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1000 tulosta hakusanalla Desire Nys
Desire is the first book in The Soul Rune series. An epic fantasy romance with political twists, secrets, loss, and love. The world is changing.Magic is on the rise.A rebellion is taking root.A witch is trying to resurrect her long lost love. Kylan Whitestone has been sent to a foreign land, seeking hidden knowledge to build the greatest empire the world has ever seen. Will he betray his country and follow his heart? Or sacrifice his friends and the love he's long dreamed of but never thought possible? Content Warning: The Soul Rune is a dark fantasy series for adults. I touch on topics that might be triggering. Including but not limited to: violence, death, miscarriage, misogyny, abuse.
The addictive and pulse-pounding second book of The Dark Billionaire Jasper Christmas Trilogy by author Z.L. Arkadie. The new year has begun, and I still can't get Jasper Christmas out of my system. But here he is in my life once again. I don't know if he's playing me or genuinely falling in love with me. As a top investigative reporter and bestselling biographer, I have to keep my head in the game. The Christmases' secrets are dark indeed, and each new secret uncovered more explosive than the last. If only Jasper Christmas would go away. His desire for me is insatiable, as is mine for him. And then the one story that could destroy the Christmases forever falls into my lap, forcing him to make a choice once and for all. Am I his enemy or the woman he chooses to be his forever lover?
A sweeping survey of sexuality in Europe from the Greeks to the present, Desire: A History of European Sexuality follows changing attitudes to two major concepts of sexual desire – desire as dangerous, polluting, and disorderly, and desire as creative, transcendent, even revolutionary – through the major turning points of European history. Chronological in structure, and wide ranging in scope, Desire addresses such topics as sex in ancient Judaism, Christianity, and Islam, sexual contact and culture clash in Spain and colonial Mesoamerica, new attitudes toward sexuality in the seventeenth and eighteenth centuries, and sex in Bolshevik Russia and Nazi Germany. The book introduces the concept of "twilight moments" to describe activities seen as shameful or dishonorable, but which were tolerated when concealed by shadows, and integrates the history of heterosexuality with same-sex desire, as well as exploring the emotions of love and lust as well as the politics of sex and personal experiences. This new edition has been updated to include more on trans issues and sexual histories in the context of the recent multiplication of sexual and gender identities. It also brings in more on materialism, embodiment, and the history of emotion. In addition to the new chapter on imperialism from the second edition, the third edition now includes an additional chapter on early medieval Christianity and Islam, concentrating on the tensions between mysticism and regulation. The book concludes with a new chapter that explores how activists from the 1970s onward linked sexual pleasure to bodily care, particularly in the contexts of abortion, AIDS, and gender-affirming trans healthcare. Drawing on a rich array of sources, including poetry, novels, pornography, and film, as well as court records, autobiographies, and personal letters, and written in a lively, engaging style, Desire remains an essential resource for scholars and students of the history of European sexuality, as well as women’s and gender history, social and cultural history and LGBTQ history.
A sweeping survey of sexuality in Europe from the Greeks to the present, Desire: A History of European Sexuality follows changing attitudes to two major concepts of sexual desire – desire as dangerous, polluting, and disorderly, and desire as creative, transcendent, even revolutionary – through the major turning points of European history. Chronological in structure, and wide ranging in scope, Desire addresses such topics as sex in ancient Judaism, Christianity, and Islam, sexual contact and culture clash in Spain and colonial Mesoamerica, new attitudes toward sexuality in the seventeenth and eighteenth centuries, and sex in Bolshevik Russia and Nazi Germany. The book introduces the concept of "twilight moments" to describe activities seen as shameful or dishonorable, but which were tolerated when concealed by shadows, and integrates the history of heterosexuality with same-sex desire, as well as exploring the emotions of love and lust as well as the politics of sex and personal experiences. This new edition has been updated to include more on trans issues and sexual histories in the context of the recent multiplication of sexual and gender identities. It also brings in more on materialism, embodiment, and the history of emotion. In addition to the new chapter on imperialism from the second edition, the third edition now includes an additional chapter on early medieval Christianity and Islam, concentrating on the tensions between mysticism and regulation. The book concludes with a new chapter that explores how activists from the 1970s onward linked sexual pleasure to bodily care, particularly in the contexts of abortion, AIDS, and gender-affirming trans healthcare. Drawing on a rich array of sources, including poetry, novels, pornography, and film, as well as court records, autobiographies, and personal letters, and written in a lively, engaging style, Desire remains an essential resource for scholars and students of the history of European sexuality, as well as women’s and gender history, social and cultural history and LGBTQ history.
