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1000 tulosta hakusanalla Maya Anderson

Maya's Walk

Maya's Walk

Moira Butterfield

Oxford University Press
2022
pokkari
Maya loves walking. Whether she's spotting bugs in the woods or listening out for noises in the street, every walk is an adventure! This beautifully illustrated story reminds us that being outdoors is great for our mental wellbeing. It's full of ideas to inspire children to discover how much joy a walk can bring.
Maya Angelou's I Know Why the Caged Bird Sings
Perhaps more than any other single text, Maya Angelou's I Know Why the Caged Bird Sings helped to establish the audience and the "mainstream" status of the renaissance in black women's writing and thus to pave the way for the future success of Alice Walker, Terry McMillan, Sherley Anne Williams and perhaps even Toni Morrison. The Casebook promises to be a useful volume that will see wide use in the area where Angelou's first autobiography shows a continuing and flourishing readership, especially American autobiography, African American literature, Women's Studies/Gender Studies and Cross-Cultural Studies. Along with Braxton's introduction and the Claudia Tate interview, the selected essays provide a range of critical approaches to the text.
Maya Angelou's I Know Why the Caged Bird Sings
With the continued expansion of the literary canon, multicultural works of modern literary fiction and autobiography have assumed an increasing importance for students and scholars of American literature. This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the first time, an accessible forum in which readers can come to a fuller understanding of these contemporary masterpieces and the unique aspects of American ethnic, racial, or cultural experience that they so ably portray. Perhaps more than any other single text, Maya Angelou's I Know Why the Caged Bird Sings helped to establish the "mainstream" status of the renaissance in black women's writing. This casebook presents a variety of critical approaches to this classic autobiography, along with an exclusive interview with Angelou conducted specially for this volume and a unique drawing of her childhood surroundings in Stamps, Arkansas, drawn by Angelou herself.
Maya Wisdom and the Survival of Our Planet

Maya Wisdom and the Survival of Our Planet

Lisa J. Lucero

OXFORD UNIVERSITY PRESS INC
2025
sidottu
We now live in the Anthropocene, the first epoch of our own making. We have altered the Earth's atmosphere, landscapes, and bodies of water. The burning of fossil fuels has warmed the planet enough to change weather patterns, melt glaciers, and raise sea levels, a situation made worse by rampant deforestation and resource depletion. Many look to governments to confront these existential challenges. In Maya Wisdom and the Survival of Our Planet, Lisa Lucero looks to the Maya, past and present. Through the lens of the traditional Maya inclusive worldview--one in which humans are part of the world, not separate from it, and where everything is connected--Lucero provides a practical roadmap on how to sustainably address climate change and environmental degradation. She shows how the Maya collaborate with rather than try to subjugate forests, animals, soils, water, and other nonhuman entities. The Maya sustainably farmed for millennia and provided goods, labor, and services to their kings in cities. In return, kings performed vital ceremonies to the Rain God Chahk, other gods, and ancestors to replenish urban reservoirs that lasted throughout the long dry season--a balancing act that worked for over 1,000 years. Lucero shows how approaches to tackle climate change from the bottom-up, beginning with the family or household, are just as important as top-down governmental mitigation, and how learning from traditional knowledge is vital for the survival of us all. She brings to life the tropical jungles of Central America and reveals the valuable solutions its ancient and contemporary inhabitants offer us to save our planet.
Maya in the Bhagavata Pura?a

Maya in the Bhagavata Pura?a

Gopal K. Gupta

Oxford University Press
2020
sidottu
The idea of Maya pervades Indian philosophy. It is enigmatic, multivalent, and foundational, with its oldest referents found in the Rig Veda. This book explores Maya's rich conceptual history, and then focuses on the highly developed theology of Maya found in the Sanskrit Bhagavata Pura?a, one of the most important Hindu sacred texts. Gopal K. Gupta examines Maya's role in the Bhagavata's narratives, paying special attention to its relationship with other key concepts in the text, such as human suffering (du?kha), devotion (bhakti), and divine play (lila). In the Bhagavata, Maya is often identified as the divine feminine, and has a far-reaching influence. For example, Maya is both the world and the means by which God creates the world, as well as the facilitator of God's play, paradoxically revealing him to his devotees by concealing his majesty. While Vedanta philosophy typically sees Maya as a negative force, the Bhagavata affirms that Maya also has a positive role, as Maya is ultimately meant to draw living beings toward Krishna and intensify their devotion to him.
Maya Deren

