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Eugène and Eulalie

Eugène and Eulalie

Melissa Daggett

LOUISIANA STATE UNIVERSITY PRESS
2026
sidottu
Melissa Daggett's Eugène and Eulalie is an epic story of love, race, prosperity, and legal maneuvering. It chronicles for the first time in a comprehensive way the largely forgotten lives of Eulalie Mandeville, a free woman of color, and her white partner, Eugène Macarty. Mandeville and Macarty, both descendants of elite colonial families, began an interracial relationship in the 1790s that endured for more than half a century and produced five children. It also led to Mandeville's phenomenal rise to the pinnacle of wealth and success within the unique tripartite racial structure of nineteenth-century New Orleans. Daggett uses the voluminous Nicolas Théodore Macarty et al. vs. Eulalie Mandeville f.w.c. (1848) court case to examine how an interracial relationship continued for more than fifty years despite onerous laws during the Spanish regime and the antebellum era that complicated such partnerships. She examines the origins of the Macarty and Mandeville families, revealing how they paralleled each other in Louisiana history and often intersected on social, military, economic, and political levels. Daggett also analyzes the struggles of the free people of color in both colonial Louisiana and early America and explores the ways slavery, manumission, and inheritance laws connected the two families. Above all, her work recovers the unique story of Eugène Macarty and Eulalie Mandeville, which has languished in the shadows of historical obscurity for generations.
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Eugene Jolas

Eugene Jolas

Eugene Jolas

Northwestern University Press
2009
sidottu
Dividing his youth between the United States and the bilingual Alsace-Lorraine, Eugene Jolas (1894-1952) flourished in three languages. As an editor and poet, he came to know the major writers and artists of his time and enjoyed a pivotal position between the Anglo-American and Continental avant-grade. His editorship of transition, the leading avant-garde journal of Paris in the twenties and early thirties, provided a major impetus to writers from James Joyce (whose ""Finnegans Wake"" was serialized in transition) to Gertrude Stein, and Samuel Beckett, with first translations of Andre Breton, and Franz Kafka, among others. Jolas' critical work, collected in this volume, includes introductions to anthologies, manifestos like the famous Vertical, essays, some published here for the first time, on writers as various as Novalis, Trakl, the major Surrealists, Heidegger, and other philosophers. An acute observer of the literary scene as well as of the roiling politics of the time, Jolas emerges here in his role at the very center of avant-garde activity between the wars. Accordingly, this book is of signal importance to anyone with an interest in modernism, avant-garde, multilingualism, and the culture of Western Europe in the first half of the twentieth century. Eugene Jolas was born in Union City, New Jersey, in 1894 but was raised by his Franco-German parents in Lorraine. In 1927 Jolas, along with his wife Maria McDonald and Elliot Paul, founded the influential Parisian literary magazine transition. In Paris he met James Joyce and played a major part in encouraging and defending Joyce's ""Work-in-Progress,"" later to become ""Finnegans Wake"", a work Jolas viewed as the perfect embodiment of his manifesto. Jolas' life and career are described vividly in his autobiography, ""Man from Babel"".
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Eugene Jolas

Eugene Jolas

Northwestern University Press

Northwestern University Press
2009
nidottu
Dividing his youth between the United States and the bilingual Alsace-Lorraine, Eugene Jolas (1894-1952) flourished in three languages. As an editor and poet, he came to know the major writers and artists of his time and enjoyed a pivotal position between the Anglo-American and Continental avant-garde. His editorship of transition, the leading avant-garde journal of Paris in the twenties and early thirties, provided a major impetus to writers from James Joyce (whose ""Finnegans Wake"" was serialized in transition) to Gertrude Stein, and Samuel Beckett, with first translations of Andre Breton, and Franz Kafka, among others. Jolas' critical work, collected in this volume, includes introductions to anthologies, manifestoes like the famous Vertical, essays, some published here for the first time, on writers as various as Novalis, Trakl, the major Surrealists, Heidegger, and other philosophers. An acute observer of the literary scene as well as of the roiling politics of the time, Jolas emerges here in his role at the very center of avant-garde activity between the wars. Accordingly, this book is of signal importance to anyone with an interest in modernism, avant-garde, multilingualism, and the culture of Western Europe in the first half of the twentieth century.
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Eugene O’Neill - American Writers 45

