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Sophie Germain

Sophie Germain

Dora Musielak

Springer Nature Switzerland AG
2021
nidottu
This biography of the mathematician, Sophie Germain, paints a rich portrait of a brilliant and complex woman, the mathematics she developed, her associations with Gauss, Legendre, and other leading researchers, and the tumultuous times in which she lived. Sophie Germain stood right between Gauss and Legendre, and both publicly recognized her scientific efforts. Unlike her female predecessors and contemporaries, Sophie Germain was an impressive mathematician and made lasting contributions to both number theory and the theories of plate vibrations and elasticity. She was able to walk with ease across the bridge between the fields of pure mathematics and engineering physics. Though isolated and snubbed by her peers, Sophie Germain was the first woman to win the prize of mathematics from the French Academy of Sciences. She is the only woman who contributed to the proof of Fermat’s Last Theorem. In this unique biography, Dora Musielak has done the impossible-she has chronicled Sophie Germain’s brilliance through her life and work in mathematics, in a way that is simultaneously informative, comprehensive, and accurate.
Saint Germain - Aus der Fülle schöpfen

Saint Germain - Aus der Fülle schöpfen

Elizabeth Clare Prophet; Mark L. Prophet

Silberschnur Verlag Die G
2008
nidottu
Fülle ist mehr als nur Geld. Fülle bezeichnet den Energiefluss, der sowohl als spiritueller als auch als materieller Reich?tum aus der kosmischen Quelle zu uns herabströmt. Fülle bedeutet Liebe und Weisheit, Talente und Fähigkeiten, Geld und materielle Besitztümer - all das, was wir benötigen, um unsere Lebensaufgabe zu erfüllen. Die Möglichkeiten, aus der Fülle zu schöpfen, sind unbegrenzt, und anhand der Anleitungen eines der größten Meister, St. Germain, und der einfachen, detailliert beschriebenen Techniken ist es auch Ihnen möglich, aus Ihrer persönlichen Alchemie der Fülle schöpfen zu können ...
Sophie Germain

Sophie Germain

L.L. Bucciarelli; N. Dworsky

Kluwer Academic Publishers
1980
sidottu
Why should the story of a woman's role in the development of a scientific theory be written? Is it to celebrate, as some have done, the heroism of a woman's struggle in a man's world? Or is it, rather~to demonstrate that gender is irrelevant to the march of scientific ideas? This book hopes to do neither. Rather, it intends to do justice both to the professional life of a woman in science and to the development of the theory with which she was engaged. Technically, this essay centers on Sophie Germain's analysis of the modes of vibration of elastic surfaces, work which won a competition set by the French Academy of Sciences in 1809. It also evaluates related work on the mathematical theory of elasticity done by men of the Academy. Biographically, it is about a woman who believed in the greatness of science and strove, with some measure of success, to participate in that noble, but wholly male-dominated, enterprise. It explores her failures, analyzes her success, and describes how the members of the Parisian scientific community dealt with her offerings, contributions and demands.
Sophie Germain