Maya Deren

Sarah Keller

Columbia University Press
2014
sidottu
Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century's groundbreaking aesthetic movements and films. Maya Deren assesses both the filmmaker's completed work and her numerous unfinished projects, arguing Deren's overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren's career and the productive tensions she initiated that continue to energize film.
Maya Deren

Maya Deren

Sarah Keller

Columbia University Press
2014
pokkari
Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century's groundbreaking aesthetic movements and films. Maya Deren assesses both the filmmaker's completed work and her numerous unfinished projects, arguing Deren's overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren's career and the productive tensions she initiated that continue to energize film.
Maya for Games

Maya for Games

Michael Ingrassia

Focal Press
2008
nidottu
Well-known Maya professional, Michael Ingrassia, takes readers through his unique style of modeling: "Image Based Modeling" where efficient, realistic models can be created very quickly. Ingrassia's techniques allow modelers to create exact replicas of their concept characters or objects. The techniques presented are very efficient and allow game modelers to quickly build out stand alone props to populate environments and game levels. Presented are tried and true techniques that the author has used successfully in game production for the past 10 years. Most, if not all 3D books, focus on basic "box" modeling techniques, which are the basis for proper 3D modeling but not the complete solution. In the author's experience, students who have learned through the Image Based Modeling brand, have quickly excelled into effective modelers. One of the hardest things for any modeler to do is match their model EXACTLY to the concept art or photos they are provided. The insider tips in this book walk artists through this process. Artists begin with basic modeling and advance to a creating a complete scene and set design/game level. Rather than including sporadic models with zero association from to one another, each model in the book becomes an integral part of an overall theme realistic in game development today. The accompanying downloadable resources include 8 exclusive video tutorials on advanced Maya techniques as bonus tracks for artists providing invaluable modeling, rigging and texturing samples. Also, an in-depth video on assembling a "Killer Demo Reel" showing simple but effective video editing techniques used by the author so that artists can learn how to get their work seen. The book not only teaches effective methodology, but provides the user with impressive content for producing effective demo reels and portfolios. Pros and cons of demo reel, website and artist representation are given, along with insights into the expectations of game studios today. The video tutorials show users the finished product, and then run through the process of step by step creation of that particular technique.
Maya & Marley and the Great Big Tidy Up

Maya & Marley and the Great Big Tidy Up

Laura Henry-Allain

Penguin Random House Children's UK
2024
nidottu
"Join Maya and Marley on their Great Big Tidy Up where they show us how with a little bit of effort we can all make our communities joyous, clean and safe spaces. This is a wonderfully inspiring tale that shows children just how empowered they can be."Joseph Coelho, OBE, former Children's Laureate 2022-2024"Where children’s books are concerned Laura sets the standard."Patrick HutchinsonSiblings Maya and Marley are ready to take charge and make a change in this brand new picture book by Laura Henry-Allain, creator of Jo Jo & Gran Gran!"I'm wondering, I'm wondering... we need to have a great big tidy up!"Maya and Marley live in their very own playground with Mum, Dad and pet goats Lou and Chou!But when the playground becomes overrun with litter, it's up to Maya and Marley to plan a tidy up! Will they be able to clear it all away by themselves?A warm and adventurous picture book from bestselling author, Laura Henry-Allain, that promotes empathy and caring for the world around you.
Maya & Marley and the New Friend

