"This miracle of a book, perhaps the most beautiful group of poetic translations this century has ever produced," (Chicago Tribune) should stand as the definitive English language version.
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1000 tulosta hakusanalla Rainer Schulz
Rainer Maria Rilke was first published in 1958. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.The German poet Rainer Maria Rilke died in 1926, and interest in his poetry has been mounting ever since. The winds of fashion, taste, or personal bias have shifted several times to affect his audience of readers. There have been, according to previous Rilke criticism, not one but many Rilkes. Thus the critics have pointed to the "early Rilke" and the "late Rilke," to the Prague poet, the Paris poet, and the Muzot poet.Now, in a fresh approach yet one which takes full cognizance of the varying viewpoints and conflicting purposes of earlier criticism, Professor Wood carefully examines Rilke's entire poetic output. The major concern here is with the poetry itself rather than with the biographical, psychological, or philosophical questions which have dominated most previous criticism.Through a close textual analysis of the poems, Professor Wood demonstrates that the whole body of Rilke's writing, from beginning to end, is thoroughly interrelated and interdependent. As he points out, many more published materials, both posthumous verse and correspondence, are available now than in the earlier periods of Rilke's fame, a situation which adds significance to this new evaluation.In addition to analyzing Rilke's own poetry, Professor Wood shows the links between Rilke and such contemporary poets and writers as Gide, Proust, T.S. Eliot, and Yeats.The excerpts quoted from Rilke's poetry are given both in the original German text and in standard English translation.
Influenced by Hegel and Nietzsche, and inspired by stays in Italy and France, as well as travels to Russia, Spain, and North Africa, Rainer Maria Rilke nevertheless sought desperately to be original. He rejected all « idees recues, whether they were of God, reality, or literature, instead creating his own absolute. He searched for the « real, re-formed German poetry, and revolutionized Western narrative prose with Malte Laurids Brigge. While Rilke's work is marked by two cesuras, after which it displays important advances in diction and the figuration of verbal icons, it becomes ever more esoteric. However, there are also constants throughout his oeuvre in thematics, topoi, and diction - for example, the preoccupation with death, figures such as the angel, key nouns, alliterations, and noun sequences. His fear of death drove him to adopt « the open, an idea conceived by the dubious mystagogue Alfred Schuler that surfaces throughout Rilke's poetry and triumphs in Sonnets to Orpheus and Duino Elegies.
Rainer Maria Rilke- The Book of Hours PB
Agenda Editions Charitable Trust
2008
nidottu
In this book, first published in 1946 as a second impression of a 1941 original, Butler profiles the influential poet Rainer Maria Rilke, seeing in him and his works a counteracting force to that of the destructive war in Europe. The biography addresses Rilke's life and the influences on his poetry, especially his time spent in Paris and his traumatizing military service in WWI. This book will be of value to anyone with an interest in Rilke.
One of the twentieth century’s great originals, Rilke’s poetry stands beside the philosophy of Nietzsche and the sculpture of Rodin. These pages clearly reflect the development of his art from the early exploration of love and death, anguish and ecstasy, to the more precise poetry of his later period, acutely aware of a sense of alienated terror. This bilingual edition contains the full text of his Duino Elegies, complete with an appendix of fragments, alongside generous selections from The Sonnets to Orpheus and the earlier volumes of poetry. ‘Excellent . . . it is easy to feel that if Rilke had written in English, he would have written in this English’ New York Times Book Review
Rainer Maria Rilke and Jugendstil
Karl Eugene Webb
The University of North Carolina Press
2020
pokkari
This study focuses on the striking relationship between one of the most important and enigmatic poets of the twentieth century and the art and artists of the Art Nouveau. The author explores the depth of the relationship itself, examines Rilke's activities as an art critic, and analyzes the profound influence of Art Nouveau upon the themes, motifs, and structure of the poet's early works.
Selected Poetry of Rainer Maria Rilke (Traditional Chinese Version)
Rainer Maria Rilke
Createspace Independent Publishing Platform
2014
nidottu
Riding Hood: Rainer Maria Rilke & Little Red Riding Hood
Rainer Maria Rilke; Silvana Maria Soriano
Createspace Independent Publishing Platform
2016
nidottu
Tradu o do franc s do ciclo de poemas "Les Roses" que Rainer Maria Rilke escreveu j no seu leito de morte em 1926, recuperando a l ngua da sua estadia em Fran a, onde come ara a sua aventura liter ria.
A superb new (and complete) translation of Rilke's luminously lyrical early book of poems, with scholarly introduction and commentary. Rainer Maria Rilke is arguably the most important modern German-language poet. His New Poems, Duino Elegies, and Sonnets to Orpheus are pillars of 20th-century poetry. Yet his earlier verse is less known. The Bookof Hours, written in three bursts between 1899 and 1903, is Rilke's most formative work, covering a crucial period in his rapid ascent from fin-de-siècle epigone to distinctive modern voice. The poems document Rilke'stour of Russia with Lou Andreas-Salomé, his hasty marriage and fathering of a child in Worpswede, and his turn toward the urban modernity of Paris. He assumes the persona of an artist-monk undertaking the Romantics' journey into the self, speaking to God as part transcendent deity, part needy neighbor. The poems can be read simply for their luminous lyricism, captured in Susan Ranson's superb new translation, which reproduces the music of the original German with impressive fluidity. An in-depth introduction explains the context of the work and elucidates its major themes, while the poem-by-poem commentary is helpful to the student and the general reader. A translator's note treating the technical problems of rhythm, meter, and rhyme that the translator of Rilke faces completes the volume. Susan Ranson is the co-translator, with Marielle Sutherland, of Rainer Maria Rilke, Selected Poems (Oxford World's Classics, 2011). Ben Hutchinson is Reader in Modern German at the University of Kent, UK.
The Sonnets of Rainer Maria Rilke
Rainer Maria Rilke; Rick Anthony Furtak
St. Augustine's Press
2022
nidottu
Romano Guardini described Rainer Maria Rilke as the “poet who had things of such importance to say about the end of our own age [and] was also a prophet of things to come.” The complexity of Rilke is, then, “highly relevant to modern Man.” Decades after Guardini’s assessment, the reader who rediscovers Rilke will find a depth of mind and soul that display a profundity the post-modern reader only thinks he possesses. In an expanded collection of Rilke’s sonnets, Rick Anthony Furtak not only makes this lyrical masterpiece accessible to the English reader, but he proves himself a master of sorts as well. His introduction that elaborates on Rilke’s marriage of vision and voice, intention and enigma, haunted companionship and abandonment is a stand-alone marvel for the reader. Furtak’s praised translation of Sonnets to Orpheus (University of Chicago Press, 2008) is surpassed in this much broader collection of verse that also includes the original German text. It is Furtak’s great achievement that Rilke resonates with the contemporary reader, who uncertain and searching wants to believe that the vision of existence can mirror much more than his own consciousness. In his feat of rendering Rilke in English, contextualizing the philosophical meanings of verse, and presenting literary romanticism, Furtak provides a formidable contribution to the vindication of true poetic voice.
From American Beauty (overrated) to The Night of the Hunter (masterpiece), this collection of Peter Rainer's film critiques spans the course of his illustrious 30-year career, which dates back to the early 1980s. Rainer covers films both well-known and obscure and writes in depth about many film auteurs - Stanley Kubrick, Alfred Hitchcock, the Coen Brothers, Mike Leigh - and up-and-comers, such as Sofia Coppola and Paul Thomas Anderson. The careers of actors ranging from Marlon Brando and Jessica Lange to Robert De Niro are also given an extensive examination.