Peter Ackroyd brings Victorian London to life in all its guts and glory, as we travel from the glamour of the music hall to the slums of the East End, meeting George Gissing and Karl Marx along the way.
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1000 tulosta hakusanalla Dan Walsh
From screenwriter Don Calame comes another outrageously funny and raunchy tale of teen boys whose plans go awry -- this time, on a survivalist camping trip. Shy and scrawny Dan Weekes spends his time creating graphic novels inspired by his dream girl and looking out for his mom as she dates every man in the state of California. Then his mom drops a bomb: she and her latest beau, Hank, are engaged, and she's sending her "two favorite men" on a survivalist camping trip to "bond." Determined to trick Hank into showing his true -- flawed -- colors on the trip, Dan and his nerdy germaphobe best friend, Charlie, prepare a series of increasingly gross and embarrassing pranks. But the boys hadn't counted on a hot girl joining their trip or on getting separated from their wilderness guide--not to mention the humiliating injuries Dan suffers in the course of terrorizing his stepdad-to-be. With a man-hungry bear on their trail, no supplies, and a lot of unpleasant itching going on, can Dan see his plan through now that his very survival depends on Hank?
The first comprehensive monograph surveying the expansive twenty-five-plus-year career of the highly influential artist, known for his rainbow-colored paintings, drawings, and emotive ceramic facepots.McCarthy is known for his gestural and intuitive artwork. His brightly colored paintings, with loose brushwork, depict figures in action: dancing, surfing, fishing, and skateboarding often against a rainbow-colored background. His ongoing series of ceramic facepots delight with their hand-built immediacy and invested emotionality. McCarthy who worked on fishing boats near Catalina Island and cites the Pacific Ocean as a lasting influence on his work.The beautifully curated book includes an 8-page gatefold and a French-fold jacket, which opens up to a collectible foldout poster.
Dan Colen: Pigs and Pigs and Pigs
Rizzoli International Publications
2012
pokkari
This artist’s book documents Dan Colen’s 2011 exhibition at Gagosian Gallery in New York, as well as his June 2012 Gagosian exhibition in Paris. Drawing from mass media, local environment, and subculture, Dan Colen’s art imbues the ordinary, the disenfranchised, and the tribal with provocative new status. This publication includes over fifty new works, including Colen’s series of Grass, Gum, Confetti, and Stud, with extensive details of the works.
I'm interested in using the real world as a material and a force within my process. I like how these materials take some control away from me, allowing for a more uncertain future and yet a more finished piece. These materials come with a history, not one I necessarily know, but a history for sure. There is an infinity in real-world objects that, no matter how much I try, I couldn't paint or sculpt into being. -Dan Colen This visually lush artist's book, showing Dan Colen's Trash series, makes visible and palpable how Colen's studio has learned to work with abject things and materials by tapping into their individual histories and exposing their latent energies. The fervid paintings readdress midcentury painterly investigations of gravity and the flatbed picture plane, but unlike Colen's predecessors' radical experiments, where the composition of elements equals the sum total of the work, here the spirited debris of the street becomes the means by which paint is moved around on the canvas until they both (the tool and the medium) come to rest. Thus each painting is an actual and still potent record of real time and visceral experience, offering unexpected moments of transcendence. All images are full-page size, with accompanying details of the paintings.
This book celebrates two new performance pieces and a recent body of paintings by the artist, drawing on desert landscapes, Road Runner cartoons, and Hollywood Westerns.Bursting with full-color plates and performance stills suffused in a rich desert palette, this volume was published on the occasion of an exhibition of new paintings by Dan Colen and the accompanying premiere of two performance pieces created in collaboration with choreographer Dimitri Chamblas.Colen's Desert Paintings (2015-19) are lush yet schematic interpretations of stills from Chuck Jones's animated shorts featuring Wile E. Coyote and the Road Runner. These unpopulated depictions of the cartoons' arid settings recall hard-edge abstraction, biomorphic landscapes by Georgia O'Keeffe, and popular art forms such as stage sets, billboards, and the Hollywood Western. The American cowboys who might inhabit these scenes were brought to life in two performances Colen presented with the Desert Paintings as a backdrop. In At Least They Died Together and Carry On Cowboy, figures in full Western regalia repeatedly performed a stylized, convulsive death on a mound of dirt in the gallery. In an insightful essay, Douglas Fogle explores the works' rich interplay of allusions, ultimately placing them in the context of the modern human condition.
Dan Burley's Jive
Northern Illinois University Press
2009
pokkari
This book is a gem, and its reprinting highlights the contributions of one of the most creative and socially conscious wordsmiths in American history. — H. Samy Alim, UCLA, author of Roc the Mic Right This retro volume combines two brilliant and long out-of-print books, Dan Burley's Original Handbook of Harlem Jive (1944) and Diggeth Thou? (1959) by Dan Burley, with an introduction by Thomas Aiello. Burley was a journalist and sportswriter who worked for various African American newspapers and magazines, including the Chicago Defender, Chicago Crusader, New York New Amsterdam News, Jet, and Ebony in both Chicago and New York in the 1920s through the 1950s. Although he did not invent jive, throughout the 1940s Burley's Handbook fostered it, popularized it, and broadened its use beyond the cloister of the jazz community. Jive acted as an invisible conduit between the new urban linguistics and the inevitably square world. Burley's goal was to inform readers about this new language, as well as to entertain. Dan Burley's Original Handbook of Harlem Jive offers a history of and definition for jive, followed by examples of folktales, poetry, and Shakespeare "translated" into jive. The work also includes a jive glossary for easy reference. Burley followed up the success of the Handbook with Diggeth Thou?, which includes more stories told in jive. These rare books sparkle with wit and humor and offer a flashback to the world of New York's and Chicago's hepcats and chicks. Aiello's work will allow Burley's fascinating take on jive to reach a new generation of readers and scholars.
