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1000 tulosta hakusanalla Leonard Holder

Leonard and Virginia Woolf, The Hogarth Press and the Networks of Modernism

Leonard and Virginia Woolf, The Hogarth Press and the Networks of Modernism

Edinburgh University Press
2012
nidottu
This multi-authored volume focuses on Leonard and Virginia Woolf's Hogarth Press (1917-1941). Scholars from the UK and the US use previously unpublished archival materials and new methodological frameworks to explore the relationships forged by the Woolfs via the Press and to gauge the impact of their editorial choices on writing and culture. Combining literary criticism, book history, biography and sociology, the chapters weave together the stories of the lesser known authors, artists and press workers with the canonical names linked to the press following a 'rich, dialogic' forum or network. The book brings together a wide range of thematic material in three sections - 'Class and Culture', 'Global Bloomsbury' and 'Marketing Other Modernisms'. Topics addressed in the book include imperialism, the middlebrow, religion, translation, the marketplace and poetry, with case studies on West Indian writer C.L.R. James, Welsh poet Huw Menai, child poet Joan Easdale and American artist E. McKnight Kauffer. This original collection will contribute to three vibrant sub-fields now remaking twentieth-century scholarship: print culture, modernist studies, and Woolf studies.Key features:* A significant intervention in current debates on theorising and contextualising modernism* Draws on established Hogarth Press and author-specific archives to open up previously-neglected writers for fresh study* Provides a new view of the Woolfs' achievements as publishers* Sets the agenda for further scholarship in advance of the centenary of the founding of the Press in 2017
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Leonard Bernstein: West Side Story

Leonard Bernstein: West Side Story

Nigel Simeone

Ashgate Publishing Limited
2009
sidottu
One of the Broadway musicals that can genuinely claim to have transformed the genre, West Side Story has been featured in many books on Broadway, but it has yet to be the focus of a scholarly monograph. Nigel Simeone begins by exploring the long process of creating West Side Story, including a discussion of Bernstein's sketches, early drafts of the score and script, as well as cut songs. The core of the book is a commentary on the music itself. West Side Story is one of the very few Broadway musicals for which there is a complete published orchestral score, as well as two different editions of the piano-vocal score. The survival of the original copied orchestral score, and the reminiscences of Sid Ramin and Irwin Kostal, reveal details of the orchestration process, and the extent to which Bernstein was involved in this. Simeone's commentary considers: musical characteristics and compositional techniques used to mirror the drama (for example, the various uses of the tritone), motivic development, the use and reinvention of Broadway and other conventions, the creation of dramatic continuity in the score through the use of motifs and other devices, the unusual degree of dissonance and rhythmic complexity (at least for the time), and the integration of Latin-American dance forms (Mambo, Huapango and so on). Simeone also considers the reception of West Side Story in the contemporary press. The stir the show caused included the response that it was the angular, edgy score that made it a remarkable achievement. Not all reviews were uncritical. Finally, the book looks in detail at the making of the original Broadway cast recording, made in just one day, included on the accompanying downloadable resources.
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Leonard Calvert and the Maryland Adventure

Leonard Calvert and the Maryland Adventure

Ann Jensen

Schiffer Publishing Ltd
2011
nidottu
Leonard Calvert was a quiet boy who grew up in England. When he was grown, Leonard went to Newfoundland with his father, George Calvert, the first Lord Baltimore, and fought French privateers. When his father died, Cecil became the second Lord Baltimore, and led the first colonists to settle in Maryland. Leonard was just twenty-seven-years old when he became Maryland’s first governor. He faced fierce Indians, unfriendly Virginia fur traders, and plundering pirates who wanted to chase him out of Maryland and take the colony away from the Calverts. Middle grades–ages 10-13.
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Leonard and Reva Brooks

Leonard and Reva Brooks

John Virtue

McGill-Queen's University Press
2001
sidottu
In 1947 Leonard and Reva Brooks left for Mexico where Leonard planned to study painting for a year. In Mexico they discovered a vibrant, sometimes even dangerous, society and a dynamic artistic community, unlike the mundane world they had left behind in Canada with its stale and unwelcoming artistic scene. Invigorated by their new environment Leonard and Reva ended up staying for over half a century, playing a key role in establishing San Miguel de Allende as a world-famous art colony. In this new biography, John Virtue chronicles the lives of these two important artists and offers an intimate look at these complex and creative people. Virtue describes how they were caught up in the McCarthy era of Communist witch hunts and blacklisted in the United States. He details their close friendships with luminary figures such as Marshall McLuhan, Earle Birney, and the Mexican art icon David Alfaro Siqueiros, as well as a host of others. As Leonard became a fixture in the Mexican art scene Reva's photography quickly garnered international recognition, applauded by photographers Ansel Adams and Edward Weston. In 1975 the San Francisco Museum of Art selected her as one of the top fifty female photographers of all time. With tales of deportations, shootouts, murder attempts, failures, and triumphs, Leonard and Reva Brooks is a biography of two creative people caught up in interesting times.
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Leonard Bernstein's On the Waterfront