Eugene O’Neill - American Writers 45

Gassner John

UNIVERSITY OF MINNESOTA PRESS
1965
nidottu
Eugene O'Neill - American Writers 45 was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
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Eugene O'Neill Remembered

Eugene O'Neill Remembered

The University of Alabama Press
2016
sidottu
Eugene O’Neill Remembered offers new views into the playwright’s life by capturing the direct memories of those who were close to him through interviews, memoirs, and other recollections. These sixty-two remembrances create an unprecedented image of O’Neill. O'Neill is known principally as the author of some of the most significant plays in the American dramatic canon and as one of America's Nobel Laureates in literature. However, O'Neill's life has long been shrouded in myth. O'Neill rarely gave interviews and was not forthcoming about the details of his life. He also abetted some of the misconceptions about his youth by, for example, advocating the story that he was expelled from Princeton for throwing a rock through Woodrow Wilson's window or by exaggerating the amount of time he had spent at sea. The legend of the hard-drinking, tormented playwright with a grim view of life was further reinforced when Long Day's Journey into Night was produced in 1956, three years after his death instead of the twenty-five years he had insisted on. The portrayal of O’Neill as a tragic figure has been solidified in a number of biographies. The purpose of this collection, however, is to present O'Neill as others saw him and described him in their first-person accounts. In the course of these reminiscences, many of the vast and various narrators conflict with and contradict each other. Unlike other accounts of O’Neill’s life, much of the focus is on impressions instead of facts. The result is a revealing composite portrait of a key figure in twentieth-century American literary history. This extensive collection offers insights unavailable in any other book and will hold massive appeal for scholars and students interested in American literature, Eugene O’Neill, and theater history, as well as anyone keen to uncover intimate details of the life of one of America’s greatest writers.
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Eugene O'Neill Remembered

Eugene O'Neill Remembered

THE UNIVERSITY OF ALABAMA PRESS
2021
nidottu
Eugene O’Neill Remembered offers new views into the playwright’s life by capturing the direct memories of those who were close to him through interviews, memoirs, and other recollections. These sixty-two remembrances create an unprecedented image of O’Neill. Known principally as the author of some of the most significant plays in the American dramatic canon and as one of America’s Nobel Laureates in literature, O'Neill rarely gave interviews and offered few details about himself. As a consequence, his life has long been shrouded in myth. He also abetted some of the misconceptions about his youth by, for example, advocating the story that he was expelled from Princeton for throwing a rock through Woodrow Wilson's window or by exaggerating the amount of time he had spent at sea. The legend of the hard-drinking, tormented playwright with a grim view of life was further reinforced when Long Day's Journey into Night was produced in 1956, three years after his death instead of the twenty-five years he had insisted on. The portrayal of O’Neill as a tragic figure has been solidified in a number of biographies. The purpose of this collection, however, is to present O'Neill as others saw him and described him in their first-person accounts. In the course of these reminiscences, many of the vast and various narrators conflict with and contradict each other. Unlike other accounts of O’Neill’s life, much of the focus is on impressions instead of facts. The result is a revealing composite portrait of a key figure in twentieth-century American literary history. This extensive collection offers insights unavailable in any other book and will hold massive appeal for scholars and students interested in American literature, Eugene O’Neill, and theater history, as well as anyone keen to uncover intimate details of the life of one of America’s greatest writers.
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Eugene Odum

Eugene Odum

Betty Jean Craige

University of Georgia Press
2002
pokkari
Students of nature around the world revere Eugene Odum as a founder and pioneer of ecosystem ecology. In this biography of Odum, Betty Jean Craige depicts the intellectual growth, creativity, and vision of the scientist who made the ecosystem concept central to his discipline and translated the principles of ecosystem ecology into lessons in preserving the natural environment.Placing Odum's achievements in historical context, Craige traces his life from his childhood through his education, his collaboration with his brother Howard T. Odum in developing methods to study ecosystems, his contributions to the field of radiation ecology, his emergence as an internationally distinguished educator of ecosystem ecology, and his environmental activism. Craige also describes Odum's role in the creation of the Savannah River Ecology Laboratory, the Marine Institute on Sapelo Island, and the Institute of Ecology at the University of Georgia, where he became identified with the statement "The ecosystem is greater than the sum of its parts."Odum's textbook Fundamentals of Ecology is a classic, published in numerous editions and translations worldwide. Odum achieved membership in the National Academy of Sciences, shared with his brother the prestigious Crafoord Prize for Ecology, accepted six honorary doctorates, and received numerous awards for environmental activities.
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Eugene O'Neill's Last Plays

