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1000 tulosta hakusanalla Jennie Collins

Jennie C. Jones: Ensemble

Jennie C. Jones: Ensemble

Lauren Rosati; Glenn Ligon

Metropolitan Museum of Art
2025
pokkari
Documenting Jennie C. Jones’s multisensory site-specific artwork, this volume highlights her inspirations—from Minimalism and Modernism to avant-garde music Multimedia artist Jennie C. Jones draws on the aesthetics of minimalism and the improvisational qualities of avant-garde music to consider the sonic potential of abstraction. This volume, the latest in The Met’s Roof Garden Commission series, documents Jones’s dynamic installation. It features a trio of sculptural forms based on stringed instruments—a zither, a one-string, and an Aeolian harp—joined by a floor-based work that serves as the “conductor” of this ensemble. Full of sonic possibility, the sculptures sit quietly until they are played by the movement of the wind. An essay situates Ensemble within the artist’s larger practice and an interview with Jones conducted by Glenn Ligon charts the development of the commission, connects her site-responsive work to the collection and architecture of The Met, and explores the artist’s unique engagement with sound and visual abstraction. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (April 15–October 19, 2025)
Jennie Carter

Jennie Carter

University Press of Mississippi
2009
nidottu
In June 1867, the San Francisco Elevator-one of the nation's premier black weekly newspapers during Reconstruction-began publishing articles by a Californian calling herself ""Ann J. Trask"" and later ""Semper Fidelis."" Her name was Jennie Carter (1830-1881), and the Elevator would print her essays, columns, and poems for seven years. Carter probably spent her early life in New Orleans, New York, and Wisconsin, but by the time she wrote her ""Always Faithful"" columns for the newspaper, she was in Nevada County, California. Her work considers California and national politics, race and racism, women's rights and suffrage, temperance, morality, education, and a host of other issues, all from the point of view of an unabashedly strong-minded African American woman. Recovering Carter's work from obscurity, this volume represents one of the most exciting bodies of extant work by an African American journalist before the twentieth century. Editor Eric Gardner provides an introduction that documents as much of Carter\'s life in California as can be known and places her work in historical and literary context.
Jennie Glenroy

Jennie Glenroy

Elisabeth Ogilvie

Down East Books,U.S.
2016
pokkari
Jennie and Alick Glenroy arrived in Maine with nothing, not even their names, starting anew in a different land, leaving the turmoil and violence of Scotland behind them. Almost twenty years later, the "Godless Glenroys" are a prosperous, though sometimes controversial, family. Alick is the proprietor of a successful shipyard, and Jennie has raised their five children to think for themselves, a trait that occasionally raises the ire of their staid neighbors. The Glenroys find themselves facing issues that they've long been sheltered from: slavery, enmity, and violence. Jennie and Alick must defend their children against malicious accusations and guide them through the trials of adolescence, but also allow them the independence and space to grow into intelligent and principled adults. When a figure from their fugitive past sails into town, everything they have worked to build over the past twenty years is in danger of being torn asunder; ultimately they must face these new challenges with the same courage and persevering spirit that carried them over Highland mountains so many years before.
Jennie About to Be

Jennie About to Be

Elisabeth Ogilvie

Down East Books,U.S.
2016
pokkari
In 1809, marriage was the best a spirited, healthy, and intelligent girl could hope for, especially if she was an orphan without a fortune. Jennie Hawthorne has been hustled to London by her well-meaning aunt to secure just such a marriage, though Jennie despises the prospective wife parade and yearns for her childhood home by the North Sea. All that changes when she falls for the dashing soldier Nigel Gilchrist, marrying him after a whirlwind romance. Nigel wastes no time whisking his bride to the Scottish Highlands where he will serve as manager to the family estate. In Scotland Jennie is faced with the realities of the Highland Clearances: tenant cottagers forcibly evicted from their homes by lairds to make way for sheep and grazing land. When Jennie learns that both Nigel and his brother are complicit in such clearances, she finds her heart warring with her conscience. She defies Nigel and his brother, doing what she can to help the cottagers, and helping Alick Gilchrist resist the clearances. But their efforts bring disaster: a tragic accident makes Alick a hunted fugitive, and Jennie is compelled by circumstance to throw her lot in with his as they face an arduous journey across mountains to ultimately escape the strife-ridden Highlands.