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1000 tulosta hakusanalla Daniel Deleanu
Written by Daniel Deleanu in one of the oldest forms of archaic Greek hitherto known, which is older than the language used by Heraclitus and Plato, this philosophical text employs the antiquated elements of the language mentioned herein in order to create a deeper form of investigation, called "logosophism," a heuristic system whose main epistemological and ontological goal is to descend to the primeval matrix of the unconscious Logos in order to bring to light answers to questions regarding its relation to being. In other words, the methodology proposed here by the author is exactly like investigating, via a meta-idiom, cell reproduction in "cell language." On the first part of the Trilogy, "Logos and Being," Richard Rorty commented as follows: "The work of a genius Daniel Deleanu is one of the greatest philosophers not only of today, but of all time "
A comparative study of the avant-garde poetry written by two of the greatest literary innovators of all time.
A comparative analysis of the literature produced, under various heteronymic guises, by one of the greatest writers of the 20th century.
When the murder of an elderly Buddhist monk, who was also the keeper of a great secret, is discovered by the police, Ando Osho, a reputed Buddhist scholar, is appointed to investigate the case. The first man wanted is another Buddhist monk, nicknamed "Catchmosquitoes," who becomes the main suspect given the fact that the night before the murder he and Ando Osho were supposed to indulge in a drinking bout. At the police headquarters, Catchmosquitoes meets Ume, a flirting young man garbed in a woman's kimono. Together, these men embark on a journey full of fast-paced adventures, both sacred and profane. Daniel Deleanu's initiatory novel, set in 17th c. Japan, is also an interactive text: at the end of the novel, readers can start reading it again, and then again, each time literally discovering a new textual layer which represents a new level of initiation. Harold Bloom, Professor of Humanities at Yale University, Professor Emeritus of English at New York University, and author of The Western Canon considered Daniel Deleanu's book "the last great postmodernist novel, or perhaps the first great post-postmodernist one - a textualist extravaganza attempted by no one before, not even Joyce, whose textual mechanism resembles the ultra-precise complications of a Swiss pocket watch."
When a pack of heinous predators suddenly attack a large city, lighting it on fire and terrorizing its downtown's business area, its inhabitants think of a taboo solution to fight against the bloodthirsty intruders. It is a solution that will reveal a past considered long-forgotten, eventually costing the people who thought of it more than an arm and a leg...
A hermeneutical survey of the mostly licentious poetry of Pietro Aretino.
A logosophistic exploration of one of the greatest pieces of English literature.
A critical investigation of the monism of the World and the Word in John Milton's poetry.
Daniel Deleanu holds, among other degrees, a PhD Magna Cum Laude in philology. He is one of the most prolific authors living in the world today, having penned over one thousand books in several languages - philosophy, literary criticism, novels, plays, poetry collections, translations, etc. He lives in Toronto, Canada. Satirizing mercilessly the latest extremist ideologies of the new generation of political pigs, both left- and right-winged, who are trying hard to change us into sheeple, this is the book no one wanted to publish. After a big Canadian publisher voided the contract for its publication, eventually considering it too dangerous to be printed, Daniel Deleanu's novel has clandestinely become, in a samizdat form, a symbol of resistance against the most recent forms of totalitarianism, which are once again stopping books from being published and are transforming people into sheep. About the book, Fernando Arrabal wrote: "Daniel Deleanu's novel is ...] the book that no one dared publish in the age of political correctness and casino capitalism, an extraordinary satire of the turbulent times in which we are living - the best that has been written so far."
Daniel Deleanu holds, among other degrees, a PhD Magna Cum Laude in philology. He is one of the most prolific authors living in the world today, having penned over one thousand books in several languages - philosophy, literary criticism, novels, plays, poetry collections, translations, etc. He lives in Toronto, Canada. Satirizing mercilessly the latest extremist ideologies of the new generation of political pigs, both left- and right-winged, who are trying hard to change us into sheeple, this is the book no one wanted to publish. After a big Canadian publisher voided the contract for its publication, eventually considering it too dangerous to be printed, Daniel Deleanu's play, which in this edition has been modified for a one-actor production, has clandestinely become a symbol of resistance against the most recent forms of totalitarianism, which are once again stopping books from being published and are transforming people into sheep. About the book, Fernando Arrabal wrote: "Daniel Deleanu's play is in no way inferior to Orwell's masterpiece. It is in fact the book that no one dared publish in the age of political correctness and casino capitalism, an extraordinary satire of the turbulent times in which we are living - the best that has been written so far."