Eugene O'Neill's Last Plays

Doris Alexander

University of Georgia Press
2005
sidottu
This study draws on new and unprecedented research concerning the lives of Eugene O’Neill, his family, and his circle. It corrects and expands the biographical record on O’Neill, sharpens our understanding of his art, and distinguishes the man and his life more clearly than ever from the creations that were inspired by, and drew on, that life.In his final creative years, 1939 to 1943, O’Neill wrote The Iceman Cometh, Long Day’s Journey into Night, and A Moon for the Misbegotten. Because these plays are so intense, intimate, and evocative of the friends and family members who influenced O’Neill’s artistic development, biographers and critics have long—and mistakenly—regarded them as accurate sources for insights into the playwright’s early years.Drawing upon interviews and a staggering amount of archival research into multiple generations of the O’Neill family, Alexander sets the historical record straight by documenting the actual people and situations on which characters and scenes in O’Neill’s last plays are based. Included in her study are such topics as the playwright’s attempted suicide, his tuberculosis, and his relationship with his parents. By revealing the distinctions between O’Neill’s life and his art, Alexander’s findings make possible greater insight into the artistry that shaped these final plays and brought them to life.
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Eugene Bullard, Black Expatriate in Jazz-Age Paris

Eugene Bullard, Black Expatriate in Jazz-Age Paris

Craig Lloyd

University of Georgia Press
2006
pokkari
Although he was the first African American fighter pilot, Eugene J. Bullard is still a relative stranger in his homeland. An accomplished professional boxer, musician, club manager, and impresario of Parisian nightlife between the world wars, Bullard found in Europe a degree of respect and freedom unknown to blacks in America. There, for twenty-five years, he helped define the expatriate experience for countless other African American artists, writers, performers, and athletes.This is the first biography of Bullard in thirty years and the most complete ever. It follows Bullard's lifelong search for respect from his poor boyhood in Jim-Crow Georgia to his attainment of notoriety in Jazz-Age Paris and his exploits fighting for his adopted country, for which he was awarded the Croix de Guerre. Drawing on a vast amount of archival material in the United States, Great Britain, and France, Craig Lloyd unfolds the vibrant story of an African American who sought freedom overseas. Lloyd provides a new look at the black expatriate community in Paris, taking readers into the cabarets where Bullard rubbed elbows with Josephine Baker, Louis Armstrong, and even the Prince of Wales. Lloyd also uses Bullard's life as a lens through which to view the racism that continued to dog him even in Europe in his encounters with traveling Americans.When Hitler conquered France, Bullard was wounded in action and then escaped to America. There, his European successes counted for little: he spent his last years in obscurity and hardship but continued to work for racial justice. Eugene Bullard, Black Expatriate in Jazz-Age Paris offers a fascinating look at an extraordinary man who lived on his own terms and adds a new facet to our understanding of the black diaspora.
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Anglo-Saxon Audiences / Eugene Green.

Anglo-Saxon Audiences / Eugene Green.

Eugene Green

Peter Lang Publishing Inc
2001
sidottu
Is it possible to enter the minds of medieval people? "Anglo-Saxon Audiences" explores this question through the use of modern approaches in textual analysis, including techniques of functional grammar, speech act analysis, and semiotics. This book reveals how kings, councillors, and homilists tried to engage and to direct the minds of Anglo-Saxon communicants, and how poets invited their audiences to consider the minds of others as well as their own. This book focuses on legal codes promulgated from the ninth to the eleventh centuries, the homilies of AElfric and Wulfstan, "Beowulf, The Battle of Maldon, Deor," and two elegies. Its unifying theme is that Anglo-Saxon audiences welcomed texts focused on future time, a perspective that challenged them to reflect on diverse patterns of thought."
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Eugene V. Debs Reader