Leonard Bernstein's On the Waterfront

Anthony Bushard

Scarecrow Press
2012
nidottu
Released in 1954, On the Waterfront is considered one of the greatest films of all time, winning eight Academy Awards—including Best Picture—and placing in the top 20 on the American Film Institute’s 100 Films survey. The film’s Oscar-nominated score represented a rare venture into film music composition by Leonard Bernstein, one of the towering figures of classical music in the 20th century. In Leonard Bernstein’s On the Waterfront: A Film Score Guide, Anthony Bushard examines this landmark work, a score that continues to influence composers of film and classical music alike. The book begins with a biographical survey of Bernstein’s work, followed by an exploration of Bernstein’s compositional method, a look at the context of the film, and an analysis of the score itself. Though other volumes have focused on Bernstein’s overall career, Bushard's book is the first to look specifically at the score of this film. A welcome examination of one of Bernstein’s most accomplished works, Leonard Bernstein’s On the Waterfront: A Film Score Guide highlights the invaluable contributions of this great composer and will be appreciated by fans of classical music and film scores.
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Leonard Bernstein and His Young People's Concerts

Leonard Bernstein and His Young People's Concerts

Alicia Kopfstein-Penk

Rowman Littlefield Publishers
2015
sidottu
Leonard Bernstein touched millions of lives as composer, conductor, teacher, and activist. He frequently visited homes around the world through the medium of television, particularly through his fifty-three award-winning Young People’s Concerts (1958-1972), which at their height were seen by nearly ten million in over forty countries. Originally designed for young viewers but equally attractive to eager adults, Bernstein’s brilliance as a teacher shined brightly in his televised presentations. And yet, despite the light touch of the “maestro,” the innocence of his audience, and the joyousness of each show’s topic, the turbulence of the times would peek through. In this first in-depth look at the series, Alicia Kopfstein-Penk’s Leonard Bernstein and His Young People’s Concerts illustrates how the cultural, social, political, and musical upheavals of the long sixties impacted Bernstein’s life and his Young People’s Concerts. Responding to trends in corporate sponsorship, censorship, and arts programming from the Golden Age of Television into the 1970s, the Young People’s Concerts would show the impact of and reflect the social and cultural politics of the Cold War, Vietnam, the Civil Rights and Women’s Movements, and the Counterculture. Bernstein cheerfully bridged classical and popular tastes, juxtaposing the Beatles with Mozart even as he offered personal, televised pleas for peace and unity. At the same time, the concerts reflect Bernstein’s troubled relationship as a professional musician with the dominance of atonality and his quest to nurture American music. Anyone who enjoys the oeuvre of Leonard Bernstein, has watched his Young People’s Concerts, or is passionate about the history of the long sixties will find in Leonard Bernstein and His Young People’s Concerts a story of all three captured in this monumental study.
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Leonard Cohen and Philosophy

Leonard Cohen and Philosophy

Open Court Publishing Co ,U.S.
2014
pokkari
From the early years, when he morphed from celebrated poet to provocative singer/songwriter, to his induction into the Rock and Roll Hall of Fame, Leonard Cohen has endured as one of the most enigmatic and profound figures in all of popular music. With his uniquely compelling voice and unparalleled depth of artistic vision, the aesthetic quality and intellectual merit of Cohen's work are above dispute; here, for the first time, a team of philosophers takes an in-depth look at its real significance. Want to know what Cohen and Kierkegaard have in common? Or whether Cohen rivals the great philosophical pessimist Schopenhauer? Then this book is for you. It provides the first thorough analysis of Cohen from various (philosophical) positions. It is intended not only for Cohen fans but also undergraduates in philosophy and other areas. It explores important neglected aspects of Cohen's work without attempting to reduce them to academic tropes, yet nonetheless it is also useful to academics -- or anyone -- beguiled by the enigma that is Leonard Cohen.
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Leonard and Virginia Woolf as Publishers

Leonard and Virginia Woolf as Publishers

J.H. Willis

University of Virginia Press
1992
sidottu
Leonard and Virginia Woolf have proved endlessly interesting as individuals, as partners, as writers, as modernists, as the central players in the absorbing drama of Bloomsbury. Yet surprisingly scant attention has been paid to their remarkable achievement as publishers. Now J.H. Willis, Jr, attempts to combine wide-ranging literary knowledge with over 10 years of research to enhance our appreciation of Leonard and Virginia Woolf as publishers. The Woolf's very personal publishing enterprise began with the installation of a handpress in the drawing room of Hogarth House in 1917. What started as amateur diversion from the demands of their own writing encompassed, by the time of Virginia's suicide in 1941, the publication of 474 titles. Along the way the Woolfs published the early work of T.S. Eliot, Katherine Mansfield, John Maynard Keynes, and a host of others, and introduced the English-speaking world to the great Russian novelists and Sigmund Freud. It was a record any publisher would envy, all the more remarkable for the personal way in which it was achieved. Virginia originally set the type and frequently read the proof; Leonard as managing director made the deals, kept the books, and nearly always argued with the assistants. Through much digging J.H. Willis has pieced together the full story of ""Leonard and Virginia Woolf as Publishers"". ""In the midst of present-day publishing giants and the obliterating tide of so many books"", the author writes, ""readers and publishers may look at the operation of the Hogarth Press with amusement, perhaps with disbelief, possibly with nostalgia. Most of all, I hope readers will look with admiration at what Leonard and Virginia Woolf achieved as publishers in the context of their times and will see the Hogarth Press as a brilliant addition to their accomplishments as writers and intellectuals"".
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Leonard Wood