Sophie Germain

L.L. Bucciarelli; N. Dworsky

Kluwer Academic Publishers
1980
nidottu
Why should the story of a woman's role in the development of a scientific theory be written? Is it to celebrate, as some have done, the heroism of a woman's struggle in a man's world? Or is it, rather~to demonstrate that gender is irrelevant to the march of scientific ideas? This book hopes to do neither. Rather, it intends to do justice both to the professional life of a woman in science and to the development of the theory with which she was engaged. Technically, this essay centers on Sophie Germain's analysis of the modes of vibration of elastic surfaces, work which won a competition set by the French Academy of Sciences in 1809. It also evaluates related work on the mathematical theory of elasticity done by men of the Academy. Biographically, it is about a woman who believed in the greatness of science and strove, with some measure of success, to participate in that noble, but wholly male-dominated, enterprise. It explores her failures, analyzes her success, and describes how the members of the Parisian scientific community dealt with her offerings, contributions and demands.
Saint Germain : den mystiska greven som aldrig dör
Boken handlar om den mystiska Saint Germain som sedan 1700-talet har trollbundit miljontals människor världen över. Han var känd i alla Kungahus i Europa. Många älskade honom, men vissa betraktade honom som charlatan, bedragare, mytoman. Han har gömt sig bakom olika masker i olika inkarnationer och har helt plötsligt dykt upp i historien helt oväntat. Saint Germain är mer aktuell idag än han var under 1700-talet. I denna bok avslöjar han för första gången vem han egentligen är. Hela den jordiska civilisationen befinner sig vid ett vägskäl där vi måste välja väg. Antingen fortsätter vi som hitintill, vilket leder till en återvändsgränd, till stagnation, undergång av vår civilisation. Eller så väljer vi den nya vägen som leder till ett högre dimensionellt medvetande och frigörelse från den lägre kvalitativa sinneskraftens bundenhet, vilken har hållit oss bundna i okunskapens, omedvetenhetens fängelsehåla och skapat oss lidande av olika slag. Saint Germain utpekades redan på 1800-talet av Helena Petrovna Blavatsky, Grundaren av Teosofin, som den kommande Världsläraren som skall framträda i Norden på slutet av 1900-talet. Saint Germain kan aldrig dö eftersom han minns sina tidigare liv. Han har deklarerat att han kommer att återfödas (reinkarnera) på jorden varje århundrade ända tills han har fullgjort sitt uppdrag. Han är den Nya Tidsålderns Enare – Andliga Läromästare som Siare länge har berättat skall framträda i Norden. Bokens handling utspelas på en hemlig plats i de Schweiziska Alperna. Tolv personer träffas och deras öde har en historisk bakgrund som sträcker sig flera tusen år tillbaka i tiden. Det gemensamma är de roller som var och en har gestaltat under historiens gång. En gäst ansluter sig vars medvetenhet rör ”Själens Vetenskap”, som sträcker sig bortom den 5:e dimensionen, den omstrukturerbara matrisen som dr Jung kallade för ”det kollektiva omedvetna”.
Saint Germain des Prés

Saint Germain des Prés

Gérard Bonal

Mosaic Press
2016
nidottu
Saint Germain des Pres is a very important book about a street and a small district in Paris during a particularly vital decade—1945 to 1955. A great period of ideas, Saint-Germain-des-Prés between 1944-1945 was the site of unparalleled artistic explosion in Paris. The end of the war in Paris brought about a veritable creative explosion in the arts, from literature, to music, from philosophy to dance, from theatre to painting and much more. Much like the end of the war in 1870 witnessed the creative explosion in Montmartre, and the end of World War I witnessed the creative explosion in Montparnasse, the decade following the end of World War II coincided with the creative outburst that was centered in Saint Germain des Pres. Gérard Bonal has documented this unique, almost mythical period in French intellectual and creative life. All the legendary names of that period are assembled in Bonal’s book— Juliette Greco, Jean-Paul Sartre, Albert Camus, Bernard Buffet, Jean Cocteau, Simone de Beauvoir, Margueritte Duras and more. The communists, the existentialist, the chansoniers, the jazz musicians, the actors, the film makers, the literary giants, the philosophers and more. The romance, the adventure, the energy, the intensity of life and the times of this district are captured in Bonal’s compelling book. This is a different kind of historiography. It is an intimate biography of a small district in Paris in a decade when people conjoined in creative and intellectual activity which has influenced generations worldwide. Originally published in France, Bonal’s book received wide critical acclaim from Le Figaro, Nouvel Observateur, Le Courier, La Tribune, Focus Histoire, and more.
Sylvie Germain

Sylvie Germain

Editions Rodopi B.V.
2011
nidottu
Sylvie Germain est l’auteur d’une importante œuvre romanesque, mais elle a écrit aussi un grand nombre d’ouvrages que, faute d’un terme plus approprié, l’on désigne par le mot d’ « essai ». Dans quelle mesure ces ouvrages, qui sont souvent des méditations poétiques, se distinguent-ils des œuvres romanesques ? Les auteurs de ce recueil se penchent sur l’éclatement générique et les interférences entre écriture romanesque et écriture essayistique. À toutes les questions soulevées dans les différentes contributions, Sylvie Germain répond par un « essai » qui clôt le présent ouvrage : écrire c’est « tester », prêter l’oreille aux bruits confus de la langue, témoin de l’Histoire et du mystère du monde, c’est revivifier les mots de la tribu, transmettre « la voix de fin silence ». Peu importe donc si cette écriture prend la forme d’un roman, d’un récit, d’un essai ou d’une méditation poétique, elle est fondamentalement transgénérique.