In this comprehensive final report David Ilan and 12 other contributing authors present the rich finds from the Iron Age I (circa 1200-950 BCE) levels at Tel Dan, located at the headwaters of the Dan tributary of the Jordan River, in the northeastern Hula Valley in northern Israel. The early Iron Age levels at Tel Dan have particular resonance in the light of their perceived association with the biblical account of the migration of the tribe of Dan, described in Judges 18. Much of what is portrayed in this volume is still visible at Tel Dan, in the national park located in the far north of modern-day Israel. The finds described in this volume were gleaned in the course of Avraham Biran's 1966-1999 excavations at the site. The architecture, ceramics, metal, flint, bone and ground stone objects and ecofacts all contribute to the portrayal of a cosmopolitan society that thrived, initially, under Egyptian imperial rule, subsequently forging its own way following the departure of Egyptian hegemony. The early Iron Age levels at Tel Dan show material evidence for the presence of local peoples, Egyptians, Cypriots, Aegeans, and Syrians, who together, negotiated a new identity, as Danites. Illustrated in colour and black & white throughout, and with five plans folded and within a pocket at the back of the volume.
This is the third volume in the final reports of the Tel Dan excavations, directed by Avraham Biran. It presents the findings from the Late Bronze levels—the Canaanite city of Laish. The entire stratigraphy of this period is discussed, from its roots in the transitional stage from the previous Mioddle Bronze Age, through to its conclusion in the transitional phases of the Early Iron Age.
Dan Stuart's Fistic Carnival is your ringside seat to the wildest, craziest, most unbelievable sequence of events in the history of boxing--a colossal clash of giant egos, pulpit-pounding preachers, grandstanding politicians, and indominable lawmen that reverberated from the marble halls of Congress to the muddy banks of the Rio Grande. And it's all absolutely true! Never have so many done so much to stop so few. The year was 1895, and Dallas gambler Dan Stuart had a modest idea: promote a boxing carnival featuring a match for the heavyweight championship of the world between Gentleman Jim Corbett and Fighting Bob Fitzsimmons. What could be simpler? But before the final bell sounded, there were chases, arrests, threats, fiery sermons, political posturing, and poltroonery. Four governors, two presidents, and the U.S. Congress were outraged; three militias had been called up; and the Texas Rangers carried orders to shoot to kill. State and federal laws were passed expressly to prevent the match, poems and satires were composed, and mobs of thousands flocked to a quiet frontier border town to catch the action. Before that final bell, John L. Sullivan fought a goat and fell off a train, cowboys and Indians played football, Bat Masterson and Judge Roy Bean got involved, Mexican rurales closed the border, two hundred gamblers hurtled across the Texas wilderness on a rail odyssey, and a lion got smacked in the kisser with a punching bag. And Dan Stuart's dream of the Fight of the Century threatened to become the Fiasco of the Century. This richly detailed true epic of a fight and the hard-punching (and sometimes loony) political and religious turmoil surrounding it will entertain not only sports fans but all who appreciate a well-told tale that demonstrates once and for all that truth can be stranger than fiction--a lot stranger.
Never have so many done so much to stop so few. The year was 1895, and Dallas gambler Dan Stuart had a modest idea: promote a boxing carnival featuring a match for the heavyweight championship of the world between Gentleman Jim Corbett and Fighting Bob Fitzsimmons. What could be simpler? This richly detailed true epic of a fight and the hard-punching (and sometimes loony) political and religious turmoil surrounding it will entertain not only sports fans but all who appreciate a well-told tale that demonstrates once and for all that truth can be stranger than fiction - a lot stranger.
Dan Peterman
Museum of Contemporary Art, Chicago
2004
nidottu
My Fight For Irish Freedom: Dan Breen's Autobiography
Dan Breen
Anvil Books (Childrens Press)
1981
nidottu
In 1919 a group of young men barely out of their teens, poorly armed, with no money and little training, renewed the fight, begun in 1916, to drive the British out of Ireland. Dan Breen was to become the best known of them. At first they were condemed on all sides. They became outlaws and My Fight describes graphically what life was like 'on the run,' with 'an army at one's heels and a thousand pounds on one's head'. A burning belief in their cause sustained them through many a dark and bitter day and slowly support came from the people.
Published on the occasion of an exhibition at Shoot The Lobster in NYC in February 2013.
A Ukrainian street dog is rescued from certain death by an expat family. As he travels with them to Estonia, Lithuania, Portugal and the UK, he learns how to be a people dog, but a darkness grows and he finds himself narrating more than just his story. More than a dog story. Ultimately it's a story of escape and survival told in his voice. A voice that will stay with you long after you turn that last page.