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1000 tulosta hakusanalla Roger Ellsworth

Roger Ballen – Spirits and Spaces

Roger Ballen – Spirits and Spaces

Roger Ballen

THAMES HUDSON LTD
2025
sidottu
The first monograph to present Roger Ballen's work in colour: a visual revelation that remains grounded in the chaotic, absurd psychological space of the Ballenesque. Having previously expressed no interest in colour photography, Roger Ballen was inspired to engage with the medium after receiving a Leica SL camera as a gift in 2016. Opening up to the potential of colour in his work, Ballen used light in creative ways, exploring new avenues of experimentation. Spirits and Spaces eloquently captures the absurd and bizarre world of Roger Ballen, where animals and Art Brut-like drawings dominate, and humanity is reduced to obscure figures or fragmented body parts. The new colour images in Spirits and Spaces, created in conjunction with Ballen’s artistic director, Marguerite Rossouw, were produced in a claustrophobic space, constructed of worn, wallpapered wooden panels and with minimalistic lighting. Here, in this dense, oppressive environment, Ballen creates what might be seen by many as a world that is unexplainable in words: one in which absurdity, chaos, comedy and tragedy apparently exist side by side. Both a visual revelation and an artistic evolution by one of contemporary photography's most unique voices, Spirits and Spaces is an essential and much anticipated photobook for all Roger Ballen fans.
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Roger Hilton

Roger Hilton

Andrew Lambirth

Thames Hudson Ltd
2007
sidottu
Roger Hilton (1911–75) was one of the pioneers of British abstract art. This account of his life is lavishly illustrated with works from all stages of his career, in a visually stunning record of his oeuvre. It is further enlivened by numerous anecdotes and reminiscences recalling his sometimes outspoken relations with other artists such as Peter Lanyon, Terry Frost and Patrick Heron, and includes personal memories of his widow, Rose.
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The World According to Roger Ballen

The World According to Roger Ballen

Roger Ballen; Colin Rhodes

Thames Hudson Ltd
2019
sidottu
The World According to Roger Ballen, co-authored with Colin Rhodes, looks at Ballen’s career in the wider cultural context beyond photography, including his connections with and collections of Art Brut. It features photographs selected from across Ballen’s career, along with installations created exclusively for the exhibition at Halle Saint Pierre and photographs of objects and works from Ballen’s own collection of Art Brut. Organized thematically, with texts by Colin Rhodes and an introduction and interview with Ballen by Martine Lusardy (the Director of the Halle Saint Pierre), The World According to Roger Ballen is both a catalogue of the first, major exhibition of Ballen’s work in France and an exploration of Ballen’s positioning within and connections to the wider context of modern and contemporary art.
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Roger of Salisbury, Viceroy of England

Roger of Salisbury, Viceroy of England

Edward J. Kealey

University of California Press
2022
pokkari
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.
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Roger of Salisbury, Viceroy of England

Roger of Salisbury, Viceroy of England

Edward J. Kealey

University of California Press
2022
sidottu
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.
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Roger North's the Musicall Grammarian 1728

Roger North's the Musicall Grammarian 1728

Roger North

Cambridge University Press
2006
pokkari
Roger North's The Musicall Grammarian 1728, first published in 1990, is a treatise on musical eloquence in all its branches. Of its five parts, I and II, on the orthoepy, orthography and syntax of music, constitute a grammar; III and IV, on the arts of invention and communication, form a rhetoric; and V, on etymology, consists of a history. Two substantial chapters of commentary introduce the text, which is edited here for the first time in its entirety: Jamie Kassler places his treatise within the broader context not only of North's musical and non-musical writings but also their relation to the intellectual ferment of the seventeenth and eighteenth centuries and Mary Chan describes physical and textual aspects of the treatise as evidence for North's processes of thinking about musical thinking.
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Roger Planchon

Roger Planchon

Yvette Daoust

Cambridge University Press
2010
pokkari
During the early 1980s, Roger Planchon was foremost among a new breed in France of director-playwrights. Yvette Daoust ably demonstrates why this was so in her 1981 study of his dual role in the theatre. Setting Planchon's work in its historical and theatrical context, Dr Daoust summarises his career up until publication of this volume. In the first part of her book, Dr Daoust concentrates on Planchon as director of the dramatists Vinaver, Adamov and Brecht; of classic English plays - Shakespeare and Marlowe - and of the French classics. Turning in the second part to Planchon the playwright, Daoust examines the development of the social, political and aesthetic beliefs which determined the contents and emphasis of his plays. She estimates the influence of Brecht and the May 1968 événements on Planchon and describes his experiments with different forms of dramatic entertainment in his efforts to capture a regular working-class audience and keep the government subsidies flowing.
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Roger Blin and Twentieth-Century Playwrights

Roger Blin and Twentieth-Century Playwrights

Odette Aslan

Cambridge University Press
1988
sidottu
From her own knowledge of Blin's rigorous working habits, from interviews with close associates, and Blin's own rare statements, production notes and drawings, Odette Aslan has pieced together the history of Blin's work as actor, critic, and director, his relationship with playwrights and actors, and how he struggled against obstacles to stage works by then unknown authors and bring out the peculiar qualities of the plays he chose.
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Roger Planchon

