Monsters of different colors explain what makes them feel glad, sad, loving, worried, silly, and angry, and fold-out masks are includes to encourage readers to talk about their feelings
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1000 tulosta hakusanalla Gilad Elbom
In 1956, toward the end of Reverend John Ames's life, he begins a letter to his young son, a kind of last testament to his remarkable forebears.'It is a book of such meditative calm, such spiritual intensity that is seems miraculous that her silence was only for 23 years; such measure of wisdom is the fruit of a lifetime. Robinson's prose, aligned with the sublime simplicity of the language of the bible, is nothing short of a benediction. You might not share its faith, but it is difficult not to be awed moved and ultimately humbled by the spiritual effulgence that lights up the novel from within' Neel Mukherjee, The Times'Writing of this quality, with an authority as unforced as the perfect pitch in music, is rare and carries with it a sense almost of danger - that at any moment, it might all go wrong. In Gilead, however, nothing goes wrong' Jane Shilling, Sunday Telegraph
A NEW YORK TIMES BESTSELLER- OPRAH'S BOOK CLUB PICK - WINNER OF THE PULITZER PRIZE FOR FICTION - NATIONAL BOOK CRITICS CIRCLE AWARD WINNER- A NEW YORK TIMES NOTABLE BOOK - MORE THAN 1 MILLION COPIES SOLD "Quietly powerful and] moving." O, The Oprah Magazine (recommended reading) Winner of the Pulitzer Prize and National Book Critics Circle Award, GILEAD is a hymn of praise and lamentation to the God-haunted existence that Reverend Ames loves passionately, and from which he will soon part. In 1956, toward the end of Reverend John Ames's life, he begins a letter to his young son, an account of himself and his forebears. Ames is the son of an Iowan preacher and the grandson of a minister who, as a young man in Maine, saw a vision of Christ bound in chains and came west to Kansas to fight for abolition: He "preached men into the Civil War," then, at age fifty, became a chaplain in the Union Army, losing his right eye in battle. Reverend Ames writes to his son about the tension between his father--an ardent pacifist--and his grandfather, whose pistol and bloody shirts, concealed in an army blanket, may be relics from the fight between the abolitionists and those settlers who wanted to vote Kansas into the union as a slave state. And he tells a story of the sacred bonds between fathers and sons, which are tested in his tender and strained relationship with his namesake, John Ames Boughton, his best friend's wayward son. This is also the tale of another remarkable vision--not a corporeal vision of God but the vision of life as a wondrously strange creation. It tells how wisdom was forged in Ames's soul during his solitary life, and how history lives through generations, pervasively present even when betrayed and forgotten.
Glad Of Earth
KESSINGER PUBLISHING, LLC
2007
pokkari
Synopsis coming soon.......
An engaging reassessment of the celebrated essayist and his relevance to contemporary readersMore than two centuries after his birth, Ralph Waldo Emerson remains one of the presiding spirits in American culture. Yet his reputation as the starry-eyed prophet of self-reliance has obscured a much more complicated figure who spent a lifetime wrestling with injustice, philosophy, art, desire, and suffering. James Marcus introduces readers to this Emerson, a writer of self-interrogating genius whose visionary flights are always grounded in Yankee shrewdness.This Emerson is a rebel. He is also a lover, a friend, a husband, and a father. Having declared his great topic to be “the infinitude of the private man,” he is nonetheless an intensely social being who develops Transcendentalism in the company of Henry David Thoreau, Margaret Fuller, Bronson Alcott, and Theodore Parker. And although he resists political activism early on—hoping instead for a revolution in consciousness—the burning issue of slavery ultimately transforms him from cloistered metaphysician to fiery abolitionist.Drawing on telling episodes from Emerson’s life alongside landmark essays like “Self-Reliance,” “Experience,” and “Circles,” Glad to the Brink of Fear reveals how Emerson shares our preoccupations with fate and freedom, race and inequality, love and grief. It shows, too, how his desire to see the world afresh, rather than accepting the consensus view, is a lesson that never grows old.
