Kirjojen hintavertailu. Mukana 11 627 064 kirjaa ja 12 kauppaa.

Kirjahaku

Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.

1000 tulosta hakusanalla Sergio Ruzzier

Sergio Toppi's All the World's Glory

Sergio Toppi's All the World's Glory

Sergio Toppi

Magnetic Press
2023
sidottu
A collection of Sergio Toppi’s portrait work featuring notable figures throughout history --famous personalities and cultural figures from ancient times to the modern day. Featuring both black and white and full-color works with captions and text about the various subjects throughout.
Il Diario Di Anna Frank: Dall'alloggio segreto ai Campi di sterminio - Tema a cura di Sergio Felleti
Anna Frank era un'adolescente ebrea che, durante la Seconda Guerra Mondiale, per sfuggire all'arresto dei nazi-fascisti tedeschi fu costretta a nascondersi insieme alla sua famiglia. ---Si segregarono nell'attico di una vecchia casa ad Amsterdam. ---Dopo pi di due anni furono scoperti e deportati nei campi di concentramento e di sterminio, dove lei perse la vita dopo un'inumana sofferenza. ---Il Diario che Anna scrisse durante il periodo trascorso in clandestinit la render famosa in tutto il mondo perch divenuto una tangibile testimonianza della terribile e sanguinosa Shoah di cui lei stessa ne fu vittima. ---Oltre alle cause e ai responsabili delle Leggi Razziali, questo libro rivela, tra l'altro, le atrocit subite e sofferte dalla giovane Anna durante l'internamento. ATTENZIONE: Siccome l'arresto e la deportazione nei campi di sterminio nazisti di Anna Frank e degli altri 7 rifugiati fu un evento alquanto crudele, in questo libro sono presenti immagini
Sergio Kokis

Sergio Kokis

Bony-N

Omniscriptum
2018
pokkari
L''imagination permet-elle de figurer la mort? Nous faut-il utiliser deux langages, plutot qu''un, pour la representer? Et comment s''influencent la peinture et l''ecriture dans une demarche creatrice visant a saisir l''insaisissable? L'' uvre de Sergio Kokis nous invite a ces reflexions. Dans la genese de l'' uvre kokisienne, La danse macabre du Quebec (1999) precede l''ecriture des romans. Cette uvre allie la peinture et la poesie selon une tradition occidentale qui remonte au Moyen Age. Elle represente la mort en la faisant intervenir dans des scenes de la vie quotidienne. Cette figure macabre constitue aussi un motif essentiel du premier roman de Kokis, Le pavillon des miroirs (1994), qui a recu, entre autres, le prix de l''Academie des lettres du Quebec et le prix Quebec-Paris. L''enjeu de notre etude sera de decouvrir comment s''effectue le passage de la peinture vers l''ecriture et de comprendre en quoi l''irruption des images de mort constitue l''inspiration d'' uvres qui deviennent le seul recours possible pour retrouver la vie.
Sergio Buarque de Holanda - Encontros

Sergio Buarque de Holanda - Encontros

Sergio Buarque Holanda

Azougue Press
2023
nidottu
Encontros (Meetings) is the largest and most prestigious book collection of interviews with Brazilian artists and thinkers. With more than 50 published titles, Encontros provides a broad panorama of Brazil's cultural and intellectual wealth. Not by chance, S rgio Buarque de Holanda is considered one of the main interpreters of Brazil, author of classics such as "Roots of Brazil". After his vast intellectual production, his understanding of Brazilian art, literature, essayism, politics and history is not the same. Always focused on the main intellectual and participatory dilemmas of the country, he immediately makes it clear: knowledge of the past is linked to the problems of the present. This volume of the Encounters Collection gathers his main interviews.
(cat.): Sergio De Beukelaer

(cat.): Sergio De Beukelaer

Sergio Beukelaer

STOCKMANS NV
2025
sidottu
Sergio De Beukelaer has been working on a self-confident and uncompromising oeuvre of paintings for over 20 years. The work of Sergio De Beukelaer appears simple and colourful but unites all kinds of apparent contradictions. Although his painting looks sleek, formal, geometric and abstract, it always starts out from a strong desire for reality. It is not the reality itself that interests him. He is concerned with a translation thereof. Through visual thinking and acting, he always achieves a certain form of abstraction within the formal framework of painting. Seemingly effortlessly, his art navigates between surface and space, text and image, intellectual seriousness and playful irony, painting and sculpture. Via the original and inimitable concept of the fat canvas, a three-dimensional painting, the artist breaks down the boundaries of classical painting. His paintings appropriate the space and generate a powerful visual impact on their environment. (cat.) is a bold and beautiful monograph of paintings and installations that look simple but combines a variety of paradoxes. Text in English and Dutch.
(cat.)(draw.) Sergio De Beukelaer