Maya & Marley and the New Friend

Laura Henry-Allain

Penguin Random House Children's UK
2026
nidottu
Join siblings Maya and Marley as they welcome their new friend, Kazuki, to the playground! Maya and Marley are back with another adventure! While preparing Grove adventure playground for the annual community lunch, it's up to Maya and Marley to greet all the guests. But when they introduce themselves to a new boy, Kazuki, the two siblings make it their goal to take the nervous Kazuki under their wings. Will Maya and Marley find a way to make Kazuki feel welcome? And what will their cheeky goats, Lou and Chou be up to this time? A warm and adventurous picture book from bestselling author, Laura Henry-Allain, that promotes empathy and caring for the world around you. Also available from the world of Laura Henry-Allain: Maya & Marley and the Great Big Tidy Up
Maya Market Women

Maya Market Women

S. Ashley Kistler

University of Illinois Press
2014
sidottu
As cultural mediators, Chamelco's market women offer a model of contemporary Q'eqchi' identity grounded in the strength of the Maya historical legacy. Guatemala's Maya communities have faced nearly five hundred years of constant challenges to their culture, from colonial oppression to the instability of violent military dictatorships and the advent of new global technologies. In spite of this history, the people of San Juan Chamelco, Guatemala, have effectively resisted significant changes to their cultural identities. Chamelco residents embrace new technologies, ideas, and resources to strengthen their indigenous identities and maintain Maya practice in the 21st century, a resilience that sets Chamelco apart from other Maya towns. Unlike the region's other indigenous women, Chamelco's Q'eqchi' market women achieve both prominence and visibility as vendors, dominating social domains from religion to local politics. These women honor their families' legacies through continuation of the inherited, high-status marketing trade. In Maya Market Women, S. Ashley Kistler describes how market women gain social standing as mediators of sometimes conflicting realities, harnessing the forces of global capitalism to revitalize Chamelco's indigenous identity. Working at the intersections of globalization, kinship, gender, and memory, Kistler presents a firsthand look at Maya markets as a domain in which the values of capitalism and indigenous communities meet.
Maya Market Women

Maya Market Women

S. Ashley Kistler

University of Illinois Press
2014
nidottu
As cultural mediators, Chamelco's market women offer a model of contemporary Q'eqchi' identity grounded in the strength of the Maya historical legacy. Guatemala's Maya communities have faced nearly five hundred years of constant challenges to their culture, from colonial oppression to the instability of violent military dictatorships and the advent of new global technologies. In spite of this history, the people of San Juan Chamelco, Guatemala, have effectively resisted significant changes to their cultural identities. Chamelco residents embrace new technologies, ideas, and resources to strengthen their indigenous identities and maintain Maya practice in the 21st century, a resilience that sets Chamelco apart from other Maya towns. Unlike the region's other indigenous women, Chamelco's Q'eqchi' market women achieve both prominence and visibility as vendors, dominating social domains from religion to local politics. These women honor their families' legacies through continuation of the inherited, high-status marketing trade. In Maya Market Women, S. Ashley Kistler describes how market women gain social standing as mediators of sometimes conflicting realities, harnessing the forces of global capitalism to revitalize Chamelco's indigenous identity. Working at the intersections of globalization, kinship, gender, and memory, Kistler presents a firsthand look at Maya markets as a domain in which the values of capitalism and indigenous communities meet.
Maya Political Science

Maya Political Science

Prudence M. Rice

University of Texas Press
2004
pokkari
How did the ancient Maya rule their world? Despite more than a century of archaeological investigation and glyphic decipherment, the nature of Maya political organization and political geography has remained an open question. Many debates have raged over models of centralization versus decentralization, superordinate and subordinate status-with far-flung analogies to emerging states in Europe, Asia, and Africa. But Prudence Rice asserts that neither the model of two giant "superpowers" nor that which postulates scores of small, weakly independent polities fits the accumulating body of material and cultural evidence.In this groundbreaking book, Rice builds a new model of Classic lowland Maya (AD 179-948) political organization and political geography. Using the method of direct historical analogy, she integrates ethnohistoric and ethnographic knowledge of the Colonial-period and modern Maya with archaeological, epigraphic, and iconographic data from the ancient Maya. On this basis of cultural continuity, she constructs a convincing case that the fundamental ordering principles of Classic Maya geopolitical organization were the calendar (specifically a 256-year cycle of time known as the may) and the concept of quadripartition, or the division of the cosmos into four cardinal directions. Rice also examines this new model of geopolitical organization in the Preclassic and Postclassic periods and demonstrates that it offers fresh insights into the nature of rulership, ballgame ritual, and warfare among the Classic lowland Maya.
Maya for Travelers and Students