Eugene V. Debs Reader

The Merlin Press Ltd
2014
nidottu
A collection of writings and speeches by one of the most radical of America's early 20th century labour leaders which brings to life a once powerful socialist movement. Eugene Victor Debs (1855-1926), one of America's most famous socialists, was an important figure on the American political landscape. He ran as the Socialist Party's (SP) presidential candidate five times and obtained nearly a million votes in 1912 and 1920.
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Eugene C. Barker: Historian

Eugene C. Barker: Historian

Pool- W

Texas State Historical Association,U.S.
1971
sidottu
Eugene C. Barker, one of the most influential historians to teach at the University of Texas, has been described as "a granite monolith," "half sabre-toothed tiger and half St. Francis of Assisi," with "a mind like a surgeon's scalpel." The late William C. Pool, Barker's former student, presents a vivid portrait of Barker from knowledge-hungry youth to administrator, professor, leader, author, and historian.
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Eugene O'Neill: Complete Plays Vol. 3 1932-1943 (LOA #42)

Eugene O'Neill: Complete Plays Vol. 3 1932-1943 (LOA #42)

Eugene O'Neill

The Library of America
1988
sidottu
The third and final volume of the first complete collection of Eugene O'Neill's dramatic writings (available exclusively from The Library of America) contains eight plays written between 1932 and 1943, when illness forced him to stop writing. They represent the crowning achievements of his career. O'Neill described Ah, Wilderness as "the way I would have liked my boyhood to have been." Set in the summer of 1906, it affectionately depicts the warm, close family of sixteen-year-old Richard Miller and the innocence with which he faces the trials of first love, strong drink, and sexual temptation. John Loving, hero of Days Without End, is split by his lack of faith into two selves: John and his Mephistophelian double Loving, who wears John's death mask and plots his destruction. Burdened by guilt but desperately wanting to love, John struggles with Loving's nihilistic hatred in what O'Neill termed his "modern miracle play." In A Touch of the Poet, Irish tavern-keeper Con Melody is drawn by his proud past as a Byronic cavalry hero of the Napoleonic Wars toward a fatal confrontation with his wealthy Yankee neighbors, the Harfords. Throughout More Stately Mansions, the idealistic yet cunning Simon Harford, his wife, Sara Melody Harford, and his mother, Deborah, continually shift roles and alliances as they engage in an eerie psychological and sexual battle for possession of each other and their own maddeningly elusive dreams. This volume presents the never-before-published complete text of the revised typescript for this unfinished play. The derelict inhabitants of Harry Hope's saloon in The Iceman Cometh find solace in their comradeship until their drifting calm is destroyed by the visiting salesman Theodore Hickey, who insists that they abandon all "pipe dreams" and face the truth about their lives. O'Neill carefully orchestrates the voices of over a dozen characters to form a chorus of overwhelming despair and surprising compassion. Hughie is a one-act dialogue between a reminiscing gambler and a weary hotel night clerk about the promise and loneliness of city life. Long Day's Journey into Night unsparingly dissects the pain, rage, guilt, and love that drive a wounded family apart and bind it together. In their summer home the four Tyrones--James, a proud actor haunted by poverty, his devout, morphine-addicted wife, Mary, and their sons, Jamie, a cynical drunkard, and Edmund, an aspiring poet--slowly unveil the truth about their lives until they can no longer hope either to save or to escape one another. Published and produced posthumously, it won O'Neill his fourth Pulitzer Prize. In its elegiac coda, A Moon for the Misbegotten, Jamie Tyrone seeks the peace that has long eluded him in the arms of sharp-tongued Josie Hogan. The volume concludes with "Tomorrow" (1917), O'Neill's only published short story. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
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Eugene and the Magic Dagger

Eugene and the Magic Dagger

Ezra Turner

Bermuda Library
2020
nidottu
Ezra has written a skillful tale, full of Bermudian adventures, incorporating man's quest to find the magical city of Atlantic. Bermudian children love the water and so many of them have been known to spend the whole summer swimming, fishing and diving from "the rocks" or along our beautiful beaches. Ezra captures many of Eugene's adventures in a very colourful descriptive way reminding us of our adventures as children from Dockyard to St. George.
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