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1000 tulosta hakusanalla Ed Webb

Ed Ruscha: Extremes and In-betweens

Ed Ruscha: Extremes and In-betweens

Yve-Alain Bois; Ben Eastham

Rizzoli International Publications
2017
sidottu
These powerful works, all completed in 2016, are reproduced in this stunning new volume in beautiful colour-saturated plates to which black and white installation photos, as well as studio shots, provide a striking contrast. New texts by art historian Yve-Alain Bois and art critic Ben Eastham situate these new works within Ruscha s larger oeuvre and provide detailed insight into particular works. In the restrained paintings that comprise Extremes and In-Betweens, Ruscha sets into motion a dynamic interplay of words and their meanings in ascending and descending shifts of scale and tone that echo the relation of macrocosm to microcosm. Although his images are undeniably rooted in the signs and symbols of American reality closely observed, his elegant and laconic art speaks to more complex and widespread issues regarding the appearance, feel, and function of the world and our tenuous and transient place within it.
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Ed Ruscha: Eilshemius and Me

Ed Ruscha: Eilshemius and Me

Margaret Iverson; Ed Ruscha

Rizzoli International Publications
2020
nidottu
Commemorating an exhibition at Gagosian, London, this catalog is the first publication to examine the connections between these two artists work. Two booklets in a softcover portfolio feature full-color plates and installation views. An interview with Ruscha and an essay by Margaret Iversen explain how Ruscha first encountered Eilshemius s enigmatic paintings, which of the artist s aesthetic innovations captured Ruscha s imagination, and how his own work relates to and differs from that of the Neglected Marvel Eilshemius.
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Ed Ruscha

Ed Ruscha

Mark Godfrey; Ralph Rugoff

RIZZOLI INTERNATIONAL PUBLICATIONS
2024
sidottu
Ed Ruscha: Tom Sawyer Paintings documents the 2022 exhibition of ten new paintings and a new hologram at Gagosian Paris. The exhibition brought together naturalistic paintings of simple wooden slats, which at once represent a new direction in Ruscha s work and extend his long-standing interest in realism, modernist abstraction, and the American vernacular. The catalogue includes plate photography of the ten paintings and one hologram as well as installation views of the exhibition. Ed Ruscha was born in 1937 in Omaha, Nebraska and lives and works in Los Angeles. A career-spanning retrospective, ED RUSCHA/NOW THEN, will open at the Museum of Modern Art, New York, in September 2023 and travel to the Los Angeles County Museum of Art in April 2024. Since 1993, Gagosian has presented twenty-five major exhibitions of Ruscha s work in the United States and Europe. New, illustrated essays by Mark Godfrey and Ralph Rugoff, offering critical and historical contexts for the work, are included in this bilingual English and French catalogue.
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Ed Muskie

Ed Muskie

James L Witherell

Tilbury House,U.S.
2014
sidottu
Born in a paper mill town in Maine's western foothills, Muskie was one of six children of a Polish immigrant and a Polish-American mother whose English was worse than her husband's. His arc through his formative years was singular and unpredictable, an American story that looks plausible only in hindsight.Commemorating the centenary of his birth, this biography of Ed Muskie through his two terms as Maine's governor tells how the son of an immigrant tailor grew up to become one of the most consequential politicians in American history.
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Ed Atkins: Get Life/Love’s Work

Ed Atkins: Get Life/Love’s Work

New Museum of Contemporary Art,U.S.
2021
nidottu
On Ed Atkins’ recent video art installation, commissioned for the New Museum in collaboration with Bell Labs’ newly reinstated E.A.T. initiative Published for British artist Ed Atkins’ (born 1982) major video/installation art commission at the New Museum in New York, this book features a selection of the artist’s critical writings and recent works. Atkins' project at the New Museum was produced in partnership with the newly reinstated Experiments in Art and Technology (E.A.T.), a series of exhibitions, residencies and programs developed by the New Museum and Nokia Bell Labs in order to foster collaborations between artists, scientists, technologists and engineers. This new incarnation of the legendary Experiments in Art and Technology (E.A.T) reconnects to the projects initiated in the 1960s by Bell Labs engineers Billy Klüver and Fred Waldhauer, who collaborated with artists such as John Cage, Marta Minujin, Robert Rauschenberg, Stan VanDerBeek, Robert Whitman and others.
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Ed Jones and Timothy Prus: Nein, Onkel

Ed Jones and Timothy Prus: Nein, Onkel

Archive Press, London
2009
sidottu
With reproductions of 347 previously unpublished images, this publication surveys a rarely seen side of life in the Nazi Third Reich. These highly personal photographs come from private albums compiled by the soldiers themselves, recording moments of diversion and repose.
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Ed vs. Yummy Fur