From the #1 New York Times bestselling author of Orphan Train comes a novel about friendship and the memories that haunt us.On the night of her high school graduation, Kathryn Campbell sits around a bonfire with her four closest friends, including the beautiful but erratic Jennifer. "I'll be fine," Jennifer says, as she walks away from the dying embers and towards the darkness of the woods. She never came back.Ten years after Jennifer's unexplained disappearance, Kathryn is a grad-school dropout living in Virginia, stuck in a dead-end writing job and marriage. She has few close friends; most people have learned not to depend on her. When she decides to leave her husband, she ships her boxes to her mother's house in Bangor, Maine. She has nowhere else to go.When Kathryn returns home, her former classmates are preparing for their ten-year reunion. Old questions about graduation night surface. Jennifer begins to dominate Kathryn's life, just as she did in high school. Enigmatic and troubled, Jennifer had always depended on Kathryn's devotion and asked for sacrifices. A decade after Jennifer walked into the woods alone, Kathryn decides that she must follow her friend's lead, one last time.Involving herself in the daily rhythms of small-town life, Kathryn begins an investigation into her past. She renews contacts with old friends and teachers, using her skills as a journalist to reconstruct the life that she and Jennifer shared. Kathryn knows that she must examine what she knew about her friend, and what she didn't. She must decide what she is willing to risk to know the truth. She must decide what her own future is worth. With nothing left to lose, she is determined to answer one simple question: What ever happened to Jennifer Pelletier?
Kara MacAllister thinks she's just an average, small-town pre-school teacher until the night a mysterious stranger shows up at her door claiming she's not only immortal, but the chosen one of a band of powerful shape-shifting males. Lyon steals her away from everything she knows and thrusts her into a world beyond her comprehension, a world filled with magic, nightmares, and perilous danger where Kara discovers an inner strength she never knew she possessed, and a passion in the arms of Lyon beyond anything she ever imagined. As he works with Kara, preparing her to become the source of power for the Feral Warriors, Lyon is swept away by Kara's vulnerable beauty and tempted beyond all reason by a desire he can't deny. But when Lyon realizes his band of warriors has been infiltrated by an ancient evil, he begins to question whether Kara is quite as innocent as she seems. And he begins to wonder if the woman who's stolen his heart is destined to be his salvation...or his doom.
He was her lover...and her employer.From the moment Amelia Grant accepted the position of secretary to Nicholas Riley, London's most notorious businessman, she knew her life would be changed forever. For Nick didn't want just her secretarial skills...he wanted her complete surrender. And she was more than willing to give it to him, spending night after night in delicious sin. As the devastatingly insatiable Nick teaches her the ways of forbidden desire, Amelia begins to dream of a future together...But in the light of day, sinister shadows lurk, determined to tear them apart.
Her secret lover is her new husband Amelia Grant never expected to become Mrs. Nicholas Riley despite their torrid affair. But now the wife of London s most infamous businessman, she knows her life will never be the same. Nick has shown her the ways of sinful pleasure and the depths of his desire but the truth within his heart is another story...Amelia knows his past is a dark secret, but will their new marriage bring them closer than ever? Or will the pain of the past keep them from finding their happily ever after?An Avon Romance"
How does musical harmony engage listeners in relations of desire? Where does this desire come from? Author Kenneth Smith seeks to answer these questions by analyzing works from the turn of the twentieth- century that are both harmonically enriched and psychologically complex. Desire in Chromatic Harmony yields a new theory of how chromatic chord progressions direct the listener on intricate journeys through harmonic space, mirroring the tensions of thepsyche found in Schopenhauer, Freud, Lacan, Lyotard, and Deleuze. Smith extends this mode of enquiry into sophisticated music theory, while exploring philosophically engaged European and American composers such as Richard Strauss, Alexander Skryabin, Josef Suk, Charles Ives, and Aaron Copland. Focusing on harmonyand chord progression, the book drills down into the diatonic undercurrent beneath densely chromatic and dissonant surfaces. From the obsession with death and mourning in Suk's asrael Symphony to an exploration of "perversion" in Strauss's elektra; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Copland's The Tender Land, Desire in Chromatic Harmony cuts a path through the dense forests ofchromatic complexity, revealing the psychological make-up of post-Wagnerian psychodynamic music.
This is the first study to examine desire in the Iliad in a comprehensive way, and to explain its relationship to the epic's narrative structure and audience reception. Rachel H. Lesser offers a new reading of the poem that shows how the characters' desires, especially those of the mortal hero Achilleus and the divine king Zeus, motivate plot and keep the audience engaged with the epic until and even beyond its end. The author argues that the characters' desires are primarily organized in narrative triangles that feature two parties in conflict over a third. A variety of desires animate these triangles, including sexual passion, longing for a lost loved one, yearning for lamentation, and aggressive desires for vengeance and status, and they are signified with terms such as eros, himeros, pothe, menos, thumos, boule, and eeldor, as well as through the epic's thematic emotions of grief and anger. Desire in the Iliad shows how the mortals' and gods' triangular desires together drive and shape two Iliadic plots, the main plot of Achilleus' withdrawal from the fighting and then return to battle, and the "superplot" of the larger Trojan War story. The author also argues that these plots and their motivating desires arouse the listener's-or reader's-own corresponding desires: narrative desire to know and understand the Iliad's full story, sympathetic desire for characters' welfare, and empathetic passions, longings, and wishes. Our desires invest us in the epic narrative and their resolution brings us satisfaction.
