVERSITY PRESS
2025
sidottu
In his introduction, author Brian T. Atkinson calls singer-songwriter Todd Snider “a marvel and a mystery” who “creates at any cost.” Snider, originally hailing from the Portland, Oregon, area, arrived in Texas as a teen and was captured by the troubadour life while at a Jerry Jeff Walker show at venerable Gruene Hall in 1986. He honed his craft for the next three years at the feet of legendary muse and mentor Kent Finlay at Cheatham Street Warehouse in San Marcos. After moving to Nashville—or, more properly, East Nashville—around the turn of the twenty-first century, Snider has garnered a loyal following from regular fans to influential industry leaders like MCA Records executive Tony Brown, iconic producer Don Was, respected artists like Ramblin’ Jack Elliot, Jason Isbell, and Hollywood heroes such as the late comedian Richard Lewis and notorious scenester Pamela Des Barres (I’m with the Band). His songs have been recorded and performed by artists as diverse as Garth Brooks, Loretta Lynn, Elvis Costello, and Tom Jones. Atkinson interviewed Snider, members of his family, and other artists and musicians, to construct a narrative that captures the loopy kineticism of Snider’s career trajectory. He carefully peels back Snider’s barefoot hippie public persona to reveal the soulful poet and writer who “believes everything and nothing at the same time, yet has faith in himself, even when no one else does.” Atkinson’s latest book adds another layer to his already-impressive oeuvre on influential singer-songwriters by shifting focus onto younger musicians who were creatively formed by “first generation” artists like Townes Van Zandt and Mickey Newbury. East Nashville Skyline: The Songwriting Legacy of Todd Snider provides a pivotal chapter in this evolving story.
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Psalms of the Faithful

Psalms of the Faithful

Brian T. German

Faithlife Corporation
2017
nidottu
The Psalms forced Martin Luther to change how he read the Bible.In Psalms of the Faithful Brian German shows us Luther's reappraisal of the plain sense of Scripture. By following the canonical shaping of the Psalter, Luther refined his interpretive principles into a more finely grained hermeneutic. Luther inspires us to read the Psalms empathetically with ancient Israelites and early church fathers. He stirs us up to join the "faithful synagogue" in praying to and praising the Lord our God.According to many scholars, Luther established his approach to biblical exegesis on the claim that Jesus Christ is Scripture's content and speaker. While Luther used this formulation in prefaces, how did he really read the Bible?German applies pressure not only to how Luther scholars understand Luther's interpretive method, but also to how modern biblical exegetes approach their task--and even to how we read the Bible.
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Science Fusion in Contemporary Mexican Literature

Science Fusion in Contemporary Mexican Literature

Brian T. Chandler

RUTGERS UNIVERSITY PRESS
2024
nidottu
Science Fusion draws on new materialist theory to analyze the relationship between science and literature in contemporary works of fiction, poetry, and theater from Mexico. In this deft new study, Brian Chandler examines how a range of contemporary Mexican writers “fuse” science and literature in their work to rethink what it means to be human in an age of climate change, mass extinctions, interpersonal violence, femicide, and social injustice. The authors under consideration here—including Alberto Blanco, Jorge Volpi, Ignacio Padilla, Sabina Berman, Maricela Guerrero, and Elisa Díaz Castelo—challenge traditional divisions that separate human from nonhuman, subject from object, culture from nature. Using science and literature to engage topics in biopolitics, historiography, metaphysics, ethics, and ecological crisis in the age of the Anthropocene, works of science fusion offer fresh perspectives to address present-day sociocultural and environmental issues.
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Science Fusion in Contemporary Mexican Literature

Science Fusion in Contemporary Mexican Literature

Brian T. Chandler

RUTGERS UNIVERSITY PRESS
2024
sidottu
Science Fusion draws on new materialist theory to analyze the relationship between science and literature in contemporary works of fiction, poetry, and theater from Mexico. In this deft new study, Brian Chandler examines how a range of contemporary Mexican writers “fuse” science and literature in their work to rethink what it means to be human in an age of climate change, mass extinctions, interpersonal violence, femicide, and social injustice. The authors under consideration here—including Alberto Blanco, Jorge Volpi, Ignacio Padilla, Sabina Berman, Maricela Guerrero, and Elisa Díaz Castelo—challenge traditional divisions that separate human from nonhuman, subject from object, culture from nature. Using science and literature to engage topics in biopolitics, historiography, metaphysics, ethics, and ecological crisis in the age of the Anthropocene, works of science fusion offer fresh perspectives to address present-day sociocultural and environmental issues.
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From Now To The End Of Time

From Now To The End Of Time

Brian T. Sluga

Independently Published
2019
nidottu
My poetry and prose invite you to witness the wonder that surrounds us. From childhood on, these are stories I remember and hoped for but some failed to materialize. I did love, lose and live life. The best is yet to come. As I have written daily for years this book is a poetic showing of what I remember life to be. Of course as in my first book, some are just a dream or untrue but some are based on real life. My characters in this book have notability and special qualities. At the same time, some may be only what you want them to be. This book is a poetic adventure. May these words find their way into your heart and fulfill your dreams.
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Not Just My Poetry...It's Your Life, Too

Not Just My Poetry...It's Your Life, Too

Brian T. Sluga

Independently Published
2018
nidottu
Not Just My Poetry...It's Your Life, Too. Motivated by love, life experiences, & dreams. This poetry invokes the diversity and relates to the similarities the author has experienced while travelling across the world. People feel, love, and remember life in many similar ways. Celebrate your life and loves
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The Baltimore Catechism Revisted

The Baltimore Catechism Revisted

Brian T. Joyce

Createspace Independent Publishing Platform
2018
nidottu
During his five decades as a Roman Catholic priest, Brian T. Joyce has become widely known for his common-sense, pastoral approach to Catholic life and teaching. Now in retirement, he shares his practical wisdom with fellow pastors and spiritual seekers across the religious spectrum. His writing is deceivingly simple because, as he keeps telling us, "Searching for God's Spirit in the modern world ain't easy, but it's not brain surgery either."
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Dragon's Ridge

Dragon's Ridge

Brian T N Gunney

Russian Hill Press
2021
pokkari
An orphanage headmistress is snatched saving a child from a dragon, and the world believes her dead and eaten. For centuries, Gascony's top predators have treated humankind as easy prey. But Isodore's misery has only begun. On a lonely ledge high in the Pyr n es, where even the famed dragonslayers won't go, she comes to terms with the nature of dragons, her fate in her captor's hands, and her own dark secret. A child survivor of dragon's wrath, she has relied on her wits to stay alive. But it's compassion that gives that life meaning: stirring a warrior's idealism, breaching class divisions, and sustaining love for an outcast. On Dragon's Ridge, Isodore's struggle brings the two virtues into conflict. She placates her captor to plot her escape, unaware that the plan will cost her a part of herself she can never get back.
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