MARCEL MOYSE VOICE OF THE FLUTE
Kirjahaku
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1000 tulosta hakusanalla Marcel Rose
Marcel Breuer and a Committee of Twelve Plan a Church
Hilary Thimmesh
Saint John's University Press
2011
pokkari
Marcel & Me: A Memoir of Love, Lust, and Illusion
Paulette Frankl
Lightning Rod Publications
2014
nidottu
A young divorc e, searching for creativity and her true nature, meets the world's greatest mime, Marcel Marceau, backstage after a performance. Attracted to each other, they write and speak on the phone. He invites her on a one-week blind date that develops into a thirty-six-year liaison of love, lust, and illusion. This book is about what happens when the mistress of fantasy meets the master of illusion. Written in the language of the heart, this story has depth of soul. It is funny, erotic, poignant, and filled with wisdom about life, fame, and relationship. It is about the profound longing for union and the ferocious need for independence, being simultaneously vulnerable and daring. Marcel is portrayed onstage and off, as a friend and lover. Frankl unmasks the genius and humanizes the man. Marcel & Me contains original art by both the author and Marceau, as well as photos, along with a richly evocative read that, in the end, is real.
Marcel Proust, an English Tribute
C K (Charles Kenne Scott-Moncrieff
Anson Street Press
2025
pokkari
This book tracks the development of Marcel Breuer’s aesthetic clash between uniformity and singularity through the detailed examination of his seminal buildings. Each chapter examines a specific building and puts into context Breuer’s other work and the contemporary movements/architects of the post-war era such as Surrealism, Brutalism and structural expressionism. The buildings examined include the UNESCO Headquarters in Paris, France, of 1958; the IBM Research Center in Le Gaude, France, of 1962; the Annunciation Priory in Bismark, North Dakota, of 1963; and the Atlanta Central Library of 1980. Marcel Breuer’s approach to design was inspired by the Spanish phrase, sol y sombra (sun and shadow). Sun and shadow meant for Breuer that a juxtaposition of contrasts was necessary; light glass walls and heavy concrete, masses lifted over voids, and serial precast construction resting on sculptural columns became hallmarks of Breuer’s buildings. By creating an architecture of juxtaposition, Breuer’s work can be interpreted as a surrealist recontre, as fueling a new architectural condition. A critical evaluation of Marcel Breuer’s work, this book is written for graduate students, researchers, and academics interested in his work and how it shaped the architecture of the post-war era.
This book tracks the development of Marcel Breuer’s aesthetic clash between uniformity and singularity through the detailed examination of his seminal buildings. Each chapter examines a specific building and puts into context Breuer’s other work and the contemporary movements/architects of the post-war era such as Surrealism, Brutalism and structural expressionism. The buildings examined include the UNESCO Headquarters in Paris, France, of 1958; the IBM Research Center in Le Gaude, France, of 1962; the Annunciation Priory in Bismark, North Dakota, of 1963; and the Atlanta Central Library of 1980. Marcel Breuer’s approach to design was inspired by the Spanish phrase, sol y sombra (sun and shadow). Sun and shadow meant for Breuer that a juxtaposition of contrasts was necessary; light glass walls and heavy concrete, masses lifted over voids, and serial precast construction resting on sculptural columns became hallmarks of Breuer’s buildings. By creating an architecture of juxtaposition, Breuer’s work can be interpreted as a surrealist recontre, as fueling a new architectural condition. A critical evaluation of Marcel Breuer’s work, this book is written for graduate students, researchers, and academics interested in his work and how it shaped the architecture of the post-war era.
Marcel's Little Black Book: The Perfect Dating Companion for a Handsome Man Named Marcel. A secret place for names, phone numbers, and addresses.