(cat.)(draw.) Sergio De Beukelaer

Sergio Beukelaer

Stockmans Art Books
2025
sidottu
The Belgian artist Sergio De Beukelaer has been working on a self-confident and uncompromising oeuvre of paintings for over twenty years. Leaf through his archive of sketches, designs and preliminary drawings made between the years 1997-2023. (cat.)(draw.) follows our first book published with Sergio called (cat.) and presents the prequel to the final result. Discover how an artist plots his designs, and handles his archive of drawings. This book gives a greater insight in the heart of the matter behind Sergio De Beukelaer’s artworks. Sergio’s drawings expose him indiscriminately, hence why he has waited until 2023 to reveal them. “What mathematics is to an engineer, drawings are to an artist. It is the seedbed from which an idea springs. When I am in a gallery or a museum, I want to gain insight and be nurtured. To paraphrase Umberto Eco, a work of art “is a machine for generating interpretations”. Sergio De Beukelaer is represented by PLUS-ONE Gallery. Text in English and Dutch.
Padre Sergio Ed Altri Racconti

Padre Sergio Ed Altri Racconti

Leone Tolstoj

Createspace Independent Publishing Platform
2015
nidottu
Quattro racconti di Tolstoj: "Padre Sergio", "Dopo il ballo", "Aljosa il bricco" e "Quel che vidi in sogno", tradotti dalla Duchessa di Andria, per le edizioni Slavia, 1931."Padre Sergio", racconto lungo, fu scritto nel 1890-1898, e pubblicato postumo: ricco di elementi autobiografici, esprime la morale dell'autore negli ultimi dieci anni della sua vita. E' la storia di una finta vocazione, che diventa uno strumento, prima del demonio, e poi di Dio."Dopo il ballo" fu scritto nel 1903. E' un quadro conciso ma efficiente del contrasto fra la vita brillante e la crudelt che si nasconde dietro le apparenze. "Ali sa il bricco" fu scritto nel 1905, e pubblicato postumo, ed ispirato alla vita e alla morte di uno sguattero. Ali sa mor , ma nel suo cuore c'era la certezza che, come quaggi si stava bene se si obbediva e non ci si irritava, cos anche l si sarebbe stati bene."Quel che vidi in sogno" fu scritto nel 1906 ed il racconto di un perdono, una storia dolceamara che, di nuovo, mette in contrasto le ipocrisie della societ contro i pi sinceri sentimenti.
The Sergio Torres Story

The Sergio Torres Story

Torres Sergio; Manuel Lopez Juan

Pitch Publishing Ltd
2013
nidottu
The true-life story of an imagined Utopia - of willpower, sacrifice and joy, and of daring to dream. Imagine you're working in a brick factory in the Argentine city Mar del Plata, and a 22-year-old colleague tells you he's going to quit his job to become a professional footballer in Europe. Yeah, right. Next, he blows his savings on a ticket to England, travelling with just 300 dollars in his pocket. He doesn't speak English, has no one to stay with and no work. Time passes. You forget about the kid. Until, three years later, you turn on the TV and he's playing against Chelsea at Stamford Bridge - mixing it against the likes of Ballack and Drogba. After his brush with the Blues, it isn't long before he's up against Wayne Rooney at a packed Theatre of Dreams. The incredible journey of Crawley Town playmaker Sergio Torres shows that reality can be stranger than fantasy. And you haven't heard half of it yet...
A Bike Like Sergio's

A Bike Like Sergio's

Maribeth Boelts

Candlewick Press (MA)
2016
sidottu
Finders keepers, right? When Ruben picks up someone's lost money, he finds out how hard it can be to do the right thing. Ruben feels like he is the only kid without a bike. His friend Sergio reminds him that his birthday is coming, but Ruben knows that the kinds of birthday gifts he and Sergio receive are not the same. After all, when Ruben's mom sends him to Sonny's corner store for groceries, sometimes she doesn't have enough money for everything on the list. So when Ruben sees a dollar bill fall out of someone's purse, he picks it up and puts it in his pocket. But when he gets home, he discovers it's not one dollar or even five or ten--it's a hundred-dollar bill, more than enough for a new bike just like Sergio's But what about the crossed-off groceries? And what about the woman who lost her money? Presenting a relatable story told with subtlety and heart, the creative team behind Those Shoes pairs up again for a satisfying picture book.
The Art of Sergio Leone's Once Upon a Time in the West
Few directors are characterized by both extraordinary film craft and the ironic reputation for lowbrow films. Despite his many achievements as a child of the Italian Cinecitta studios, however, Sergio Leone has been judged severely by writers who find his films lacking in ideas and moralists who find his films unduly cynical. Nevertheless, Leone's greatest cinematic achievement, Once Upon a Time in the West, served to refute these criticisms while exposing the director's unique romanticism and artistic ambition. As Leone's fourth successful American western film, Once Upon a Time in the West earned him acclaim for liberating the western genre, restoring it to a place of antique American simplicity. The principal goal of this book is to sharpen an appreciation for Sergio Leone and his most famous American western. The first two chapters deal with the relationship between Once Upon a Time in the West and the western films that preceded it, particularly those of John Ford. Subsequent chapters concentrate on the central characters of Once Upon a Time in the West, with special attention to Jill, Leone's first female protagonist and a surprisingly successful character, central to the plot and accorded a kind of existential strength usually reserved for men in Westerns. The sixth, seventh and eighth chapters address Leone's visual style, which represents a unique fusion of Hollywood classicism and modernism, and reveals the influences of Italian Surrealism and the French New Wave. The final chapters explore the rhythm, romanticism, and musical character of Once Upon a Time in the West, espousing the theory that Leone's approach to film is, above all, musical.
The Films of Sergio Leone

