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1000 tulosta hakusanalla Erwin Grosche

Erwin Rommel and the Afrika Korps: The History of Nazi Germany's Most Famous Commander and Army during World War II
*Includes pictures *Includes accounts of the fighting *Includes online resources and a bibliography for further reading One of his biographers called him "a complex man: a born leader, a brilliant soldier, a devoted husband, a proud father; intelligent, instinctive, brave, compassionate, vain, egotistical, and arrogant." As that description suggests, every account of Erwin Rommel's life must address what appears to be its inherent contradictions. Fittingly, and in the same vein, he remains one of the best remembered generals of World War II and history at large, despite the fact he was on the losing side, and he was defeated at the most famous battle of his career, the decisive Battle of El Alamein. With the Axis forces trying to push through Egypt towards the Suez Canal and the British Mandate of Palestine, American forces landed to their west in North Africa, which ultimately compelled Rommel to try to break through before the Allies could build up and overwhelm them with superior numbers. Given that the combined Allied forces under Bernard Montgomery already had an advantage in manpower, Montgomery also wanted to be aggressive, and the fighting would start in late October 1942 with an Allied attack. At Alamein, 195,000 troops in 11 divisions faced off against 50,000 Germans (four divisions) and 54,000 Italians (eight divisions), where they were able to use their superior numbers and weapons to defeat the Axis troops. Over the next few weeks, the Allies made steady progress and forced Rommel to conduct a fighting retreat to safety until his army linked up with another Axis army in Tunisia, but the fighting at the end of 1942 inevitably compelled all Axis forces to quit the theater, the first time since the beginning of the war that Africa was safe for the Allies. After leaving North Africa, Rommel spent much of the later part of the war strengthening German defenses across the Atlantic in anticipation of an amphibious Allied landing, which would come in June 1944. But the murky role he played in the notorious July 20 plot on Adolf Hitler's life in 1944, the closest an assassination attempt got to killing the Nazi Fuhrer, would bring about the Desert Fox's untimely demise in October 1944, even as the Soviets and Western Allies were tightening the vise on Germany. Compelled to take cyanide by authorities, the Desert Fox insisted he was innocent until his dying day, and his popularity forced the Nazi government to claim his death was brought about by a heart attack or a cerebral embolism. In fact, Rommel was given an official state funeral, and Winston Churchill would go on to praise him, "He also deserves our respect because, although a loyal German soldier, he came to hate Hitler and all his works, and took part in the conspiracy to rescue Germany by displacing the maniac and tyrant. For this, he paid the forfeit of his life. In the sombre wars of modern democracy, chivalry finds no place ... Still, I do not regret or retract the tribute I paid to Rommel, unfashionable though it was judged." While there is a great division when it comes to historical opinion with respect to Rommel's merits as a general as well as the moral choices he made, both historians and the public continue to be intrigued by this man who has been dead for over 70 years. People at large continue to consider Rommel one of the greatest generals of the 20th century, an opinion shared by many of his contemporaries on both sides of World War II. For example, British General Harold Alexander hinted at both his strengths and weaknesses, commenting, "He was a tactician of the greatest ability, with a firm grasp of every detail of the employment of armour in action, and very quick to seize the fleeting opportunity and the critical turning point of a mobile battle. I felt certain doubts, however, about his strategic ability, in particular as to whether he fully understood the importance of a sound administrative plan."
Erwin Schrödinger's Color Theory

Erwin Schrödinger's Color Theory

Springer International Publishing AG
2017
sidottu
This book presents the most complete translation to date of Erwin Schrödinger’s work on colorimetry. In his work Schrödinger proposed a projective geometry of color space, rather than a Euclidean line-element. He also proposed new (at the time) colorimetric methods – in detail and at length - which represented a dramatic conceptual shift in colorimetry. Schrödinger shows how the trichromatic (or Young-Helmholtz) theory of color and the opponent-process (or Hering) theory of color are formally the same theory, or at least only trivially different. These translations of Schrödinger’s bold concepts for color space have a fresh resonance and importance for contemporary color theory.
Erwin Schrödinger's Color Theory

Erwin Schrödinger's Color Theory

Springer International Publishing AG
2018
nidottu
This book presents the most complete translation to date of Erwin Schrödinger’s work on colorimetry. In his work Schrödinger proposed a projective geometry of color space, rather than a Euclidean line-element. He also proposed new (at the time) colorimetric methods – in detail and at length - which represented a dramatic conceptual shift in colorimetry. Schrödinger shows how the trichromatic (or Young-Helmholtz) theory of color and the opponent-process (or Hering) theory of color are formally the same theory, or at least only trivially different. These translations of Schrödinger’s bold concepts for color space have a fresh resonance and importance for contemporary color theory.
Erwin Piscators Theater gegen das Schweigen

Erwin Piscators Theater gegen das Schweigen

Klaus Wannemacher

De Gruyter
2004
isokokoinen pokkari
Das politische Theater der zwanziger Jahre, als dessen zentraler Vertreter Erwin Piscator (1893-1966) gilt, wurde in den Inszenierungen der Berliner Piscatorbühnen zwischen 1927 und 1931 zum theatergeschichtlichen Ereignis. Nach Piscators Rückkehr aus der New Yorker Emigration in die Bundesrepublik im Jahr 1951 erscheint ein bruchloses Anknüpfen an seine spektakulären theatralen Verfahren der Weimarer Republik ausgeschlossen. Als Piscator in den sechziger Jahren die Intendanz der Freien Volksbühne in West-Berlin übertragen wird, leitet er mit einer Serie couragierter Inszenierungen die Ära des Dokumentartheaters ein. Mit der Uraufführung von Rolf Hochhuths umstrittenem »Stellvertreter« und der Werke Heinar Kipphardts und Peter Weiss' wird das Theater abermals zum Brennspiegel seiner Zeit. Die erhebliche Provokanz des politischen Theaters der sechziger Jahre besteht dabei nicht in einer parteinahen Inszenierungspraxis, sondern vielmehr in Piscators beharrlicher Fürsprache für eine Aufarbeitung der NS-Vergangenheit und für eine Deeskalation während des Kalten Kriegs. Ausgehend von den Umständen, unter denen der Regisseur 1951 die Vereinigten Staaten verlassen muß, zeichnet die vorliegende Untersuchung ein präzises Profil von Piscators interventionistischer später Theaterarbeit und vergleicht diese im Sinne inszenierungsorientierter Theatergeschichtsschreibung mit Piscators stilbildenden Inszenierungen der zwanziger Jahre.