Wingman Publishing
Independently Published
2019
nidottu
Keep a record of all the girls that catch your eye
Marcel's Geistesblitze - Dinge, die du nicht verstehen würdest, also - Finger weg! Private: Cooles Notizbuch ca. A5 für alle Männer 108 Seiten mit Pun
Coolmennotes Publishing
Independently Published
2019
nidottu
Zauberhaftes Notizbuch f r M dchen / ca. A5 liniert / 108 SeitenDieses Notizbuch ist eine tolle, kleine Geschenkidee f r M dchen, ideal f r Notizen und Mitteilungen, die Schule, zur Einschulung oder als Tagebuch.PRODUKT DETAILS: ca. A5 (15,2 x 22,8 cm)Taschenbuch (soft cover)Zauberhaftes Design mit tanzendem M dchengl nzender Umschlag 108 Seiten liniertstarkes creme wei es Papierperfekt f r Notizen, Skizzen, Adressen, Mitteilungen, als Tagebuch, ...Es stehen viele andere Namen zur Verf gung. Gib einfach in die Amazon-Suche "DanceNotes Vorname" ein.
This book is an instance in which the whole community is mistaken in its apperception of reality, while an adolescent gets it right. In fact, he maintains that systematic doubt allows us to keep things in check. Without it, knowledge would have remained still from the past to eternity.
Ce livre est un exemple selon lequel la communaute se fourvoie dans son apperception du reel, tandis qu'un adolescent s'engage dans le chemin de la verite. En somme, cet adolescent maintient que le doute systematique nous permet de controler les objets de la connaissance. Sans lui, la connaissance resterait stationnaire du passe a l'eternite.
Marcel Proust in Context
Cambridge University Press
2013
sidottu
This volume sets Marcel Proust's masterwork, Á la recherche du temps perdu (In Search of Lost Time, 1913–27), in its cultural and socio-historical contexts. Essays by the leading scholars in the field attend to Proust's biography, his huge correspondence, and the genesis and protracted evolution of his masterpiece. Light is cast on Proust's relation to thinkers and artists of his time, and to those of the great French and European traditions of which he is now so centrally a part. There is vivid exploration of Proust's reading; his attitudes towards contemporary social and political issues; his relation to journalism, religion, sexuality, science and travel, and how these figure in the Recherche. The volume closes with a comprehensive survey of Proust's critical reception, from reviews during his lifetime to the present day, including assessments of Proust in translation and the broader assimilation of his work into twentieth- and twenty-first-century culture.
While much has been written on Marcel Duchamp - one of the twentieth century's most beguiling artists - the subject of his flirtation with architecture seems to have been largely overlooked. Yet, in the carefully arranged plans and sections organising the blueprint of desire in the Large Glass, his numerous pieces replicating architectural fragments, and his involvement in designing exhibitions, Duchamp's fascination with architectural design is clearly evident. As his unconventional architectural influences - Niceron, Lequeu and Kiesler - and diverse legacy - Tschumi, OMA, Webb, Diller plus Scofidio and Nicholson - indicate, Duchamp was not as much interested in 'built' architecture as he was in the architecture of desire, re-constructing the imagination through drawing and testing the boundaries between reality and its aesthetic and philosophical possibilities. Marcel Duchamp and the Architecture of Desire examines the link between architectural thinking and Duchamp's work. By employing design, drawing and making - the tools of the architect - Haralambidou performs an architectural analysis of Duchamp‘s final enigmatic work Given: 1. The Waterfall, 2. The Illuminating Gas... demonstrating an innovative research methodology able to grasp meaning beyond textual analysis. This novel reading of his ideas and methods adds to, but also challenges, other art-historical interpretations. Through three main themes - allegory, visuality and desire - the book defines and theorises an alternative drawing practice positioned between art and architecture that predates and includes Duchamp.
This is the story of Marcel Duchamp and how the Dada art movement changed the way people thought about what art could be, and what could be art. From drawing a moustache on the Mona Lisa to attaching a bicycle wheel to a stool, Duchamp's work challenged long-held notions of art and how it should be made. People were amused, confused, and sometimes offended, and that was just the way Marcel Duchamp liked it.