An engaging reassessment of the celebrated essayist and his relevance to contemporary readersMore than two centuries after his birth, Ralph Waldo Emerson remains one of the presiding spirits in American culture. Yet his reputation as the starry-eyed prophet of self-reliance has obscured a much more complicated figure who spent a lifetime wrestling with injustice, philosophy, art, desire, and suffering. James Marcus introduces readers to this Emerson, a writer of self-interrogating genius whose visionary flights are always grounded in Yankee shrewdness.This Emerson is a rebel. He is also a lover, a friend, a husband, and a father. Having declared his great topic to be “the infinitude of the private man,” he is nonetheless an intensely social being who develops Transcendentalism in the company of Henry David Thoreau, Margaret Fuller, Bronson Alcott, and Theodore Parker. And although he resists political activism early on—hoping instead for a revolution in consciousness—the burning issue of slavery ultimately transforms him from cloistered metaphysician to fiery abolitionist.Drawing on telling episodes from Emerson’s life alongside landmark essays like “Self-Reliance,” “Experience,” and “Circles,” Glad to the Brink of Fear reveals how Emerson shares our preoccupations with fate and freedom, race and inequality, love and grief. It shows, too, how his desire to see the world afresh, rather than accepting the consensus view, is a lesson that never grows old.
Twenty years ago, T. R. Pearson's "A Short History of a Small Place" was hailed as "an absolute stunner" (Jonathan Yardley, "The Washington Post") and its hero, young Louis Benfield, was dubbed "a youth not as wry as Holden Caulfield, but certainly as observant, and with a bigger, even sadder heart" (Fran Schumer, "The New York Times"). Now, older but not necessarily wiser, Louis Benfield returns in "Glad News of the Natural World." Having moved to New York City from his hometown of Neely, North Carolina, in order to get a sense of the larger world, Louis is a modern-day Candide, looking for love and experience in all the wrong places. However, when tragedy strikes, he finds the maturity needed to be more than man enough for the job.
Gilda's Disease: Personal Experiences and Authoritative Medical Advice on Ovarian Cancer
Steven Piver
Crown Publishing Group (NY)
1998
nidottu
Combining the latest medical research and the co-author's personal story of his late wife Gilda Radner's courageous battle with ovarian cancer, a moving and informative book discusses the symptoms and causes of, and treatments for, the disease. Reprint.
Christmas news Read all about it in these two classic stories from #1 New York Times bestselling author Debbie Macomber. Christmas is a time for...fruitcake. Rookie reporter Emma Collins hates fruitcake; for that matter, she hates Christmas, too. When three Washington State women are finalists in a national fruitcake contest, the story is assigned to her. That's bad enough. It gets worse when she has to fly in a small plane (scary ) with a smart-aleck pilot named Oliver Hamilton (sexy ) and his scruffy dog (cute ). In the end she meets three wise women, falls in love and learns There's Something About Christmas. This is also a time for families, for togetherness, for memories. On Christmas Eve, Maryanne and Nolan Adams tell their kids the story they most want to hear--how Mom and Dad met and fell in love. It all started when they were reporters on rival Seattle papers...and next thing you know, Here Comes Trouble Previously published.
When Craig Cooper and Walker Hayes met, Walker was an alcoholic atheist reeling from the backlash of a failed music career. Through their unlikely friendship, Craig's life demonstrated the love of Christ in a way that shattered Walker's misconceptions of Christianity, ultimately leading him down the path to a dramatic conversion. The two are now close as brothers, choosing to be next-door neighbors and ripped out the fence between their homes as a testament to the power of the gospel to break down barriers and unite people together in Christ. Glad You're Here helps us discover how building relationships, sacrificing for the good of others, and drawing near in times of need can lead to powerful transformation. Through story and biblical reflections, Glad You're Here helps readers see how God works in the everyday lives of those who love him.
