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Perry Mason and Philosophy

Perry Mason and Philosophy

Open Court Publishing Co ,U.S.
2020
pokkari
In 1933 the crime writer Erle Stanley Gardner, himself a practicing lawyer, unleashed the character Perry Mason in the novel The Case of the Velvet Claws. Perry Mason entered into public consciousness as a new conception of the role of the defense lawyer, so that millions of Americans came to expect every criminal trial to have its “Perry Mason moment.” In the 1950s the Perry Mason TV show had a phenomenal success, and Mason came to be identified with Raymond Burr. Now Perry Mason has again been restored to life in the HBO series starring Matthew Rhys and John Lithgow. Meanwhile, the eighty-two original Erle Stanley Gardner novels continue to sell thousands of copies each week. Perry Mason gave America a new conception of the trial lawyer, as someone who was always loyal to his client and always prepared to use dirty tricks such as misdirection and withholding of evidence to protect the innocent and secure the ends of Justice. The Mason of the novels is less scrupulous than the Raymond Burr Mason, and would sometimes be in danger of going to jail if the trial didn’t turn out right—which it always did, largely because of Mason’s cleverness. The Perry Mason icon raises many philosophical issues explored by seventeen different philosophers in this book, including: ? Can we defend Paul Drake’s claim (The Case of the Blonde Bonanza) that Mason is “a paragon of righteous virtue” despite his predilection for skating on thin legal ice? ? Can complex murder cases be solved by facts alone—or do we also need empathy? ? The most convincing way to give a TV episode a surprise ending is by the guilty person suddenly confessing. But in reality, is a confession necessarily so convincing? ? Does Perry Mason represent the Messiah? ? How does the Raymond Burr Perry Mason compare with the more recent TV character Saul Goodman (Breaking Bad and Better Call Saul)? ? Is it morally okay to mislead the police if this helps your client and your client is innocent? ? How does Perry Mason help us understand the distinction between natural law and positive law? ? Do the Perry Mason stories comply with Aristotle’s recipe for a good work of fiction? ? Does life imitate art, when Perry Mason is cited in real-life courtroom arguments? ? How much trickery can be justified by loyalty to one’s client? ? Can evidence in murder trials be evaluated by probability theory? ? Perry Mason is officially a lawyer and unofficially a detective. But isn’t he really a historian and a psychgoanalayst? ? Della Street is a competent legal secretary, but is she something more? ? Mason often says that “Eye-witness testimony is the worst kind of evidence” and occasionally that “Circumstantial evidence is the best evidence we have.” Can these claims be defended?
Perry Mason

Perry Mason

Thomas M. Leitch

Wayne State University Press
2005
nidottu
Perry Mason was one of the most successful television programs from the 1950s and remains one of the most influential crime melodramas from any period. The show's influence goes far beyond its nine-year tenure (1957-66), the millions of dollars it generated for its creators and for CBS, and the definitive identification it provided its star, Raymond Burr. ""Perry Mason"" has become a true piece of Americana, evolving through a formulaic approach that law professors continue to use today as a teaching tool. In his examination of ""Perry Mason"", author Thomas Leitch looks at why this series has appealed to so many for so long and what the continued appeal tells us about Americans' attitudes toward lawyers and the law, then and now. Beginning with its roots in earlier detective fiction, stories of fictional attorneys, and the work of Erle Stanley Gardner (the show's creator), Leitch lays out the circumstances under which ""Perry Mason"" was conceived and marketed as a distinct franchise. The evolution of ""Perry Mason"" is charted here in an inclusive manner, discussing the show's broadcast history (ending with the series of two-hour tele-movies that aired nearly twenty years after the original series ended) alongside its generic nature and place within popular culture, the show's ideological dynamic, and issues of authorship in the context of television. This concise study is an excellent tool for television and media scholars as well as fans of the ""Perry Mason"" series.
Perry Ellis

Perry Ellis

Jeffrey Banks; Erica Lennard; Doria de La Chapelle; Marc Jacobs

Rizzoli International Publications
2013
sidottu
In the late ’70s, spirited young designer, Perry Ellis introduced a fresh, witty and relaxed new sensibility to American sportswear, initially for women and a few years later, for men. The clothes were easy, oversized, slouchy, but classic at heart and they caused a sensation. Ellis, who once told the New York Times that he "always made a determined effort to do something different," did just that, creating a series of signature looks such as his “dimple” sleeves and single-cabled sweaters that set his clothes apart from everyone else’s. Nearly three decades after his untimely death, the legacy of the designer Ellis is still very much felt : PERRY ELLIS: An American Original is the first complete monograph to celebrate his exceptional career. The beautifully illustrated book showcases Ellis’s designs through a combination of photography and sketches, providing an insightful look at each season of his career, from 1976 to 1986, offering readers unique access to editorial and ad campaign photographs from the archives of brilliant photographer Erica Lennard, with whom Ellis worked almost exclusively. Included here are ephemera, a treasure trove of drawings, and never-before-published photos from the personal collections of the designer’s friends and family, adding insight to Ellis’s unique aesthetic while solidifying his place as one of the key contemporary designers of American fashion.
Perry and the Big Hustle: Blotch Book 3

Perry and the Big Hustle: Blotch Book 3

Stuart E. Schadt

Bradley Stuart Books
2018
nidottu
In book two the angels made it back in time to save Perry, and then they didn't leave. At least one stayed and he doesn't seem to be happy. He expects a lot of Perry and Perry begrudgingly tries to comply. In this last third of his freshman year Perry has some tough going, but other than a few hours in the emergency room he manages to stay out of the hospital, but that doesn't mean life is easy; there is pop's heart attack, the mugging at the dumpster, and a counseling session with his mom, who he accuses of dating an 18-year-old. Finally, Perry is falling so deeply in love with Cam that he has lost sight of the fact that he is only in ninth grade love, and he begins to envision more long-range plans. We don't know what Cam is feeling.
Family Tree of Eleanor Ogden West (Mrs. Perry M. Shepard): Her Sister and Brother, With Lineages of Their Mother and Father ..
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Perry History

Perry History

Adeline Batchelder Reed

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
From Illinois to Montana in 1866: The Diary of Perry A. Burgess

From Illinois to Montana in 1866: The Diary of Perry A. Burgess

Perry Burgess; Robert Greenleaf Athearn

Literary Licensing, LLC
2011
sidottu
From Illinois to Montana in 1866: The Diary of Perry A. Burgess is a historical account of the journey of Perry A. Burgess from his home in Illinois to Montana in the year 1866. The book is based on the diary entries of Perry A. Burgess and provides a detailed account of his experiences during the journey.The book starts with Burgess leaving his home in Illinois and traveling to St. Joseph, Missouri, where he joined a wagon train heading to Montana. The journey was long and arduous, and Burgess faced many challenges, including harsh weather conditions, difficult terrain, and encounters with Native Americans.Throughout the book, Burgess describes the daily routines of the wagon train, the people he met along the way, and the landscapes he saw. He also provides insights into the social and political climate of the time, including the aftermath of the Civil War and the tensions between settlers and Native Americans.The book offers a unique perspective on the history of the American West and provides a fascinating glimpse into the life of a pioneer during the mid-19th century. It is a valuable resource for historians, students, and anyone interested in the history of the American West.From The Pacific Northwest Quarterly, V41, No. 1, January, 1950.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.