Another poem book, just like the rest. Poems created from the deepest parts of the heart and mind. For others sharing the same suffering.
Kirjahaku
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351 tulosta hakusanalla Nunn Kayte
![Echo in the Memory [16pt Large Print Edition]](/covers/9780369387646.jpg)
What if memories never die? An evocative Australian YA novel about family, place, and how history has a way of weaving itself into our present. What if memories never die? When fifteen-year-old Will is sent away to stay with his grandparents in rural New South Wales, he finds the isolated farm strangely familiar; except the memories he's channelling are not his own. But whose are they? And why does his grandfather share the same haunting link? As two stories unfold, nearly 200 years apart, two boys exiled to what feels like the end of the earth struggle to find their identities and voices in the face of abandonment and tragedy. A page-turning YA novel that explores the darker moments of our convict past and how they resonate today.
The Politics and History of AIDS Treatment in Brazil
Amy Nunn
Springer-Verlag New York Inc.
2008
sidottu
Brazil’s public policy response to the AIDS epidemic preceded those of many developing countries. During my tenure as President, in 1996, Brazil adopted a law guaranteeing free and universal access to AIDS treatment for all people living with HIV/AIDS. Brazil became the first developing country to provide publicly-financed AIDS treatment for all people living with HIV/AIDS. We now have one of the world’s most successful AIDS programs that is considered a model for other dev- oping countries. Today, 185,000 people receive life-saving AIDS cocktails in Brazil, and thousands of lives have been saved. But this was not an easy battle. There were many challenges along the way. Twenty years ago, Brazil’s achie- ments today might have seemed impossible. During the 1980s, in Brazil, as elsewhere, there was overwhelming stigma associated with AIDS; people living with HIV often lost their jobs and died quickly before the advent of life-saving antiretroviral drugs. Brazil’s AIDS movement was extraordinarily important in promoting progressive AIDS policies; associations of people living with HIV were the first to denounce pervasive AIDS-related discri- nation and called public attention to the importance of AIDS. Activists protested in the streets for over a decade, engaged the media, and framed AIDS as a human rights issue.
Shakespeare's comic, romantic tale of loss and love, disguise and gender takes on haunting, autumnal tones Trevor Nunn's screenplay together with an extensive introduction and production stills was published to coincide with the film's release in 1996. Filmed on the coast of Cornwall it stars Helen Bonham Carter, Richard E. Grant, Nicholas Farrell, Nigel Hawthorne, Ben Kingsley, Stephen Mackintosh, Mel Smith, Imelda Staunton, Toby Stephens and Imogen Stubbs.
This heartrending YA tale set in a Swaziland boarding school and featuring an unlikely friendship between girls of different castes won the LA Times Book Prize and is now available in paperback.Adele Joubert loves being one of the popular girls at Keziah Christian Academy. She knows the upcoming semester at school is going to be great with her best friend Delia at her side. Then Delia dumps her for a new girl with more money, and Adele is forced to share a room with Lottie, the school pariah, who doesn't pray and defies teachers' orders. But as they share a copy of Jane Eyre, Lottie's gruff exterior and honesty grows on Adele, and Lottie learns to be a little sweeter. Together, they take on bullies and protect each other from the vindictive and prejudiced teachers. Then a boy goes missing on campus and Adele and Lottie must rely on each other to solve the mystery and along the way learn the true meaning of friendship.
From Los Angeles Times Book Prize Award winner and Edgar Award nominee Malla Nunn comes a stunning portrait of a family divided and a powerful story of how friendship saves and heals. Now in paperback. Fifteen-year-old Amandla's mother has always been strange. For starters, she's a white woman living in Sugar Town, one of South Africa's infamous shanty towns. She won't tell anyone, not even Amandla, about her past. And she has visions, including ones that promise the return of Amandla's father--as if he were a prince in a fairy tale. But their difficult (even in the best of times) life in Sugar Town is no fairy tale and Amandla knows the truth--her father is long gone. He's just another mystery and missing piece of her mother's past and one of the many reasons people in Sugar Town give them strange looks--that and the fact that Amandla is Black and her mother is not. Lately her mother has been acting even more strangely, so when Amandla finds a mysterious address at the bottom of her mother's purse along with a large amount of cash, she decides it's finally time to get answers. As she confronts devastating family secrets and even the devil himself, she'll need her best friends at her side, her fellow Sugar Town Queens, if she hopes to help heal a pain that has lasted a generation.
No biblical historian is included in the standard dictionaries of historians. Banks study examines the boundaries as well as the links that exists between history writing in biblical studies and the practice of history in university departments of history. She argues that while the influence of the profession of writing history is apparent, there are countervailing forces as well. The presupposition that the Bible is a book of history conditions the outcome of historical research in biblical studies. Banks argues that Julius Wellhausens history of Israel set in motion the general tendency toward ever greater congruence between historiography in biblical studies and in academic departments of history; that the initial tension caused by Wellhausens work produced a reaction which effectively stalled the movement toward accommodation between secular, academic history and biblical studies; and that a new generation of scholars applying the methods used by secular historians has revived and continued the tendency to promote the practice of secular, academic historiography in biblical studies. Banks applies her method to Wellhausen, Martin Noth, John Bright, and Thomas Thompson.