"Glad To Go For a Feast" focuses upon Milton's intellectual contacts in Florence during his sojourn from 1638 to 1639, especially those "accademici" surrounding the grammarian and Dantista Benedetto Buonmattei (1581-1648), including Carlo Roberto Dati (1619-1676) and Agostino Coltellini (1613-1693). Dr. A. M. Cinquemani provides a brief life of Buonmattei as priest, scholar, and "accademico" as well as a discussion of "Della Lingua Toscana" (1623-1643) as having perhaps shaped Milton's representation of prelapsarian language in "Paradise Lost." The tendencies of contemporary Florentine criticism, as suggested by the work of Buonmattei, are considered with a view to understanding the particular version of Dante to which Milton was exposed. Large portions of "Della Lingua Toscana" and Buonmattei's commentaries on Dante, as well as Coltellini's -Tuscan Areopagitica, - the "Introduzione all' Anatomia" (1651), are presented here for the first time in English."
M. H. Salmon was told, ""a river named 'Gila' offered sporting fish. But this was no river. It was a stream, and standing on the bank I could see that if you picked out a riffle you could cross on foot without wetting your knees. Hardly even your ankles. I knew rivers - the St. Lawrence, the Seneca, the Oswego, the Salmon, the Black, and the Nueces. A real river could float a freighter, or at the least a barge, a yacht, a bass or drift boat. This Gila would ground a canoe."" But he soon learned the river offered more than water and fish.""Gila Libre! New Mexico's Last Wild River"" is the story of a geographic anomaly that includes roughly four million acres of the nation's first designated (1924) wilderness area, New Mexico's largest national forest, and the state's only undammed river. Visitors might spot a beaver and a coatimundi on the same day, an elk and a javelina on the same hillside, or catch a flathead catfish and a wild trout in the same pool. Apaches roamed along the Gila's shores, as did mountain men and outlaws.""Gila Libre!"" tells the river's story to-date, extolling what is still a unique Southwest resource and speculating on its future, which includes the threatening proposal of a major state and federal water project.
If there was ever a ""ring-tailed roarer"" of the backwoods of New Mexico, he was Quentin Hulse (1926-2002). Hulse lived and worked most of his life at the bottom of Canyon Creek in the Gila River country of southwestern New Mexico, but his reputation spread far and wide. His western image appeared on a tourist postcard and souvenir license plate in the 1950s. Footage of a lion hunt led by Hulse and his hounds appeared on the Men's Channel in 2005, three years after his passing.Hulse grew up primarily in western New Mexico when that ranch and mining country was still remote and raw. At the age of ten he witnessed a point-blank shooting, the culmination of an old-fashioned frontier feud. He followed his parents between mines and towns until his father established a ranch at Canyon Creek. While serving in the navy during World War II, he landed on the bloody beach at Okinawa. After returning from the war, he was shot in a bar near Silver City during a night of carousing.Hulse was most at home in the rugged Gila Wilderness, in which he ranched and guided for fifty years. With compassion and nuance, Nancy Coggeshall tells the compelling biography of a unique western rancher constantly adjusting to the inroads of modernity into his traditional way of life. Drawing on oral history, archival sources, and her personal association with Hulse and the Gila, she brings this unique westerner, and New Mexican, to life.
For sixty million years, the Gila River, longer than the Hudson and the Delaware combined, has shaped the ecology of the Southwest from its source in New Mexico to its confluence with the Colorado River in Arizona. Today, for at least half its length, the Gila is dead, like so many of the West’s great rivers, owing to overgrazing, damming, and other practices. This richly documented cautionary tale narrates the Gila’s natural and human history. Now updated, McNamee’s study traces recent efforts to resuscitate portions of this important riparian corridor.
The Gila Monster spends 99% of its life underground, making encounters with this lizard extremely rare. Sightings are infrequent even for the biologists who study them. When one does stumble upon a Gila Monster, however, this slow-moving lizard is not easily forgotten. Advertised by orange-and-black coloration and followed by stories of venomous power, the Gila Monster carries a mystique like that of few other animals.In this volume, authors David Brown and Neil Carmony dig out the tall tales, dispel the myths, and reveal the lizard’s true character. Through a collection of biological and historical facts mixed with entertaining stories, they have created an illuminating account of America’s largest and only poisonous lizard. Written in an engaging style, The Gila Monster is a fun and educational read for all who are intrigued by the Southwest and its most mysterious denizen.