Daniel Deleanu holds, among other degrees, a PhD Magna Cum Laude in philology. He is one of the most prolific authors living in the world today, having penned over one thousand books in several languages - philosophy, literary criticism, novels, plays, poetry collections, translations, etc. He lives in Toronto, Canada. Satirizing mercilessly the latest extremist ideologies of the new generation of political pigs, both left- and right-winged, who are trying hard to change us into sheeple, this is the book no one wanted to publish. After a big Canadian publisher voided the contract for its publication, eventually considering it too dangerous to be printed, Daniel Deleanu's play has clandestinely become, in a samizdat form, a symbol of resistance against the most recent forms of totalitarianism, which are once again stopping books from being published and are transforming people into sheep. About the book, Fernando Arrabal wrote: "Daniel Deleanu's play is in no way inferior to Orwell's masterpiece. It is in fact the book that no one dared publish in the age of political correctness and casino capitalism, an extraordinary satire of the turbulent times in which we are living - the best that has been written so far."
Satirizing mercilessly the latest extremist ideologies of the new generation of political pigs, both left- and right-winged, who are trying hard to change us into sheeple, this is the book no one wanted to publish. After a big Canadian publisher voided the contract for its publication, eventually considering it too dangerous to be printed, Daniel Deleanu's novel has clandestinely become, in a samizdat form, a symbol of resistance against the most recent forms of totalitarianism, which are once again stopping books from being published and are transforming people into sheep. "Daniel Deleanu's novel is in no way inferior to Orwell's masterpiece. It is in fact the book that no one dared publish in the age of political correctness and casino capitalism, an extraordinary satire of the turbulent times in which we are living - the best that has been written so far." (Fernando Arrabal) Daniel Deleanu holds, among other degrees, a PhD Magna Cum Laude in philology. He is one of the most prolific authors living in the world today, having penned over one thousand books in several languages - philosophy, literary criticism, novels, plays, poetry collections, translations, etc. He lives in Toronto, Canada.
Set in Charlottetown and Ottawa, in the period demarcated by the Charlottetown Conference and Confederation Day (1864-1867), OF FIRST LOVE IN A DREAM OF COUNTRYMEN is a love story, a historical novel, and a Bildungsroman; it is, however, neither a syrupy tearjerker, nor a nationalistic mapping of the events leading to Confederation. One might say about OF FIRST LOVE IN A DREAM OF COUNTRYMEN that it transcends both national borders and strict novelistic genres. Justin Sand, the main character of the novel, is one of those energetic young men who directly contributed, through their unswerving dedication, to the advent of Canadian Confederation, but he is disregarded by the older generation, whose representatives do not support the idea of a sovereign Canada, among them the parents of his fianc e, Romana, and Samuel Lang, a retired businessman who amassed his fortune through nefarious means. The two sequels, FUTURE IN THE PAST and PAST PERFECT, follow the destiny of the Sand clan, taking the reader on a journey that starts with WWI and ends in a dystopian future.
Set in Charlottetown and Ottawa, in the period demarcated by the Charlottetown Conference and Confederation Day (1864-1867), OF FIRST LOVE IN A DREAM OF COUNTRYMEN is a love story, a historical novel, and a Bildungsroman; it is, however, neither a syrupy tearjerker, nor a nationalistic mapping of the events leading to Confederation. One might say about OF FIRST LOVE IN A DREAM OF COUNTRYMEN that it transcends both national borders and strict novelistic genres. Justin Sand, the main character of the novel, is one of those energetic young men who directly contributed, through their unswerving dedication, to the advent of Canadian Confederation, but he is disregarded by the older generation, whose representatives do not support the idea of a sovereign Canada, among them the parents of his fianc e, Romana, and Samuel Lang, a retired businessman who amassed his fortune by nefarious means.
The Doctrine of Addai the Apostle: The Syriac Version (The Development of the Gospel of Abgar)
Edited and Translated From Syriac by Daniel Deleanu
Lulu.com
2012
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