Maya for Travelers and Students

Gary Bevington

University of Texas Press
1995
pokkari
The Yucatan Peninsula draws many North American and European travelers each year to view the ruins of the pre-Columbian Classical Maya civilization and the abundant native flora and fauna. For these travelers, as well as armchair travelers and students, Gary Bevington has prepared the first general English-language introduction to Yucatec Maya, the native language of the people indigenous to the region. Written in nontechnical terms for learners who have a basic knowledge of simple Mexican Spanish, the book presents easily understood, practical information for anyone who would like to communicate with the Maya in their native language. In addition to covering the pronunciation and grammar of Maya, Bevington includes invaluable tips on learning indigenous languages "in the field." Most helpful are his discussions of the cultural and material worlds of the Maya, accompanied by essential words and expressions for common objects and experiences. A Maya-English-Spanish glossary with extensive usage examples and an English-Maya glossary conclude the book. Note: The supplemental audiocasette, Spoken Maya for Travelers and Students, is now available as a free download through the book's page on the University of Texas Press's website.
Maya Cultural Activism in Guatemala

Maya Cultural Activism in Guatemala

University of Texas Press
1996
pokkari
Maya Cultural Activism in Guatemala marks a new era in Guatemalan studies by offering an up-to-the-minute look at the pan-Maya movement and the future of the Maya people as they struggle to regain control over their cultural destiny. The successful emergence of what is in some senses a nationalism grounded in ethnicity and language has challenged scholars to reconsider their concepts of nationalism, community, and identity.Editors Edward F. Fischer and R. McKenna Brown have brought together essays by virtually all the leading U.S. experts on contemporary Maya communities and the top Maya scholars working in Guatemala today. Supplementing scholarly analysis of Mayan cultural activism is a position statement originating within the movement and more wide-ranging and personal reflections by anthropologists and linguists who have worked with the Maya over the years. Among the broader issues that come in for examination are the complex relations between U.S. Mayanists and the Mayan cultural movement, efforts to promote literacy in Mayan languages, the significance of woven textiles and native dress, the relations between language and national identity, and the cultural meanings that the present-day Maya have encountered in ancient Mayan texts and hieroglyphic writing.
Maya Intellectual Renaissance

Maya Intellectual Renaissance

Victor D. Montejo

University of Texas Press
2005
pokkari
When Mayan leaders protested the celebration of the Quincentenary of the "discovery" of America and joined with other indigenous groups in the Americas to proclaim an alternate celebration of 500 years of resistance, they rose to national prominence in Guatemala. This was possible in part because of the cultural, political, economic, and religious revitalization that occurred in Mayan communities in the later half of the twentieth century. Another result of the revitalization was Mayan students' enrollment in graduate programs in order to reclaim the intellectual history of the brilliant Mayan past. Victor Montejo was one of those students.This is the first book to be published outside of Guatemala where a Mayan writer other than Rigoberta Menchu discusses the history and problems of the country. It collects essays Montejo has written over the past ten years that address three critical issues facing Mayan peoples today: identity, representation, and Mayan leadership. Montejo is deeply invested in furthering the discussion of the effectiveness of Mayan leadership because he believes that self-evaluation is necessary for the movement to advance. He also criticizes the racist treatment that Mayans experience, and advocates for the construction of a more pluralistic Guatemala that recognizes cultural diversity and abandons assimilation. This volume maps a new political alternative for the future of the movement that promotes inter-ethnic collaboration alongside a reverence for Mayan culture.
Maya Calendar Origins