Ed vs. Yummy Fur

Brian Evenson

Uncivilized Books
2014
pokkari
Brian Evenson delves deeply into the pages of Chester Brown's (Louis Riel, Paying for It) seminal comic-book Yummy Fur, from its beginnings as a mini comic to its afterlife in the graphic novels it spawned. Brian's comics archaeology excavates the discarded fragments of Brown's masterpiece Ed The Happy Clown, examines the never re-printed adaptions of the Gospels, considers the juxtaposition of religion and absurdism, and meditates on the pleasures of reading serialized pamphlet comic books. The book also features a new interview with Chester Brown, shining a new spotlight on this important work. Brian Evenson is the author of eleven prize-winning books of fiction, including The Open Curtain, Last Days, Windeye, and Immobility. His work has been translated into over a dozen languages. He lives and works in Providence, Rhode Island, where he teaches at Brown University.
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Ed Panar: Animals That Saw Me

Ed Panar: Animals That Saw Me

The Ice Plant
2016
sidottu
“From chicken to sheep, frogs to dogs, each of the creatures seems to ask: “You looking at me? Who are you?” –American Photo Animals That Saw Me, Volume Two presents a new collection of photographs from the observational wanderings of Ed Panar, author of Animals That Saw Me, Volume One (2011, now out of print). This body of work, encompassing recent pictures and newly discovered gems from Panar’s vast back catalogue, records a series of brief, often strangely amusing moments in which nonhuman species (mammal, reptile, bird or insect) seem to behold the human photographer. Edited for the viewer’s maximum delight, the photos convey a whimsical concept with surprisingly complex ramifications under the surface. Why do we distinguish between “us” and “them,” and what exists in the space between these distinctions? What does it mean to make “eye contact” with another species? What does the presence of a camera add to this phenomenon? Channeling the same thoughtful humor, wonder and peculiar engagement with the world that made the first volume of Animals That Saw Me an instant hit, this second installment also includes an original essay by acclaimed speculative realist philosopher Timothy Morton.
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Make a Face with Ed Emberley

Make a Face with Ed Emberley

Ed Emberley

two little birds
2014
pahvisivuinen
"Make a Face" takes circles, squares, diamonds, and rectangles, and lets you makes faces of all descriptions. Ed Emberley's multi-million-selling drawing alphabet system has never gone out of style. His original series of drawing books has been selling steadily since the '70s. In this new hi-tech world, people young and old continue to feel good about the drawing system Ed created. This feeling of success, combined with his whimsical illustration style, has kept the original books in print and created a demand for more. The "Ed Emberley On The Go " series takes Ed's drawing system and updates it for today's busy lifestyle, without the need to charge a battery or worry about an expensive tablet. A black pen or marker, even a pencil, is all you need to enjoy these pads. No need to carry paper and a book and markers. The images range from super simple for the little ones to more complex for the more experienced, with pages for practice and frames for the favorites. There are picture frames, note cards, even comic strips where you can bring your favorite characters to life. Tear-out pages make it easy to share with siblings and friends, perfect for a birthday party, makes a great placemat for restaurant dining, a great gift, and no worries outside at the beach or in the park.
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Ed's Grumpy Day

Ed's Grumpy Day

Julie A Frost

Holyoake Publications
2022
sidottu
In this first book of the pony series, we meet Ed, the New Forest Pony.This delightful series of fictional pony tales introduces readers to various native ponies and settings within the UK.Author J A Frost was blessed with kind grandparents, who gifted 100 to buy her dream pony when she was 11. She spent many hours, sometimes full days, exploring Dartmoor with her beloved friend, Fudge. She has been inspired to pen this series of children's books from all the treasured memories she has collected over the years.Book details: It's the perfect primer for toddlers and pre school readers Bright and engaging full-colour illustrations throughout.Great for bedtime stories, group reading, and one-on-oneMakes an ideal gift for your child, grandchild, niece or nephew, or a friendThe perfect read for those that have a soft spot for ponies, horses and campingIf you are wanting to encourage a child to start appreciating books from a very early age then these books are the perfect way to start their love of reading.
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Ed Ruscha: Ribbon Words

Ed Ruscha: Ribbon Words

Edward Tyler Nahem Fine Art, L.L.C.
2016
sidottu
The is the first publication to focus on Ed Ruscha’s (born 1937) Ribbon Word works, begun in 1966. It features reproductions of more than 50 masterpieces, along with three essays by the show’s curator Dieter Buchhart, as well as contributions by Glenn O’Brien and Alexandra Schwartz, highlighting the works’ wide array of subtle color and nuanced drawing technique, and showing how Ruscha’s paper ribbons became three-dimensional, illusionistic objects. Ruscha developed this body of work from calligraphic lines and cursive handwriting in order to give his drawings the appearance of three-dimensional forms. His imaginary ribbon-word objects provoke multiple cultural meanings as they suggest sculptures modeled by light. Ruscha’s breathtaking work, using an inimitable trompe l’oeil technique with the application of gunpowder, constitutes a major contribution to 20th-century art.
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Ed McCurdy's Song Book of Wit and Mirth: the Choice From His Recordings of Dalliance Songs

Ed McCurdy's Song Book of Wit and Mirth: the Choice From His Recordings of Dalliance Songs

Ed 1919-2000 McCurdy

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Ed McCurdy's Song Book of Wit and Mirth: the Choice From His Recordings of Dalliance Songs

Ed McCurdy's Song Book of Wit and Mirth: the Choice From His Recordings of Dalliance Songs

Ed 1919-2000 McCurdy

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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