Roger Planchon

Daoust Yvette

Cambridge University Press
1981
sidottu
During the early 1980s, Roger Planchon was foremost among a new breed in France of director-playwrights. Yvette Daoust ably demonstrates why this was so in her 1981 study of his dual role in the theatre. Setting Planchon's work in its historical and theatrical context, Dr Daoust summarises his career up until publication of this volume. In the first part of her book, Dr Daoust concentrates on Planchon as director of the dramatists Vinaver, Adamov and Brecht; of classic English plays - Shakespeare and Marlowe - and of the French classics. Turning in the second part to Planchon the playwright, Daoust examines the development of the social, political and aesthetic beliefs which determined the contents and emphasis of his plays. She estimates the influence of Brecht and the May 1968 événements on Planchon and describes his experiments with different forms of dramatic entertainment in his efforts to capture a regular working-class audience and keep the government subsidies flowing.
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Roger North's The Musicall Grammarian 1728

Roger North's The Musicall Grammarian 1728

Roger North

Cambridge University Press
1990
sidottu
Roger North's The Musicall Grammarian 1728, first published in 1990, is a treatise on musical eloquence in all its branches. Of its five parts, I and II, on the orthoepy, orthography and syntax of music, constitute a grammar; III and IV, on the arts of invention and communication, form a rhetoric; and V, on etymology, consists of a history. Two substantial chapters of commentary introduce the text, which is edited here for the first time in its entirety: Jamie Kassler places his treatise within the broader context not only of North's musical and non-musical writings but also their relation to the intellectual ferment of the seventeenth and eighteenth centuries and Mary Chan describes physical and textual aspects of the treatise as evidence for North's processes of thinking about musical thinking.
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Roger Cotes - Natural Philosopher

Roger Cotes - Natural Philosopher

Gowing Ronald

Cambridge University Press
2002
pokkari
Roger Cotes (1682–1716) was the first Plumian Professor of Astronomy and Experimental Philosophy, at Trinity College, Cambridge. One of the most distinguished, and certainly one of the most ardent, of the early Newtonians he did important work in mathematics and astronomy and edited the second edition of Newton’s Principia. Cotes died young and published only one paper, the Logometria, during his lifetime; a translation of this paper is given in the Appendix. Most of Cotes’s papers were published posthumously in Latin in Harmonia Mensurarum in 1722. Dr Gowing discusses Cotes’ work in some detail but has written the work in such a way that the more technical aspects of the mathematics can be omitted at first reading whilst still giving a clear idea of Cotes’ achievement. Cotes’ work was significant but his full potential was unrealised; in Newton’s reputed words: ‘If he had lived, we might have known something.’
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Roger II of Sicily

Roger II of Sicily

Hubert Houben

Cambridge University Press
2002
sidottu
Although many studies have addressed important aspects of medieval southern Italy, this was the first work for nearly ninety years to be devoted specifically to the life and reign of King Roger II, the founder of the kingdom of Sicily. The book provides a comprehensive introductory narrative of the reign and a clear, scholarly analysis of its culture and of the development of royal government. The kingdom created by the Norman Roger of Hautville in the first half of the twelfth century was a monarchy with highly developed absolutist ideas, an elaborate bureaucracy, a reasonably well-filled treasury, and a mixed cultural heritage reflected by the presence of Arabs and Greeks at court. Based on many years of research in archives and libraries across Europe, the book offers a valuable overview of one of the most striking periods in south Italian and European history.
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Roger II of Sicily

Roger II of Sicily

Hubert Houben

Cambridge University Press
2002
pokkari
Although many recent studies have addressed important aspects of medieval southern Italy, this is the first work for nearly ninety years to be devoted specifically to the life and reign of King Roger II, the founder of the kingdom of Sicily. The book provides a comprehensive introductory narrative of the reign and a clear, scholarly and up-to-date analysis of its culture and of the development of royal government. The kingdom created by the Norman Roger of Hautville in the first half of the twelfth century was a monarchy with highly developed absolutist ideas, an elaborate bureaucracy, a reasonably well-filled treasury, and a mixed cultural heritage reflected by the presence of Arabs and Greeks at court. Based on many years of research in archives and libraries across Europe, the book offers a valuable overview of one of the most striking periods in south Italian and European history.
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Roger Bacon and the Defence of Christendom

Roger Bacon and the Defence of Christendom

Amanda Power

Cambridge University Press
2012
sidottu
The English Franciscan Roger Bacon (c.1214–92) holds a controversial but important position in the development of modern science. He has been portrayed as an isolated figure, at odds with his influential order and ultimately condemned by it. This major study, the first in English for nearly sixty years, offers a provocative new interpretation of both Bacon and his environment. Amanda Power argues that his famous writings for the papal curia were the product of his critical engagement with the objectives of the Franciscan order and the reform agenda of the thirteenth-century church. Fearing that the apocalypse was at hand and Christians unprepared, Bacon explored radical methods for defending, renewing and promulgating the faith within Christendom and beyond. Read in this light, his work indicates the breadth of imagination possible in a time of expanding geographical and intellectual horizons.
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