In this strikingly original treatment of the rise of the novel, Nancy Armstrong argues that the novels and non- fiction written by and for women in eighteenth- and nineteenth-century England paved the way for the rise of the modern English middle class. Most critical studies of the novel mistakenly locate political power exclusively in the official institutions of state, ignoring the political domain over which women hold authority, which includes courtship practices, family relations, and the use of leisure time. To remedy this, Armstrong provides a dual analysis, tracing both the rise of the novel and the evolution of female authority as part of one phenomenon.
Desire, Practical Reason, and the Good
Oxford University Press Inc
2010
sidottu
Most philosophers working in moral psychology and practical reason think that either the notion of "good" or the notion of "desire" have central roles to play in our understanding of intentional explanations and practical reasoning. However, philosophers disagree sharply over how we are supposed to understand the notions of "desire" and "good", how these notions relate, and whether both play a significant and independent role in practical reason. In particular, the "Guise of the Good" thesis - the view that desire (or perhaps intention, or intentional action) always aims at the good - has received renewed attention in the last twenty years. Can one have desire for things that the desirer does not perceive to be good in any, or form intentions to act in way that one does not deem to be good? Does the notion of good play any essential role in an account of deliberation or practical reason? Moreover, philosophers also disagree about the relevant notion of good. Is it a purely formal notion, or does it involve a substantive conception of the good? Is the primary notion, the notion of the good for a particular agent, or the notion of good simpliciter? Does the relevant notion of good make essential appeal to human nature, or would it in principle extend to all rational beings? While these questions are central in contemporary work in ethics, practical reason, and philosophy of action, they are not new; similar issues were discussed in the ancient period. This volume of essays aims to bring together "systematic" and more historically-oriented work on these issues.
How does musical harmony engage listeners in relations of desire? Where does this desire come from? Author Kenneth Smith seeks to answer these questions by analyzing works from the turn of the twentieth- century that are both harmonically enriched and psychologically complex. Desire in Chromatic Harmony yields a new theory of how chromatic chord progressions direct the listener on intricate journeys through harmonic space, mirroring the tensions of the psyche found in Schopenhauer, Freud, Lacan, Lyotard, and Deleuze. Smith extends this mode of enquiry into sophisticated music theory, while exploring philosophically engaged European and American composers such as Richard Strauss, Alexander Skryabin, Josef Suk, Charles Ives, and Aaron Copland. Focusing on harmony and chord progression, the book drills down into the diatonic undercurrent beneath densely chromatic and dissonant surfaces. From the obsession with death and mourning in Suk's asrael Symphony to an exploration of "perversion" in Strauss's elektra; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Copland's The Tender Land, Desire in Chromatic Harmony cuts a path through the dense forests of chromatic complexity, revealing the psychological make-up of post-Wagnerian psychodynamic music.
A popular model of human action treats it as universally explicable by appeal to what we want. A related view evaluates our actions as rational or otherwise by appeal to what we want. However, these dominant views sit in tension with two other common sense ideas. First, that our normative beliefs — such as our beliefs about what we ought to do — sometimes explain our actions. Second, that those beliefs are crucial for determining whether our actions are rational. To try and resolve these tensions, this book defends 'desire-as-belief', the view that desires are just a special subset of our normative beliefs. This view entitles us to accept orthodox models of human motivation and rationality that explain those things with reference to desire, while also making room for our normative beliefs to play a role in those domains. This view also tells us to diverge from the orthodox view on which desires themselves can never be right or wrong. Rather, according to desire-as-belief, our desires can themselves be assessed for their accuracy, and they are wrong when they misrepresent normative features of the world. Hume says that it is not contrary to reason to prefer the destruction of the whole world to the scratching of your finger, but he is wrong: it is foolish to have this preference, and this is so because this preference misrepresents the relative worth of these things. This book mounts an engaging and comprehensive defence of these ideas.
In Desire and Liberation Vaddera Chandidas creates a new metaphysical system. He bases this new system on earlier Indian traditions of sutra literature. The author rejects major convergences in philosophy from both India and the West, especially on the ontological primacy of non-being that results in permanence, which he posits as a mere project of the intellect. He is especially opposed to the idea of permanence, which renders unreliable anything that is not permanent but changing. Thus, desire, which is not permanent, is marginalized. Chandidas points out that contradictoriness is the structural 'tinge' of reality. Therefore, in his philosophy all that is claimed to be permanent is marginal and derivative of the intellect. A. Raghuramaraju has curated and edited this volume, which proposes a major breakthrough in the field of philosophical studies. The volume reproduces not only Desire and Liberation and Kalidas Bhattacharyya's introduction to it, but also the letters that Bhattacharyya wrote to Chandidas, and Chandidas's own commentary on his text.