Heart Attacks is California's last secret spot--the premier mysto surf haunt, the stuff of rumor and legend. The rumors say you must cross Indian land to get there. They tell of hostile locals and shark-infested waters where waves in excess of thirty feet break a mile from shore. For down-and-out photographer Jack Fletcher, the chance to shoot these waves in the company of surfing legend Drew Harmon offers the promise of new beginnings. But Drew is not alone in the northern reaches of the state. His young wife, Kendra, lives there with him. Obsessed with the unsolved murder of a local girl, Kendra has embarked upon a quest of her own, a search for truth--however dark that truth may prove to be. The Dogs of Winter is a portrait of two men and an appealing yet troubled young woman set against an unforgettable background of stark and violent beauty.
Offering shelter to a young Mexican woman who barely survived an attack on her life, former surfer and ex-convict Fahey finds their subsequent relationship threatened by those who would kill the woman for her activism activities against exploitative foreign factory owners. Reprint. 35,000 first printing.
From Los Angeles Times Book Prize winner Kem Nunn and "principal heir to the tradition of Raymond Chandler and Nathanael West" (The Washington Post)--an intense psychological suspense novel about a San Francisco neuropsychiatrist who becomes sexually involved with a woman suffering from multiple personality disorder, whose pathological ex-husband is an Oakland homicide detective. A dark tale involving psychiatric mystery, sexual obsession, fractured identities, and terrifyingly realistic violence--Chance is set amid the back streets of California's Bay Area, far from the cleansing breezes of the ocean. Dr. Eldon Chance, a neuropsychiatrist, is a man primed for spectacular ruin. Into Dr. Chance's blighted life walks Jaclyn Blackstone, the abused, attractive wife of an Oakland homicide detective, a violent and jealous man. Jaclyn appears to be suffering from a dissociative identity disorder. In time, Chance will fall into bed with her--or is it with her alter ego, the voracious and volatile Jackie Black? The not-so-good doctor, despite his professional training, isn't quite sure--and thereby hangs his fascination with her. Meanwhile, Chance also meets a young man named D, a self-styled, streetwise philosopher skilled in the art of the blade. It is around this trio of unique and dangerous individuals that long guarded secrets begin to unravel, obsessions grow, and the doctor's carefully arranged life comes to the brink of implosion. Amid San Francisco's fluid, ever-shifting fog, in the cool, gray city of love, Dr. Chance will at last be forced to live up to his name. Chance is a twisted, harrowing, and impossible-to-put-down head trip through the fun house of fate, mesmerizing until the very last page.
Young Australian actress Samantha Lindsay, fresh from her success on the London stage, is thrilled when she lands the lead role in the latest Hollywood war epic to be filmed in the dramatic South Pacific islands of Vanuatu. It's the role of a lifetime.In another era, Jane Thackeray travels from her home in England to the far distant islands of the New Hebrides with her husband, a Presbyterian missionary. Ensnared in the turmoil of war in the South Pacific, Jane witnesses the devastating effect human conflict has upon an innocent race of people, and her life becomes entwined in a maelstrom of love, hate, sacrifice and revenge.On location in Vanuatu, Samantha plays a character based on the life of 'Mamma Tack', a World War II heroine who was invaluable to both the US forces and the New Hebredian natives. Uncanny parallels between history and fiction emerge and Sam begins a quest for the truth.
Sweeping, epic drama by Australian bestseller Judy Nunn - who played Ailsa Stewart in Home and Away
This fascinating collection of over 200 old photographs charts a part of the history of many of the villages in the north west of Sheffield and the parish of Bradfield. These images have been drawn from a wide variety of sources including family albums, historical societies and enriched by a wealth of detail from memories of residents. The 'villages' pictured here include Bradfield, Dungworth, Storrs, Stannington, Loxley, Malin Bridge, Hillsborough, Owlerton, Wadsley, Worrall, Oughtibridge, Brightholmlee, Ewden Valley, Langsett and Midhopestones, distinct and separate communities linked by ties of faith, education and labour. This nostalgic tour of the area includes scenes of Bradfield Agricultural Show, Sheffield speedway team, Sheffield Wednesday Football Club, the Great Flood of 1864 as well as streets, homes and buildings long gone. This book will be enjoyed by young and old alike and will rekindle memories of a vanished way of life.
Around Bradfield, Loxley and Hillsborough - The Second Selection: Images of England
Malcolm Nunn
The History Press Ltd
2002
nidottu
A history of Bradfield, Loxley & Hillsborough and surrounding areas
Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South.Like Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners’ racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull—between segregationist cultural logics and music’s disrespect of racially defined boundaries—is an animating force in twentieth-century American popular culture.