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Fernando Carpaneda "Drawings"

Fernando Carpaneda "Drawings"

Carpazine Art Magazine

Blurb
2019
pokkari
Fernando Carpaneda "Drawings" is a series of pencil drawings and acrylic paint, depicting the beauty and the sensuality of men. Carpaneda takes inspiration from the urban element, and uses the language of the street along with his own experiences. Beggars, pop stars, sex workers, punks and outcasts of all kinds are the object of his attention and look. Fernando Carpaneda was one of the first Brazilian artists to exhibit homoerotic works in Brazil, and is well known in the gay arts and erotic arts world. He has been showing in international galleries since 1982, in places such as Art Basel in Miami, The Tom of Finland Foundation in California, The Stax Museum of American Soul Music in Memphis and The Leslie Lohman Museum in New York, where he had a solo show in 2011. Carpaneda's art has been featured in books such as Mein Schwules Auge 13, The Best of Punk Globe Magazine and Treasures Of Gay Art. In June 2012, some of his works were exhibited on 23 foot LED screens as part of "Art Takes Times Square" and were seen by over 1 million people. Carpaneda was also named as a Juror's Choice for Visual Art at the 2016 Seattle Erotic Art Festival.
Fernando Ortiz on Music

Fernando Ortiz on Music

Temple University Press,U.S.
2018
sidottu
Fernando Ortiz (1881–1969) is recognized as one of the most influential Latin American authors of the twentieth century. Although he helped establish the field of Afro-diasporic studies, his writings are still relatively unknown to the English-speaking world. In Fernando Ortiz on Music, accomplished ethnomusicologist Robin Moore has collected and translated an essential selection of Ortiz’s publications. These essays on Afro-Cuban expressive culture, music and dance are now available for the first time in English.Ortiz’s writings are accompanied by an extended introduction that contextualizes the author’s life, intellectual influences, and collaborators as well as his fieldwork and interviews. Fernando Ortiz on Music also charts the writer’s changing views of black heritage through the years. This comprehensive anthology, which includes examples of his early scholarship as well as publications from the 1940s and ’50s, extends the life and legacy of this important and under-known scholar of Latin American and Caribbean music. Contributors include: David Garcia, Sarah Lahasky, Cary Peñate, Susan Thomas, and the editor
The Fernando Coronil Reader

The Fernando Coronil Reader

Fernando Coronil

Duke University Press
2019
sidottu
In The Fernando Coronil Reader Venezuelan anthropologist Fernando Coronil challenges us to rethink our approaches to key contemporary epistemological, political, and ethical questions. Consisting of work written between 1991 and 2011, this posthumously published collection includes Coronil's landmark essays “Beyond Occidentalism” and “The Future in Question” as well as two chapters from his unfinished book manuscript, "Crude Matters." Taken together, the essays highlight his deep concern with the Global South, Latin American state formation, theories of nature, empire, and postcolonialism, and anthrohistory as an intellectual and ethical approach. Presenting a cross section of Coronil's oeuvre, this volume cements his legacy as one of the most innovative critical social thinkers of his generation.
The Fernando Coronil Reader

The Fernando Coronil Reader

Fernando Coronil

Duke University Press
2019
pokkari
In The Fernando Coronil Reader Venezuelan anthropologist Fernando Coronil challenges us to rethink our approaches to key contemporary epistemological, political, and ethical questions. Consisting of work written between 1991 and 2011, this posthumously published collection includes Coronil's landmark essays “Beyond Occidentalism” and “The Future in Question” as well as two chapters from his unfinished book manuscript, "Crude Matters." Taken together, the essays highlight his deep concern with the Global South, Latin American state formation, theories of nature, empire, and postcolonialism, and anthrohistory as an intellectual and ethical approach. Presenting a cross section of Coronil's oeuvre, this volume cements his legacy as one of the most innovative critical social thinkers of his generation.
Fernando: A Song by Abba

Fernando: A Song by Abba

Kay Dickinson

DUKE UNIVERSITY PRESS
2025
sidottu
Since its release in 1976, ABBA's song "Fernando" has been loved by fans around the globe, both for its sing-along chorus and its revolutionary spirit. In Fernando, Kay Dickinson takes readers from Sweden and Chile to Australia and Poland, tracing the complicated ways the song could express support with anticapitalist and Third World liberation struggles while remaining an unrepentant commodity. A song about freedom fighters was unlikely to become a pop mega-hit, yet, as Dickinson demonstrates, ABBA's lucrative, longstanding appeal rests on their ability to bridge contradictions within everyday life. Five decades later, "Fernando's" rousing calls for freedom continue to resonate with gay liberation movements and other social struggles, demonstrating how a song can be both revolutionary and an envoy for global capital.
Fernando: A Song by Abba

Fernando: A Song by Abba

Kay Dickinson

DUKE UNIVERSITY PRESS
2025
nidottu
Since its release in 1976, ABBA's song "Fernando" has been loved by fans around the globe, both for its sing-along chorus and its revolutionary spirit. In Fernando, Kay Dickinson takes readers from Sweden and Chile to Australia and Poland, tracing the complicated ways the song could express support with anticapitalist and Third World liberation struggles while remaining an unrepentant commodity. A song about freedom fighters was unlikely to become a pop mega-hit, yet, as Dickinson demonstrates, ABBA's lucrative, longstanding appeal rests on their ability to bridge contradictions within everyday life. Five decades later, "Fernando's" rousing calls for freedom continue to resonate with gay liberation movements and other social struggles, demonstrating how a song can be both revolutionary and an envoy for global capital.