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1000 tulosta hakusanalla Liz Meldon
Liz Borden - My Life In Short Stories And Poetry Volume 2
Liz Borden
Independently Published
2019
nidottu
Musician, Songwriter, Producer Liz Borden shares her poems and Short Stories
Called "the Odd Couple" in high school, brainy Liz and athletic Nick hit it off. From tutor and pupil to lovers, they formed a tight bond -until college. Heading off in different directions, they agreed to cut their ties with no regrets. That was the last time they saw each other. Haunted by feelings of inferiority, the former lovers never pursued each other after college. Unable to find a man who evoked the same strong emotions she had experienced with Nick, Liz settled for dating a "ho-hum" guy. Searching, in vain, for a woman as smart at Lizzie who could love a jock, Nick never married. Would a surprise meeting, ten years later, give them a second chance or was it too late?
Liz Larner: Don’t Put It Back Like It Was
Dancing Foxes Press
2022
sidottu
A long-overdue appreciation of the influential sculpture of Liz Larner and its radically adventurous formal and conceptual vocabulary Los Angeles–based sculptor and installation artist Liz Larner (born 1960) was originally a photographer: in some of her earliest projects, she documented the volatility of bacterial cultures in petri dishes. However, she soon realized that she was more compelled by the dishes themselves and how they presented questions about what an art object can entail. Since then, she has continued to pursue her interest in formal unpredictability through a focus on sculpture and architectural space. Composed of a diverse variety of materials, her sculptures frequently function as optical illusions that seem to bend the space around them. Sometimes rigidly technical in their geometry and at other times soft-edged and amorphous, Larner’s sculptures are striking both for their fluctuation of form and for their representation of spatial politics. Repositioning her enduring formal and material concerns alongside her relationship to a feminist sculptural position, this monograph offers an opportunity to consider Larner’s artistic project within today’s expanded discourses of embodiment, gender and posthumanism, and to recalibrate our understanding of it in relation to male-dominated Postminimalism and installation art, which have often underpinned Larner’s critical reception. Poet Ariana Reines, cultural critic and theorist Catherine Liu, and curators Connie Butler and Mary Ceruti consider the physical properties and sociopolitical implications of the materials present in Larner’s work, which range from ceramic to steel chain to surgical gauze to human hair.
Rabbits, bears, crocs, anteaters, sloths, sharks, narwhals, dinos, and more all charmingly populate The Little World of Liz Climo. Unlike the real world, its inhabitants are equal parts clever, thoughtful, resourceful, and just a little bit naïve. These qualities combine to make it an altogether delightful place where a kiwi can fly (with the help of a helium-filled balloon), octopuses are huggers, and hammerheads use bikini tops as sleep masks. Lucky for you, with this clever little calendar featuring a different cartoon on every page, it's a world you'll be able to spend a lot of time in.
This charming day-to-day calendar features adorable animal comics by bestselling author Liz Climo.With a different illustration on each page, this page-a-day desk calendar features Liz Climo's short and sweet comics on the funny-yet-honest exchanges that likely occur in the animal kingdom. Sweet, adorable, and all too relatable, this calendar captures life's everyday eccentricities with lighthearted wit and wisdom, making it an irresistible self-buy and a unique, affordable gift for fans of Liz Climo and animal lovers everywhere. 6 x 5 x 1 1/2 inches 314 tear-away pagesPerfect for:- Liz Climo and webcomic fans - Animal lovers - Moms, dads, grandparents, best friends, and more - Anyone who appreciates cute animal humor
This charming day-to-day calendar features adorable animal comics by bestselling author Liz Climo.With a different illustration on each page, this day-to-day desk calendar features Liz Climo's short and sweet comics based on her quirky, funny, and almost human-like animal kingdom. Sweet, adorable, and all too relatable, this calendar captures life's everyday eccentricities with lighthearted wit, humor, and wisdom, making it an irresistible self-buy and a unique, affordable gift for fans of Liz Climo and animal lovers everywhere. 6 x 5 x 1 1/2 inches 314 tear-away pages Perfect for: Liz Climo and webcomic fans Animal lovers Moms, dads, grandparents, best friends, and more Anyone who appreciates cute animal humor
Liz Somerville Wall Calendar 2026 (Art Calendar)
FLAME TREE PUBLISHING
2025
kalenteri
Painter and printmaker Liz Somerville graduated from Winchester School of Art in 1988 with a degree in textile design and spent sixteen years working as a designer in London, before moving to Dorset and becoming a full-time artist. Her work has been exhibited widely in galleries and exhibitions within the UK, including The Royal West of England Academy in Bristol and the Russell-Cotes Museum in Bournemouth. Liz relishes creating scenes with a story for the viewer to find, and is drawn to the lie and flow of the land, unexpected colour, traces of past use, texture and form. She mixes print and paint, which lends a fluid quality to the sometimes static nature of a conventional print. This calendar showcases 12 of her striking landscapes. The datepad features previous and next months views in this art calendar. Printed on FSC-certified paper, with plastic-free packaging.
