Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Chekhov Mikhail
‘I’m having absolutely nothing to do with the theatre or the human race. They can all go to hell.’ – Anton ChekhovDuring the turmoil of the Russian Revolution in 1917, Maria Chekhov, Anton’s sister, placed many of her late brother’s manuscripts and papers in a safety deposit box in Moscow.In 1921 Soviet scholars opened the box, and discovered a play. The title page was missing. The play they found has too many characters, too many themes, too much action. All in all, it’s generally dismissed as unstageable. Like life.A new play by Dead Centre, creators of the OBIE / Fringe First winning LIPPY.
This volume contains translations of Chekhov's very earliest published short stories. The Chekhov represented here is by no means the confident, near-perfect craftsman who produced some of humanity's best short stories and plays. The artist presented here is a young man willing to experiment but searching for his style and voice. In a way, it can serve as inspiration for any aspiring writer that even the best are not born great, but rather achieve greatness through a relentless dedication to their craft.This book contains the Russian originals facing a new, modern English translation.
Chekhov's classic, re-set in modern Ireland, in a new version for nine actors
Classic CHEKHOV, for a cast of seven, transposed to 20th century Ireland
Chekhov started writing about theatre - in newspaper articles and in his own letters - even before he began writing plays. Later he wrote in detail about these to his wife and leading actress Olga Knipper, and to the two directors of the Moscow Art Theatre, Stanislavski and Nemirovich-Danchenko. Collected here in Stephen Mulrine's vivid translations, these writings reveal Chekhov's many and varied insights into the way theatre works - and how best to realise his own intentions as a theatre writer.
This collection features Chekhov’s best-known short plays in brand new translations: three farces, two comic duologues and a monologue, all of them referred to by Chekhov as ‘vaudevilles’ and all written in the late 1880s before any of his great full-length plays. ‘I don’t much care for theatre,’ he wrote at the time, ‘but I do enjoy vaudevilles.’ The Bear, The Proposal and The Wedding are all farces on the preposterous business of courtship and marriage. A Tragic Figure and Swansong are comic duologues: one about a civil servant sweltering in Moscow coping with the incessant demands of his family from their summer dacha, the other about a melancholy old actor perked up by memories of past glories. On the Evils of Tobacco is a bittersweet monologue in which a scientific lecture is hijacked by thoughts of domestic misery. These accurate and actable translations by Chekhov expert Stephen Mulrine reveal a dramatist revelling in the broad comedy of human behaviour, a comedy which was refined in his later masterpieces. Highly entertaining, these comic shorts offer a fascinating insight into Chekhov’s development as a dramatist, and will provide actors at any level – student, amateur or professional – with an ideal showcase. This edition also includes an introduction, a chronology of key dates, and a pronunciation guide.
"I don't know who he is but he's old, he's got to know stuff...he's got to be like wise and stuff yeah? Anton Chekhov, masterful playwright and mirror to Russian society, awakening from one hundred years of sleep, is thrust rudely into twenty first century Britain. Reality shows, fashionistas, Z-list celebrities, illegal immigrants, chuggers and wags. Pole dancing, YouTube, Twitter and 5-a-day. Chekhov in Hell takes you on a whirlwind tour of modern day Britain."
Chekhov's Dama s sobachkoy (1899) is perhaps the most celebrated example of his shorter prose and one of the most famous stories in Russian literature. The tale of an adulterous liaison, set in Yalta, it shows to greatest effect Chekhov's propensity for the conjuring of mood and atmosphere. The tale's modernity is displayed too in its anticlimactic conclusion of poignant open-endedness: ' ...and it was clear to both that the end was still far, far off and that the most complicated and difficult part was only beginning.'
Chekhov's penultimate play has inspired a bewildering variety of interpretations since its premiere at the Moscow Arts Theatre on 31 January 1901. Three Sisters has been viewed both as tragedy and as comedy, as a poignant testimony to the eternal yearning for love, happiness, beauty and meaning, and as a devastating indictment of the folly of inert gentility and vacuous day-dreaming. Its characters have been deemed worthy embodiments of the universal 'human condition', keenly experiencing hope, disappointment, frustration, loneliness and the passage of time - or passive products of pre-revolutionary Russian privilege, remnants fit only for the scrap-heap of history. This study analyses the plot, characters and themes of the play, before discussing its reception by Russian and English-language critics, and upon the Russian and British stage.
Uncle Vania is Chekhov's best loved and perhaps his best composed play, yet this is the first book to be solely devoted to it in any language. Donald Rayfield brings his twenty years of research and writing and a century of others' critical studies to focus on Chekhov's art. He offers a close reading and interpretation of the play, paying special attention to the way in which it evolved from its prototype, the rarely performed comedy The Wood Demon.This study of Chekhov's emergence as a dramatist of genius will be invaluable to students of drama, for here, for the first time, we can watch as a playwright turns failure into success and thus learn technical secrets of his art.
' I detest the life I lead now, but when I think about the future, well, that's something else! Everything seems so airy and bright, I can see a glimmer of light in the distance, I can see freedom...' A physician by trade, Anton Chekhov was the author of many plays and short stories, and is widely regarded as the most notable dramatist writing at the turn of the twentieth century. His four greatest tragicomedies - The Seagull, Uncle Vanya, Three Sisters and The Cherry Orchard - enshrine his status as one of the founding fathers of psychological realism and early modernism in European theatre. This volume collects these four plays in sensitive and playable translations made direct from the original Russian, along with a full introduction to Chekhov, his times and his work. The Drama Classic Collections bring together the most popular plays from a single author or a particular period. They offer students, actors and theatregoers a series of uncluttered, accessible editions, accompanied by comprehensive introductions.
The Nick Hern Books Page to Stage series – highly accessible guides to the world's best-known plays, written by established theatre professionals to show how the plays come to life on the stage. Actor Michael Pennington conducts us scene by scene through the action of Chekhov's Three Sisters, analysing moment by moment what is actually said and done, and how the staging of these moments affects our understanding of them. Also included in this volume: a concise introduction to Chekhov and the historical background of the play; discussions of the play's themes and of Chekhov's playwriting technique; and individual studies of each of the play's characters. Ideal for anyone studying, teaching or performing Three Sisters, as well as anyone interested in how the play works on stage.
In honor of Chekhov's 150th birthday, we produced this collection which includes some of Chekhov's most beloved stories, including "The Little Trilogy"; an extract from "The Seagull," Chekhov's own favorite story; plus the earliest version of Bunin's memoir about Chekhov, full of wonderful first person reportage on the writer's habits and manner. Bilingual, presented side-by-side in Russian and English.
Chekhov in XXI Century: The Positional Style and the Comedy of a New Type: Essays and Articles
Vera Zubareva
Charles Schlacks Publishers
2015
nidottu