Leonard Wood

Jack McCallum

New York University Press
2005
sidottu
One of the most fascinating but least remembered figures in modern American history, Major General Leonard Wood (1860-1927) was, with his close friend Theodore Roosevelt, an icon of U.S. imperialism as the nation evolved into a global power at the dawn of the twentieth century. The myriad of roles that Wood played in his extraordinary career offer a mirror image of the country's expansion from the urban Northeast to the western frontier to Latin America and the Far East. Boston surgeon, Indian fighter, U.S. Army Chief of Staff, Medal of Honor winner, commander of the Rough Riders in the Spanish-American War, Governor General of the Philippines, and presidential candidate, Wood was one of a select cadre of men that transformed the American military at the turn of the century, turning it into a modern fighting force and the nation into a world power. Throughout his life, Wood tested the division between military and civilian power to its very limits. His 1920 presidential campaign and his conflicts with civilian politicians were harbingers of the struggles that Generals Douglas MacArthur and Dwight D. Eisenhower would face as they moved from the battlefield to Washington following World War II. Jack McCallum has mined Wood's extensive personal records—including diaries, correspondence, and photographs—to create a vivid portrait of a complex man and the legacy he left on U.S. imperialism. America's rapid conquest of Cuba and the Philippines and the subsequent political and economic reconstruction it imposed under Wood's military supervision in these regions have important parallels to current U.S. involvement in the Middle East, both in its successes and its failures.
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Leonard Cohen

Leonard Cohen

Mike Evans

Plexus Publishing Ltd
2018
nidottu
For more than four decades, Leonard Cohen's mournful ballads of desire, heartbreak and lost faith have captivated audiences the world over. Now more popular than ever, the award-winning Canadian songwriter, novelist and poet is revered as a cultural icon and master of his craft. Published to coincide with Cohen's 80th birthday in September 2014, this is the first complete guide to his studio and live albums -- from his studio debut, "Songs of Leonard Cohen" (1967), to his most recent record, "Old Ideas" (2012). Offering a comprehensive overview of each LP -- from writing and recording through to release and legacy -- "Leonard Cohen: Everybody Knows" is a richly illustrated tribute to the body of recorded work that has made Cohen a legend in his own lifetime.
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Leonard J. Arrington

Leonard J. Arrington

Gary Topping

Arthur H. Clark Company
2008
sidottu
One of the foremost American historians of his generation, Leonard J. Arrington (1913-1999) revolutionized the writing of Mormon history. Through the publication of his groundbreaking "Great Basin Kingdom: An Economic History of the Latter-day Saints, " as well as numerous other publications, he established the dominant interpretation of the Mormon experience. Yet until now, there has been little analysis of his contribution to western history.Focusing on Arrington's intellectual career, Gary Topping examines the facets of Arrington's life that influenced his historical ideas: how his Idaho farm background shaped his values and interests, and how his nontraditional upbringing differed from that of other young Mormons. Topping also offers a critical evaluation and major new interpretation of Arrington's works that will likely spark controversy in the scholarly community.Topping re-examines Arrington's role in founding and promoting what is known as the New Mormon History. Arrington has been criticized for relying on the assistance of numerous staff members in the church's History Division, but Topping shows this collaborative approach to have been in keeping with the cooperative spirit of Mormonism. Yet, as Topping relates, Arrington's efforts to make archival material more accessible to the public were undermined by the more conservative wing of the church hierarchy, which released him from his position as Church Historian in 1982.Both an engaging biography and a sharp appraisal of Arrington's methods and interpretive work, Topping's book expands on Arrington's own autobiography by offering the first thorough analysis of his contributions.
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Nuclear Structure / by Leonard Eisenbud and Eugene P. Wigner

Nuclear Structure / by Leonard Eisenbud and Eugene P. Wigner

Leonard Eisenbud

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Leonard Jay, Master Printer-craftsman, First Head of the Birmingham School of Printing, 1925-53: an Appraisal

Leonard Jay, Master Printer-craftsman, First Head of the Birmingham School of Printing, 1925-53: an Appraisal

Lawrence William Wallis

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Nuclear Structure / by Leonard Eisenbud and Eugene P. Wigner

Nuclear Structure / by Leonard Eisenbud and Eugene P. Wigner

Leonard Eisenbud

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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