Five plays from the the makar (national poet) of Scotland, one of the country’s best-known (and best-loved) living playwrights. Liz Lochhead is the author of many highly inventive original plays, adaptations and translations, all crafted with her special blend of the vividly colloquial and the energetically poetic. This volume brings together five of her best original plays ranging over three decades and several, contrasting styles. Her first play, Blood and Ice (1982), is about the creation of Frankenstein, and weaves a spider’s web of connections between the literary monster and Mary Shelley’s own turbulent life. The modern classic Mary Queen of Scots Got Her Head Chopped Off (1987) retells the familiar tale of enmity between Elizabeth I and Mary Queen of Scots, with Lochhead’s own brand of ferocious iconoclasm and boundless wit. Quelques Fleurs (1991) is a portrait of a marriage, both funny and tragic, and told through interlaced monologues. The last two plays, Perfect Days (1998) and Good Things (2004), mark a woman’s fear of turning, respectively, forty and fifty. In the first, Barbs, 39, a celebrity hairdresser, determines to do something to drown out the ticking of her biological clock. In the second, Susan, 49, sets out to find love the second (or is it third or fourth?) time round… This rich collection of plays carries a new and candid introduction by the author, specially written for the volume. ‘Funny, feisty, female, full of feeling… Liz Lochhead possesses the deeply Scottish qualities of independence, inquisitiveness and inventiveness’ Carol Ann Duffy
Liz Larner
Karma
2016
pokkari
Published to coincide with her solo exhibition at the Aspen Art Museum, this catalogue surveys over five years of Los Angeles–based artist Liz Larner's (born 1960) wall-based ceramic works. Larner’s process explores the natural compression and fragmentation of the body and of ceramic forms themselves. Fired and coated with pigment and resin, each ceramic work fits into one of six categories: inflexion, caesura, subduction, mantle, passage and calefaction. Resembling magnificently colored ancient tablets or sculptural specimens of the mineral world, the pieces have fissures and cracks that evoke geological processes. With a photo-essay by Catherine Opie, an essay by curator and writer Jenelle Porter, and an interview between Larner and Aspen Art Museum Director Heidi Zuckerman, this is an accessible entry into the work of an eminent female artist whose practice continues to radically enliven contemporary sculpture.
Liz Refuse to Fall
Jacquelyn Hester Colleton- Akins; Marilyn Elizabeth Colleton
Readersmagnet LLC
2021
pokkari
The most beautiful tree in the park is Mr. Maple tree. The leaves on Mr. Maple tree had uncomplicated names. One of the finest and toughest leaf was named Liz. had one of her toughest challenges yet to come.
Liz Refuse to Fall
Jacquelyn Hester Colleton-Akins; Marilyn Elizabeth Colleton
Xlibris Us
2018
pokkari
The most beautiful tree in the park is Mr. Maple. The leaves on Mr. Maple's tree had uncomplicated names. One of the finest and toughest leaf was named Liz. Liz had one of her toughest challenges yet to conquer.
Liz Magor (born 1948) is one of the most important Canadian artists of her generation and certainly Canada's most influential sculptor of the past three decades. This publication offers an in-depth exploration of Magor's sculpture and installation work, produced over the course of 40 years, emphasizing the thematic and emotional range of Magor's practice.From the mental and physical contexts of retail consumerism to the spaces of the museum, to the private, interior worlds of addiction and desire, Magor's oeuvre has consistently combined a high level of conceptual and procedural rigor with an intense investigation of materials, ranging from twigs and textiles to rubber and polymerized gypsum. This publication includes an interview with the artist and contributions by Dan Adler, Heike Munder, Bettina Steinbrugge, Ian Carr Harris, Geraldine Gourbe, Trevor Mahovsky, Isabelle Pauwels, Chris Sharpe and Corin Sworn.
Liz Craft!
SCHEIDEGGER UND SPIESS AG, VERLAG
2025
nidottu
American artist Liz Craft creates sculptures and figurative installations that appear like fragments in space. They tell dreamlike stories and conjure an atmosphere associated with surrealism, fairy tales, or drug-induced hallucinations. For her art, Craft mainly draws on ideas from American counterculture of the 1960s, psychedelic experiences, and pop culture. She borrows images from B movies, Westerns, and horror films, as well as comic strips and theme park aesthetics. This first comprehensive monograph on Liz Craft in more than 15 years offers a deep insight into her artistic evolution over two decades. Numerous illustrations document recent works in various contexts. Two supplementing essays and a conversation with the artist explore and reflect on the diverse themes and techniques she applies. The superbly designed volume contributes to a better understanding of Craft’s unique style and offers a rich source for anyone interested in contemporary art.