The Films of Sergio Leone

Robert C. Cumbow

Scarecrow Press
2008
nidottu
Sergio Leone's renown as a filmmaker rests upon a fistful of films, most notably the three Westerns he made with Clint Eastwood in the mid-1960s: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). While the success of these movies ensured Leone's reputation would endure, the few films he made following The Man with No Name Trilogy—culminating in his American gangster epic, Once Upon a Time in America (1984) with Robert DeNiro—would solidify Leone's place as one of the great visionaries of his time. In this enhanced revision of Once upon a Time: The Films of Sergio Leone, Robert C. Cumbow examines the work of this Italian filmmaker who made his mark re-envisioning the American Western. This volume includes a greatly expanded introduction and contains newly revised essays in which Cumbow analyzes the transition from "peplum" films to westerns in the Italian popular tradition. The book also examines each of Leone's major films as director, as well as the swan song Italian Western My Name Is Nobody, which Leone co-wrote and guided as producer. Cumbow also studies Leone's compositional style and the influence of Catholicism and the Italian grand opera tradition on his work. He provides a critical evaluation of Leone's style in reshaping the Western genre (and later, the crime film), as well an assessment of the influences on Leone's work, and his continuing impact on subsequent generations of film makers. Additional features of this book include thumbnail comments on the professionals who most frequently made up Leone's cast and crew, as well as an entire chapter devoted to composer Ennio Morricone. The book also includes an exhaustive bibliography, discography, and filmography, completely updated for this new edition. For fans and scholars seeking original and illuminating discussion of his work, The Films of Sergio Leone provides a critical appreciation of this master stylist.
A Bike Like Sergio's

A Bike Like Sergio's

Maribeth Boelts

Candlewick Press (MA)
2018
nidottu
Finders keepers, right? When Ruben picks up someone's lost money, he finds out how hard it can be to do the right thing. Ruben feels like he is the only kid without a bike. His friend Sergio reminds him that his birthday is coming, but Ruben knows that the kinds of birthday gifts he and Sergio receive are not the same. After all, when Ruben's mom sends him to Sonny's corner store for groceries, sometimes she doesn't have enough money for everything on the list. So when Ruben sees a dollar bill fall out of someone's purse, he picks it up and puts it in his pocket. But when he gets home, he discovers it's not one dollar or even five or ten--it's a hundred-dollar bill, more than enough for a new bike just like Sergio's But what about the crossed-off groceries? And what about the woman who lost her money? Presenting a relatable story told with subtlety and heart, the creative team behind Those Shoes pairs up again for a satisfying picture book.
Happy Birthday Sergio - The Big Birthday Activity Book: Personalized Children's Activity Book
Happy Birthday Sergio is a personalized kids activity book, it includes personalized crosswords, word searches, number puzzles, jokes, drawing and coloring >It is suitable for children between 6-11 years old It is the perfect birthday present for Sergio, and is a great keepsake for parents to remember their child's early years and birthdays This personalized book is available for other names also This is a great gift for children and an amazing keepsake for parents Happy Birthday Sergio
Poesie: Traduzione di Sergio Baldelli - Testo a fronte
EDIZIONE CON TESTO A FRONTE DELLE POESIE DI GEORG HEYMLa prima traduzione integrale in italiano di Poesie (opera postuma pubblicata nel 1922) dello straordinario scrittore proto-espressionista tedesco Georg Heym morto nel 1912 a soli venticinque anni.Questa libro contiene tutte le 130 poesie dell'edizione del 1922 con il testo tedesco a fronte.La mia anima un serpente, Morto ormai da gran tempo, Solo ogni tanto in mattini d'autunno, Al crepuscolo spoglioMi espando in alto fuori dalla finestra, Verso le stelle cadenti, Sopra i fiori e i crescioniLa mia fronte brillaNel lamentoso vento notturno.Georg Heym
Three Pavilions by Sérgio Bernardes Contribution to the Brazilian Modern Architectural Avant-Garde in the Mid-20th Century
As part of the second generation of modern architects from Rio de Janeiro - at least one decade separated him from the first group of modern architects acting in Rio, such as L cio Costa (1902-1998), Jorge Machado Moreira (1904-1992), Oscar Niemeyer (1907-2012) and Affonso Eduardo Reidy (1909-1964) -, S rgio Bernardes (1919-2002) was a son of the new times. Graduated in 1948 at the National School of Architecture of the University of Brazil, currently the Federal University of Rio de Janeiro, his work began to consolidate precisely in the post-war period, when the North American culture was imposed as the greatest reference in the Brazilian context, leaving the European influence - and the French, as its greatest expression in the country16 - in the background.Fausto Sombra's research is based on some academic texts that converge in the affirmation of the greater affinity of Bernardes' work with the cultural and technological expe-rience underway in the United States;