Maya Calendar Origins

Prudence M. Rice

University of Texas Press
2007
pokkari
In Maya Political Science: Time, Astronomy, and the Cosmos, Prudence M. Rice proposed a new model of Maya political organization in which geopolitical seats of power rotated according to a 256-year calendar cycle known as the May. This fundamental connection between timekeeping and Maya political organization sparked Rice's interest in the origins of the two major calendars used by the ancient lowland Maya, one 260 days long, and the other having 365 days. In Maya Calendar Origins, she presents a provocative new thesis about the origins and development of the calendrical system.Integrating data from anthropology, archaeology, art history, astronomy, ethnohistory, myth, and linguistics, Rice argues that the Maya calendars developed about a millennium earlier than commonly thought, around 1200 BC, as an outgrowth of observations of the natural phenomena that scheduled the movements of late Archaic hunter-gatherer-collectors throughout what became Mesoamerica. She asserts that an understanding of the cycles of weather and celestial movements became the basis of power for early rulers, who could thereby claim "control" over supernatural cosmic forces. Rice shows how time became materialized-transformed into status objects such as monuments that encoded calendrical or temporal concerns-as well as politicized, becoming the foundation for societal order, political legitimization, and wealth. Rice's research also sheds new light on the origins of the Popol Vuh, which, Rice believes, encodes the history of the development of the Mesoamerican calendars. She also explores the connections between the Maya and early Olmec and Izapan cultures in the Isthmian region, who shared with the Maya the cosmovision and ideology incorporated into the calendrical systems.
Maya Palaces and Elite Residences

Maya Palaces and Elite Residences

University of Texas Press
2003
nidottu
Maya "palaces" have intrigued students of this ancient Mesoamerican culture since the early twentieth century, when scholars first applied the term "palace" to multi-room, gallery-like buildings set on low platforms in the centers of Maya cities. Who lived in these palaces? What types of ceremonial and residential activities took place there? How do the physical forms and spatial arrangement of the buildings embody Maya concepts of social organization and cosmology?This book brings together state-of-the-art data and analysis regarding the occupants, ritual and residential uses, and social and cosmological meanings of Maya palaces and elite residences. A multidisciplinary team of senior researchers reports on sites in Belize (Blue Creek), Western Honduras (Copan), the Peten (Tikal, Dos Pilas, Aguateca), and the Yucatan (Uxmal, Chichen-Itza, Dzibilchaltun, Yaxuna). Archaeologist contributors discuss the form of palace buildings and associated artifacts, their location within the city, and how some palaces related to landscape features. Their approach is complemented by art historical analyses of architectural sculpture, epigraphy, and ethnography. Jessica Joyce Christie concludes the volume by identifying patterns and commonalties that apply not only to the cited examples, but also to Maya architecture in general.
Maya Archaeology and Ethnohistory

Maya Archaeology and Ethnohistory

University of Texas Press
1979
nidottu
Embracing a wide range of research, this book offers various views on the intellectual history of Maya archaeology and ethnohistory and the processes operating in the rise and fall of Maya civilization. The fourteen studies were selected from those presented at the Second Cambridge Symposium on Recent Research in Mesoamerican Archaeology and are presented in three major sections. The first of these deals with the application of theory, both anthropological and historical, to the great civilization of the Classic Maya, which flourished in the Yucatan, Guatemala, and Belize during the first millennium A.D. The structural remains of the Classic Period have impressed travelers and archaeologists for over a century, and aspects of the development and decline of this strange and brilliant tropical forest culture are examined here in the light of archaeological research. The second section presents the results of field research ranging from the Highlands of Mexico east to Honduras and north into the Lowland heart of Maya civilization, and iconographic study of excavated material. The third section covers the ethnohistoric approach to archaeology, the conjunction of material and documentary evidence. Early European documents are used to illuminate historic Maya culture. This section includes transcriptions of previously unpublished archival material. Although not formally linked beyond their common field of inquiry, the essays here offer a conspectus of late-twentieth century Maya research and a series of case histories of the work of some of the leading scholars in the field.